For Flute. Classical (orchestral). Includes printed score for solo flute, printed on high-quality ivory paper, with informative liner notes, and voluminously indexed for ease of practice and performance; and two compact discs with three versions of the concerto: a) complete with flute and harp; b) minus flute; c) minus flute and harp (for 2 players). Published by Music Minus One

Know Before You Blow - Jazz Modes for Clarinet with CD composed by Chris Tedesco. For bb clarinet. This edition: Paperback. Instructional. Jazz Method. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications

Know Before You Blow - Jazz Modes for Tenor Sax with CD composed by Chris Tedesco. For tenor sax. This edition: Paperback. Instructional. Jazz Method. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications

Know Before You Blow - Jazz Modes for Flute with CD composed by Chris Tedesco. For flute. This edition: Paperback. Instructional. Jazz Method. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications

Know Before You Blow - Jazz Modes for Alto Sax with CD composed by Chris Tedesco. For alto sax. This edition: Paperback. Instructional. Jazz Method. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications

Know Before You Blow - Jazz Modes for Trumpet with CD composed by Chris Tedesco. For bb trumpet. This edition: Paperback. Instructional. Jazz Method. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications

Know Before You Blow - Jazz Modes for Trombone with CD composed by Chris Tedesco. For trombone. This edition: Paperback. Instructional. Jazz Method. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications

(Flute and Clarinet Duets). Arranged by Fons Van Gorp. For Clarinet, Flute. De Haske Play-Along Book. Play Along. De Haske Publications #1023260401. Published by De Haske Publications

(Trumpet and Trombone Duets). Arranged by Fons Van Gorp. For Trombone, Trumpet. De Haske Play-Along Book. Play Along. 40 pages. De Haske Publications #1023266401. Published by De Haske Publications

By Henry Purcell (1659-1695). Arranged by Robert King. For SSATB soloists, SSATB choir, 2 trumpets, strings and continuo (2 trumpets, violin 1, violin 2, viola, cello, double bass, organ, theorbo (optional)). Mixed Voices. Classic Choral Works. Standard Choral Works. Vocal score. 40 pages. Duration 20'. Published by Oxford University Press

By Wolfgang Amadeus Mozart. Arranged by Maunder. For Longer Choral Work: Vocal Score Mixed Choir. Published by Oxford University Press.

By Franz Joseph Haydn. Arranged by Brown. For Longer Choral Work: Vocal Score Mixed Choir. Published by Oxford University Press.

Composed by Gabriel Faure (1845-1924). Edited by John Rutter. This edition: paperback. Oratorios. Classic Choral Works. Set of string parts (contains 1 violin solo, 1 double bass, 2 of all others). 112 pages. Duration 35'. Published by Oxford University Press (OU.9780193360983).

Composed by Gabriel Faure (1845-1924). Edited by John Rutter. This edition: paperback. Oratorios. Classic Choral Works. Set of non-string parts (1 of each including timpani). 32 pages. Duration 35'. Published by Oxford University Press (OU.9780193360976).

Composed by Gabriel Faure (1845-1924). Edited by John Rutter. This edition: paperback. Oratorios. Classic Choral Works. Harp part. 8 pages. Duration 35'. Published by Oxford University Press (OU.9780193360990).

Trombone Ensemble-6 - advanced

SKU: CY.CC2542

Composed by Giuseppe Verdi. Arranged by Jeremy Kempton. Italian Romantic Opera. Score and parts. Published by Cherry Classics (CY.CC2542).

Verdi dedicated his Requiem to the poet and novelist Alessandro Manzoni whom he greatly admired. The first performance was given in 1874 on the first anniversary of Manzoni's death. It was a great popular success and Verdi toured with it all over Europe.

The Latin text of the Dies irae or Day of Wrath portrays the day of judgment.

The Dies irae is, in itself, very lengthy, in nine sections. It has been greatly abridged to make it practical for performance by trombonists. Most trombonists take great pleasure and pride in their ability to play loud. However, to achieve the dramatic contrasts essential for this piece it is necessary to focus on extremely soft, but still beautiful, playing in the piano passages.

Mr. Kempton has done a great job of bringing this soul-stiring work to life. About 8 minutes in length, this work for advanced performers is most effective having more than one person on a part.

By Gabriel Faure (1845-1924). Arranged by John Rutter. For SATB choir and keyboard/strings (Violin 1 [optional], violin 2 [optional], viola 1, viola 2, cello 1, cello 2, double bass, harp). Orchestral. Classic Choral Works. Miscellaneous. Set of parts (co

SKU: GI.G-9739

Composed by Dennis Shrock. Music Education. 299 pages. GIA Publications #9739. Published by GIA Publications (GI.G-9739).

ISBN 9781622773398. English.

The Renaissance era, lasting from the mid 1400s to about 1630, is one of the most distinctive and revolutionary periods in the arts, and music is no exception. Composers like Dufay, Josquin, Tallis, Victoria, Palestrina, Gabrieli, Praetorius, and Byrd were visionaries whose transformational music developed alongside the paintings and sculptures of Botticelli, da Vinci, Michelangelo, and Raphael. In this remarkable book, a companion to Performance Practices in the Classical Era and Performance Practices in the Baroque Era, noted scholar and conductor Dennis Shrock draws from primary sources to document and explain authentic performance practices of Renaissance era music—in many cases eye opening and rarely employed today. Insightful chapters cover topics including vocal and instrumental sound, tempo, articulation, phrasing, ornamentation, and expression. Like a restorer uncovering the original brilliance of the ceiling of the Sistine Chapel, Shrock’s work reveals the rich and colorful nature of this wonderful music as originally intended. Performing Renaissance Music—together with Shrock’s companion recording Renaissance Reborn—is an insightful, colorful, and comprehensive portrait, certain to assist anyone who seeks to better understand the music of the great Renaissance composers. This book is a vital resource for any conductor, performer, or aficionado of Renaissance music. Dennis Shrock is author of six books published by GIA: Performing Renaissance Music (2018), Performance Practices in the Baroque Era (2013), Performance Practices in the Classical Era (2011), Handel’s Messiah: A Performance Practice Handbook (2013), Music for Beginning Conductors (2011), and A Conductor’s Guide to Choral/Orchestral Repertoire, co-authored with James Moyer (2017). In addition, Dr. Shrock is author of three books published by Oxford University Press: Choral Repertoire (2009), Choral Scores (2015), and Choral Monuments (2017). Dr. Shrock has held faculty positions at Boston University, Westminster Choir College, the University of Oklahoma, and Texas Christian University, and has had residencies at Baylor University, the University of Southern California, the University of Mississippi, and Yale University. He has also served as Artistic Director of the Santa Fe Desert Chorale and Canterbury Choral Society of Oklahoma City, Interim Conductor of the Dallas Symphony Chorus, and Editor of The Choral Journal. In addition, he has been a frequent All-State conductor and lecturer at conferences of the American Choral Directors Association. He has received a number of awards and recognitions for his work. The City of Santa Fe declared December 22, 2003 “Dennis Shrock Day,” Westminster Choir College granted him an “Alumni Merit Award,” the state of Oklahoma conferred on him a citation for “Contributions of Excellence,” and the University of Oklahoma granted him two “Distinguished Lectureships” and named him a “Presidential Professor.” Dr. Shrock received a bachelor’s degree in music education from Westminster Choir College and both master’s and doctoral degrees in choral conducting from Indiana University. The cover artwork is a depiction of monks singing the office from a Gradual illuminated in the 1440s and used by the Olivetan Benedictines.

(Scottish March). By Claude Debussy (1862-1918). Edited by Dallas Weekley and Nancy Arganbright Weekley. For 1 piano, 4-hands. This edition: Performers' Edition. Advanced. Performance score. 23 pages. Published by Neil A. Kjos Music Company

Chopin National Edition 18A, Vol. XVb. Composed by Frederic Chopin (1810-1849). Edited by Jan Ekier and Pawel Kaminski. PWM. Polskie Wydawnictwo Muzyczne #51600010. Published by Polskie Wydawnictwo Muzyczne (HL.132234).

Orchestra (Score)

SKU: HL.132289

Chopin National Edition Vol. XVe. Composed by Frederic Chopin. Edited by Jan Ekier. PWM. Classical. Book [Softcover]. Polskie Wydawnictwo Muzyczne #51600012. Published by Polskie Wydawnictwo Muzyczne (HL.132289).

ISBN 9788392036524. UPC: 884088971236. 9.25x12.0x0.277 inches.

The historical version of the score is what Chopin agreed to have published, for various reasons, but it is contaminated by involvement of foreign editorial input. The performance full score 00132241 or its 2 piano reduction 00132132242 are practical editions that are considered more authoritative for performance. The National Edition of the Works of Fryderyk Chopin Published by PWM Exclusively Distributed by Hal Leonard Corporation Co-Editors Jan Ekier and Pawel Kaminski The objective of the National Edition is to present Chopin's complete output in its authentic form, based on the entire body of available sources. Sources were analyzed with up-to-date scientific and musicological methodology. The National Edition was based on sources originated from the composer, mainly autographs, copies of autographs and first editions with the composer's corrections, and pupils' copies with Chopin's annotations. In cases when original sources were lacking, the closest possible materials were used. Collecting the source materials was a laborious task which took years of effort. The characteristics of sources, the links and discrepancies between them as well as the reasons for particular editorial decisions are discussed in the Source Commentary in each volume. The Performance Commentary appended to each volume includes: the realization of ornaments, comments on pedal markings (the original markings sometimes are inadequate, due to the difference in sound between pianos used in Chopin`s times and modern pianos), suggestions as to the harmonic legato (a performance technique often used by Chopin and now forgotten). About the National Edition Full Introduction to the Polish National Edition of the Works of Fryderyk Chopin.