Concert Band - Grade 3.5

SKU: RU.UIL60198S

Composed by James Andrews. UIL Sightreading. Score. RBC Publications #UIL60198S. Published by RBC Publications (RU.UIL60198S).

9 x 12 inches.

Concert Band/Harmonie - Grade 3

SKU: BT.GOB-000557-140

Composed by Torstein Aagaard-Nilsen. Score Only. 10 pages. Gobelin Music Publications #GOB 000557-140. Published by Gobelin Music Publications (BT.GOB-000557-140).

Torstein Aagaard-Nilsen’s (1964) way of composing can be described as: uncompromising, wilful and contemporary. It is not surprising, therefore, that this occasionally causes a stir.
In the middle of the Seventies a trend arose in youth culture, which was characterized by provocation, distrust of the great ideologies, and the autonomy of the individual.
Punk is playful, aggressive, often humorous, and anti-everything, which inevitably leads to self-irony.
The first part of Aagaard-Nielsen’s composition (Introduction) is a texture based mainly on one short theme.
This pompous theme breathes a spirit of cold empty plains, where icy winds sigh around yourhead.
In the vehement Punk (Presto barbaro!) there is no longer any question of a theme. The basis for this part is formed by a repetitive motif (a descending minor third).
This motif is alternated with very powerful percussion beats and later on shrill harmonies.

De wijze van componeren van Torstein Aagaard-Nilsen (1964) laat zich omschrijven als: compromisloos, eigenzinnig en eigentijds. Niet verwonderlijk dat dit af en toe wat stof doet opwaaien.
Midden zeventiger jaren ontstaat er eenstroming binnen de jongerencultuur, die provocatie, wantrouwen tegen de grote ideologieën en de autonomie van het individu centraal stelt.
Punk is speels, agressief, veelal humoristisch en anti-alles, wat onvermijdelijk leidttot zelfspot.
Het eerste deel (Introduction) is een weefsel, gebaseerd op voornamelijk één kort thema. Het pompeuze thema ademt de sfeer van kille lege vlakten, waar de ijzige wind je om de oren suist.
Tijdens de ‘heftige’Punk (Presto barbaro!) is van een thema geen sprake meer. De basis voor dit deel is een steeds herhalend motief (dalende kleine terts). Dit motief wordt afgewisseld met zeer krachtige percussie slagen en later schrille samenklanken.Dit alles zorgt voor een bombastisch geheel.
Aan het slot van de Punk horen we het intoductie-thema tussen het punkgeweld door terugkomen.

For piano accompaniments. Shining Brass series. Collection. Published by ABRSM (Associated Board of the Royal Schools of Music)

Orchestra Concert Band

SKU: PR.11642169L

Concerto for Orchestra. Composed by Zhou Long. Large Score. Duration 36 minutes. Theodore Presser Company #116-42169L. Published by Theodore Presser Company (PR.11642169L).

UPC: 680160692118.

Chine se mythology is a cultural heritage that has been passed down through the ages. It is full of bizarre andsupernatural artistic charm. Shan Hai Jing is like a history book, which contains many mythological stories depictingthousands of mountains and waters, geography and humanities, The Concerto for Orchestra Shan Hai Jing is using alarge scyle orchestra in multi-movements, inspired by the anceint supernatural aesthetics, and creates an imaginaryuniverse and human illusion with an abstract sound world. This work is not based on the story of the ancient gods, butbased on the geographical distribution of the Fivering Mountains, metaphorical waters, mountains range, folkcustoms, and rituals of the gods, depicting the north, west, east, south, and middle respectively in five movements. Thecharacteristics of the mountain system and the regional customs.The first movement, Beishan Jing (Largo) (page 1-30). In this movement, folk music elements such as the traditionalMongolian “Humai” and the traditional Tibetan “Bon’e’ri” are used to Ode the folk customs and heroism of the vastmountains and plains and different ethnic groups.The second movement, Xishan Jing (Allegro and Adagio) (page 31-52). The music of this movement has the westernstyle of Gansu and Qinghai Plateau.The third movement, Dongshan Jing (Adagio and Allegro) (page 53-86). The legend of great bells that ringspontaneously without being struck has origins in the ancient Classic of Mountains and Seas, in which we read:“Upon the Mountains of Plenty, Nine Bells ring with Knowledge of the Frost.”Tales of those blasts of wind that pulse like a heartbeat through caverns in the limestone cliffs, setting off a mysterioussympathetic ringing from bells encrusted in frost, led to “Frost-Bell” becoming a word during the Tang dynasty, almosta millennium after the Mountains and Seas classic first appeared.The fourth movement, Nanshan Jing (Adagio and Andante) (page 87-100) . The music is characterized by thewoodwinds and string harmonics texture depicting of the cloud mountain in the south of the Yangtze River, Fujian,Guangdong and Hunan.The fifth movement, Zhongshan Jing (Allegretto) (page 101-118) symbolizes the end of the ritual ceremony, which isroughly centered on the sacred place of Chu. The people danced together, waving flowers and hitting the bronze drums,just like sending the Divine Comedy, the scene is lively, the atmosphere is Solemn and lively.

Performed by Bill Frisell. For piano (or guitar). Format: piano solo book. Jazz. 127 pages. 9x12 inches. Published by Cherry Lane Music.

By Martha Mier. For Piano. Piano Duet (One Piano, Four Hands). Level: Intermediate / Late Intermediate (grade 4/5/6). Book. 32 pages. Published by Alfred Publishing.

Concert Band - Grade 2

SKU: AP.49971

Composed by Scott Watson. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Young Symphonic. Latin; Multicultural. Score and Part(s). Duration 3:00. Alfred Music #00-49971. Published by Alfred Music (AP.49971).

ISBN 9781470658441. UPC: 038081576008. English.

Rio Bravo draws on artifacts of iconic western film music to portray the rugged landscape surrounding one of the longest, most fabled rivers in North America. The challenging, arid region along the brave river that divides Mexico from the southwestern United States---depicted in many a song and story---is characterized by mountains, canyons, and desert plains. The river, known north of the border as the Rio Grande, has called to itself settlers, cattle drivers, gunslingers, and outlaws. Rio Bravo transports listeners to a time and place where legends of the Old West were made! (3:00).

Edited by Michael Aston. For piano, 4-hands. Piano Duets edited by Michael Aston. Level B-C (easy - moderately difficult). Collection. 72 pages. Published by Oxford University Press

Concert band - Grade 2

SKU: CL.011-4462-00

Composed by Phillips. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR390). Score and set of parts. Composed 2016. Duration 2 minutes, 33 seconds. C.L. Barnhouse #011-4462-00. Published by C.L. Barnhouse (CL.011-4462-00).

Embark upon a musical adventure when you board the trans-Siberian railway in Moscow! Let your imagination roam as you travel through the Ural Mountains, the geographical line between European Russia and Asian Russia. Visualize the snow covered reaches of Siberia and the vast plains. Take a quick stop at Baikal, the worlds’ largest and deepest freshwater lake for a swim that local legend says can add years to your life. Conclude your excursion in Vladivostok by the Sea of Japan. Let the music take your thoughts on the trip of a life-time! A perfect cross-curricular connection for your students studying the eastern hemisphere.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Arranged by Brian Tate. Pavane Choral. A Cappella, African, Concert. Octavo. 4 pages. Pavane Publishing #JR1130. Published by Pavane Publishing

Voice and Piano. By Richard Johnston. (resource book). Vocal Collection. Size 8.5x11 inches. 400 pages. Published by E.c. Kerby.

Choir, Piano Accompaniment, Divisi, 4-Part, SATB Boosey & Hawkes Contemporary Choral Series SATB divisi with Piano. Composed by Karl Jenkins. BH Secular Choral. Classical. Octavo. 28 pages. Duration 630 seconds. Boosey & Hawkes #M060134432. Published by Boosey & Hawkes

For piano. Format: piano solo songbook. With introductory text and black & white photos. New age and contemporary instrumental. 112 pages. 9x12 inches. Published by Hal Leonard.

By Ruth Schonthal (1924-). For Opera. Work premiere: 20.05.1989 White Plains High School, WP, NY, Soloists; Deborah Grow: Soprano, Mark Wolff: Tenor, Stephen Lee White: Bass-baritone, Una Langdon: alto, Blaine Brown Bass-baritone, Lynn Callow: mezzo-soprano, children and adult choruses and mu. Incidental Music. Advanced. Piano/vocal score. Composed 1988/89. Duration 105'

By Various. Arranged by Brent Jorgensen. Text: Various. For Hymnal Extender. Christmas. Published by Jackman Music Corporation.
Level: Medium Easy / Medium (accompaniment).

Music by David Lantz, lyrics by John Parker. Octavo for 2-Part Multicultural choir and piano accompaniment. F Major. Series: Alfred Choral Designs. 12 pages. Published by Alfred Publishing.

SSATB choir

SKU: ST.M1005

Composed by Thomas Weelkes. Edited by Edmund H Fellowes. SSATB. Choral. Octavo. Stainer & Bell Ltd. #M1005. Published by Stainer & Bell Ltd. (ST.M1005).

ISBN 9790220218200.

SSAT B. Revised by Thurston Dart.

By Robert Kerr. By Robert Kerr. For String Orchestra. String Orchestra. Highland String Orchestra. Level: 3.5 (grade 3.5). Conductor Score. Published by Alfred Publishing.

Fanfare Band - Grade 3

SKU: BT.GOB-000506-020

Composed by Torstein Aagaard-Nilsen. Arranged by Marten van der Wal. Set (Score & Parts). Gobelin Music Publications #GOB 000506-020. Published by Gobelin Music Publications (BT.GOB-000506-020).

Torstein Aagaard-Nilsen’s (1964) way of composing can be described as: uncompromising, wilful and contemporary. It is not surprising, therefore, that this occasionally causes a stir.
In the middle of the Seventies a trend arose in youth culture, which was characterized by provocation, distrust of the great ideologies, and the autonomy of the individual.
Punk is playful, aggressive, often humorous, and anti-everything, which inevitably leads to self-irony.
The first part of Aagaard-Nielsen’s composition (Introduction) is a texture based mainly on one short theme.
This pompous theme breathes a spirit of cold empty plains, where icy winds sigh around yourhead.
In the vehement Punk (Presto barbaro!) there is no longer any question of a theme. The basis for this part is formed by a repetitive motif (a descending minor third).
This motif is alternated with very powerful percussion beats and later on shrill harmonies.

De wijze van componeren van Torstein Aagaard-Nilsen (1964) laat zich omschrijven als: compromisloos, eigenzinnig en eigentijds. Niet verwonderlijk dat dit af en toe wat stof doet opwaaien.
Midden zeventiger jaren ontstaat er eenstroming binnen de jongerencultuur, die provocatie, wantrouwen tegen de grote ideologieën en de autonomie van het individu centraal stelt.
Punk is speels, agressief, veelal humoristisch en anti-alles, wat onvermijdelijk leidttot zelfspot.
Het eerste deel (Introduction) is een weefsel, gebaseerd op voornamelijk één kort thema. Het pompeuze thema ademt de sfeer van kille lege vlakten, waar de ijzige wind je om de oren suist.
Tijdens de ‘heftige’Punk (Presto barbaro!) is van een thema geen sprake meer. De basis voor dit deel is een steeds herhalend motief (dalende kleine terts). Dit motief wordt afgewisseld met zeer krachtige percussie slagen en later schrille samenklanken.Dit alles zorgt voor een bombastisch geheel.
Aan het slot van de Punk horen we het intoductie-thema tussen het punkgeweld door terugkomen.

Seven Pieces in the American Folk Idiom for Four Like Treble Clef Instruments. By George Frederick McKay. Mixed chamber ensemble. For Saxophone, Trumpet, Horn, Violin, Clarinet. Score and parts. 9 pages. Published by Carl Fischer.

Bass solo, SATB choir a cappella

SKU: MN.CH-1392

Composed by Gregg Smith. 21st Century. Octavo. Laurendale Associates #CH-1392. Published by Laurendale Associates (MN.CH-1392).

UPC: 768544006673. English.

I Ride an Old Paint is a traditional American cowboy song published in the 1927 American Songbag by Carl Sandburg who wrote that the song came to Western poets Margaret Larkin and Linn Riggs in Santa Fe from a cowboy who was heading for the Mexican border. He described the song as one of a man in harmony with the values of the American West: There is rich poetry in the image of the rider so loving a horse he begs when he dies his bones shall be tied to his horse and the two of them sent wandering with their faces turned west. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. The song is found in Aaron Copland's ballet Rodeo and in Virgil Thomson's film score for The Plow That Broke the Plains. Gregg's version of the text differs from the Sandburg version suggesting an alternate source for the text contained herein. The original text, from Carl Sandburg's American Songbag of 1927 is printed on page 11 of this score. No actual metronome markings are in the original manuscript, nor complete dynamic markings. Editorial dynamics and tempi are in parenthesis.

Late Elementary Level Composer Showcase. By Jennifer Linn. Educational Piano Library. Size 9x12 inches. 24 pages. Published by Hal Leonard.

Chamber Music Bass Clarinet, Cello, Clarinet, Percussion, Piano, Viola, Violin

SKU: CF.MXE31M

Composed by Lee Hyla. Set of parts. With Standard notation. 34+40+37+32+33+43+34 pages. Duration 25 minutes. Carl Fischer Music #MXE31M. Published by Carl Fischer Music (CF.MXE31M).

ISBN 9780825886379. UPC: 798408086374.

Concert Band Concert Band - Grade 0.5

SKU: FJ.B1658S

Score Only. Composed by Jack Wilds. Concert Band. FJH Starter Series. Multicultural. Score. Duration 1:30. The FJH Music Company Inc #98-B1658S. Published by The FJH Music Company Inc (FJ.B1658S).

English.

Across the Serengeti is a musical portrait of the grassy plains of Africa. Using only six notes, this piece establishes and sustains an infectious rhythm that students and audience will thoroughly enjoy. Percussionists have plenty to do and provide a vital component of the orchestration.

About FJH Starter Series

Int roduction to Beginning Band - Ideal for the first several months of instruction. These pieces are a comfortable length for students (about a half page of music) and are playable with as few as five instruments. All instruments are limited to a 6-note diatonic range. Several supplemental exercises are included to help teach different elements of each piece. Grade .5

With Gary Stroutsos, Flute. By David Lanz, Gary Stroutsos. For solo piano. Piano Solo. Softcover. 88 pages. Published by Hal Leonard.

Brass Band - Grade 3

SKU: BT.GOB-000080-030

Composed by Torstein Aagaard-Nilsen. Set (Score & Parts). 28 pages. Gobelin Music Publications #GOB 000080-030. Published by Gobelin Music Publications (BT.GOB-000080-030).

Torstein Aagaard-Nilsen’s (1964) way of composing can be described as: uncompromising, wilful and contemporary. It is not surprising, therefore, that this occasionally causes a stir.
In the middle of the Seventies a trend arose in youth culture, which was characterized by provocation, distrust of the great ideologies, and the autonomy of the individual.
Punk is playful, aggressive, often humorous, and anti-everything, which inevitably leads to self-irony.
The first part of Aagaard-Nielsen’s composition (Introduction) is a texture based mainly on one short theme.
This pompous theme breathes a spirit of cold empty plains, where icy winds sigh around yourhead.
In the vehement Punk (Presto barbaro!) there is no longer any question of a theme. The basis for this part is formed by a repetitive motif (a descending minor third).
This motif is alternated with very powerful percussion beats and later on shrill harmonies. De wijze van componeren van Torstein Aagaard-Nilsen (1964) laat zich omschrijven als: compromisloos, eigenzinnig en eigentijds. Niet verwonderlijk dat dit af en toe wat stof doet opwaaien.
Midden zeventiger jaren ontstaat er een stroming binnen de jongerencultuur, die provocatie, wantrouwen tegen de grote ideologieën en de autonomie van het individu centraal stelt.
Punk is speels, agressief, veelal humoristisch en anti-alles, wat onvermijdelijk leidt tot zelfspot.
Het eerste deel (Introduction) is een weefsel, gebaseerd op voornamelijk één kort thema. Het pompeuze thema ademt de sfeer van kille lege vlakten, waar de ijzige wind je om de oren suist.
Tijdens de ‘heftige’ Punk (Presto barbaro!) is van een thema geen sprake meer. De basis voor dit deel is een steeds herhalend motief (dalende kleine terts). Dit motief wordt afgewisseld met zeer krachtige percussie slagen en later schrille samenklanken. Dit alles zorgt voor een bombastisch geheel.
Aan het slot van de Punk horen we het intoductie-thema tussen het punkgeweld door terugkomen.

Gobelin Music Publications.

Concert Band - Grade 2

SKU: AP.49971S

Composed by Scott Watson. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Young Symphonic. Latin; Multicultural. Score. Duration 3:00. Alfred Music #00-49971S. Published by Alfred Music (AP.49971S).

ISBN 9781470658458. UPC: 038081576015. English.

Rio Bravo draws on artifacts of iconic western film music to portray the rugged landscape surrounding one of the longest, most fabled rivers in North America. The challenging, arid region along the brave river that divides Mexico from the southwestern United States---depicted in many a song and story---is characterized by mountains, canyons, and desert plains. The river, known north of the border as the Rio Grande, has called to itself settlers, cattle drivers, gunslingers, and outlaws. Rio Bravo transports listeners to a time and place where legends of the Old West were made! (3:00).