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Psalm of Joy
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Sing, Choirs!: Anthems, Psalms And Hymns For Choirs (SATB/Organ)
28.20
Sing, Choirs!: Anthems, Psalms And Hymns For Choirs (SATB/Organ)
Chorale SATB
SATB, Orgue
Novello & Co Ltd.
Sing, Choirs! is a library in miniature. It contains many of the Christian churc...
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Sing, Choirs! is a library in miniature. It contains many of the Christian church's popular traditional anthems, including at least one example that will be suitable for each of the major services of the year. A number of Anglican chants (Psalms, Magnificat and Nunc Dimittis) are included, set out in a way that should enable those who are unfamiliar with the style to perform them easily. The selection of movements from the Mass can be used to enrich the music of the liturgy in services. Many of the works in Sing, Choirs! are presented in their original form, such as Bruckner's Locus Iste and Mozart's Laudate Dominum . Others are arrangements, adaptations or longer pieces, abridged to bring them into the scope of a useable anthem, including choral arrangements of Handel's Largo , the Ave Marias by Schubert and by Bach and Gounod, and Franck's Panis Angelicus amongst many others. This collection has practicability as a priority. The Organ parts can be played on either the Piano or the Keyboard. Much of the music in Sing, Choirs! will be suitable for special occasions, making this an indispensable volume for choirs singing at weekly church services, weddings, funerals and in the concert hall. / Choeur Mixte (SATB) Et Orgue
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Easter Piano Solos
18.71
Easter Piano Solos
Piano seul
Hal Leonard
The most joyous holiday of the year in the Christian faith is celebrated in this...
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The most joyous holiday of the year in the Christian faith is celebrated in this collection of 30 triumphant songs for piano solo. Includes: Christ the Lord Is Risen Today - The Church's One Foundation - Crown Him with Many Crowns - Glorious Things of Thee Are Spoken - Hallelujah Chorus - Jesu, Joy of Man's Desiring - Jesus Christ Is Risen Today - O for a Thousand Tongues to Sing - Ode to Joy - Rigaudon - Sheep May Safely Graze - Thine Is the Glory - This Joyful Eastertide - and more. / Piano
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The Joy Of First Year
21.70
The Joy Of First Year
Piano seul
[Partition + CD]
-
Facile
Yorktown Music Press
Une partie de la croissance constante de renommée mondiale, Joy Of ... série, ...
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Une partie de la croissance constante de renommée mondiale, Joy Of ... série, The Joy Of première année de piano est une méthode de répertoire pour le pianiste commence par le professeur de renom, arrangeur et musicologue, Denes Agay.Cette édition CD inclut nouvellement enregistrés, spectacles de grande qualité de la musique que l'on trouve dans le livre. Ces pistes de démontrer comment les pièces doit retentir et, dans certains cas, fournir une partie de piano avec lequel l'élève peut jouer en même temps.Sous la direction éditoriale établie par Denes Agay, The Joy Of ... série couvre une grande variété de genres musicaux, y compris les classiques, folk, jazz, blues, du ragtime et de la musique pour enfants.Les élèves et les enseignants du monde entier ont accueilli livres de leur choix imaginative de matériel, les paramètres constants et accessibles, grand format de style. Les nouveaux titres sont constamment ajoutées à une gamme déjà vaste, veiller à ce que la série se poursuit comme un trésor vital croissante de la meilleure musique du monde. / Piano
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The New Novello Book Of Short And Easy Anthems For Upper Voices
23.30
The New Novello Book Of Short And Easy Anthems For Upper Voices
Chorale 3 parties
SSA, Piano
Novello & Co Ltd.
The New Novello Book Of Short and Easy Anthems For Upper Voices is a wonderful c...
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The New Novello Book Of Short and Easy Anthems For Upper Voices is a wonderful collection and an invaluable resource for Upper Voice choirs who have the desire to sing a variety of beautiful anthems, but who have an unfortunately limited amount of rehearsal time. Selected and edited by David Hill, this collection includes anthems that are easy to learn, enjoyable to sing but also sound simply fantastic.Some works included in this collection are universally-loved, pieces like Ave Maria by Marcel Dupré, The Lord's Prayer by John Tavener and James Whitbourn's wonderful A Prayer Of Desmond Tutu. Despite the title of Short And Easy, these pieces are anything but mundane or tired, they are all exciting, versatile and enjoyable, making this collection perfect for any choir. The collection is an antidote to the fact that many choirs have to rehearse on a limited time, with limited resources. Learning from this collection is quick and efficient, but the songs don't compromise in beauty.With a range of styles, and settings for Eucharist and Evensong, this collection offers a carefully-chosen diversity for Upper Voice Choirs large and small. With James Davy's Sun Of My Soul, Philip Moore's Listen To The Song Of The Children and Elizabeth Poston's The Dormouse's Carol, the selection here is brilliant, including pieces for all occasions and events throughout the year. This makes Short And Easy Anthems indispensable for Upper Voice Choirs and directors who will instantly be able to draw from a wealth of songs that can be learnt quickly. The works here include simple unison settings, while most of them can be performed with some flexible scoring, allowing the music to be opened up to wider choirs.Featuring a vast number of anthems that can be learnt and sung quickly, The New Novello Book Of Short and Easy Anthems gives Upper Voice choirs a grand selection of songs that will prevent a reliance on the same ones. Whether your choir is large or small, the music contained within this collection is perfect for beautifully versatile melodies that can be learned very easily. / Choeur SSA Et Piano
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Joy Of Rachmaninoff
20.60
Joy Of Rachmaninoff
Piano seul
-
Intermédiaire
Amsco Wise Publications
The Joy Of Rachmaninoff is a collection of 17 original and newly-arranged music ...
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The Joy Of Rachmaninoff is a collection of 17 original and newly-arranged music by the great Russian Romanticist. Pieces Include Preludes Op.23, Op.32, Morceaux de Fantasie, Piano Sonata #2 and many more. / Piano
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Psalm 6 · Psalm 99 (100)
14.00
Psalm 6 · Psalm 99 (100)
Mezzo-Soprano et Orgue
Schott
Domine, ne in furore · Jubilate Deo omnis terra. Par ROTA NINO. In this setting...
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Domine, ne in furore · Jubilate Deo omnis terra. Par ROTA NINO. In this setting for mezzo-soprano and organ by Nino Rota, two well-known psalms are published for the first time: psalm 6, 'Domine, ne in furore' ('O Lord, rebuke me not in Thine anger') and psalm 99 (Greek and today's numbering in Catholic bibles) or 100 (original Hebrew and today's numbering in Protestant bibles), 'Jubilate Deo omnis terra' ('O be joyful in the Lord, all ye lands'). This first edition adds another exciting facet to the oeuvre of Nino Rota who achieved worldwide fame as composer of film musics for Fellini, Visconti und Zeffirelli./ Répertoire / Mezzo-Soprano et Orgue
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Christmas Joy (Easter Joy)
3.60
Christmas Joy (Easter Joy)
Chorale 3 parties
SAB
Alfred Publishing
Christmas Joy (Easter Joy) is a seasonal anthem that features texts for both Chr...
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Christmas Joy (Easter Joy) is a seasonal anthem that features texts for both Christmas and Easter. Suggested corresponding lectionary readings for Christmas include Psalm 97, Isaiah 62: 11-12, Luke 2: 1-20, and Titus 3: 4-7 - and basic homiletical theme is joining with the heavenly angels to proclaim the good news that the Savior is born! Suggested corresponding lectionary readings for Easter include Psalm 118: 14-24, John 20: 1-9, Acts 10: 34-43, Colossians 3: 1-4, and 1 Corinthians 5: 6-8 - one basic homiletical theme is announcing the triumphant Resurrecton of our Lord and Savior Jesus Christ. / Choeur SAB
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The Oxford Book Of Carols (DEARMER PERCY / VAUGHAN WILLIAMS RALPH)
41.70
The Oxford Book Of Carols (DEARMER PERCY / VAUGHAN WILLIAMS RALPH)
Chorale SATB
[Partition]
Oxford University Press
Par DEARMER PERCY / VAUGHAN WILLIAMS RALPH. Un favori ferme avec des choeurs pen...
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Par DEARMER PERCY / VAUGHAN WILLIAMS RALPH. Un favori ferme avec des choeurs pendant de nombreuses années, il s'agit d'une collection classique des chants traditionnels. Au cours des cinquante années écoulées depuis sa mort, Vaughan Williams est venu à être considéré comme l'un des meilleurs compositeurs britanniques du 20e siècle. Il dispose d'un catalogue particulièrement vaste d'oeuvres, y compris les oeuvres chorales, symphonies, concertos et opéras. Ses recherches et son imagination visionnaire, combiné avec une flexibilité dans l'écriture pour tous les niveaux de la création musicale, a signifié que sa musique est aussi populaire aujourd'hui qu'il l'a jamais été./ Recueil / Chant
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Ash Wednesday To Easter For Choirs (DAKERS LIONEL)
31.40
Ash Wednesday To Easter For Choirs (DAKERS LIONEL)
Chorale SATB
[Partition]
Oxford University Press
Compiled and edited by Lionel Dakers & John Scott, SATB accompanied & unaccompan...
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Compiled and edited by Lionel Dakers & John Scott, SATB accompanied & unaccompanied. Par DAKERS LIONEL. Les éditeurs ont sélectionné une collection riche et variée de pièces sacrées pour cette période de l'année de l'Eglise, en gardant toujours à l'esprit des considérations pratiques et les besoins liturgiques. Les pièces sont présentées dans l'ordre selon le calendrier de l'Eglise, le déplacement du mercredi des Cendres et le Carême, à travers la Passion et des Rameaux, au jeudi saint, vendredi saint, veille de Pâques, et Pâques elle-même. Le meilleur du répertoire standard est inclus aux côtés de fines, moins familiers, oeuvres. Très différents du XVIe siècle à nos jours, c'est une collection complète et pratique pour les chorales d'église de toutes tailles et de niveaux de capacité. Dakers Lionel est né à Rochester, Kent, en 1924, et mourut en 2003. Il a été directeur de la Royal School of Church Music de 1972 à 1989 et jouit d'une réputation internationale comme un ambassadeur de l'excellence dans la musique d'église. Il a également été pendant plus de 30 ans un examinateur pour l'Associated Board de l'Ecole Royale de Musique. Il a obtenu un doctorat en musique de Lambeth en 1979, est devenu un Fellow du Royal College of Music en 1980 et a été nommé CBE en 1983. John Scott est né en 1956 à Wakefield dans le Yorkshire, où il était un chantre de cathédrale. En 1974, il devient chercheur d'orgue au Collège St-Jean, à Cambridge. En quittant Cambridge, il fut nommé organiste adjoint à Londres deux cathédrales anglicane St-Paul et de Southwark, devenant finalement organiste et directeur de musique de Saint-Paul en 1990. Il est maintenant directeur de musique de St Thomas Church, Fifth Avenue, New York, et bénéficie également d'une longue carrière comme organiste de concert international. Il a été nommé Lieutenant de l'Ordre royal de Victoria (LVO) durant l'année Palmarès 2004 Nouvelle. / Niveau : Facile à Moyennement Difficile / Recueil / Chant
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Weddings For Choirs (MARTIN JUDY / PARSHALL PETER)
31.40
Weddings For Choirs (MARTIN JUDY / PARSHALL PETER)
Chant
[Partition]
Oxford University Press
40 perfect SATB pieces. Par MARTIN JUDY / PARSHALL PETER. Pour SATB, accompagné...
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40 perfect SATB pieces. Par MARTIN JUDY / PARSHALL PETER. Pour SATB, accompagné et non accompagné Une collection complète et polyvalente de 40 pièces appropriées et inspirant. Mariages des chorales contient une sélection attentive des morceaux choisis pour compléter chaque partie d'un service de mariage, que ce soit sacrée ou profane, grandiose ou intimiste. Beaucoup de morceaux traditionnels sont présentés ici dans de nouvelles dispositions pratiques ou des éditions pour aider les chorales dont la répétition générale le temps est limité. / Niveau : Facile à Moyennement Difficile / Recueil / Chant
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Resounding Praise! - Psalm 150 (JOHNSON TIMOTHY)
130.10
Resounding Praise! - Psalm 150 (JOHNSON TIMOTHY)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire
Curnow Music
Psalm 150. Par JOHNSON TIMOTHY. This remarkably inventive setting of Psalm 150 w...
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Psalm 150. Par JOHNSON TIMOTHY. This remarkably inventive setting of Psalm 150 will move and inspire your audience! Eight different instruments are mentioned in the Psalm, and the music reflects the character of the references. This is an uplifting band work on its own merit when performed by the band alone. Optional parts include: narrator and/or audience sing-along parts. Open this up to deliver a joyous scriptural message with dramatic power. / Niveau : 3 / Répertoire / Concert Band ou Harmonie
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Sing Joyfully (BYRD WILLIAM)
2.80
Sing Joyfully (BYRD WILLIAM)
Chorale SATB
[Partition]
Stainer and Bell
Par BYRD WILLIAM. William Byrd's Sing Joyfully is a deligtful setting of the Psa...
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Par BYRD WILLIAM. William Byrd's Sing Joyfully is a deligtful setting of the Psalm LXXXI 1-4 for SSAATB Choir, as edited by E. H. Fellowes./ Répertoire / SSA ATB a Cappella
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Intermediate Level Duos (Flex Ensemble)
22.60
Intermediate Level Duos (Flex Ensemble)
Ensemble Mixte
EMB (Editio Musica Budapest)
Aulos I to a certain degree continues Orbán's easy piano pieces for children, w...
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Aulos I to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ágnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures (imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition.The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. / Ensemble Mixte
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A Psalm Ssa
3.60
A Psalm Ssa
Chorale 3 parties
SSA
Alfred Publishing
Composed as a special commission for the North Carolina All-State Honors Chorus,...
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Composed as a special commission for the North Carolina All-State Honors Chorus, this contemporary concert work is satisfying from start to finish. The exuberant music provides a joyful foundation for a text inspired by the Book of Psalms, and a layered add-on section builds to the glorious coda. / Choeur SSA
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Sacred Choruses (RUTTER JOHN)
33.50
Sacred Choruses (RUTTER JOHN)
Orgue
Oxford University Press
Organ Accompaniments. Par RUTTER JOHN. This companion volume provides organists ...
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Organ Accompaniments. Par RUTTER JOHN. This companion volume provides organists with new, dedicated three-stave accompaniments to twenty-four of the twenty-eight choruses in the main Sacred Choruses volume. In every case, these organ transcriptions, made by John Rutter, are based directly on the original orchestral versions and willfacilitate church performances without orchestra. / Musique religieuse / Répertoire / Orgue
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The Choirboys
29.30
The Choirboys
Piano, Voix et Guitare
[Sheet music]
-
Facile
Amsco Wise Publications
Dubbed to be 'the first choral boyband', The Choirboys present their unique take...
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Dubbed to be 'the first choral boyband', The Choirboys present their unique take on popular and classical favourites, all arranged here for Piano, Voice and Guitar. Like all boys their age, these three youngsters enjoy football, computer games and rock music. More unusually, Ben, Patrick and CJ also enjoy centuries-old choral music by the greatest classical composers. This junior version of the Three Tenors was formed following a nationwide search that took talent scouts to nearly 50 cathedrals and churches all over the country. This is the matching songbook to the trio's debut album, recorded during their summer holidays at the All Saints Church in Tooting, London with the English Chamber Ensemble under Martin Neary. The trio are favourites to be Christmas number one with their version of the Eric Clapton song Tears in Heaven . / Piano/Vocal/Guitare (PVG)
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Music For Special Occasions (Sacred) Sab (PARRY BEN / L'ESTRANGE A)
10.90
Music For Special Occasions (Sacred) Sab (PARRY BEN / L'ESTRANGE A)
Chorale 3 parties
SAB, Piano
[Partition]
Faber Music Limited
Par PARRY BEN / L'ESTRANGE A.. Music For Special Occasions brings together 10 sa...
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Par PARRY BEN / L'ESTRANGE A.. Music For Special Occasions brings together 10 sacred choral works in on volume, carefully selected to cater for a wide variety of performance contexts - whether joyful, reflective, or commemorative. Practically and flexibly arranged for Soprano and Baritone or Low Alto, this unique collection of best-loved classics and new pieces is a must-have resource for all school, community and church choirs./ Recueil / Voix Mixtes
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Jamaican Voiceworks (HUNT PETER / BURNETT MICHAEL)
69.70
Jamaican Voiceworks (HUNT PETER / BURNETT MICHAEL)
Chant
[Partition]
-
Débutant
Oxford University Press
23 Traditional And Popular Jamaican Songs. Par HUNT PETER / BURNETT MICHAEL. 23 ...
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23 Traditional And Popular Jamaican Songs. Par HUNT PETER / BURNETT MICHAEL. 23 chansons appel à une variété de notations Idéal pour des chorales de jeunes et de la communauté, les groupes scolaires (à la hausse KS2), et des chorales de tous âges et de l'expérience Une leçon complète ou un plan de répétition pour chaque chanson 2 CDs avec des performances et de supports Accessible accompagnements au piano, et les symboles d'accord pour des accompagnements de guitare Pages photocopiables Morceaux dans une variété de styles reggae jamaïcain, y compris, le mento, Revival, ska, et rastafari Une excellente ressource pour la World Music brin d'AQA GCSE Music Jamaïcain VoiceWorks est une collection exceptionnelle de amusant et attrayant chansons jamaïcaines présenté dans le format pratique VoiceWorks. Y compris les joyaux méconnus et des plats traditionnels aux côtés de hits pop classique, ces accords couvrent un large éventail de styles et de genres jamaïcaine. Avec l'enseignement pratique et les notes de répétition, et 2 CDs contenant des représentations et des supports, de la Jamaïque VoiceWorks est une ressource formidable pour les groupes de chanteurs de tous les âges ' / Niveau : Débutant / Recueil / Chant
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Geneva Variations (BULLA STEPHEN)
162.70
Geneva Variations (BULLA STEPHEN)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Curnow Music
Par BULLA STEPHEN. This work is based on the 19th century American hymnmelody ...
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Par BULLA STEPHEN. This work is based on the 19th century American hymnmelody ‘Resignation’ which is also known as Psalm Tune(Psalm 23) based on the words ‘The Lord Is My Shepherd”. It is in the form of a theme and variations with each ofthe four variations evoking different moods using afragment of the original tune. An evocative and joyful workthat will make a welcome addition to your concert repertoire. / Niveau : 4 / Répertoire / Concert Band ou Harmonie
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Geneva Variations (BULLA STEPHEN)
162.70
Geneva Variations (BULLA STEPHEN)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Curnow Music
Par BULLA STEPHEN. This work is based on the 19th century American hymnmelody ...
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Par BULLA STEPHEN. This work is based on the 19th century American hymnmelody ‘Resignation’ which is also known as Psalm Tune(Psalm 23) based on the words ‘The Lord Is My Shepherd”. It is in the form of a theme and variations with each ofthe four variations evoking different moods using afragment of the original tune. An evocative and joyful workthat will make a welcome addition to your concert repertoire. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band
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Light Shines in the Darkness (TROTTA MICHAEL JOHN)
11.20
Light Shines in the Darkness (TROTTA MICHAEL JOHN)
Chorale SATB
SATB, Clavier
Walton Music
Psalm 23, John 1 :13 Isaiah 60:1, Revelation 21:1, Isaiah :7. Par TROTTA MICHAEL...
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Psalm 23, John 1 :13 Isaiah 60:1, Revelation 21:1, Isaiah :7. Par TROTTA MICHAEL JOHN. Designed to be accessible for the choir looking to prepare a larger work within the constraints of limited rehearsal time, this work provides conservative ranges and straightforward rhythms that allow time to craft a more artistic performance. Cast in eight movements, this major work draws on texts that examine the many facets of death, the pain of transitions, and the hope and joy of a better place. The work is scored for choir, organ or piano, and optional string orchestra. Each of the movements is available separately; the work as a whole or as individual parts is recommended for concert or liturgical service use. Movements: 1. Do Not Stand at My Grave and Weep; 2. I Seek a Faith; 3. The Lord Is My Shepherd; 4. A Light Shines in the Darkness; 5. Death Shall Be No More; 6. I Saw a New Heaven; 7. Love Conquers All; 8. Gaelic Blessing (Deep Peace). / Date parution : 2021-11-03/ Répertoire / Ch?ur Mixte SATB et Orgue ou Piano
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Seek Him That Maketh. SATB Acc. (Css) (DOVE JONATHAN)
6.00
Seek Him That Maketh. SATB Acc. (Css) (DOVE JONATHAN)
Chorale SATB
SATB divisi
[Partition]
-
Facile
Faber Music Limited
Par DOVE JONATHAN. A joyful, uplifting setting of Psalm 139. The organ part, wit...
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Par DOVE JONATHAN. A joyful, uplifting setting of Psalm 139. The organ part, with its sparkling use of high registers, subtly evokes the stars. This exquisitely complements the careful sculpted vocal lines. Arranged for SATB (Divisi) and Organ Accompaniment. / Niveau : Assez Facile / Feuillet / Choeur
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Jubilate Deo In E Flat. SATB Accompanied (BRITTEN BENJAMIN)
6.00
Jubilate Deo In E Flat. SATB Accompanied (BRITTEN BENJAMIN)
Chorale SATB
SATB, Orgue
[Partition]
-
Facile
Faber Music Limited
Par BRITTEN BENJAMIN. The lesser known of Britten's settings of Psalm 100. Jubil...
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Par BRITTEN BENJAMIN. The lesser known of Britten's settings of Psalm 100. Jubilate Deo was intended as a companion piece to the Te Deum In C , and is an exuberant, joyful song. The piece remained unpublished until after Britten's death. Arranged for SATB Choir with Organ accompaniment. / Niveau : Assez Facile / Répertoire / Voix Mixtes
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Fitzwilliam Virginal Book Vol.2
46.50
Fitzwilliam Virginal Book Vol.2
Piano seul
Dover Publications
révision Blanche Winogron
Instrumentation : Clav Contenu :
CX. Felix ...
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révision Blanche Winogron
Instrumentation : Clav Contenu :
CX. Felix namque 2. Thomas Tallis. (1564)
CXI. [Exercise]. Anon
CXII. Daphne. Giles Farnaby
CXIII. Pawles Wharfe. Giles Farnaby
CXIV. Quodlings Delight. Giles Farnaby
CXV. Praeludium [X]. John Bull
CXVI. Praeludium. Dor. [XIII*]. John Bull
CXVII. Praeludium [VII]. Anon
CXVIII. Ut, re, mi, fa, sol, la, a 4 voci. J. P. Sweelinck
CXIX. In Nomine [IX]. John Bull
CXX. Praeludium [VII]. Anon
CXXI. Pavana Lachrymae. John Dowland, set by William Byrd. (See No. CLIII and CCXC)
CXXII. Galiarda. James Harding, set by Byrd
CXXIII. Pavana. Thomas Tomkins
CXXIV. Fantasia [I]. Thomas Morley
CXXV. Christe Redemptor. John Bull
CXXVI. The Maydens Song. William Byrd
CXXVII. Put up thy Dagger, Jemy. Giles Farnaby
CXXVIII. Bony sweet Robin (see No. XV). Giles Farnaby
CXXIX. Fantasia [I]. Giles Farnaby
CXXX. A Grounde. Thomas Tomkins
CXXXI. Barafostus' Dream (see No. XVIII). Thomas Tomkins
CXXXII. The Hunting Galliard. Thomas Tomkins
CXXXIII. The Quadran Paven (see No. XXXI). William Byrd
CXXXIV. Galiard to the Quadran Paven (see No. XXXIII)
CXXXV. The King's Hunt. John Bull
CXXXVI. Pavana [I]. John Bull
CXXXVII. Galiarda [I]. John Bull
CXXXVIII. Dr. Bull's Juell. John Bull
CXXXIX. The Spanish Paven. John Bull
CXL. In Nomine. [John'] Parsons
CXLI. Wooddy-Cook. Giles Farnaby
CXLII. The Duke of Brunswick's Alman. John Bull
CXLIII. Rosasolis. Giles Farnaby
CXLIV. Psalme [140]. J. P. Sweelinck
CXLV. Alman [I]. Robert Johnson
CXLVI. Alman [I]. Robert Johnson
CXLVII. Alman. Robert Johnson, set by Giles Farnaby
CXLVIII. The New Sa-Hoo. Giles Farnaby
CXLIX. Nobody's Gigge. Richard Farnaby
CL. Malt's come downe. William Byrd
CLI. Praeludium [IX]. Anon
CLII. Alman [XIII]. Thomas Morley
CLIII. Pavana [IX]. [Lachrymae.] Thomas Morley
CLIV. Galiarda [IX]. Thomas Morley
CLV. La Volta. William Byrd
CLVI. Alman [VII]. William Byrd
CLVII. Wolsey's Wilde. William Byrd
CLVIII. Callino Casturame. William Byrd
CLIX. La Volta. T. Morley, set by William Byrd
CLX. Rowland. William Byrd
CLXI. Why aske you. Anon (see No. CCLXXXVI)
CLXII. The Ghost. William Byrd
CLXIII. Alman [IX*]. William Byrd
CLXIV. Galliard [I]. William Byrd
CLXV. Pavana [IX*]. William Byrd
CLXVI. Galliarda [IX*]. William Byrd
CLXVII. Pavana [I**]. William Byrd
CLXVIII. Galiarda [I**]. William Byrd
CLXIX. Pavana [XIII*]. Thomas Morley
CLXX. Galliarda [XIII*]. Thomas Morley
CLXXI. [deest, owing to an error in numbe
CLXXII. The Queenes Alman. William Byrd
CLXXIII. A Medley. William Byrd
CLXXIV. Pavana [IX]. William Byrd
CLXXV. Galliarda [IX]. William Byrd
CLXXVI. Miserere. 3 parts. William Byrd
CLXXVII. Miserere. 4 parts. William Byrd
CLXXVIII. Pakington's Pownde. Anon
CLXXIX. The Irishe Dumpe. Anon
CLXXX. Watkins Ale. Anon
CLXXXI. A Gigg. William Byrd
CLXXXII. Pipers Paven. Martin Peerson
CLXXXII. Pipers Galliard. John Bull
CLXXXIII. Variatio ejusdem. John Bull
CLXXXIV. Praeludium. D. [XIII]. John Bull
CLXXXV. Galiarda [IX*]. John Bull
CLXXXVI. Galiarda [IX*]. John Bull
CLXXXVII. Allemanda. Marchant
CLXXXVIII. Can Shee. Anon
CLXXXIX. A Gigge. Doctor Bull's my selfe. John Bull
CXC. A Gigge. John Bull
CXCI. Sr. Jhon Grayes Galliard. W. B.
CXCII. Preludium [VII]. John Bull
CXCIII. A Toy. Anon (see No. CCIV)
CXCIV. Giles Farnaby's Dreame. Giles Farnaby
CXCV. His Rest. Giles Farnaby
CXCVI. His Humour. Giles Farnaby
CXCVII. Fayne would I wedd. Richard Farnaby
CXCVIII. A Maske. Giles Farnaby
CXCIX. A Maske. Giles Farnaby
CC. An Almain [VII]. Anon
CCI. Corranto [VII]. Anon
CCII. Alman [XIII]. Anon
CCIII. Corranto [X]. Anon
CCIV. Corranto [VII]. (See No. CXCIII.) Anon
CCV. Corranto [I]. Anon
CCVI. Daunce. Anon
CCVII. Worster Braules. Thomas Tomkins
CCVIII. Fantasia [VII]. Giles Farnaby
CCIX. A Maske. Giles Farnaby
CCX. Praeludium [IX]. John Bull
CCXI. [Praeludium] [V]. Anon
CCXII. Martin sayd to his Man. Anon
CCXIII. Almand. William Tisdall
CCXIV. Pavana Chromatica. William Tisdall
CCXV. Ut, re, mi, fa, sol, la. John Bull
CCXVI. Gipseis Round. William Byrd
CCXVII. Fantasia [I*]. J. P. Sweelinck
CCXVIII. Coranto [IX]. William Byrd
CCXIX. Pavana. Clement Cotton. William Tisdall
CCXX. Pavana [I*]. William Tisdall
CCXXI. Coranto [I]. Anon
CCXXII. Alman. Hooper
CCXXIII. Corranto [I]. Anon
CCXXIV. Corranto [I]. Anon
CCXXV. Corranto [I*]. Anon
CCXXVI. Corranto [VII]. Anon
CCXXVII. Alman [III]. Anon
CCXXVIII. Corranto. Hooper
CCXXIX. Fantasia [VII]. Giles Farnaby
CCXXX. Loth to depart. Giles Farnaby
CCXXXI. Fantasia [I]. Giles Farnaby
CCXXXII. [Fantasia] [I*]. Giles Farnaby
CCXXXIII. [Transcription of Ay me, poore Heart. ] Giles Farnaby
CCXXXIV. [Fantasia] [I]. Giles Farnaby
CCXXXV. Walter Erle's Paven. Giles Farnaby
CCXXXVI. [Fantasia] [IX]. Giles Fa
CCXXXVII. [Fantasia] [VII]. Giles Farnaby
CCXXXVIII. Fantasia [VII]. Giles Farnaby
CCXXXIX. The L. Zouches Maske. Giles Farnaby
CCXL. Grounde. Giles Farnaby
CCXLI. Coranto [XIII]. William Byrd
CCXLII. Up T[ails] all. Giles Farnaby
CCXLIII. Jhonson's Medley. Edward Johnson
CCXLIV. Nowel's Galliard. Anon
CCXLV. Tower Hill. Giles Farnaby
CCXLVI. Praeludium [XIII]. Giles Farnaby
CCXLVII. The King's Morisco. Anon
CCXLVIII. A Duo. Richard Farnaby
CCXLIX. Alman [VII]. Anon
CCL. A Galiard Ground. William Inglot
CCLI. The Leaves bee greene. William Inglot
CCLII. Pavana [IX]. William Byrd
CCLIII. Galiarda [X]. William Byrd
CCLIV. Pavana [IX*]. William Byrd
CCLV. Galiarda [IX]. William Byrd
CCLVI. Pavana [XIII]. William Byrd
CCLVII. Pavana Fant[asia] [VIII]. William Byrd
CCLVIII. Galiarda [VII]. William Byrd
CCLIX. The Earle of Oxfords Marche. William Byrd
CCLX. Galiarda. Jehan Oystermayre
CCLXI. Fantasia [VIII]. William Byrd
CCLXII. The Duchesse of Brunwick's Toye. John Bull
CCLXIII. A Toye [VIII]. Anon
CCXIV. Corranto [I]. Anon
CCLXV. Lady Riche. Anon
CCLXVI. Corranto [VIII]. Anon
CCLXVII. A Gigge. Giles Farnaby
CCLXVIII. A Toy [VII]. Anon
CCLXIX. Galiarda [X]. Giles Farnaby
CCLXX. A Toye [X]. Giles Farnaby
CCLXXI. The Primerose. Martin Peerson
CCLXXII. The Fall of the Leafe. Martin Peerson
CCLXXIII. Farnabye's Conceit. Giles Farnaby
CCLXXIV. Allemanda [VII]. Anon
CCLXXV. Pavana. Canon, 2 in 1. William Byrd
CCLXXVI. Pescodd Time. William Byrd (see No. LIX)
CCLXXVII. Pavana. Delight. Edward Johnson, set by William Byrd
CCLXXVIII. Galiarda. Edward Johnson, set by William Byrd
CCLXXIX. Miserere, 3 parts. John Bull
CCLXXX. Tell mee, Daphne. Giles Farnaby
CCLXXXI. Mal Sims. Giles Farnaby
CCLXXXII. Munday's Joy. John Munday
CCLXXXIII. Rosseter's Galiard, set by Giles Farnaby
CCLXXXIV. The Flatt Pavan. Giles Farnaby
CCLXXXV. Pavana [VII]. Giles Farnaby
CCLXXXVI. Why aske you. (See No. CLXI.) Giles Farnaby
CCLXXXVII. Farmer's Paven. Giles Farnaby
CCLXXXVIII. Dalling Alman. Anon
CCLXXXIX. The Old Spagnoletta. Giles Farnaby
CCXC. Lachrymae Pavan. John Dowland, set by Giles Farnaby (see No. CXXI and CLIII)
CCXCI. Meridian Alman. Set by Giles Farnaby
CCXCII. Pavana. Orlando Gibbons
CCXCIII. Muscadin. Giles Farnaby (see No. XIX)
CCXCIV. Lady Montegle's Paven. William Byrd
CCXCV. Galiarda. William Tisdall
CCXCVI. Fantasia [I]. Giles Farnaby
CCXCVII. Hanskin. Richard Fa
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Bonis Mel - Oeuvres Pour Piano Vol.1 - Femmes De Legende
20.10
Bonis Mel - Oeuvres Pour Piano Vol.1 - Femmes De Legende
Furore
Instrumentation: piano Edition: score Publisher: Eberhard Mayer OEuvres pour pia...
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Instrumentation: piano Edition: score Publisher: Eberhard Mayer OEuvres pour piano/Klaviermusik/Piano Music Edition en 10 recueils/Edition in 10 Bänden/Edition in 10 volumes Volume 1: Femmes de Légende Editor: Eberhard Mayer Item no.: fue 4180 Difficulty: medium ISMN: 979-0-50012-918-9 Contents: Mélisande, Desdémona, Ophelie, Viviane, Ph?bé, Omphale und Salomé The pieces for piano represent a great stylistic variety. One gets the impression that Mel Bonis may have intended to give a summary of musical development, not quoting historic styles but adapting the past through her personal tone and to translate it into contemporary musical language. The first volume includes an original series of musical portraits dedicated to legendary women, where Mel Bonis explores the enigmatic feminine universe. ?Femmes de légende? A collection we have called ?Femmes de légende? contains seven piano pieces by Mel Bonis named after women whose fates have become legendary. They have not always been arranged in this way. The first piece, ?Mélisande?, was published separately by Alphonse Leduc in 1898. In 1909, a collection called ?Trois pièces pour piano? (Three pieces for the piano), dedicated to the composer Paul Locard and which included ?Ph?bé?, ?Viviane? and ?Salomé?, was published by Leduc. In 1913, ?Mélisande? was added to the four last pieces for a final collection called ?Cinq pièces?. ?Omphale? appeared in a Berlin edition ?Signale für die musikalische Welt? in 1910. As to ?Ophélie?, it was never published in Mel Bonis? lifetime and we discovered a manu-script in 1997 without any indication at all of when it was writ-ten. ?Ophélie? was first published by the publishing house Ar-miane in Versailles in 1998. Mélisande (1898) Written before Debussy?s famous opera, Mel Bonis? piano piece ?Mélisande? was also inspired by the poet Maeterlinck (Mélisande, 1893). These short pages of magical harmonies, of radi-ant impressionist colours use music to describe Mélisande?s hair as described by Pelleas: ?your hair and its beautiful light... It escapes everywhere, it shivers, it shakes, it trembles in my hand like a golden bird.? This piece enjoyed quite a success in Mel Bonis? lifetime. She noted of it ?my favourite? in the margin of her hand-written catalogue. Desdémona (1913) The female heroine in Shakespeare?s ?Othello? inspired Mel Bonis to write a nostalgic piece with a fairly easy, rather classical beginning, a kind of romance without words, of great elegance and of a deep and melancholic beauty. Ophélie Ophelia, the lover of Shakespeare?s Hamlet, is a deeply melan-cholic character who goes mad and drowns in mysterious cir-cumstances. Ophelia inspired the poet Rimbaud and the painter Millais ? each of them created a masterpiece. Mel Bonis too evokes images of water, sadness and death in music for a third work of art. With its delicate and chilling beauty and also with its moments of passion, this impressionist piece - the work which owes most to Debussy - calls for great intelligence when performed. Viviane (1909) The figure of the fairy of the lake is musically described here in a well-structured, many-facetted piece; first of all, the initial dancing theme has an air of the ?salon? about it, typical of its time, evoking the fairy?s charm, her smile. Then follow succes-sions of majestic chords and fluent harmonies which represent the underwater castle and the fairy?s power. This piece is easily approachable. Ph?bé (1909) The sister of Phoebus, the sun, symbolises the moon, the night, chastity. The piece creates an impression of night. Steeped in twilight, languor and a sense of immense space, the atmosphere is one of unreality. This feeling of alienation is reinforced by the incoherence of rhythm between the two hands. Salomé (1909) Inspired by the Orient, Mel Bonis creates a very original musical illustration of the biblical character of Salome. She is characterised by shifting moods in which slow syncopes follow light glissandos, and urgent, mysterious psalmodies accompany sensual melopeias, where surprising tempo varia-tions lead to outbreaks of violence. With its relatively difficult beginning, this piece is especially interesting from the viewpoint of research into interpretation. Omphale (1910) The queen of Lydia is a female character from the violent depths of Greek mythology. This powerful female is described here with glittering sensuality and Oriental subtlety. The impressive work shows a complex structure both in harmony and rhythm, it is a lively and rich work which calls for much thought and great virtuosity on the performer?s part. ?Omphale? was awarded a prize for composition by the Berlin magazine ?Signale für die musikalische Welt? in 1910.
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