By Pietro A. Yon. Arranged by Christensen. For 3 flutes. Flute Trio. Level: Grade 3. Published by Kendor Music Inc.

By Pietro A. Yon. Arranged by Arthur Frackenpohl. For 2 trumpets, french horn, trombone and tuba. Brass Quintet. Level: Grade 3 . Published by Kendor Music Inc.

Choral SATB Voices a cappella

SKU: XC.DJS2307

Composed by Pietro A. Yon. Arranged by Derric Johnson. Octavo. Excelcia Music Publishing #DJS2307. Published by Excelcia Music Publishing (XC.DJS2307).

6.75 x 10.5 inches.

One of the sweetest Christmas Carols ever written and it should be sung as a lullaby. The beautiful solo helps sing the baby to sleep as the choir creates a beautiful atmosphere of beauty and sleep. Make sure not to wake the baby.

By Pietro A. Yon (1886-1943). Arranged by Greg Gilpin. For Choral, C Instruments (2-Part). Choral. 16 pages. Published by Shawnee Press

By Pietro A. Yon. Arranged by Randall Sensmeier. For Voices: Unison. Keyboard accompaniment. Christmas Sacred. Level: easy. 3 pages. Published by GIA Publications.

Melody for Flute. Composed by Pietro A. Yon (1886-1943). Organ Solo. Sheet. 8 pages. Alfred Music #00-FES04515. Published by Alfred Music

By Yon, Pietro. Arranged by Sharon Elery Rogers. For Handbells, Handchimes. Sacred. Level: L2 . Print Music Single (3-5 oct. W/opt. 3 oct. Handchimes). 8 pages. Published by Hope Publishing Company.

Composed by Pietro Mascagni (1863-1945). Vocal score for SATB chorus, soprano voice solo, contra alto voice solo, baritone voice solo, tenor voice solo, mezzo soprano voice solo and piano accompaniment. With vocal score, lyrics, piano reduction and introductory text. Series: G. Schirmer Opera Score Editions. Text language Italian and English. Translated by Machlis. 146 pages. Published by G. Schirmer, Inc.

By Pietro A. Yon (1886 - 1943). Arranged by David Marlatt. For Brass Quintet. Brass Ensemble - Quintet. 20th Century, Christmas. Level: Medium. Duration 00:03:50. Published by Eighth Note Publications.

Orchestra; Violin

SKU: UT.NAP-4

Vol. 1. Critical Edition. Composed by Nicola Fiorenza. Edited by Giovanni Borrelli. Hardback (Cloth Hard Cover). Napoli e l’Europa (Naples and Europe). Classical. Critical commentary. Ut Orpheus #NAP 4. Published by Ut Orpheus (UT.NAP-4).

ISBN 9790215318373. 9 x 12 inches.

Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e Cembalo

Nicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas.
Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.

By Pietro A. Yon (1886-1943). Arranged by Mark Hayes. For Orchestra (Score and Parts). Shawnee Press. Shawnee Press #LB5768. Published by Shawnee Press

Composed by Pietro A. Yon (1886-1943). Arranged by Mark Hayes. Shawnee Sacred. Christmas Sacred. Octavo. 12 pages. Shawnee Press #A7834. Published by Shawnee Press

(The Infant Jesus). By Pietro A. Yon (1886-1943). Arranged by Michael Burkhardt. For solo or unison treble (children), flute/violin/oboe/C instrument/clarinet/B-fla t instrument, handbells (2 oct/5 bells), organ. Christmas. Easy. Choral score. Published by

By Pietro Domenico Paradisi. Edited by Lynn Freeman Olson. For Piano. Piano Solo. Masterwork. Level: Intermediate (grade 4/5). Sheet. 8 pages. Published by Alfred Publishing.

By Pietro A. Yon. For Choir. (SAB (E-L)). Choral Octavo. Sacred, Christmas. Choral Octavo. 12 pages. Published by Alfred Publishing.
Level: Moderate (grade 3).

Composed by Pietro A. Yon (1886-1943). Arranged by Dana F. Everson. Christmas. Score and parts. Duration 4 minutes. Published by David E. Smith (DS.124151).

By Pietro A. Yon. Edited by Drew Collins. Arranged by Doug Denisen. For 2-part mixed choir and piano accompaniment. Anthems for Smaller Choirs. Christmas. Octavo. Published by Neil A. Kjos Music Company.