(St Petersbourg (edition posthume), c. 1807). By Ivan Evstafievitch Handochkine. Edited by Pavel Serbin. Violon seul. For Violin. Facsimiles. Collection Dominantes. Grade 0. 27 pages

For Trumpet. Composed by Marcel Bitsch (1921-). Leduc. Classical. Softcover. 22 pages. Alphonse Leduc #AL21316. Published by Alphonse Leduc

Vol. 1 - Recueil du Chef D'Orchestre. Concert Band Method. Essential Elements for Band. French Edition. Score (with Media Online). 358 pages. Published by Hal Leonard

By Ralph C. Schultz. Arranged by Lynn L. Petersen. For Voices: Solo (medium). Piano. Wedding; Solo Sacred. Level: easy. 3 pages. Published by GIA Publications.

Piano - intermediate

SKU: HL.49008100

Composed by Barbara Heller. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1984. 12 pages. Duration 15'. Schott Music #ED 8620. Published by Schott Music (HL.49008100).

ISBN 9790001115490.

Scar let Letters was composed in 1984 on commission of the pianist and harpsichordist Franzpeter Goebels (1920-1988) on the occasion of the 300th birth day of Domenico Scarlatti. The original working title 'Lettere scarlattine' is a concealed homage to the Italian composer. The compositional material is limited to the tones D, E, C, Es (= S, spoken 'Es' = E flat in German notation) and A, derived from the musical letters of Domenico Scarlatti's name, and the tones B (= B flat in German nota tion) and H (= B natural), the initials of my name. With 7 tones and 7 parts, this music is a sort of story about my imaginary encounter with the composer Domenico Scarlatti who was then one of my favourite composers. Sometimes I also used compositional means which I discovered in the sonatas of Scarlatti, such as quick 6/8 figures, afterbeat octaves and repetitions of short motifs. I tried to translatethe clarity, brightness and cheerfulness, the astounding modulations and the pianistic brilliance of his music into my compositional language.Barbara HellerThe piece was recorded on CD by the American pianist Deborah Richards (WERGO 6610-02). First performance: 31. October 1987 International Festival of Women Composers, Unna; Rosario Marciano, piano.

Accordion - Grade 4

SKU: BT.DHP-0971070-400

Composed by Fons Van Gorp. Educational Tool. Book with CD. Composed 1997. 36 pages. De Haske Publications #DHP 0971070-400. Published by De Haske Publications (BT.DHP-0971070-400).

ISBN 9789043102490. English-German-French-Dut ch.

This exciting book with CD accompaniment featuring real musicians, covering many styles of light music including swing, country, rumba, slow rock, disco, mambo, cha-cha and rock. This book can be used together with a keyboard or piano (book available separately) for a concert performance or as a short audition item.

More Swop is bedoeld voor diegenen die niet genoeg kunnen krijgen van SWOP - en bevat twaalf stukken in muziekstijlen als jazz, pop, blues en latin. Een waardevolle aanvulling binnen deze succesvolle serie van Fons van Gorp.Zoals alle SWOP-boeken: met een door een live-band ingespeelde cd en een afzonderlijk verkrijgbaar begeleidingsboek voor keyboard/piano, inclusief de akkoorden voor gitaar en basgitaar.

More Swop - das sind mehr Stücke im Jazz, Pop-, Blues und Latin-Stil aus der Feder von Fons van Gorp. Mit den in diesem Spielbuch versammelten vierzehn Stücken können mäßig fortgeschrittene Instrumentalisten ausgezeichnet üben und ohne viel Theorie an Spielweise und Artikulation arbeiten. Dabei werden sie von einer echten Band auf der beiliegenden CD begleitet; für Auftritte gibt es ein Buch mit Begleitungen für Klavier und Keyboard samt Akkordnotationen für Gitarre.

C’est l’amalgame des mots swing et pop qui a donné son nom ce style musical dynamique et tonifiant : le Swop. Cette savante équation fonctionne aussi bien dans le jazz et le blues que dans le rock ou la musique pop. Chaque volume de cette collection contient dix pièces toniques. Répéter se dit désormais ‘swopper'.

L’unione delle parole Swing e Pop ha dato il nome a questo stile musicale dinamico e tonificante: lo Swop. Questa equazione funziona altrettanto bene nel jazz e nel blues, nel rock e nella musica pop. Per scoprire, migliorare e perfezionare questo nuovo genere musicale, la collezione Swop si articola in sette raccolte distinte. Da Very Easy Swop a Work Swop (per creare un vero gruppo), lasciatevi guidare dall’accompagnamento musicale affidato ad un gruppo di professionisti.

Accordion - Grade 3

SKU: BT.DHP-0970994-400

Composed by Fons Van Gorp. Arranged by Hotze Jelsma. Educational Tool. Book with CD. Composed 1997. 36 pages. De Haske Publications #DHP 0970994-400. Published by De Haske Publications (BT.DHP-0970994-400).

ISBN 9789073252592. English-German-French-Dut ch.

This exciting book with CD accompaniment featuring real musicians, covering many styles of light music including swing, country, rumba, slow rock, disco, mambo, cha-cha and rock. This book can be used together with a keyboard or piano (book available separately) for a concert performance or as a short audition item.

Dat is in het kort de gedachte achter de SWOP-serie. Deze zes bundels bevatten swingende speelstukken in de stijlen jazz, rock, pop, blues en latin - daarmee is het absoluut SWOPPEN geblazen! Op de play-along-cd staan de begeleidingen,die zijn ingespeeld door een heuse live-band (geen midi). Voor het spelen in een eigen band is er een boek met de piano/keyboardbegeleiding verkrijgbaar, inclusief de akkoorden voor gitaar en basgitaar. Op veel stukken in deSWOP-boeken zijn ook eenvoudige improvisaties mogelijk, zodat de eigen creativiteit een kans krijgt. Met de SWOP-serie is oefenen een kwestie van SWOPPEN!

Swing Pop in interessanten Stücken im mittleren Schwierigkeitsgrad = Big Swop. Musizieren und �?ben von Spielweisen und Improvisation in zwölf Stücken in verschiedenen populären Stilen von Musiker und Komponist Fons van Gorp. Eine echte Band liefert die Begleitung auf der CD; zusätzlich gibt es ein Buch mit Begleitungen für Klavier, Keyboard oder Gitarre.

C�??est l�??amalgame des mots swing et pop qui a donné son nom ce style musical dynamique et tonifiant : le Swop. Cette savante équation fonctionne aussi bien dans le jazz et le blues que dans le rock ou la musique pop. Chaque volume de cette collection contient dix pièces toniques. Répéter se dit désormais �??swopper'.

L�??unione delle parole Swing e Pop ha dato il nome a questo stile musicale dinamico e tonificante: lo Swop. Questa equazione funziona altrettanto bene nel jazz e nel blues, nel rock e nella musica pop. Per scoprire, migliorare e perfezionare questo nuovo genere musicale, la collezione Swop si articola in sette raccolte distinte. Da Very Easy Swop a Work Swop (per creare un vero gruppo), lasciatevi guidare dall�??accompagnamento musicale affidato ad un gruppo di professionistidall�??acco mpagnamento musicale affidato ad un gruppo di professionisti. Alcuni brani si prestano all�??improvvisazione.

Piano

SKU: HL.50490229

16 Sonatas Piano. Composed by Domenico Scarlatti. Edited by Judit Pé and teri. Baroque. EMB. Classical. Softcover. 56 pages. Editio Musica Budapest #Z14695. Published by Editio Musica Budapest (HL.50490229).

ISBN 9790080146958. UPC: 884088531515. 9.0x12.0x0.208 inches. Selected and edited by Judit Peteri.

Easy and moderately difficult piano sonatas, including: Sonata in C Major, K 200 • Sonata in E Major, K 215 • Sonata in D Major, K 377 • and more.

Composed by Charles Chaynes. Leduc. Classical. Softcover. Alphonse Leduc #AL21694. Published by Alphonse Leduc

Coro SATB - Level 3

SKU: CA.411276

Composed by Dimitri Stepanowitsch Bortniansky. Edited by Marika Kuzma. Carus digital: Extra digital products. Full Score. 12 pages. Duration 10 minutes. Published by Carus Verlag (CA.411276).

ISBN 9790007253639. Key: C minor. Church Slavonic/German.

Di mitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister to the court ensemble in St. Petersburg. Heidi Kirmsse has added a German singing text to the five most popular pieces from the complete volume (CV 4.111). The festive Concerto no. 6 Ehre sei Gott in der Hohe is for Christmas, and no. 9 Heut ist der Tag, den Gott, der Herr, gemacht for Easter. No. 15 Lasst uns singen, kommt herbei is in the major key and is a very effective piece. Tchaikovsky edited Bortniansky's sacred works and is said to have particularly admired no. 32 O lass mich, Herr, mein Gott, erkennen mein Ziel. Bortniansky himself probably best liked no. 33 Sag, meine Seele, warum verzagest du? The work was sung at his funeral.

*addition to the choral repertoire with works from the Orthodox liturgy/ Eastern Europe
*includes the original Church Slavonic text underlaid (in transliteration).
*eff ective solo/tutti alternations.

(Sechs Sinfonien). Composed by J.C. Bach. Edited by Hanspeter Gmur. For orchestra (2,2,0,1 (ad lib.)-2,0,0,0 - Harpsichord - Strings). Orchestral music. Score. Op. 6/2. 22 pages. Published by Doblinger Music Publishers

Violin - early intermediate

SKU: BT.DOW-04801-400

Kompendium. Educational Tool. Book with CD. Composed 2006. 56 pages. Dowani #DOW 04801-400. Published by Dowani (BT.DOW-04801-400).

ISBN 9783905477375. French.

Apprendre, c’est répéter sans jamais s’ennuyer : voil ce que propose ce Compendium pour Violon en soulignant la polysémie du verbe « jouer » : titres et illustrations humoristiques pour apprendre jouer musicalement,“mini-étu des” pour aiguiser la curiosité et exercer l’agilité, gammes et arpèges, autocollants pour récompenser les progrès, morceaux deux voix pour aborder le jeu en ensemble, diversité des possibilités du compact disc - l’ensemble du contenu concourt la motivation de l’élève. Chaque chapitre traite d’une seule difficulté nouvelle la fois, car il est essentiel de travailler les paramètres musicaux et/ou techniques séparément pour mieuxles intégrer dans le processus global. Fips, Faps et Fops, les trois assistants hauts en couleurs, veillent sur l’élève tout au long de la méthode.L’apprentissag e artistique combine un processus raisonné et structuré avec une liberté de création. Compendium pour Violon est un vaste espace de jeu !

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1033406-210

Composed by Louis Prima. Arranged by Naohiro Iwai. New Sounds for Concert Band. Original Light Music. Score Only. Composed 2003. De Haske Publications #DHP 1033406-210. Published by De Haske Publications (BT.DHP-1033406-210).

De swing-klassieker Sing, Sing, Sing werd in 1937 een grote hit voor het Benny Goodman Orchestra. Het nummer is geschreven door Louis Prima, de trompettist van dit orkest. Dit arrangement van Naohiro Iwai laat het onvergetelijkegeluid van de bigbands van de jaren dertig herleven.

Den Swing-Klassiker Sing, Sing, Sing, ein großer Hit für das Benny Goodman-Orchester im Jahr 1937, hatte sein Trompeter Louis Prima geschrieben. Prima, geboren in New Orleans, wurde später nicht nur bekannt für seine Aufsehen erregenden Bühnen- und Radiovorstellungen, er schuf auch seinen ganz eigenen Jazzstil, eine Mischung aus Dixieland und Swing. Naohiro Iwais Arrangement des Jazzstandards Sing, Sing, Sing macht den unverwechselbaren Big Band-Sound der 30er-Jahre wieder lebendig.

Artiste plein d’humour et de fantaisie, trompettiste et chanteur, Louis Prima (1910-1978) s'inscrit dans la grande tradition de la musique américaine, entre jazz et variété. Louis Prima, c’est le dixieland, le swing, le R&B et l'inventeur des shows de Las Vegas. Le monde entier a fredonné ses chansons telles que Just a Gigolo, mais son plus grand succès date des années 30 lorsque Benny Goodman enregistre Sing, Sing, Sing, le standard qui va propulser Louis Prima au sommet de son art.

Coro SATB - Level 3

SKU: CA.411151

Composed by Dimitri Stepanowitsch Bortniansky. Edited by Marika Kuzma. Carus digital: Extra digital products. Full Score. 12 pages. Duration 7 minutes. Published by Carus Verlag (CA.411151).

ISBN 9790007253615. Key: C major. Church Slavonic/German.

Di mitri Stepanowitsch Bortniansky (1751-1825) seems to have composed the majority of his liturgical works and most of his Sacred Concertos in the 1780s and 1790s, before he was appointed Kapellmeister to the court ensemble in St. Petersburg. Heidi Kirmsse has added a German singing text to the five most popular pieces from the complete volume (CV 4.111). The festive Concerto no. 6 Ehre sei Gott in der Hohe is for Christmas, and no. 9 Heut ist der Tag, den Gott, der Herr, gemacht for Easter. No. 15 Lasst uns singen, kommt herbei is in the major key and is a very effective piece. Tchaikovsky edited Bortniansky's sacred works and is said to have particularly admired no. 32 O lass mich, Herr, mein Gott, erkennen mein Ziel. Bortniansky himself probably best liked no. 33 Sag, meine Seele, warum verzagest du? The work was sung at his funeral.

*addition to the choral repertoire with works from the Orthodox liturgy/ Eastern Europe
*includes the original Church Slavonic text underlaid (in transliteration).
*eff ective solo/tutti alternations
Score available separately - see item CA.411100.

Composed by Charles Chaynes. Leduc. Classical. Softcover. 15 pages. Alphonse Leduc #AL22758. Published by Alphonse Leduc

Full Score Concert Band (Score) - beginning

SKU: HL.860547

Composed by Paul Lavender. Essential Elements Explorer Level. Published by Hal Leonard (HL.860547).

UPC: 073999605471. 9.0x12.0x0.019 inches.

Explorer Level (correlates with Book 1, p. 11) Get your beginning band off to a great start on their first concert! This impressive-sounding composition has bold lines for brass and contrasting melodies for woodwinds all with nothing faster than quarter notes (8ths in percussion). Guaranteed success. (1:50).

About Essential Elements Band Method

Abo ut Essential Elements Band Method: Essential Elements Band Method provides a complete system of books and accompanying materials that make the educator's job easier, and the students' learning more thorough and enjoyable. By Tom C. Rhodes, Donald Bierschenk, Tim Lautzenheiser, John Higgens, Linda Petersen.

Essential Elements 2000 - Flute Book 1. (Flute). For flute. Hal Leonard Essential Elements Band Method. Instructional and Play Along. Instructional book, accompaniment CD/CD-ROM and instructional/accompanime nt video: DVD. Introductory text, instructional text and illustrations. 48 pages. Published by Hal Leonard

(Five Choral Preludes of the Romantic Period). By Carsten Klomp & Heiko Petersen. For 2 trumpets, horn, 2 trombones and organ. Level 3. Performance score and wind score in C. Text Language: English, German. 10/17 pages. Published by Baerenreiter Verlag

Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.PB-15164-07

Urtext. Composed by Edvard Grieg. Edited by E.-G. Heinemann. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Study Score. 108 pages. Duration 30'. Breitkopf and Haertel #PB 15164-07. Published by Breitkopf and Haertel (BR.PB-15164-07).

ISBN 9790004215906. 6.5 x 9 inches.

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg.

By Franz Joseph Haydn (1732-1809). Edited by Wilhelm Weismann. Arranged by August Eberhard Muller. Choir and piano. For Soprano voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Original Works, Transcriptions, Liturgic

Composed by Carl Maria von Weber (1786-1826). For Piano. Masterworks; Piano Collection. Dover Edition. Form: Sonata. Masterwork; Romantic. Book. Published by Dover Publications

By Anton Bruckner (1824-1896). Arranged by Kurt Soldan. Choir and piano. For SSAATTBB Choir, Piano. This edition: Paperback. Liturgical, Mass, Original Works, Transcriptions, Choral. Romantic Period; Sacred/Hymns, German. Large Vocal Score. 52 pages. Publ

Piano duets (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.EB-10719

Urtext. Composed by Edvard Grieg. Edited by E.-G. Heinemann and Einar Steen-Nokleberg. Solo instruments; Softbound. Edition Breitkopf.

In Cooperation with G. Henle Verlag

Solo concerto; Romantic. Piano reduction. 72 pages. Duration 30'. Breitkopf and Haertel #EB 10719. Published by Breitkopf and Haertel (BR.EB-10719).

ISBN 9790201807195. 9.5 x 12 inches.

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg.

Woodwinds (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.OB-15152-30

Urtext. Composed by Edvard Grieg. Edited by Emil-Gunter Heinemann. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic. Set of parts. 144 pages. Duration 30'. Breitkopf and Haertel #OB 15152-30. Published by Breitkopf and Haertel (BR.OB-15152-30).

ISBN 9790004344101. 10 x 12.5 inches.

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg.

Piano/harpsichord and orchestra (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.PB-15164

Urtext. Composed by Edvard Grieg. Edited by E.-G. Heinemann. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Solo concerto; Romantic. Study Score. Duration 30'. Breitkopf and Haertel #PB 15164. Published by Breitkopf and Haertel (BR.PB-15164).

ISBN 9790004215906. 6.5 x 9 inches.

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg.

Violoncello (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.OB-15152-23

Urtext. Composed by Edvard Grieg. Edited by Emil-Gunter Heinemann. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic. Part. 12 pages. Duration 30'. Breitkopf and Haertel #OB 15152-23. Published by Breitkopf and Haertel (BR.OB-15152-23).

ISBN 9790004344088. 10 x 12.5 inches.

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg.

Violin 2 (solo: pno - 2(picc).2.2.2 - 4.2.3.0 - timp - str)

SKU: BR.OB-15152-16

Urtext. Composed by Edvard Grieg. Edited by Emil-Gunter Heinemann. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

In Cooperation with G. Henle Verlag

Solo concerto; Romantic. Part. 12 pages. Duration 30'. Breitkopf and Haertel #OB 15152-16. Published by Breitkopf and Haertel (BR.OB-15152-16).

ISBN 9790004344064. 10 x 12.5 inches.

The piano concerto in a minor stands out in Edvard Grieg's oeuvre. Besides this famous concerto, he composed only a few other large orchestral works. Because of its popularity even in Grieg's lifetime, it was often performed, not least by the composer himself. So it is not surprising that Grieg made many changes to the score up to 1907. But at the same time, the concerto's size, form and substance remained completely unaltered. Interventions in the piano part basically involved subtleties of nuance, and only a very few places in the music text were altered. The situation was different with the orchestration. Here Grieg was keen to experiment and kept filing away at the orchestra sound right up to the last. Melodies were moved to other instruments, accompanying string chords were reconstructed, and above all the list of scored instruments was changed. The main source of the Urtext edition by Ernst-Gunter Heinemann is the new edition of the score originally published in 1907 by C. F. Peters, thus several years after the first edition of 1872. Taken into account in the present edition are the changes that Grieg made up to the time of his death. Piano reduction and fingering by Einar Steen-Nokleberg.

Composed by Edvard Grieg (1843-1907). Orchestra. Full Orchestra (Full Score); Masterworks. Dover Edition. Masterwork; Romantic. Full Score. Published by Dover Publications