Par FABER PHILLIP. Nine psalms with Danish text written for upper voices with piano or organ accompaniment. Nine psalms with Danish text written for upper voices with piano or organ accompaniment. / Musique contemporaine / Répertoire / Orgue

Le premier morceau 'Sicut ros Hermon' (Psaume 133) médite sur le chemin de la miséricorde de Dieu prend, dans lequel la lente descente initiale séquences harmoniques se développer en une chanson emphatique suivie d'un appel d'offres choral, coda.'Si sumpsero Pennas aurores' (Psaume 139) se rapporte à une image très poétique, consolante, mais aussi admonestation du psaume: En ce qui concerne nos ailes peut nous mener, la main de Dieu sera s'emparer de nous. Nous ne pouvons pas échapper à sa miséricorde ou de son jugement. A la fin de ce mouvement de frappe de la musique transmet moments haptiques presque, on peut sentir la puissante 'main' par le biais de son tutti. Enfin, la musique devient plus calme qu'au début de cette pièce, si le dialogue des figurations aiment transmettre des répercussions de ce qui a été connu et reconnu. / Orgue

Edward Bairstow 's anthem Lord, Thou Hast Been Our Refuge re-engraved for SATB Choir and Organ. This piece incorporates text from Psalms 90, 102 and 144. / Choeur Mixte (SATB) Et Orgue

Par ZIMMERMANN HEINZ WERNER. Das Te Deum Deutsch 'Herr Gott, Dich loben wir' for 12-part mixed Chorus a cappella (SSMezMezAATTBarBarBB). The Te Deum in the translation of Martin Luther 1529. Heinz Werner Zimmermann (born 11 August 1930 in Freiburg im Breisgau) is a German composer. Zimmermann had his first composition instruction from 1946 to 1948 with Julius Weismann and studied from 1950 to 1954 in Heidelberg with Wolfgang Fortner as well as at the Kirchenmusikalisches Institut Heidelberg (Institute for Church Music) there. After passing his examinations at the Freiburg Conservatory under Harald Genzmer, he became Fortner's successorin Heidelberg. Here he maintained close contacts with the musicologist Thrasyboulos Georgiades, whose rhythm and language studies influenced him the most, along with his occupation with American spirituals and jazz. From 1963 to 1976 Heinz Werner Zimmermann was director of the Spandauer Kirchenmusikschule (Spandau school of church-music) in Spandau, and then from 1975 to 1996 as successor to Kurt Hessenberg as composition teacher at the Frankfurt University of Music and Performing Arts (Brusniak 2001). Zimmermann 's best-known works are his sacred motets with plucked Double Bass, his Organ psalms, and his 'Prosalieder'. Among his chief works are his Missa profana, the sacred oratorio The Bible of Spirituals as well as his Symphonia sacra. Amongst other honors, Zimmermann has been awarded the Music Prizes of the cities of Stuttgart and Berlin, a Villa Massimo Stipend in 1965/66, and received in 1982 the Johann Sebastian Bach Prize. The American Wittenberg University in Springfield bestowed upon him an honorary doctorate, Zimmermann wrote three American theses, including one at the Stanford University in California. (Source: Wikipedia)/ Répertoire / 12 Parties de Choeur a Cappella

Par PART ARVO. Arvo Pärt's De profundis for male choir TTBB, Percussion ad lib. and Organ. Pärt sets to music one of the most famous and most frequently composed psalms ( psalm 130 ) in his very own tintinnabuli-style./ Répertoire / Choeurs TTBB, Percussions Ad Libitum et Orgue