Cello and piano

SKU: M7.DUX-957

12 Tangos For Cello & Piano. Composed by Chris Gall. Sheet music. Score and part. 68 pages. Edition Dux Verlag #DUX 957. Published by Edition Dux Verlag (M7.DUX-957).

ISBN 9783868492972.

TANG O - das ist das Album des World Music Ensembles Quadro Nuevo, das nach einer 'Buenos-Aires-Expedition' zusammen mit dem Pianisten Chris Gall veröffentlicht wurde. TANGO FOR TWO - das ist die daraus entstandene Sammlung von 12 Tangos für die spannende 'Duo-Besetzung'. Neben Eigenkompositionen wurden unter anderem Stücke von Ángel Villoldo (El Choclo), Carlos Gardel (Por una cabeza, El día que me quieras) und Astor Piazzolla (Libertango, Oblivion) für das Duospiel arrangiert. Die Reihe ist erhältlich für Tenorsaxophon, Altsaxophon, Klarinette, Trompete, Flöte, Violine und Violoncello, wahlweise in der Besetzung Solo + Piano oder Solo mit CD. Die CD beinhaltet alle 12 Titel als Play-along- und Duo-Versionen. Die Arrangements von Mulo Francel und Chris Gall liegen im mittleren Schwierigkeitsgrad. Der Ausgabe liegt ein 36-seitiger Einleger mit der Violoncellostimme bei.

(14 Tangos and Other Pieces for Violin with a CD of Performances and Accompaniments). By Astor Piazzolla (1921-1992). Arranged by Hywel Davies. Boosey and Hawkes Chamber Music. Softcover with CD. 20 pages. Boosey and Hawkes #M060120725. Published by Boosey and Hawkes

Violin & piano

SKU: HH.HH033-FSP

Composed by Giovanni Paisiello. Edited by Adriano Cirillo. Violin & Piano. Score and parts. Edition HH Music Publishers #HH033-FSP. Published by Edition HH Music Publishers (HH.HH033-FSP).

ISBN 9790708024897.

This little known sonata by the great opera composer is here published for the first time with keyboard realization and basso part.

Histoire Du Tango by Astor Piazzolla (1921-1992). For flute/violin and piano. Classical. Grade 4. Score. 37 14 14 pages. Duration 23 minutes. Published by Editions Henry Lemoine

By William Walton (1902-1983). Arranged by Hugh MacDonald. For Chamber ensemble. This edition: WE19. Scores. William Walton Edition. Walton Edition. Full score. 288 pages

(Arranged for Solo Cello and String Orchestra). By Astor Piazzolla (1921-1992). Arranged by Paul Salerni. For Solo Cello, 2 Violin 1, 2 Violin 2, 2 Violin 3, 2 Violin 4, 2 Viola 1, Viola 2, Cello 1, Cello 2, Cello 3, Contrabass 1, Contrabass 2. Score

By Carl Philipp Emanuel Bach. Woodwind and string ensembles. Published by International Music Co.

By Carl Philipp Emanuel Bach. Woodwind and string ensembles. Published by International Music Co.

(Arranged For Viola, String Orchestra And Piano). By Astor Piazzolla (1921-1992). Arranged by Brett L. Allen. For Solo Viola, Violin 1, Violin 2, Viola, Cello, Contrabass, Piano. 52 pages. Published by Berben

By Astor Piazzolla. Arranged by Uwe Rassler. For Piano Trio (optional Parts for 2nd Violin, Bass, Flute and Clarinet). Tango. Full score and parts. Published by Uetz Music (German import). (BU 9044)

Revised and corrected by Pablo Ziegler. By Astor Piazzolla. Arranged by . For Violin, Piano. Published by Tonos (German import).

By Astor Piazzolla. For Bandoneon, Piano, Violin, Electric Guitar, Double Bass. Tango. Score. Published by Tonos (German import). (70002 027 00)

Score - Revised and corrected by Pablo Ziegler. By Astor Piazzolla. For Piano, Violin, Bandoneon, Electric guitar, Double bass. Published by Tonos (German import).

Chamber Music Cello, Piano, Viola, Violin, Violin 1, Violin 2

SKU: PR.144407570

Composed by Ellen Taaffe Zwilich. Set of Score and Parts. 64+12+12+12+12+12+12 pages. Duration 24 minutes. Merion Music #144-40757. Published by Merion Music (PR.144407570).

ISBN 9781491136522. UPC: 680160689330.

Ellen Taaffe Zwilich’s Septet is the first major work written for this combination of instruments, and the pioneering process was greatly enjoyed by the composer: “While the instrumentation of the Septet provides an almost orchestral palette, and it was interesting to explore that, I love the idea of seven artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results from those shifting roles.” Septet was written for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet, to whom it is dedicated. String parts available on rental. For advanced ensembles. Duration: 24’.
Writing music is a labor of love for me.  My greatest joy is writing for performers whom I can be sure will not only deliver the notes accurately, but will project the meaning behind the notes.  To have performers in the wings who will bring their own imagination and deep understanding to a performance is an inspiration to me.  So I approached the writing of my Septet for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet with great anticipation and pleasure.The fact that there is no model for such a Septet made the pre-composition process a most enjoyable exploration.  I liked the idea of having two strong ensemble personalities in the mix, and I thought that there must be some sort of challenging interchange at the outset.  The first movement, “Introductions,â� � (note the plural) starts with the piano trio throwing down the gauntlet and the string quartet entering quietly, but gradually (almost one by one) joining with the trio to make a true septet with multi-faceted relations.  The second movement, “Quasi una Passacaglia,” is based on a repeated phrase pattern.  Part of the formal design is a contrast between “Baroque” style performance and modern, more romantic ways of playing.  “Games,” the third movement, involves much playful interplay and the fourth movement, “Au revoir,” offers both reminiscence and farewell – not “good-bye,” but “until we meet again.”Throughout the piece, two of my persistent fascinations are explored: firstly, my interest in designing initial material that can evolve into large-scale form, and secondly, the pleasure I take in chamber music.  While the instrumentation of the Septet provides an almost orchestral palette and it was interesting to explore that, I love the idea of 7 artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results form those shifting roles.

Chamber Music Cello, Piano, Viola, Violin, Violin 1, Violin 2

SKU: PR.14440757S

Composed by Ellen Taaffe Zwilich. Full score. 64 pages. Duration 24 minutes. Merion Music #144-40757S. Published by Merion Music (PR.14440757S).

ISBN 9781491136539. UPC: 680160689347.

Ellen Taaffe Zwilich’s Septet is the first major work written for this combination of instruments, and the pioneering process was greatly enjoyed by the composer: “While the instrumentation of the Septet provides an almost orchestral palette, and it was interesting to explore that, I love the idea of seven artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results from those shifting roles.” Septet was written for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet, to whom it is dedicated. String parts available on rental. For advanced ensembles. Duration: 24’.
Writing music is a labor of love for me.  My greatest joy is writing for performers whom I can be sure will not only deliver the notes accurately, but will project the meaning behind the notes.  To have performers in the wings who will bring their own imagination and deep understanding to a performance is an inspiration to me.  So I approached the writing of my Septet for the Kalichstein-Laredo-Robins on Trio and the Miami String Quartet with great anticipation and pleasure.The fact that there is no model for such a Septet made the pre-composition process a most enjoyable exploration.  I liked the idea of having two strong ensemble personalities in the mix, and I thought that there must be some sort of challenging interchange at the outset.  The first movement, “Introductions,â� � (note the plural) starts with the piano trio throwing down the gauntlet and the string quartet entering quietly, but gradually (almost one by one) joining with the trio to make a true septet with multi-faceted relations.  The second movement, “Quasi una Passacaglia,” is based on a repeated phrase pattern.  Part of the formal design is a contrast between “Baroque” style performance and modern, more romantic ways of playing.  “Games,” the third movement, involves much playful interplay and the fourth movement, “Au revoir,” offers both reminiscence and farewell – not “good-bye,” but “until we meet again.”Throughout the piece, two of my persistent fascinations are explored: firstly, my interest in designing initial material that can evolve into large-scale form, and secondly, the pleasure I take in chamber music.  While the instrumentation of the Septet provides an almost orchestral palette and it was interesting to explore that, I love the idea of 7 artist-performers, each of whom can be a stunning virtuoso one moment and a thoughtful partner the next, and I relish the electricity that results form those shifting roles.

Chamber Ensemble

SKU: HL.14015239

Composed by Pelle Gudmundsen-holmgreen. Music Sales America. Classical. Set of Parts. 58 pages. Music Sales #KP00922. Published by Music Sales (HL.14015239).

ISBN 9788759889503. English.

Parts for Passacaglia by Pelle Gudmundsen-Holmgreen (1977). For Violin, Cello, Clarinet, Piano and Tabla.

Parts - Revised and corrected by Pablo Ziegler. By Astor Piazzolla. Arranged by . For Piano, Violin, Bandoneon, Electric guitar, Double bass. Published by Tonos (German import).

(for Oboe and Chamber Ensemble Full Score and Solo Oboe Part). By Michael Daugherty (1954-). For Oboe, Chamber Ensemble. Peermusic Classical. 72 pages. Peermusic #62086-326. Published by Peermusic

SKU: SU.00220222

Composed by Richard Strauss. Strings, Violin. CD (PDF Scores). CD Sheet Music #00220222. Published by CD Sheet Music (SU.00220222).

AVAILABLE FOR SALE TO U.S. CUSTOMERS ONLY The complete Violin I & II parts [CD-ROM] for the 50 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 9: Strauss, Sibelius and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BLOCH Schelomo; J. STRAUSS II Fledermaus Overture, Gypsy Baron Overture, Perpetuum Mobile; R. STRAUSS Alpine Symphony, Also sprach Zarathustra, Aus Italien, Bürger als Edelmann (Le Bourgeois Gentilhomme), Burleske for Piano and Orchestra, Cäcilie, Dance of the Seven Veils, Death and Transfiguration, Don Juan, Don Quixote, Ein Heldenleben, Freundliche Vision, Horn Concerto No. 1 in Eb, Macbeth, Morgen (2 keys), Das Rosenband, Rosenkavalier Waltzes, Symphonia Domestica, Till Eulenspiegel's Merry Pranks, Zueignung (2 keys); SIBELIUS Andante festivo, En Saga, Finlandia, Karelia Suite, Lemminkäinen Suite Nos. 1-4, Pelleas and Melisande, Pohjola's Daughter, Symphonies Nos. 1-5, Valse triste, Violin Concerto; SCHOENBERG Chamber Symphony No. 1, Gurrelieder, Pelleas and Melisande, 5 Pieces for Orchestra, Pierrot lunaire, Verklärte Nacht; WEBERN Passacaglia, Op. 1 Visit for more information

Ple ase note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.