|
| Classique Guitare N0088
Perrichon-Ballard
Preludium-Coranto-Coranto
 En Français
Guitare [Partition]
Leduc, Alphonse
Voici une partition musicale pour Guitare que vous pouvez acquérir pour moins d...(+)
Voici une partition musicale pour Guitare que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique cette partition a pour titre Classique Guitare N0088 Perrichon-Ballard Preludium-Coranto-Coranto. C'est l'éditeur Leduc sous la référence AL25033 qui a les droits pour éditer cette partition. / Guitare / Partition
Délais: 2-5 jours - En Stock Fournisseur | | |
| Ausgewählte
Orgelwerke. Band 1
(PACHELBEL JOHANN)
Chant [Partition]
Barenreiter
Par PACHELBEL JOHANN. This volume of Johann Pachabel's organ works contains some...(+)
Par PACHELBEL JOHANN. This volume of Johann Pachabel's organ works contains some of the composer's most popular compositions. Regrettably, not one original manuscript exists today, but a reliable edition complete with alterations and supplementation can be guaranteed through the editing of Karl Matthaei and Wolfgang Stockmeier. Contents: Preludium in D Minor Fantasia in G Minor Toccata in C Toccata in G Minor Toccata in E Minor Toccata in C Minor Toccata in C Fugue in D Minor Fugue in D Fugue in C Riecercar in C Minor Ciacona in D Minor Ciacona in F Minor/ Répertoire / Chant
Délais: 2-5 jours - En Stock Fournisseur | | |
| Parthenia (DART THURSTON)
Piano seul [Partition]
Stainer and Bell
Dart Thurston (Ed). Par DART THURSTON. Edited by Thurston Dart. A critical editi...(+)
Dart Thurston (Ed). Par DART THURSTON. Edited by Thurston Dart. A critical edition of the famous book first published in 1612-13, with 21 pieces by Byrd, Bull and Gibbons. CONTENTS BULL, John (Galiardo in D (XIIII); Galiardo in D (XV); Galiardo: St Thomas Wake; Galiardo to Pavana 12; Pavana in G; Pavana: St Thomas Wake; Preludium in G) BYRD, William (Galiardo: Mistress Mary Brownlo; Galiardo Secundo: The Earl of Salisbury; Galiardo: Sir William Petre; Galiardo: The Earl of Salisbury; Pavana: Sir William Petre; Pavana: The Earl of Salisbury; Preludium in C; Preludium in G) GIBBONS, Orlando/ Répertoire / Piano
Délais: 2-5 jours - En Stock Fournisseur | | |
| The Fingering Of Virginal
Music (HURAY PETER LE)
Piano seul [Partition]
Stainer and Bell
Huray Peter Le (Ed). Par HURAY PETER LE. Edited by Peter le Huray. A selection o...(+)
Huray Peter Le (Ed). Par HURAY PETER LE. Edited by Peter le Huray. A selection of pieces including works by Byrd, Bull and Gibbons newly transcribed with the original fingerings given in the ms. CONTENTS BEVIN, Edward (Prelude) BULL, John (Galliard; Miserere; Prelude; Prelude (attributed); Preludium; Why aske you? (attributed)) BYRD, William (Fortune) GIBBONS, Orlando (Italian Ground; Preludium; Whoop, do me no harm good man)/ Répertoire / Piano
Délais: En Stock | | |
| Fitzwilliam Virginal
Book Vol.2
Piano seul
Dover Publications
révision Blanche Winogron
Instrumentation : Clav Contenu :
CX. Felix ...(+)
révision Blanche Winogron
Instrumentation : Clav Contenu :
CX. Felix namque 2. Thomas Tallis. (1564)
CXI. [Exercise]. Anon
CXII. Daphne. Giles Farnaby
CXIII. Pawles Wharfe. Giles Farnaby
CXIV. Quodlings Delight. Giles Farnaby
CXV. Praeludium [X]. John Bull
CXVI. Praeludium. Dor. [XIII*]. John Bull
CXVII. Praeludium [VII]. Anon
CXVIII. Ut, re, mi, fa, sol, la, a 4 voci. J. P. Sweelinck
CXIX. In Nomine [IX]. John Bull
CXX. Praeludium [VII]. Anon
CXXI. Pavana Lachrymae. John Dowland, set by William Byrd. (See No. CLIII and CCXC)
CXXII. Galiarda. James Harding, set by Byrd
CXXIII. Pavana. Thomas Tomkins
CXXIV. Fantasia [I]. Thomas Morley
CXXV. Christe Redemptor. John Bull
CXXVI. The Maydens Song. William Byrd
CXXVII. Put up thy Dagger, Jemy. Giles Farnaby
CXXVIII. Bony sweet Robin (see No. XV). Giles Farnaby
CXXIX. Fantasia [I]. Giles Farnaby
CXXX. A Grounde. Thomas Tomkins
CXXXI. Barafostus' Dream (see No. XVIII). Thomas Tomkins
CXXXII. The Hunting Galliard. Thomas Tomkins
CXXXIII. The Quadran Paven (see No. XXXI). William Byrd
CXXXIV. Galiard to the Quadran Paven (see No. XXXIII)
CXXXV. The King's Hunt. John Bull
CXXXVI. Pavana [I]. John Bull
CXXXVII. Galiarda [I]. John Bull
CXXXVIII. Dr. Bull's Juell. John Bull
CXXXIX. The Spanish Paven. John Bull
CXL. In Nomine. [John'] Parsons
CXLI. Wooddy-Cook. Giles Farnaby
CXLII. The Duke of Brunswick's Alman. John Bull
CXLIII. Rosasolis. Giles Farnaby
CXLIV. Psalme [140]. J. P. Sweelinck
CXLV. Alman [I]. Robert Johnson
CXLVI. Alman [I]. Robert Johnson
CXLVII. Alman. Robert Johnson, set by Giles Farnaby
CXLVIII. The New Sa-Hoo. Giles Farnaby
CXLIX. Nobody's Gigge. Richard Farnaby
CL. Malt's come downe. William Byrd
CLI. Praeludium [IX]. Anon
CLII. Alman [XIII]. Thomas Morley
CLIII. Pavana [IX]. [Lachrymae.] Thomas Morley
CLIV. Galiarda [IX]. Thomas Morley
CLV. La Volta. William Byrd
CLVI. Alman [VII]. William Byrd
CLVII. Wolsey's Wilde. William Byrd
CLVIII. Callino Casturame. William Byrd
CLIX. La Volta. T. Morley, set by William Byrd
CLX. Rowland. William Byrd
CLXI. Why aske you. Anon (see No. CCLXXXVI)
CLXII. The Ghost. William Byrd
CLXIII. Alman [IX*]. William Byrd
CLXIV. Galliard [I]. William Byrd
CLXV. Pavana [IX*]. William Byrd
CLXVI. Galliarda [IX*]. William Byrd
CLXVII. Pavana [I**]. William Byrd
CLXVIII. Galiarda [I**]. William Byrd
CLXIX. Pavana [XIII*]. Thomas Morley
CLXX. Galliarda [XIII*]. Thomas Morley
CLXXI. [deest, owing to an error in numbe
CLXXII. The Queenes Alman. William Byrd
CLXXIII. A Medley. William Byrd
CLXXIV. Pavana [IX]. William Byrd
CLXXV. Galliarda [IX]. William Byrd
CLXXVI. Miserere. 3 parts. William Byrd
CLXXVII. Miserere. 4 parts. William Byrd
CLXXVIII. Pakington's Pownde. Anon
CLXXIX. The Irishe Dumpe. Anon
CLXXX. Watkins Ale. Anon
CLXXXI. A Gigg. William Byrd
CLXXXII. Pipers Paven. Martin Peerson
CLXXXII. Pipers Galliard. John Bull
CLXXXIII. Variatio ejusdem. John Bull
CLXXXIV. Praeludium. D. [XIII]. John Bull
CLXXXV. Galiarda [IX*]. John Bull
CLXXXVI. Galiarda [IX*]. John Bull
CLXXXVII. Allemanda. Marchant
CLXXXVIII. Can Shee. Anon
CLXXXIX. A Gigge. Doctor Bull's my selfe. John Bull
CXC. A Gigge. John Bull
CXCI. Sr. Jhon Grayes Galliard. W. B.
CXCII. Preludium [VII]. John Bull
CXCIII. A Toy. Anon (see No. CCIV)
CXCIV. Giles Farnaby's Dreame. Giles Farnaby
CXCV. His Rest. Giles Farnaby
CXCVI. His Humour. Giles Farnaby
CXCVII. Fayne would I wedd. Richard Farnaby
CXCVIII. A Maske. Giles Farnaby
CXCIX. A Maske. Giles Farnaby
CC. An Almain [VII]. Anon
CCI. Corranto [VII]. Anon
CCII. Alman [XIII]. Anon
CCIII. Corranto [X]. Anon
CCIV. Corranto [VII]. (See No. CXCIII.) Anon
CCV. Corranto [I]. Anon
CCVI. Daunce. Anon
CCVII. Worster Braules. Thomas Tomkins
CCVIII. Fantasia [VII]. Giles Farnaby
CCIX. A Maske. Giles Farnaby
CCX. Praeludium [IX]. John Bull
CCXI. [Praeludium] [V]. Anon
CCXII. Martin sayd to his Man. Anon
CCXIII. Almand. William Tisdall
CCXIV. Pavana Chromatica. William Tisdall
CCXV. Ut, re, mi, fa, sol, la. John Bull
CCXVI. Gipseis Round. William Byrd
CCXVII. Fantasia [I*]. J. P. Sweelinck
CCXVIII. Coranto [IX]. William Byrd
CCXIX. Pavana. Clement Cotton. William Tisdall
CCXX. Pavana [I*]. William Tisdall
CCXXI. Coranto [I]. Anon
CCXXII. Alman. Hooper
CCXXIII. Corranto [I]. Anon
CCXXIV. Corranto [I]. Anon
CCXXV. Corranto [I*]. Anon
CCXXVI. Corranto [VII]. Anon
CCXXVII. Alman [III]. Anon
CCXXVIII. Corranto. Hooper
CCXXIX. Fantasia [VII]. Giles Farnaby
CCXXX. Loth to depart. Giles Farnaby
CCXXXI. Fantasia [I]. Giles Farnaby
CCXXXII. [Fantasia] [I*]. Giles Farnaby
CCXXXIII. [Transcription of Ay me, poore Heart. ] Giles Farnaby
CCXXXIV. [Fantasia] [I]. Giles Farnaby
CCXXXV. Walter Erle's Paven. Giles Farnaby
CCXXXVI. [Fantasia] [IX]. Giles Fa
CCXXXVII. [Fantasia] [VII]. Giles Farnaby
CCXXXVIII. Fantasia [VII]. Giles Farnaby
CCXXXIX. The L. Zouches Maske. Giles Farnaby
CCXL. Grounde. Giles Farnaby
CCXLI. Coranto [XIII]. William Byrd
CCXLII. Up T[ails] all. Giles Farnaby
CCXLIII. Jhonson's Medley. Edward Johnson
CCXLIV. Nowel's Galliard. Anon
CCXLV. Tower Hill. Giles Farnaby
CCXLVI. Praeludium [XIII]. Giles Farnaby
CCXLVII. The King's Morisco. Anon
CCXLVIII. A Duo. Richard Farnaby
CCXLIX. Alman [VII]. Anon
CCL. A Galiard Ground. William Inglot
CCLI. The Leaves bee greene. William Inglot
CCLII. Pavana [IX]. William Byrd
CCLIII. Galiarda [X]. William Byrd
CCLIV. Pavana [IX*]. William Byrd
CCLV. Galiarda [IX]. William Byrd
CCLVI. Pavana [XIII]. William Byrd
CCLVII. Pavana Fant[asia] [VIII]. William Byrd
CCLVIII. Galiarda [VII]. William Byrd
CCLIX. The Earle of Oxfords Marche. William Byrd
CCLX. Galiarda. Jehan Oystermayre
CCLXI. Fantasia [VIII]. William Byrd
CCLXII. The Duchesse of Brunwick's Toye. John Bull
CCLXIII. A Toye [VIII]. Anon
CCXIV. Corranto [I]. Anon
CCLXV. Lady Riche. Anon
CCLXVI. Corranto [VIII]. Anon
CCLXVII. A Gigge. Giles Farnaby
CCLXVIII. A Toy [VII]. Anon
CCLXIX. Galiarda [X]. Giles Farnaby
CCLXX. A Toye [X]. Giles Farnaby
CCLXXI. The Primerose. Martin Peerson
CCLXXII. The Fall of the Leafe. Martin Peerson
CCLXXIII. Farnabye's Conceit. Giles Farnaby
CCLXXIV. Allemanda [VII]. Anon
CCLXXV. Pavana. Canon, 2 in 1. William Byrd
CCLXXVI. Pescodd Time. William Byrd (see No. LIX)
CCLXXVII. Pavana. Delight. Edward Johnson, set by William Byrd
CCLXXVIII. Galiarda. Edward Johnson, set by William Byrd
CCLXXIX. Miserere, 3 parts. John Bull
CCLXXX. Tell mee, Daphne. Giles Farnaby
CCLXXXI. Mal Sims. Giles Farnaby
CCLXXXII. Munday's Joy. John Munday
CCLXXXIII. Rosseter's Galiard, set by Giles Farnaby
CCLXXXIV. The Flatt Pavan. Giles Farnaby
CCLXXXV. Pavana [VII]. Giles Farnaby
CCLXXXVI. Why aske you. (See No. CLXI.) Giles Farnaby
CCLXXXVII. Farmer's Paven. Giles Farnaby
CCLXXXVIII. Dalling Alman. Anon
CCLXXXIX. The Old Spagnoletta. Giles Farnaby
CCXC. Lachrymae Pavan. John Dowland, set by Giles Farnaby (see No. CXXI and CLIII)
CCXCI. Meridian Alman. Set by Giles Farnaby
CCXCII. Pavana. Orlando Gibbons
CCXCIII. Muscadin. Giles Farnaby (see No. XIX)
CCXCIV. Lady Montegle's Paven. William Byrd
CCXCV. Galiarda. William Tisdall
CCXCVI. Fantasia [I]. Giles Farnaby
CCXCVII. Hanskin. Richard Fa
Délais: En Stock | | |
| Bach, Johann Sebastian :
Préludes et Fuguettes
associés au Clavier bien
tempéré, Livre II /
Preludes and Fughettas
associated with the
Well-Tempered Clavier II
Piano seul [Partition]
Barenreiter
[Praeludien und Fughetten aus dem Umfeld des Wohltemperierten Klaviers II] / Cla...(+)
[Praeludien und Fughetten aus dem Umfeld des Wohltemperierten Klaviers II] / Classique / Editeur : Alfred Dürr / Partition / Agrafé / Edition Urtext
Délais: 2-5 jours - En Stock Fournisseur | | |
| 4 Pièces Et
Dépendances
(PERISSINOTTO F)
Guitare [Partition]
Soldano
Ondulations, Racines Douces, Estern, Preludium. Par PERISSINOTTO F.. Grâce au c...(+)
Ondulations, Racines Douces, Estern, Preludium. Par PERISSINOTTO F.. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé 4 pièces et dépendances de Perissinotto F. qui a été composé pour Guitare / Niveau : Fin de 1er à Début de 2ème Cycle / Recueil / Guitare Solo
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| Prelude Et Fugue /
Bruckner - Orgue
Orgue
De Haske Publications
Le Prélude (Vorspiel) date de 1846 ou 1852 soit, la fugue de 1861 et le Postlud...(+)
Le Prélude (Vorspiel) date de 1846 ou 1852 soit, la fugue de 1861 et le Postlude partir de 1846. Ces trois oeuvres montrent le jeune Bruchner et nous donner une claire insite dans son caractère sérieux. Egalement inclus dans ce volume est le Prélude en ut majeur (Preludium) écrit en 1884 ce qui représente Bruchner à son plus mature. / Orgue / niveau : Elementaire / Partition
Délais: 2-5 jours - En Stock Fournisseur | | |
| Clement Matchett's
Virginal Book (DART
THURSTON)
Piano seul [Partition]
Stainer and Bell
Par DART THURSTON. Edited by Thurston Dart. A transcription of the ms. Panmure 9...(+)
Par DART THURSTON. Edited by Thurston Dart. A transcription of the ms. Panmure 9 in the National Library of Scotland, with keyboard pieces by Byrd, Bull and Wilbye in the hand of Matchett c. 1612. CONTENTS BULL, John (My Choice I will not change; Pegge Ramsye) BYRD, William (Farwell delighte: Fortune my Foe; Ghoste; Mounsiers Allmayne; Whislinge Carman) MATCHETT, Clement (Grownde; My Ladyes left hande; Nans Thinge; Preludium; Tille Valle Monye Growe) WILBYE, John (Frogge (Galliard))/ Recueil / Piano
Délais: 2-5 jours - En Stock Fournisseur | | |
| Organist At The Church La
Madeleine: Trois
Pièces Pour Grand
Orgue (1890) / Messe De
Mariage. Cinq
Pièces Pour Orgue
(1891)
Orgue
Barenreiter
During his tenure at 'La Madeleine? in Paris, Théodore Dubois composed a large ...(+)
During his tenure at 'La Madeleine? in Paris, Théodore Dubois composed a large number of organ works.Volume III, together with the already published Volumes II and IV, brings our first complete Urtext edition of this body of music to a close. It contains 'Trois Pièces? (Praeludium-grave, Adoratio et Vox Angelica, Hosannah) and the well-known and frequently performed wedding piece 'Messe de Mariage? (Entrée du Cortège, Bénédiction nuptiale, Offertoire, Invocation, Laus Deo [Sortie]).Like the two previous volumes, this volume contains many facsimile pages, a Critical Commentary (Fr/Eng/Ger), a catalogue of sources and a detailed Foreword that sheds light on the composer's life, instrument-specific issues and performance practice.- First complete Urtext edition of Théodore Dubois' organ works- Based on the latest research findings- Suitable for church worship and concert performance- Detailed Foreword, Critical Commentary (Fr/Eng/Ger) and facsimile pages / Orgue
Délais: 2-5 jours - En Stock Fournisseur | | |
| Praeludiana For Organ
Orgue [Sheet music]
Chester
Chapple's Praeludiana is an extended 'celebration' of Chopin's well-known prelud...(+)
Chapple's Praeludiana is an extended 'celebration' of Chopin's well-known prelude in C minor. First, a fast, flashing sequence of chords moves from manual to manual: next a Stravinskyan barrage of brass fanfares alternates with soft clusters. The following Andante section poses soft staccato groups against live legato lines and culminates in an ascending passage punctuated by gruff exclamations. After a pause, the Stravinskyan motif reappears but extended and leaping to a climax which fires off the final statement of the Chopin theme. / Orgue
Délais: 2-5 jours - En Stock Fournisseur | | |
| Kreisler Praeludium And
Allegro Viola Piano
En Français
Alto, Piano - Intermédiaire/avancé
Viola World
Praeludium et Allegro de Fritz Kreisler transcrit pour alto avec accompagnement ...(+)
Praeludium et Allegro de Fritz Kreisler transcrit pour alto avec accompagnement au Piano par Alan Arnold. / Alto / 14 pages / Partition
Délais: 2-5 jours - En Stock Fournisseur | | |
| Kl Praeludien+Fughetten
(Pruef)
Piano seul [Partition]
Wiener Urtext
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...(+)
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition KL PRAELUDIEN FUGHETTEN(PRUEF) qui a été écrite pourPiano. Les éditions Wiener Urtext qui ont éditées cette oeuvre l'ont répertoriée sour la référence UT_50041-01. / Piano / Partition
Délais: 2-5 jours - En Stock Fournisseur | | |
| Praeludium
En Français
Octuor De Cuivres Et Timbales [Conducteur et Parties séparées]
Leduc, Alphonse
L'oeuvre musicale qui a pour support une Partition Et Parties a pour titre Prael...(+)
L'oeuvre musicale qui a pour support une Partition Et Parties a pour titre Praeludium. C'est une partition musicale composée par Adler et qui est destinée aux joueurs de Musique de Chambre. Le détail de l'instrumentation Octuor De Cuivres Et Timbales vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Octuor De Cuivres Et Timbales / Partition Et Parties
Délais: 2-5 jours - En Stock Fournisseur | | |
| Kleine Praeludien Und
Fughetten
Piano seul [Partition]
Barenreiter
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur...(+)
Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition Kleine Praeludien und Fughetten qui a été écrite pourPiano. Les éditions Bärenreiter qui ont éditées cette oeuvre l'ont répertoriée sour la référence BA 5238 . / Piano / Partition
Délais: 2-5 jours - En Stock Fournisseur | | |
| Heumann, Hans Günter :
Für Elise
Piano seul [Partition]
Schott
This collection of the most beautiful 100 easy original compositions for piano p...(+)
This collection of the most beautiful 100 easy original compositions for piano presented by Schott contains a selection of works that accompany every pupil in the first years of his or her piano lessons.
The volume contains compositions from the days of Johann Pachelbel (1653-1706) to the days of Alexander Grechaninov (1864-1956), providing playing material from the high baroque period to the early 20th century. Apart from numerous individual pieces, there are also easy sonatas and sonatinas by Haydn, Cimarosa, Clementi, Mozart and Beethoven. Complete with fingerings, tempo suggestions in the form of metronome numbers and notes on the execution of ornaments, the collection with its modern, readable typeface is ideal not only for lessons, but also for the private music-making of every music lover.
This album represents superb value for money! / Partition /
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| Ars Organi Vol. 3
(PEETERS FLOR)
Orgue
Schott
Complete theoretical and practical method for organ-playing in three parts. Par ...(+)
Complete theoretical and practical method for organ-playing in three parts. Par PEETERS FLOR. Flor Peeters, born in Belgium in 1903, is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen, he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986, Peeters gave concerts all around the world, held numerous master classes and received several awards and prizes for his achievements as a composer, organist and teacher.
In his successful three-volume educational work 'Ars Organi', Peeters combines theoretical knowledge and practical exercises on all aspects of organ playing, starting with basic information on the instrument, manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing, Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation, touch, interpretation, registration and organ specifications - a valuable compendium for every organist. / Méthode / Date parution : 1954-11-20/ Méthode / Orgue
Délais: 2-5 jours - En Stock Fournisseur | | |
| 17 Suites Pour Clavecin,
Manuscrit Inédit
Cor et Piano [Conducteur et Parties séparées]
Martin, Robert
17 suites pour clavecin : - Manuscrit inédit (non daté)Le recueil manuscrit or...(+)
17 suites pour clavecin : - Manuscrit inédit (non daté)Le recueil manuscrit original comporte 28 oeuvres : 17 de Graupner, les autres de Haendel, Telemann et Kuhnau. Notre fac-similé ne reproduit que les suites de Graupner.Présentation : Restauration du manuscrit - Introduction d'Oswald Bill (spécialiste de ce compositeur) / Clavecin / 160 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 32.5
Délais: 2-5 jours - En Stock Fournisseur | | |
| 3 Preludes And Fugues Op.
72
Orgue
Schott
23.60 EUR - vendu par LMI-partitions
Délais: 2-5 jours - En Stock Fournisseur | | |
| Fitzwilliam Virginal
Book Vol.1 - Piano
Piano seul
Dover Publications
Volume 1 of famous early 17th-century collection of keyboard music. Features 300...(+)
Volume 1 of famous early 17th-century collection of keyboard music. Features 300 works by Morley, Byrd, Bull, Gibbons, etc. Content :
I. Walsingham. John Bull (see No. LXVIII)
II. Fantasia [IX]. John Munday
III. Fantasia, Faire Wether, etc. John Munday
IV. Pavana [I]. Ferdinando Richardson
V. Variatio [I]. Ferdinando Richardson
VI. Galiarda [I]. Ferdinando Richardson
VII. Variation [I]. Ferdinando Richardson
VIII. Fantasia [VII]. William Byrd
IX. Goe from my Window. Thomas Morley (see No. XLII)
X. Jhon come kisse me now. William Byrd
XI. Galliarda to my L[ord] Lumley's Paven (see No. XLI). John Bull
XII. Nancie. Thomas Morley
XIII. Pavana [VII]. John Bull
XIV. Alman [IX]. Anon
XV. Robin [see No. CXXVIII). John Munday
XVI. Pavana [II]. M. S.
XVII. Galiarda [X]. John Bull
XVIII. Barafostus' Dreame. Anon (see No. CXXXI)
XIX. Muscadin (see No. CCXCIII). Anon
XX. Alman [VII]. Anon
XXI. Galiarda [I]. Anon
XXII. Praeludium [VII]. Anon
XXIII. Praeludium, El. Kiderminster. Anon
XXIV. Praeludium [XIII]. William Byrd
XXV. Praeludium [XIII]. Anon
XXVI. The Irish Ho-Hoane. Anon
XXVII. Pavane [VII]. Ferdinando Richardson
XXVIII. Variatio [VII]. Ferdinando Richardson
XXIX. Galiarda [I*]. Ferdinando Richardson
XXX. Variatio [I*]. Ferdinando Richardson
XXXI. The Quadran Pavan. John Bull (see No. CXXXIII)
XXXII. Variation of the Quadran Pavan. John Bull
XXXIII. Galiard to the Quadran Pavan. John Bull (see No. CXXXIV)
XXXIV. Pavana [IX]. Dor. John Bull (see No. XLVIII)
XXXV. Galiard to the Pavan [IX]. John Bull
XXXVI. Saint Thomas Wake. John Bull
XXXVII. In Nomine [X*]. John Bull
XXXVIII. [Fantasia. IX*]. John Bull
XXXIX. Pavana [IX]. Robert Johnson, set by Giles Farnaby
XL. The Woods so wilde. Orlando Gibbons (see No. LXVII)
XLI. Pavana of my L[ord] Lumley (see No. XI). John Bull
XLII. Goe from my Window (see No. IX). John Munday
XLIII. Praeludium [I]. John Bull
XLIV. Gloria tibi Trinitas. John Bull
XLV. Salvator Mundi. John Bull
XLVI. Galliarda [VII]. John Bull
XLVII. Variatio [VII]. John Bull
XLVIII. Galiarda to the Paven No. XXXIV [IX]. John Bull
XLIX. Praeludium. Thomas Oldfield
L. In Nomine. William Blitheman
LI. Ut, Re, Mi, Fa, Sol, La. John Bull
LII. Fantasia [IX]. William Byrd (see No. C)
LIII. The K[ing's] Hunt. Giles Farnaby
LIV. Spagnioletta. Giles Farnaby
LV. For two Virginals. Giles Farnaby
LVI. Passamezzo Pavana. William Byrd
LVII. Galiardas Passamezzo. William Byrd
LVIII. The Carman's Whistle. William Byrd
LIX. The Hunt's up. William Byrd (see No. CCLXXVI)
LXI. Treg[ian's] Ground. William
LXI. Monsieur's Alman. William Byrd
LXII. Variatio. William Byrd
LXIII. Alman [XIII]. William Byrd
LXIV. Sellenger's Round. William Byrd
LXV. Fortune. William Byrd
LXVI. O Mistris myne. William Byrd
LXVII. The Woods so wilde. William Byrd (see No. XL)
LXVIII. Walsingham. (See No. I.) William Byrd
LXIX. The Bells. William Byrd
LXX. Tirsi, di Luca Marenzio. Ia. Parte intavolata di Pietro Philippi. Peter Philips
LXXI. Freno. 2a. Parte. Peter Philips
LXXII. Così morirò. 3a. Parte. Peter Philips
LXXIII. Fece da voi. à 6. Peter Philips
LXXIV. Pavana Pagget. Peter Philips
LXXV. Galiarda [I**]. Peter Philips
LXXVI. Passamezzo Pavana. Peter Philips
LXXVII. Galiarda Passamezzo. Peter Philips
LXXVIII. Chi fara fede al Cielo, di Alessandro Striggio. Peter Philips
LXXIX. Bon Jour mon Cueur, di Orlando di Lasso. Peter Philips
LXXX. Pavana Dolorosa. Treg[ian set by] Peter Philips
LXXXI. Galiarda Dolorosa. Peter Philips
LXXXII. Amarilli, di Julio Romano (Giulio Caccini). Peter Philips
LXXXIII. Margott laborez. [Lasso, set by] Peter Philips
LXXXIV. Fantasia [VII]. Peter Philips
LXXXV. Pavana [VII]. Peter Philips
LXXXVI. Le Rossignuol. [Lasso, set by] Peter Philips
LXXXVII. Galliardo [VII]. Peter Philips
LXXXVIII. Fantasia [XIII*]. Peter Philips
LXXXIX. Fantasia. Nicholas Strogers
XC. Alman [IX]. Martin Peerson
XCI. Pavana, Bray. William Byrd
XCII. Galiarda. William Byrd
XCIII. Pavana. Ph. Tr. William Byrd
XCIV. Galiarda [XIII*]. William Byrd
XCV. Toccata. Giovanni Pichi
XCVI*. Praeludium Toccata. J. P. Sweelinck
XCVII. Pavana. Thomas Warrock
XCVIII. Galiarda. Thomas Warrock
XCIX. Praeludium. Galeazzo
C. Praeludium to the Fancie, No. LII. William Byrd
CI. Ut, re, mi, fa, sol, la. William Byrd
CII. Ut, mi, re. William Byrd
CIII. Fantasia [XIII]. William Byrd
CIV. All in a Garden green. William Byrd
CV. Heaven and Earth. Fre
CVI. Praeludium [VII]. John Bull
CVII. Veni. Anon
CVIII. Fantasia [IX*]. John Bull
CIX. Felix namque. Thomas Tallis
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| Bach J.s. - Organ Works
Vol.6 - Preludes,
Toccatas, Fantasias and
Fugues
Orgue
Barenreiter
Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and F...(+)
Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter's new performing editions of Bach's organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to 'Bach digital'. The present volume is an updated edition of Series IV, Volume 6 of the 'New Bach Edition' (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the 'Fantasia in C minor' (BWV 1121), the 'Fantasia in G major' (BWV 571), the 'Fugue in G major' (BWV 577) and the C major version of the 'Toccata and Fugue in E major' (BWV 566). On the other hand, the 'Prelude in G major' (BWV 568) as well as the alternative versions of the 'Fugue in C minor' (BWV 574a) and the 'Prelude in A major' (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its 'Bach' digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ' New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ' New contents reflecting the current state of source evaluations ' Links to sources in 'Bach digital' ' Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli
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| Bach J.s. - Notebook For
Wilhelm Friedemann Bach -
Piano
Piano seul
Barenreiter
Vorwort
4 Faksimiles
Claves signatae
Explication unterschiedliche...(+)
Vorwort
4 Faksimiles
Claves signatae
Explication unterschiedlicher Zeichen
Applicatio, BWV 994
Praeambulum 1 BWV 924
Wer nur den lieben Gott läßt walten, BWV 691
Praeludium 2 BWV 926
Jesu, meine Freude, BWV 753
Allemande 1 BWV 836
Allemande 2 BWV 837
Praeambulum BWV 927
Praeambulum BWV 930
Praeludium BWV 928
Menuet 1 BWV 841
Menuet 2 BWV 842
Menuet 3 BWV 843
Praeludien aus 'Das Wohltemperierte Klavier I' (veränderte Fassungen):
BWV 846a-851, 853-857
Pièce pour Clavecin, composée par J.C. Richter- Praeludium ex c
BWV 924a
Praeludium ex d BWV 925
Praeludium ex eBWV 932
Praeludium BWV 931
Baß-Skizze in g-moll BWV fehlt
Fuga à3 BWV 953
Praeambulum 1-15 (Zweistimmige Inventionen) BWV 772-786
Suite A-dur von G.Ph. Telemann, BWV 824
Partita di Signore Steltzeln(mit Menuet-Trio BWB 929)
Fantasia 1-15 (Dreistimmige Sinfonien) BWV787-801
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| Kaller Ernst - Organ
Method Band 1 - Organ
Orgue
Schott
This School of Organ Playing presupposes a certain technical facility on the pia...(+)
This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo.
The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especialle the fugue.
The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing).
The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind.
It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach.
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| Fischer Johann Caspar
Ferdinand - Musicalischer
Parnassus - Harpsichord
Schott
9 SUITES INSTRUMENTATION : HARPSICHORD CONTENU : CLIO: PRAAELUDIUM HARPEGGIAT...(+)
9 SUITES INSTRUMENTATION : HARPSICHORD CONTENU : CLIO: PRAAELUDIUM HARPEGGIATO - ALLEMANDE - COURANTE - SARABANDE - BALET ANGLOIS - MENUET - GIGUE - CALLIOPE: OUVERTURE - BALT ANGLOIS - GIGUE - BOURÉE - MENUET I UND II - MELPOMENE: PRAELUDIUM - ALLEMANDE - PASSEPIED - RONDEAU - CHACONNE - GIGUE - BOURÉE - MENUET I UND II - THALIA: TOCCATINA - ALLEMANDE - MENUET I UND II - BALET - GIGUE - ERATO: PRAELUDIUM - ALLEMANDE - CHACONNE - GAVOTTE - GIGUE - EUTERPE: PRAELUDIUM - ALLEMANDE - AIR ANGLOIS - BOURÉE - MENUET - CHACONNE - TERPSICHORE: TASTADA - ALLEMANDE - RIGAUDON - RONDEAU - GAVOTTE - GIGUE - MENUET I UND II - POYMNIA: HARPEGGIO - ALLEMANDE - MENUET I UND II - MARCHE - COMBATTEMENT - AIR DES TRIOPHAND - URANIE: TOCCATA - ALLEMANDE -COURANTE - SARABANDE - GAVOTTE - GIGUE - RIGAUDON - RIGAUDON DOUBLE - MENUET I UND II - PASSACAGLIA DATE DE PARUTION : 30/03/1984 NOMBRE DE PAGES : 72 FORMAT : NEW EDITION PORTRAIT
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| MAGOLT MARIANNE - MUSIQUE
CLASSIQUE POUR ENFANTS -
PIANO
Piano seul
SCHOTT
Les pièces parmi les plus belles et les plus connues, choisies pour le cours de...(+)
Les pièces parmi les plus belles et les plus connues, choisies pour le cours de piano ou pour une première audition chez soi ou à l'école de musique. Tous les morceaux ont été enregistrés et sont disponibles en téléchargement.
Johann Pachelbel: Fuga C-Dur
Johann Kaspar Ferdinand Fischer: Praeludium Harpeggiato
Christian Petzold: Menuett G-Dur
Menuett g-Moll
Jean-Philippe Rameau: Menuet D-Dur
Georg Friedrich Händel: Sarabande d-Moll
Gavotte G-Dur
Johann Sebastian Bach: Menuet d-Moll
Marsch D-Dur
Menuet G-Dur
Musette
Praeludium C-Dur BWV 939
Praeludium c-Moll BWV 999
Praeludium C-Dur BWV 846
Muzio Clementi: Sonatine C-Dur
Wolfgang Amadeus Mozart: Menuet G-Dur
Menuet F-Dur
Allegro B-Dur KV 3
Rondeau KV 15d
Thomas Attwood: Sonatine G-Dur
Ludwig van Beethoven: Sonatine G-Dur
Sonatine F-Dur op. 36/1
Für Elise
Bagatelle op. 119/1 - Henri Bertini: Präludium
Friedrich Burgmüller: Arabesque
Unruhe op. 100/18
Ballade op. 100/15
Frédéric Chopin: Prélude op. 28/4
Valse op. posth.
Robert Schumann: Trällerliedchen
Choral
Kleine Studie op. 68/14
Wilder Reiter op. 68/8
Soldatenmarsch op. 68/2
Fröhlicher Landmann op. 68/10
Erster Verlust op. 68/16
Träumerei op. 15/7
Cornelius Gurlitt: Thema mit Variation aus op. 228
César Franck: Les Plaintes d’une Poupée
Peter Iljitsch Tschaikowsky: Altfranzösisches Lied op. 39/16
Die kranke Puppe op. 39/6
Süße Träumerei op. 39/21 - Claude Debussy: Le petit nègre
Alexander Gretchaninoff: Njanja ist krank
Wiegenlied
Der kleine Gernegroß op. 119 / Partitions classique / Piano - instruments à clavier / Piano / SCHOTT
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| Haendel, Georg Friedrich
: ?uvres pour clavier -
Volume 4 : Suites et
pièces pour clavier
isolées / Keyboard Works
- Volume 4
Piano seul [Partition] - Intermédiaire/avancé
Barenreiter
[Klavierwerke - Band 4 : Einzelne Suiten und Stücke. Zweite Folge] / Classique ...(+)
[Klavierwerke - Band 4 : Einzelne Suiten und Stücke. Zweite Folge] / Classique / Editeur : Terence Best / Partition / Cartonné / Plats de carton / Edition Urtext
Délais: En Stock
Plus que 1 ex. en stock, commandez vite ! | | |
| Der Tag Bricht An Und
Zeiget Sich (BORNEFELD
HELMUT)
Violon, Clarinette (Alto) et Orgue
(Positiv, Piano [Partition]
Carus Verlag
Choralsonate. Par BORNEFELD HELMUT. movements: I. Praeludium, II. Variationen, I...(+)
Choralsonate. Par BORNEFELD HELMUT. movements: I. Praeludium, II. Variationen, III. Postludium [Praeludium in versum]/ Répertoire / Violon, Clarinette (Alto) et Orgue (Positiv, Piano
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| 6 Kleine Praeludien -
Einzeln Überlieferte
Klavierwerke I
Divers
Barenreiter
308.70 EUR - vendu par LMI-partitions
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| Sweelinck J.p. - Works
For Organ
Orgue
Dover Publications
WORKS FOR ORGAN OR KEYBOARD
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|