Composed by Pavel Joseph
Vejvanovsky. Edited by
Wolfgang Furlinger.
Coppenrath Series. German
title: Missa Salvatoris
1102401. Sacred vocal
music, Masses, Latin.
Single Part, Viola 2. 8
pages. Carus Verlag #CV
91.038/14. Published by
Carus Verlag
(CA.9103814).
String Quartet (Set) SKU: HL.48015005 Score and Parts. Composed by...(+)
String Quartet (Set)
SKU: HL.48015005
Score and Parts.
Composed by Pavel Haas.
Boosey & Hawkes Chamber
Music. Classical,
Contemporary. Bote & Bock
#M202517611. Published by
Bote & Bock
(HL.48015005).
By Pavel Grigorievich Chesnokov (1877-1944). Arranged by Vladimir Morosan. For S...(+)
By Pavel Grigorievich
Chesnokov (1877-1944).
Arranged by Vladimir
Morosan. For SSAA choir.
Russian Title: Spasenie
sodelal. Language: Church
Slavonic. Op. 25, No. 5.
Published by Musica
Russica
(Blagoslovi, dushe moya, Ghospoda). Composed by Pavel Grigorievich Chesnokov (18...(+)
(Blagoslovi, dushe moya,
Ghospoda). Composed by
Pavel Grigorievich
Chesnokov (1877-1944).
For SATB choir. Choral
octavo. Language: Church
Slavonic. Published by
Musica Russica
(Hvalite Ghospoda s nebes). By Pavel Grigorievich Chesnokov (1877-1944). For SSA...(+)
(Hvalite Ghospoda s
nebes). By Pavel
Grigorievich Chesnokov
(1877-1944). For SSAA
choir. Choral octavo.
Language: Church
Slavonic. Published by
Musica Russica
Transponierte
Studienfassung.
Composed by Pavel Joseph
Vejvanovsky. Edited by
Philipp. Arranged by
Philipp. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 8115.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-8115).
Trombone, piano - Level 2-3 SKU: HF.FH-2583 Composed by Pavel Josef Vejva...(+)
Trombone, piano - Level
2-3
SKU:
HF.FH-2583
Composed
by Pavel Josef
Vejvanoysky. Edited by
Philipp. Arranged by
Philipp. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 2583.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-2583).
String Quartet No. 2 op. 7 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Bote and Bock
String Quartet SKU: BT.SCHBB1400435 From the Monkey Mountains. Com...(+)
String Quartet
SKU:
BT.SCHBB1400435
From the Monkey
Mountains. Composed
by Pavel Haas. Set (Score
& Parts). 108 pages. Bote
& Bock #SCHBB1400435.
Published by Bote & Bock
(BT.SCHBB1400435).
Die Moldau [Partition + CD] Music Distribution Services
SKU: M7.SCHV-421 Abenteuer am Fluss mit der berühmten Musik von Bed...(+)
SKU: M7.SCHV-421
Abenteuer am Fluss mit
der berühmten Musik
von Bed?ich Smetana.
Composed by Bedrich
Smetana. This edition:
Hardback/Hardcover. Book
with CD. 30 pages. MDS
(Music Distribution
Services) #SCHV 421.
Published by MDS (Music
Distribution Services)
(M7.SCHV-421).
ISBN
9783931862794. German.
Silvia
Katefidis.
Das
Musikbilderbuch mit
Begleit-CD! Pavel
Flossitsch, der
Moldaufisch, lädt die
Kinder ein, mit ihm und
der klassischen Musik von
Bed?ich Smetana die
Moldau entlang zu
schwimmen. Die
einzigartigen, lebendigen
Illustrationen und
kindgerechten
Erzähltexte machen
dieses Musikbilderbuch zu
einem ganz besonderen
Klassik-Schatz für
jeden Kindergarten und
für die Familien
zuhause. Das Hörspiel,
ein Musikrätsel und
das Gesamtwerk machen die
beiliegende CD zu einem
Hörgenuß!
Composed by Pavel Joseph
Vejvanovsky. Edited by
Wolfgang Furlinger.
Coppenrath Series. German
title: Missa Salvatoris
1102401. Sacred vocal
music, Masses, Latin.
Single Part, Trombone 2.
Composed 1791. 8 pages.
Carus Verlag #CV
91.038/34. Published by
Carus Verlag
(CA.9103834).
By Pavel Grigorievich Chesnokov (1877-1944). Arranged by A. T. Davison. For SSAA...(+)
By Pavel Grigorievich
Chesnokov (1877-1944).
Arranged by A. T.
Davison. For SSAATTBB
Choir. Choral, general.
Octavo. 4 pages.
Published by E.C.
Schirmer Publishing
(Vzbrannoy voyevode). By Pavel Grigorievich Chesnokov (1877-1944). For SATB choi...(+)
(Vzbrannoy voyevode). By
Pavel Grigorievich
Chesnokov (1877-1944).
For SATB choir. Choral
octavo. Language: Church
Slavonic. Op. 44, No. 10.
Published by Musica
Russica
(Instr-Str-solo,Orch) SKU: BA.BA10578-01 Composed by Bohuslav Martinu. Ed...(+)
(Instr-Str-solo,Orch)
SKU: BA.BA10578-01
Composed by Bohuslav
Martinu. Edited by
Aleš Brezina, Jitka
Zichová, Paul
Silverthorne, Pavel
Žurek, and Sandra
Bergmannová. This
edition: complete
edition, urtext edition.
Linen. The Bohuslav
Martinu Complete Edition
III/1/8. Replaces H 277.
Complete edition, Score,
anthology. Baerenreiter
Verlag #BA10578_01.
Published by Baerenreiter
Verlag (BA.BA10578-01).
ISBN 9790260109056. 33
x 26.2 cm inches.
Preface: Brezina,
Aleš.
The two
concertos contained in
this volume represent two
different stylistic
periods within Martinu's
work. TheConcerto da
Camera(1941) is the last
of his works inspired by
the Baroque concerto
grosso.
TheRhapsody-Concerto,
composed eleven years
later (1952), was the
first work of his
so-calledfantasia period,
marked by a more open
sense of form and an
expansion of tonality.
The edition of
theConcerto da
Camerashows, for the
first time, the extent of
Martinu's modifications
to the work since its
composition and
publication, particularly
to the solo violin part.
The edition of
theRhapsody-Concertotakes
into account previously
unknown contemporary
performance materials
which have recently been
discovered.
This
volume of the Bohuslav
Martinu Complete Edition
(BMCE) is based on a
wealth of text and music
sources, in particular
autographs and
contemporary copies that
were recognized by the
composer and early
performers of the works,
as well as some first
editions produced under
the supervision of
Martinu.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Band/Concert Band Music). By Tchesnokov (tschesnokoff), Pavel. Arranged by Fran...(+)
(Band/Concert Band
Music). By Tchesnokov
(tschesnokoff), Pavel.
Arranged by Frank
Erickson. For Concert
Band. Band - Concert Band
Music. Southern Music.
Grade 3. Southern Music
Company #S645CB.
Published by Southern
Music Company
a due Trompette [Conducteur] Deutscher Verlag für Musik
Trumpet(s) solo SKU: BR.DV-32027 Trumpet Music of the 17th and 18th Ce...(+)
Trumpet(s) solo
SKU:
BR.DV-32027
Trumpet Music of the
17th and 18th
Centuries. Composed
by Kurt (Hrsg.) Janetzky.
Edited by Kurt Janetzky.
Solo instruments;
Softcover. Deutscher
Verlag. Z.T. mit Pauken
und B.c. Baroque period.
Score. 24 pages.
Deutscher Verlag fur
Musik #DV 32027.
Published by Deutscher
Verlag fur Musik
(BR.DV-32027).
ISBN
9790200425192. 9 x 12
inches.
Bicinia -
unaccompanied duos - have
been known to us from the
fifteenth century
onwards. So quite early
on it was customary tu
practise this type of
musical exercise, which
later, especially during
the Romantic period,
achieved great popularity
as the duo or duett.
Equal numbers of this
sort of instrumental duo
were composed for nearly
all wind and string
instruments. On the other
hand, only a small amount
of compositions for two
trumpets have come down
to us. In order to play
any music which
progresses beyond pure
fanfare on a natural
(valueless) trumpet, it
is necessary to make use
of the clarion register
(the top third of the
natural harmonic). And if
such a melody is to be
accompanied by a second
part, only the few
natural notes lying below
it are left, or else this
high register itself,
which calls for great
virtuosity on the part of
the trumpeter. As well as
this, we must remember
the fact that
trumpet-playing was only
allowed for the
trumpeters of a royal
court, army, staff, or
for the field-trumpeter
of a prince, plus a few
council, city, and church
musicians, who were bound
by strict guild and
corporation rules. Thus
in spite of the
preference for its
festive sound, the spread
and handing down of
trumpet music was almost
reduced to nothing under
these circumstances. As
well as this, pride of
place and profession
rivalry and envy amongst
musicians contributed in
large part. In England
the situation was
somewhat freer. Here
pretty little trumpet
duos originated,
including, amongst
others, those written by
Handel for his
master-trumpeter Valentin
Snow and the Royal
Sergeant-trumpeters of
the Shore family. An
especially happy
exception was the diocese
of Olmiitz. Here there
was a capable group of
musicians of the chapel
royal with the
brilliantly talented
group of trumpeters and
the field-trumpeter Pavel
Vajvanovsky, who also
composed himself. These
trumpeters in the service
of his prince-bishop
played many sacred and
secular pieces, all for
several instruments. It
was for them also that
Heinrich Ignaz Franz
Biber wrote the 12 double
trumpet sonatas we
present here. On the
other hand, the
representatives of the
authorities in Germany
ensured strict
observation of all edicts
and regulations. Even the
celebrated Bach-trumpeter
and towm-piper Gottfried
Reiche was never allowed
to be portrayed with a
proper trumpet due to the
priveleges of court and
field trumpeters. In
order to represent him as
one of the greatest
masters of his time and
art, however, the painter
placed an instrument
similar to a
corno-di-caccia in his
hand, together with a
sheet with a small piece
for virtuoso clarion.
When we try in spite of
these difficulties and
adverse circumstances to
gather a collection of
musically valuable and
characteristic examples
of popular pieces for two
trumpets from the
seventeenth and
eighteenth centuries, it
is in the first, place in
order to acquaint modern
trumpeters with something
of the wealth of music,
which can also be well
played on a modern
trumpet with valves. The
originally used trumpets
correspond to modern ones
in the keys of C and D,
but this does not mean
that many of the pieces
cannot be transposed to a
more comfortable
register. On top of this,
we have tried to give a
picture of the baroque
court and field
trumpeter, as well as of
the mysterious clarion
trumpeter, with the help
of musically popular
material. The origin of
most of the pieces used
is no longer clearly
discernable. In most
cases we possess second-
or third-hand copies
which have been handed
down, and show signs of
frequent use. A few cases
where modernization of
the second part obviously
did not take place until
the invention of stops,
have been re-shaped into
their supposed original
form. A series of further
dynamic details were
left, and marked as
optional suggestions in
brackets. Kurt
Janetzky
Tropari: Blagosloven yesi, Ghospodi. By Pavel Grigorievich Chesnokov. For TTBB C...(+)
Tropari: Blagosloven
yesi, Ghospodi. By Pavel
Grigorievich Chesnokov.
For TTBB Choir, Tenor
Solo. Language: Church
Slavonic. Op. 39a, No. 3.
Published by Musica
Russica. (Cn 214mc)