| From the Black Belt [Conducteur] Carl Fischer
Orchestra chamber orchestra SKU: CF.SC89 Seven Little Pieces. Comp...(+)
Orchestra chamber
orchestra SKU:
CF.SC89 Seven
Little Pieces.
Composed by William Grant
Still. Full score. 36
pages. Duration 12
minutes. Carl Fischer
Music #SC89. Published by
Carl Fischer Music
(CF.SC89). ISBN
9781491158852. UPC:
680160917570. Scori
ng: Bass Clarinet in Bb,
Bassoon, Clarinet 1 in
Bb, Clarinet 2 in Bb,
Contrabass, Flute 1,
Flute 2, Harp, Horn 1 in
F, Horn 2 in F, Horn 3 in
F, Oboe, Percussion,
Timpani, Trumpet 1 in Bb,
Trumpet 2 in Bb, Trumpet
3 in Bb, Viola, Violin 1,
Violin 2 and
more.
William
Grant Stillas catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
The aBlack belta refers
to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Stillas piece From the
Black Belt from 1926 is
presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways:
William Grant Stillas
catalog of works
comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
The aBlack belta refers
to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Stillas piece From the
Black Belt from 1926 is
presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways: Lial
Scamp If one were to base
his judgment on the
volume of sound, he would
think this little fellow,
who delights in playing
childish pranks, a big
scamp. But the aptness of
the title is determined
by the brevity of the
piece rather than by the
volume of sound.
Honeysuckle A musical
suggestion of the
saccharine odor of the
honeysuckle. Dance This
title is
self-explanatory. Brown
Girl A tone picture of a
lovely girl. Mah Bones Is
Creakina An old man,
afflicted with
rheumatism, complains
loudly. Blue The lament
of a weary soul. Clap Yoa
Hanas The participants in
a game for children form
a circle and clap their
hands at intervals. $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Canticulum Orchestre d'harmonie [Conducteur] - Débutant Alfred Publishing
Concert Band - Grade 1 SKU: AP.41937S Little Song. Composed by Mar...(+)
Concert Band - Grade 1
SKU: AP.41937S
Little Song.
Composed by Mark D.
Slater. Concert Band;
Performance Music
Ensemble; Single Titles.
Alfred Debut Series.
Form: Chorale. Score. 12
pages. Alfred Music
#00-41937S. Published by
Alfred Music (AP.41937S).
UPC: 038081480336.
English. Canticulum
(Latin for Little Song)
is a lovely and
well-crafted lyrical
piece for young bands.
Numerous opportunities
present themselves for
teaching musicianship
through phrase shaping
and rubato playing, as
well as tension and
release points. A
beautiful addition to any
concert for first- or
second-year bands. $6.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Benedicamus Domino Ensemble de Trompettes Eighth Note Publications
By Samuel Scheidt (1587-1654). Arranged by David Marlatt. For 5 Trumpets. Brass ...(+)
By Samuel Scheidt
(1587-1654). Arranged by
David Marlatt. For 5
Trumpets. Brass - Cornet
(Trumpet) Quintet;
Masterworks. Renaissance.
Duration 00:03:40
$15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cassandra's Harp Piano seul FJH
By Timothy Brown. For piano. FJH Written For You Piano Solos. Late Intermediate....(+)
By Timothy Brown. For
piano. FJH Written For
You Piano Solos. Late
Intermediate. Single
sheet. 5 pages. Published
by The FJH Music Company
Inc
$3.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Classical Music for Children Violoncelle, Piano - Facile Schott
22 Easy Pieces for Violoncello and Piano. Composed by Various. Edited by R...(+)
22 Easy Pieces for
Violoncello and Piano.
Composed by Various.
Edited
by Rainer Mohrs. String.
Softcover. 72 pages.
Schott
Music #ED21704. Published
by
Schott Music
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cape Breton Lullaby Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Alfred Publishing
By Vince Gassi. Concert Band. Concert Band; Part(s); Score. Challenger Band Seri...(+)
By Vince Gassi. Concert
Band. Concert Band;
Part(s); Score.
Challenger Band Series.
Folk. Grade 1.5. 124
pages. Published by
Alfred Music Publishing
$46.00 $43.7 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Morning in Madrid Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Composed by Bill Calhoun. For concert band. Carl Fischer Concert Performance Ser...(+)
Composed by Bill Calhoun.
For concert band. Carl
Fischer Concert
Performance Series. Grade
3-3.5. Full score. 24
pages. Duration 3
minutes, 54 seconds.
Published by Carl Fischer
$13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Voila! Violas! (Full Score) - Facile Kendor Music Inc.
String Orchestra string orchestra (88555) with opt. 3rd Violin/Viola TC 3 and pi...(+)
String Orchestra string
orchestra (88555) with
opt. 3rd Violin/Viola TC
3 and piano - Grade 2.5
SKU: KN.36920S
Composed by Susan H. Day.
Solo or Ensemble. Voyager
String Orchestra. Kendor
Music Inc #36920S.
Published by Kendor Music
Inc (KN.36920S). UPC:
822795369205. Viola
s take center stage in
this lovely piece, which
emphasizes expressive
legato playing in the key
of G minor. Violas have
the melody throughout!
Duration 3:10. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| My First Classical Recorder Book (book Only) Flûte à Bec [Partition] - Débutant Alfred Publishing
By L.C. Harnsberger. For Recorder. Recorder Collection. Book. 32 pages. Publishe...(+)
By L.C. Harnsberger. For
Recorder. Recorder
Collection. Book. 32
pages. Published by
Alfred Publishing.
$6.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Formula 602 Medium Ride Hal Leonard
22 Formula 602 Medium Ride SKU: HL.3710135 22-inches. Paiste Cymba...(+)
22 Formula 602 Medium
Ride SKU:
HL.3710135
22-inches. Paiste
Cymbals. General
Merchandise. Hal Leonard
#1041722. Published by
Hal Leonard (HL.3710135).
UPC: 697643110465.
22.0x22.0x0.088
inches. One of the
world's most referred and
legendary cymbal lines in
history. Renowned and
loved for its fine, pure,
soft, delicate musical
tone that requires
precise playing. Alloy:
CuSn20, also known as
“Traditional
Bronze†or
“602 Bronzeâ€
Applications: Low to
medium loud settings,
especially well-suited
for recording, live;
jazz, fusion, blues,
moderate pop and rock,
country folk, acoustic
music Sound: Warm,
silvery, mellow, cool,
light, fine, precise and
controlled; Cymbals with
clarity and retro vintage
character combined with a
velvety, sensitive, very
responsive feel. Size:
22-inches Weight: medium
Volume: medium low to
medium loud Stick Sound:
fairly clear, fairly
glassy Intensity:
controlled Sustain: long
Bell Character: fairly
separated Sound
character: Full, rich,
fairly bright, solid.
Medium range, clean mix.
Controlled and even feel.
Very nice and sparkling
stick sound supported by
a breathy layer of wash.
Perfectly balanced. A
dynamic all around cymbal
for many musical styles
played at moderate
level. $726.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Formula 602 Classic Sounds Medium Hi-Hat Top Hal Leonard
14 Formula 602 Classic Sounds Medium Hi-Hat Top SKU: HL.3710143 14-inc...(+)
14 Formula 602 Classic
Sounds Medium Hi-Hat Top
SKU: HL.3710143
14-inches. Paiste
Cymbals. General
Merchandise. Hal Leonard
#1043814. Published by
Hal Leonard (HL.3710143).
UPC: 697643110526.
14.0x14.0x0.046
inches. One of the
world's most referred and
legendary cymbal lines in
history. Renowned and
loved for its fine, pure,
soft, delicate musical
tone that requires
precise playing. Alloy:
CuSn20, also known as
“Traditional
Bronze†or
“602 Bronzeâ€
Applications: Low to
medium loud settings,
especially well-suited
for recording, live;
jazz, fusion, blues,
moderate pop and rock,
country folk, acoustic
music Sound: Warm,
silvery, mellow, cool,
light, fine, precise and
controlled; Cymbals with
clarity and retro vintage
character combined with a
velvety, sensitive, very
responsive feel. Sizes:
14-inches Weight: medium
top/medium bottom Volume:
medium low to medium loud
Stick Sound: soft,
slightly washy Intensity:
lively Sustain: medium
Chick Sound: full, crisp
Sound character: Rich,
warm, full, silvery with
a light touch. Wide
range, fairly complex
mix. Soft feel, easy to
control. Lively,
responsive and warm open
sound. Full, precise
chick sound. Versatile
hi-hat for medium loud
settings, perfectly
suited for studio
applications. $311.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto For Oboe And Orchestra [Conducteur] Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373S Composed by Peter Schickele. Full s...(+)
Orchestra Orchestra
SKU: PR.11641373S
Composed by Peter
Schickele. Full score.
Duration 24 minutes.
Theodore Presser Company
#116-41373S. Published by
Theodore Presser Company
(PR.11641373S). UPC:
680160680344. The
concerto has always
seemed an especially
attractive medium to me,
not necessarily because
of its expectations of
virtuosity (although
flaunting it when you've
got it certainly has its
place), and emphatically
not because of the
perception of a concerto
as a contest, but because
so much of what I write
feels song-like; I'm very
much at home with the
age-old texture of melody
and accompaniment. I
hope, before I move on,
to have the opportunity
to write concertos for
all the major
instruments, and perhaps
some of the rarer ones as
well. The oboe is not
only one of the major
instruments, it is one of
my favorite instruments.
I've always loved its
sound, but since moving
to New York I have gotten
to hear and, in some
cases, know some
extremely fine oboists
who broadened my
appreciation of the
instrument's
possibilities. I
especially remember a
concert, probably in the
late 1960's, in which
Humbert Lucarelli played
a Handel concerto,
filling out large melodic
leaps with cascading
scale passages in a way
that raised the hair on
the back of your neck,
somewhat in the way that
John Coltrane's sheets of
sound did. The sweeping
scales in the second
movement of my concerto
were definitely inspired
by Bert Lucarelli's
performance. The first,
third and fifth movements
of the Concerto for Oboe
and Orchestra are
song-like, whereas the
second and fourth have
strong scherzo and dance
qualities, including a
couple of sections that
sound like out-and-out
pirate dances to me. The
hymn-like tune at the
beginning of the middle
movement was originally
begun as a vocal piece to
be sung by my wife, son
and daughter at my
brother's wedding, but I
couldn't come up with
good works for it, so it
ended up as an
instrumental chant. The
opening and closing of
the concerto make use of
the oboe's uniquely
soulful singing. I had
not heard Pamela Woods
Pecha's solo playing in
person when she
approached me about
writing a concerto, but I
had heard her fine
recording of chamber
music for oboe and
strings by the three B's
(English, that is: Bliss,
Bax and Britten) with the
Audubon Quartet. I
actually already had some
oboe concerto ideas in my
sketchbooks; although I
didn't end up using any
of those earlier ideas,
it's interesting that
most of them tended to
share the general feeling
and tonality of the
eventual opening of the
concerto. The work was
completed on October 13,
1994. I hate the
compromises involved in
making piano reductions
-- perhaps I would feel
differently if I were a
more accomplished pianist
-- so I often decide to
make piano reductions for
four hands rather than
two. My good friend Jon
Kimura Parker is a
terrific sight-reader,
and I roped him into
coming over to my place
on February 17, 1995, to
help me accompany Pamela
on the first read-through
of the piece. The first
performance of the work
took place on July 21,
1995, at the American
Music Festival in Duncan,
Oklahoma, with Mark
Parker conducting the
Festival Orchestra. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Overture to The Magic Flute Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Curnow Music
By Wolfgang Amadeus Mozart. Arranged by Mike Hannickel. (Score and Parts). Curn...(+)
By Wolfgang Amadeus
Mozart. Arranged by Mike
Hannickel. (Score and
Parts). Curnow Concert
Band Full Set. Size 9x12
inches. 36 pages.
Published by Curnow
Music.
$64.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Formula 602 Medium Ride Hal Leonard
24 Formula 602 Medium Ride SKU: HL.3710136 24-inches. Paiste Cymba...(+)
24 Formula 602 Medium
Ride SKU:
HL.3710136
24-inches. Paiste
Cymbals. General
Merchandise. Hal Leonard
#1041724. Published by
Hal Leonard (HL.3710136).
UPC: 697643111011.
24.0x24.0x0.073
inches. One of the
world's most referred and
legendary cymbal lines in
history. Renowned and
loved for its fine, pure,
soft, delicate musical
tone that requires
precise playing. Alloy:
CuSn20, also known as
“Traditional
Bronze†or
“602 Bronzeâ€
Applications: Low to
medium loud settings,
especially well-suited
for recording, live;
jazz, fusion, blues,
moderate pop and rock,
country folk, acoustic
music Sound: Warm,
silvery, mellow, cool,
light, fine, precise and
controlled; Cymbals with
clarity and retro vintage
character combined with a
velvety, sensitive, very
responsive feel. Size:
24-inches Weight: medium
Volume: medium low to
medium loud Stick Sound:
fairly clear, fairly
glassy Intensity:
controlled Sustain: long
Bell Character: fairly
separated Sound
character: Full, rich,
fairly bright, solid.
Medium range, clean mix.
Controlled and even feel.
Very nice and sparkling
stick sound supported by
a breathy layer of wash.
Perfectly balanced. A
dynamic all around cymbal
for many musical styles
played at moderate
level. $777.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Formula 602 Classic Sounds Medium Hi-Hat Hal Leonard
14 Formula 602 Classic Sounds Medium Hi-Hat SKU: HL.3710141 14-inches<...(+)
14 Formula 602 Classic
Sounds Medium Hi-Hat
SKU: HL.3710141
14-inches. Paiste
Cymbals. General
Merchandise. Hal Leonard
#1043714. Published by
Hal Leonard (HL.3710141).
UPC: 697643110502.
14.0x14.0x0.208
inches. One of the
world's most referred and
legendary cymbal lines in
history. Renowned and
loved for its fine, pure,
soft, delicate musical
tone that requires
precise playing. Alloy:
CuSn20, also known as
“Traditional
Bronze†or
“602 Bronzeâ€
Applications: Low to
medium loud settings,
especially well-suited
for recording, live;
jazz, fusion, blues,
moderate pop and rock,
country folk, acoustic
music Sound: Warm,
silvery, mellow, cool,
light, fine, precise and
controlled; Cymbals with
clarity and retro vintage
character combined with a
velvety, sensitive, very
responsive feel. Sizes:
14-inches Weight: medium
top/medium bottom Volume:
medium low to medium loud
Stick Sound: soft,
slightly washy Intensity:
lively Sustain: medium
Chick Sound: full, crisp
Sound character: Rich,
warm, full, silvery with
a light touch. Wide
range, fairly complex
mix. Soft feel, easy to
control. Lively,
responsive and warm open
sound. Full, precise
chick sound. Versatile
hi-hat for medium loud
settings, perfectly
suited for studio
applications. $622.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Scenes From Childhood Op 15 Urtext Piano seul G. Henle
Piano SKU: HU.HN44 Composed by Robert Schumann. Edited by Ernst Herttrich. Pian...(+)
Piano
SKU: HU.HN44
Composed by Robert
Schumann. Edited by Ernst
Herttrich. Piano Solo,
Piano and Keyboard,
Repertoire, Collections.
Scenes from Childhood Op.
15. Classical, Romantic.
Softcover Book. 28 pages.
G. Henle #HN44. Published
by G. Henle
$12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Alle Jahre wieder - Book/CD [Partition + CD] - Débutant Schott
(German Text) Voice - very easy to easy SKU: HL.49013547 For Voice and...(+)
(German Text) Voice -
very easy to easy SKU:
HL.49013547 For
Voice and Piano (German
Text). Edited by
Bernhard Weigart. This
edition: Hardback/Hard
Cover. Sheet music with
CD. Kunter-bund-edition.
Classical. Songbook with
CD. 32 pages. Schott
Music #BUND71165.
Published by Schott Music
(HL.49013547). ISBN
9783795756970. UPC:
073999490534.
6.0x8.5x0.384 inches.
German. Twenty of
the finest Christmas
carols for singing and
playing along. Christmas
time is the season for
singing and music making,
above all others. And now
nobody need sing alone
any longer. This book
contains the best-loved
Christmas carols, with
recordings on the CD in
two versions: once with
voices and once just with
the accompaniment for you
to sing along to. There
are also chord symbols
above the music so that
you can play along to the
songs, too. $15.99 - Voir plus => Acheter | | |
| Christmas Carols for flute. 20 easy carols for winter, Advent and Christmas for 1-3 flutes and piano Carus Verlag
SKU: CA.246200 Composed by Various. Edited by Klaus Konrad Weigele and Ma...(+)
SKU: CA.246200
Composed by Various.
Edited by Klaus Konrad
Weigele and Marion
Weigele. Liederprojekt.
Student's and teacher's
book. Advent, Christmas.
Collection. Carus Verlag
#CV 02.462/00. Published
by Carus Verlag
(CA.246200). ISBN
9790007253042. What
would Christmas time be
without music-making
together? Advent,
Christmas, and winter
songs play an important
role for all beginners on
a melody instrument,
because with these they
can show off their
progress on the
instrument during the
first year. And nothing
is better suited to this
than well-loved and
popular pieces such as
Christmas classics. The
six volumes in our new
series for instrumental
teaching, developed in
collaboration with the
Landesakademie fur die
musizierende Jugend in
Baden-Wurttemberg, all
contain 20 easy carols
arranged in progressive
level of difficulty.
Experienced instrumental
teachers have made a
selection of carols for
each instrument according
to specific criteria.
These can be mastered as
part of music school
lessons after just a few
weeks and months. All the
carols have been chosen
and transposed so that
the range and fingering
combinations do not
exceed the level of
difficulty for the first
three years of learning.
The piano accompaniment
is of moderate
difficulty. For many of
the carols, an ad lib
upper or lower part is
included which can also
be played by instrumental
pupils. The volumes are
therefore suitable for
individual as well as
group tuition. The
arrangements are based on
the piano and
instrumental books from
the CHRISTMAS CAROLS
project (Carus 2.403/03
und 2.404/03) which is
part of the
LIEDERPROJEKT, the
charitable project to
further singing with
children. The books
contain singing texts for
all the carols, providing
a full range of options
for singing and playing
together at Christmas.
All the books include the
printed music of the
piano accompaniment.
Digital playalong tracks
are available for all the
books. Further editions
for recorder, clarinet,
alto saxophone, trumpet,
violin. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Christmas Carol Piano seul - Facile Faber Music Limited
(Easy Piano Picture Book). By Kenneth Lillington. For Piano. This edition: Easy ...(+)
(Easy Piano Picture
Book). By Kenneth
Lillington. For Piano.
This edition: Easy Piano.
Book; Piano - Easy Piano
Collection; Piano
Supplemental. Faber
Edition. Children;
Christmas; Secular;
Winter. Early
Intermediate; Easy Piano.
Published by Faber Music
(. Children; Christmas;
Secular; Winter.
$10.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Badinerie (from Orchestral Suite No. 2 In B Minor) Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Kendor Music Inc.
Composed by Johann Sebastian Bach (1685-1750). Arranged by John Caponegro. For s...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Arranged by
John Caponegro. For
standard string orchestra
(88555) with opt. 3rd
Violin/Viola T.C. (3).
Concert String Orchestra.
Grade 3. Score and parts.
Duration 1 minute, 50
seconds. Published by
Kendor Music Inc
$56.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Singing Violins Violon [Partition + CD] - Intermédiaire Alfred Publishing
(Popular Classics for Advanced Ensemble or Solo Performance). Arranged by Doris ...(+)
(Popular Classics for
Advanced Ensemble or Solo
Performance). Arranged by
Doris Preucil. For
Violin. String - Violin
Studies or Collection.
Masterwork. 6 (grade 6).
Book and CD. 160 pages.
Published by Alfred Music
Publishing
$32.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Barber Of Seville, The (Overture) Orchestre [Conducteur et Parties séparées] Alfred Publishing
| | |
| The Electric Strum Box Ukulele Complete Kit Ukulele [Partition + CD + Instrument] Hal Leonard
Includes Ukulele, Book, CD, and More!. Accessory. Instruction. General Mercha...(+)
Includes Ukulele, Book,
CD,
and More!. Accessory.
Instruction. General
Merchandise. Published by
Hal
Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Magic Flute Orchestre d'harmonie [Conducteur] - Facile Curnow Music
Concert Band - Grade 3 SKU: BT.CMP-0634-02-140 Composed by Wolfgang Amade...(+)
Concert Band - Grade 3
SKU:
BT.CMP-0634-02-140
Composed by Wolfgang
Amadeus Mozart. Arranged
by Mike Hannickel.
Sinfonia Series. Score
Only. Composed 2002. 28
pages. Curnow Music #CMP
0634-02-140. Published by
Curnow Music
(BT.CMP-0634-02-140).
Any list of
Mozart's greatest works
should include this
overture. Loved by
millions, Mozart's
Magic Flute is
remarkable for so many
reasons and worthy of
study by every musician!
Why should we deny young
band students the joy of
playing Mozart just
because they don't happen
to use a bow on their
instruments? Mozart
belongs to
Everyone!
Skillfully brought to the
concert band stage by an
arranger who works with
young bands daily, this
somewhat shortened
version of the enigmatic
Overture is accessible to
young bands, but retains
a great deal of
authenticity. There is
added versatility built
into this arrangement. A
nice performance is
possible by using a
completeWoodwind section
and a Timpanist only.
Inspiring!>/I> $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Protocol: A Guide to the Collegiate Audition Process for Violin Violon Carl Fischer
(Foreword and Additional Editing by Doris Gazda). By George Frideric Handel Fede...(+)
(Foreword and Additional
Editing by Doris Gazda).
By George Frideric Handel
Federigo Fiorillo. Edited
by Larry Clark, Leopold
Auer, Doris Gazda.
Arranged by William
Strasser. For Violin,
Violin and Piano. Book.
96 pages. Published by
Carl Fischer
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Josh Cohen -- Radiohead Piano seul Faber Music Limited
For Solo Piano. Composed by Arranged by Josh Cohen. Artist/Personality; Piano ...(+)
For Solo Piano. Composed
by
Arranged by Josh Cohen.
Artist/Personality; Piano
-
Personality Book; Piano
Supplemental. Book. Faber
Music #12-0571541054.
Published by Faber Music
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| Formula 602 Heavy Hal Leonard
SKU: HL.347638 16-inches. Paiste Cymbals. General Merchandise. Hal...(+)
SKU: HL.347638
16-inches. Paiste
Cymbals. General
Merchandise. Hal Leonard
#1041816. Published by
Hal Leonard (HL.347638).
UPC: 697643116733.
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| Concerto For Oboe And Orchestra Theodore Presser Co.
Orchestra Orchestra SKU: PR.11641373L Composed by Peter Schickele. Large ...(+)
Orchestra Orchestra
SKU: PR.11641373L
Composed by Peter
Schickele. Large Score.
Duration 24 minutes.
Theodore Presser Company
#116-41373L. Published by
Theodore Presser Company
(PR.11641373L). UPC:
680160680337. The
concerto has always
seemed an especially
attractive medium to me,
not necessarily because
of its expectations of
virtuosity (although
flaunting it when you've
got it certainly has its
place), and emphatically
not because of the
perception of a concerto
as a contest, but because
so much of what I write
feels song-like; I'm very
much at home with the
age-old texture of melody
and accompaniment. I
hope, before I move on,
to have the opportunity
to write concertos for
all the major
instruments, and perhaps
some of the rarer ones as
well. The oboe is not
only one of the major
instruments, it is one of
my favorite instruments.
I've always loved its
sound, but since moving
to New York I have gotten
to hear and, in some
cases, know some
extremely fine oboists
who broadened my
appreciation of the
instrument's
possibilities. I
especially remember a
concert, probably in the
late 1960's, in which
Humbert Lucarelli played
a Handel concerto,
filling out large melodic
leaps with cascading
scale passages in a way
that raised the hair on
the back of your neck,
somewhat in the way that
John Coltrane's sheets of
sound did. The sweeping
scales in the second
movement of my concerto
were definitely inspired
by Bert Lucarelli's
performance. The first,
third and fifth movements
of the Concerto for Oboe
and Orchestra are
song-like, whereas the
second and fourth have
strong scherzo and dance
qualities, including a
couple of sections that
sound like out-and-out
pirate dances to me. The
hymn-like tune at the
beginning of the middle
movement was originally
begun as a vocal piece to
be sung by my wife, son
and daughter at my
brother's wedding, but I
couldn't come up with
good works for it, so it
ended up as an
instrumental chant. The
opening and closing of
the concerto make use of
the oboe's uniquely
soulful singing. I had
not heard Pamela Woods
Pecha's solo playing in
person when she
approached me about
writing a concerto, but I
had heard her fine
recording of chamber
music for oboe and
strings by the three B's
(English, that is: Bliss,
Bax and Britten) with the
Audubon Quartet. I
actually already had some
oboe concerto ideas in my
sketchbooks; although I
didn't end up using any
of those earlier ideas,
it's interesting that
most of them tended to
share the general feeling
and tonality of the
eventual opening of the
concerto. The work was
completed on October 13,
1994. I hate the
compromises involved in
making piano reductions
-- perhaps I would feel
differently if I were a
more accomplished pianist
-- so I often decide to
make piano reductions for
four hands rather than
two. My good friend Jon
Kimura Parker is a
terrific sight-reader,
and I roped him into
coming over to my place
on February 17, 1995, to
help me accompany Pamela
on the first read-through
of the piece. The first
performance of the work
took place on July 21,
1995, at the American
Music Festival in Duncan,
Oklahoma, with Mark
Parker conducting the
Festival Orchestra. $175.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My First Classical Recorder Book (book and Recorder) Flûte à bec (Livre et Instrument) [Livre + CD] Alfred Publishing
By L.C. Harnsberger. For Recorder. Recorder Collection. Book and Recorder. Publi...(+)
By L.C. Harnsberger. For
Recorder. Recorder
Collection. Book and
Recorder. Published by
Alfred Publishing.
$9.99 - Voir plus => AcheterDélais: 4 to 6 business days | | |
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