(The Easiest Piano Method Ever!). By Christine H. Barden, Gayle Kowalchyk and E....(+)
(The Easiest Piano Method
Ever!). By Christine H.
Barden, Gayle Kowalchyk
and E. L. Lancaster. For
Piano. Book; CD;
Method/Instruction; Piano
Method. Elementary. 96
pages. Published by
Alfred Music Publishing
(An Inspiring Method to Playing the Drums, Guided by the Legends). By Rich Lacko...(+)
(An Inspiring Method to
Playing the Drums, Guided
by the Legends). By Rich
Lackowski. For Drumset.
Artist/Personality; DVD;
Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path.
Beginner. Published by
Alfred Music Publishing
Le Calife de Bagdad Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band - Grade 4 SKU: BT.DHP-1064027-040 Overture. Composed ...(+)
Concert Band - Grade 4
SKU:
BT.DHP-1064027-040
Overture. Composed
by François-Adrien
Boieldieu. Arranged by
Wil van der Beek. The
Great Classics.
Classical. Set (Score &
Parts). Composed 2006. De
Haske Publications #DHP
1064027-040. Published by
De Haske Publications
(BT.DHP-1064027-040).
9x12 inches.
English-German-French-Dut
ch.
François-Adrie
n Boieldieu (1775-1834)
is considered as the one
of themost important
representatives of the
French opéra-comique.
His styleis characterised
by natural, unembellished
melody lines,
straightforwardharmonies
with refined
orchestration. In 1800,
Boieldieu achieved a
major triumph with Le
Calife de Bagdad. The
opening is a true classic
of this genre.
François-Adrien
Boieldieu, een van de
belangrijkste componisten
van het genre 'opéra
comique', maakte in zijn
geboorteplaats Rouen al
op achtienjarige leeftijd
furore met zijn eerste
opera. Spoedig daarna
vertrok hij naar Parijs
omzijn geluk te
beproeven. Ook daar
oogste hij sucses met een
aantal werken - onder
andere Le Calife de
Bagdad in 1800. De
ouverture van deze opera
is nog altijd een geliefd
repertoirestuk.
Di
e Oper Le Calife de
Bagdad stammt aus dem
Jahr 1880 aus der Feder
des französischen
Komponisten
François-Adrien
Boieldieu. Boieldieus
Stil ist geprägt von
natürlichen,
ungekünstelten
Melodielinien,
unkomplizierten Harmonien
und einer raffinierten
Orchesterierung. In
diesem Sinne bearbeitete
Wil van der Beek die
Ouvertüre von Le
Calife de Bagdad, die
noch immer ein beliebtes
Repertoirestück ist.
François-Adrien
Boieldieu (1775-1834) est
considéré comme l’un
des plus brillants
représentants de
l’opéra-comique
français. Ses œuvres
privilégient les
mélodies sans ornements
superflus.
L’instrumentation est
légère mais soignée ;
les dialogues sont
spirituels. En 1800,
Boieldieu remporta un
véritable triomphe avec
Le Calife de
Bagdad. L’Ouverture
est un classique du
genre.
Jazz Ensemble - Grade 3 SKU: KN.61781S Composed by Scott Ninmer. Jazz Jou...(+)
Jazz Ensemble - Grade 3
SKU: KN.61781S
Composed by Scott Ninmer.
Jazz Journey. Kendor
Music Inc #61781S.
Published by Kendor Music
Inc (KN.61781S).
UPC:
822795617818.
This
burning swing/shuffle
chart maintains the blues
tradition while mixing in
some contemporary
harmonies, with nice
shout sections for the
entire ensemble. Written
or ad lib solo space is
included for trumpet and
alto saxophone. Written
for advancing groups,
each set includes a
guitar chord chart by Jim
Greeson. Duration
5:20.
Composed by Fuyumi Sakamoto. Arranged by Takashi Hoshide. Concert Band. New ...(+)
Composed by Fuyumi
Sakamoto.
Arranged by Takashi
Hoshide.
Concert Band. New Sounds
in
Brass (NSB). J-POP. Score
&
Parts. Yamaha Music Media
#GTW01086596. Published
by
Yamaha Music Media
Fanfare Band - Grade 3 SKU: BT.DHP-1206249-020 As performed by Burt Ba...(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1206249-020
As performed by Burt
Bacharach. Composed
by Burt Bacharach.
Arranged by Peter Kleine
Schaars. Peter's Popular
Collection. Pop & Rock.
Set (Score & Parts).
Composed 2020. De Haske
Publications #DHP
1206249-020. Published by
De Haske Publications
(BT.DHP-1206249-020).
This
bittersweet song from
1967 is a real classic,
partly due to the
rendition by two queens
of soul, Dionne Warwick
and later also Aretha
Franklin. The theme was
very topical at the time:
A woman is concerned
about her husband
fighting in the Vietnam
War, and thinks about him
during her day-to-day
worries. Top arranger
Peter Kleine Schaars
created a tasteful and
carefully orchestrated
version. His arrangement
stays true to the
original colour and feel
of the song, and, as a
grade 3 piece, is still
perfectly playable for
most bands.
Deze
bitterzoete song uit 1967
is een echte klassieker,
mede doordat het door
twee soulkoninginnen,
Dionne Warwick en later
ook Aretha Franklin, werd
vertolkt. De thematiek
was destijds erg actueel:
een vrouw maakt zich
tijdens haar dagelijkse
beslommeringen zorgen om
haar man, die in de
Vietnamoorlog vecht.
Toparrangeur Peter Kleine
Schaars maakte er een
smaakvolle en zorgvuldig
georkestreerde versie
van. Zijn arrangement
blijft trouw aan de
originele kleur en feel
van de song, en is in
graad 3 toch voor de
meeste harmonieorkesten
probleemloos
speelbaar.
Dieses
bittersüße Lied aus dem
Jahr 1967 ist ein echter
Klassiker, was teilweise
auf die Interpretationen
der beiden Queens of
Soul“ Dionne Warwick
und später auch Aretha
Franklin zurückzuführen
ist. Das Thema war zu der
damaligen Zeit sehr
aktuell: Eine Frau macht
sich Sorgen um ihren
Mann, der im Vietnamkrieg
kämpft und denkt
während ihrer
Alltagssorgen an ihn.
Top-Arrangeur Peter
Kleine Schaars schuf eine
stilvolle und sorgfältig
orchestrierte Version.
Sein Arrangement im
Schwierigkeitsgrad 3 hat
die ursprüngliche
Klangfarbe und Stimmung
des Liedes beibehalten
und ist für die meisten
Blasorchester gut
spielbar.
Cette
chanson sentimentale de
1967 est un grand
classique, en partie gr
ce son interprétation
par deux reines de la
soul, Dionne Warwick et
Aretha Franklin.
l’époque, son thème
était d’actualité :
une femme s’inquiète
pour son mari parti faire
la guerre au Vietnam et
pense lui pendant ses t
ches quotidiennes. Le
grand arrangeur Peter
Kleine Schaars a
élaboré une version
raffinée et habilement
orchestrée de cette
chanson. Son arrangement
reproduit fidèlement les
couleurs et le ressenti
d’origine et, en tant
que pièce de niveau 3,
est parfaitement
accessible la plupart des
orchestres.
Performed by Bill Monroe. For mandolin and voice. Format: mandolin tablature son...(+)
Performed by Bill Monroe.
For mandolin and voice.
Format: mandolin
tablature songbook. With
mandolin tablature,
standard notation, chord
names, vocal melody,
lyrics and mandolin chord
diagrams. Bluegrass. 48
pages. 9x12 inches.
Published by Hal Leonard.
String Quartet No.9 Quatuor à cordes: 2 violons, alto, violoncelle Music Sales
String Quartet SKU: HL.14031827 Composed by Per Norgard. Music Sales Amer...(+)
String Quartet
SKU:
HL.14031827
Composed
by Per Norgard. Music
Sales America. Classical.
Score. 48 pages. Music
Sales #KP01084. Published
by Music Sales
(HL.14031827).
ISBN
9788759871089.
Danish-English.
Pre
face The three movements
of the quartet may be
perceived as three
different expressions of
an unstable core: an
inherent unrest leads to
frequent changes of
direction. The first
movement is full of
dramatic contrasts: it is
followed by a second
movement, whose basic
mood of meditative rest
is challenged by
occasional centrifugal
utbursts, while the third
movement takes the
inherent conflicts to a
higher level, contrasting
material of introspective
lyricism with excessively
pathetic moods. The final
way out is a retrograde
one, (back) into the
source: through a
constant
accelerando-diminuendo
the piece disappears into
a vanishing point. The
into the source of the
titlemay be visualized as
a reversed
fountain-action: the
broad fan-like spread of
the first movement, a
more coherent-solid
second movement, and
finally - in the third
movement - a return-run,
ever more vehemently,
like a suction into the
spring itself ... The
musical motifs are
varied: there are
traffic-situations (which
I heard!) with stomping
and machine-like rhythms
in different, but
simultaneous tempi, and
there are more abstract
upwards and downwards
half-tone-scales, with
changing accents,
creating glimpses of
melodies. INTO THE
SOURCE, String Quartet
No. 9, was composed on a
double-commission from
the Orion Quartet and the
Vertavo Quartet. The
premiere performances
took places in Santa Fe
in 2002 and in Oslo in
2003. Per Norgard.
Piano SKU: BR.EB-8833 Pieces and Ideas for the First Group Teaching at...(+)
Piano
SKU:
BR.EB-8833
Pieces
and Ideas for the First
Group Teaching at the
Piano. Composed by
Barbara Otsch and Martina
Schneider. Solo
instruments; Softcover.
Edition Breitkopf. This
concept can be combined
with many piano methods:
With these 48
progressively arranged
pieces and musical ideas
for group teaching at the
piano, children can have
fun making music together
from the very start.
Music pedagogy. Score. 60
pages. Breitkopf and
Haertel #EB 8833.
Published by Breitkopf
and Haertel (BR.EB-8833).
ISBN 9790004183977. 12
x 9 inches.
German.
Red Yellow
Green and go! With these
48 progressively arranged
pieces and musical ideas
for group teaching at the
piano, children can have
fun making music together
from the very start. The
concept can be combined
with many piano methods,
and gives free rein to
childrens imaginations:
youngsters are given
ample opportunity to try
things out, invent,
listen and re-play what
the teacher plays. The
tasks are arranged
according to the three
traffic-light colors red,
yellow and green, and are
constantly redistributed
anew. Teachers can also
use Red Yellow Green with
only one
piano.
This
concept can be combined
with many piano methods:
With these 48
progressively arranged
pieces and musical ideas
for group teaching at the
piano, children can have
fun making music together
from the very start.
Traffic Jam Orchestre - Débutant Childrens Music Workshop
Composed by Larry Newman. Edited by Larry Newman. Arranged by Larry Newman. ...(+)
Composed by Larry Newman.
Edited by Larry Newman.
Arranged by Larry Newman.
Full
Orchestra Arrangement.
Book.
Children's Music
Workshop
#9781508411475. Published
by
Children's Music
Workshop
Score and Parts Concert Band Set (Score & Parts) - Level 3.5 SKU: HL.4008300<...(+)
Score and Parts Concert
Band Set (Score & Parts)
- Level 3.5
SKU:
HL.4008300
For
Concert Band, Grade 3.5
9:10 Score and Parts.
Composed by Otto Schwarz.
Symphonic Dimensions.
Concert. Softcover.
Duration 550 seconds. Hal
Leonard #SDP1042102.
Published by Hal Leonard
(HL.4008300).
ISBN
9781705197059. UPC:
196288145219.
A
city is founded– it
has a heart that beats.
But visible achievements
such as buildings and
infrastructure merely
bear witness to what its
true heart is made
ofthe people who have
lived, and still live, in
the city. The pulse of
the city, brought to life
by itsheartbeat, changes
over time. Who hasn't
seen those time-lapse
images showing twinkling
lines of car lights as
people make their wayto
work, while others stand
at traffic lights, only
moving as if at the push
of a button? These are
like life flowing in the
veins, driven by a strong
heart. Leonardo da Vinci
had already imagined the
rivers as the blood
vessels of the Earth. In
any city, though, it's
not the rivers but the
movement and activities
of the people who live
there. The heart doesn't
always beat steadily,
however, but its rhythm
can be influenced by joy,
fear, and many other
things. Every city has
its own pulse. This is
also true of the
university city of
Marburg, where people
from over 100 nations now
live together in a
cosmopolitan and tolerant
community. This work
describes the city from
its founding in 1222, and
the charity of Saint
Elizabeth, all the way to
the present day.
Performed by Jack Johnson. Play It Like It Is (Authentic note-for-note transcrip...(+)
Performed by Jack
Johnson. Play It Like It
Is (Authentic
note-for-note
transcriptions). With
notes and tablature. Size
9x12 inches. 64 pages.
Published by Cherry Lane
Music.
Fanfare Band - Grade 2.5 SKU: BT.DHP-1094658-020 Composed by Jan de Haan....(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1094658-020
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094658-020. Published by
De Haske Publications
(BT.DHP-1094658-020).
9x12 inches.
English-German-French-Dut
ch.
For
Cityscapes, the
composer used the
metropolis of New York,
the largest city of the
United States, as a
source of inspiration.
The first movement
mirrors the skyline of
the ‘Big Apple’. In
movement two, Central
Park is introduced and in
the closing movement of
this triptych, the
ever-sparkling Manhattan,
known for its many
skyscrapers, and its
financial centre Wall
Street, is the focal
point. Not only are the
busy city traffic and the
chaotic hustle and bustle
expressed in the music,
but also the impressive
buildings, including the
famous Empire State
Building. Let the magic
of New York shine with
this dramatic new
item.
Voor
Cityscapes heeft
de componist zich laten
inspireren door de
metropool New York, de
grootste stad in de
Verenigde Staten. Het
eerste deel verklankt de
skyline van de ‘Big
Apple’. De grootse
aanblik van onder andere
Manhattan,Brooklyn Bridge
en het Vrijheidsbeeld
staat model voor het
pakkende hoofdthema. In
deel twee wordt de
stemming van het Central
Park voorgesteld. Dit
immense park in New York
is een plek voor
ontspanning en vermaak.
In het slotdeelvan dit
drieluik staat het altijd
bruisende Manhattan,
bekend om de vele
wolkenkrabbers en het
financiële centrum, Wall
Street, centraal. Een
absolute
aanrader!
Jan de
Haans Quelle der
Inspiration für
Cityscapes war die
Metropole New York, die
größte Stadt der
Vereinigten Staaten. In
drei Sätzen gelang es
ihm, einige
charakteristische
Merkmale des Big
Apples“ einzufangen:
der großartige Anblick
der Skyline von
Manhattan, Brooklyn
Bridge und der
Freiheitsstatue, die
Stimmung des berühmten
Central Park und das
pulsierende Leben in
dieser glitzernden,
eindrucksvollen
Metropole. Absolut
hörenswert!
Cityscapes
(“Paysages
urbains”) est une
œuvre inspirée
d’une série
d’impressions et de
paysages de la métropole
de New York, la plus
grande ville des
États-Unis.Dans le
premier mouvement,
l’impressionnante ligne
d’horizon de « La
Grosse Pomme »
s’étire devant nous.
Manhattan, le pont de
Brooklyn et la Statue de
la Liberté sont
l’essence du thème
principal. Les dernières
mesures de ce premier
mouvement font
référence la célèbre
Symphonie n° 9 dite
« du Nouveau Monde
» que le compositeur
tchèque Antón Dvorák
composa lors d’un
séjour New York.Le
second mouvement est
consacré Central Park,
l’immense parc
new-yorkais construit au
XIXe siècle, etdestiné
aux loisirs, au
divertissement et la
relaxation. Plusieurs b
timents célèbres, tels
que le Metropolitan
Museum of Art, jalonnent
Central Park.Le
troisième et dernier
mouvement de ce triptyque
dépeint l’esprit
bouillonnant de
Manhattan, quartier
célèbre pour abriter
d’impressionnants
gratte-ciel et la Bourse
de Wall Street. La
musique palpite au rythme
du trafic intense et suit
le tourbillon
d’activité tumultueux.
Elle décrit également
les immenses buildings
comme l'Empire State
Building.
A Step-by-Step Breakdown of His Guitar Styles and Techniques. By Jimi Hendrix. S...(+)
A Step-by-Step Breakdown
of His Guitar Styles and
Techniques. By Jimi
Hendrix. Signature Licks
Guitar. Instruction, Rock
Instruction. Softcover
Audio Online. With guitar
tablature. 112 pages.
Published by Hal Leonard
By Elizabeth Greenleaf. For Piano. Written For You Collections. Fun-to-play comp...(+)
By Elizabeth Greenleaf.
For Piano. Written For
You Collections.
Fun-to-play compoaition
allows your students to
practice melody with both
hands, legato/staccato
articulations, and
accidentals. Blues.
Level: Late Elementary.
Solo Sheet. Published by
The FJH Music Company
Inc.
Piano Solo - Easy-Intermediate SKU: FP.FBS03 Composed by Sarah Baker. She...(+)
Piano Solo -
Easy-Intermediate
SKU:
FP.FBS03
Composed by
Sarah Baker. Sheet Music
and Books. Nine pieces
on a day time theme for
solo piano, by Sarah
Baker. Suggested grade
4-5. Classical.
Collection. Forsyths
Publications #FBS03.
Published by Forsyths
Publications (FP.FBS03).
ISBN
9790570500192.
Sara
h Baker is Vocal Composer
in Residence at Education
Music Services, an ABRSM
examiner and a well known
composer of songs and
musicals for primary
schools and massed-choral
events.
All this
experience has come
together in the creation
of this album of piano
pieces, inspired by
growing up in the
Chiltern Hills. Suitable
for players of around
grade 4-5 standard, her
evocative sound pieces
describe a crash-landing
hot air balloon, garden
invading cows and a even
a snake in a
pond!
Air
Balloon!: One vivid
memory I have as a child
is of the day that a hot
air balloon passed over
our house and made an
emergency landing on the
road in front! The sound
of the gas being blown
into the balloon to try
to keep it high enough to
pass the house sounded so
loud and intimidating,
and then there was the
bustle of the neighbours
as we all went out into
the street to watch. It
was both terrifying and
exhilarating to watch the
balloon float past and
then land so near
by.
Buzzards
Circling: There is
something so calming and
restful about watching
birds of prey circling in
the thermal currents of a
summer sky. Growing up in
the Chilterns gave me
plenty of opportunity to
watch buzzards and red
kites. This piano solo
captures the beauty of
their flight as they
glide so effortlessly
through the
air.
There’s A
Cow In The Garden Eating
The Flowers: Inspired by
the memory of seeing an
unexpected cow in the
garden! This surreal
image is captured in a
quirky waltz, as I
portray both the
absurdity of the moment
and the sense of wonder I
felt as a child, looking
out of the window and
seeing the cow walking
round and eating the
flowers. The final phrase
articulates my longing:
‘I wish it would come
again’.
Watching
The World Go By: A short,
reflective piece,
remembering what it was
like to have time to just
sit and watch the world
go by from my bedroom
window.
Autumn
Skies: A miniature about
the beauty of Autumn
skies and the poignant
sense of loss for a
summer gone. Friends I
was fortunate to have
several children of my
own age living close by.
We seemed to be forever
making dens, playing out
in the street and
generally enjoying each
other’s company. This
piece reflects that sense
of
well-being.
Snake
In The Pond: One hot
summer I was astonished
and scared to see a grass
snake cooling off in our
garden pond! I watched,
both horrified and
fascinated, as it rose up
from the depths and then
disappeared again. Here I
portray the sense of the
hazy summer afternoon as
I peacefully watched the
tiny movements of fish in
the pond, contrasted with
the fear and excitement
of seeing the snake
appear.
Morning
Commute: I recollect many
mornings stuck in traffic
as my Dad took me to
school on his way to
work. There is one main
road out of the village
where I grew up, and that
got more and more
congested the closer we
got to the town. We may
not have chatted a lot,
but it was always good to
be together with my Dad,
lost in our own
thoughts.
The
Witch’s Cottage: My
siblings and I had a
fascination with a small
cottage nearby. It was
set back from the road in
a dark part of the woods
and we called it 'the
witch's cottage’. Every
time we passed, I
imagined I heard the
distant cackle of the
witch and wished I could
catch a glimpse of
her.
These pieces
are written to complement
my other collection,
Night Time Impressions,
which also draw on
childhood recollections,
particularly of the woods
behind the house where I
grew up. - Sarah Baker
2023.
Caldas da Rainha Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1155639-140 Overture for W...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1155639-140
Overture for
Winds. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Score Only.
Composed 2015. De Haske
Publications #DHP
1155639-140. Published by
De Haske Publications
(BT.DHP-1155639-140).
English-German-French-
Dutch.
The city of
Caldas da Rainha
lies on the west coast of
Portugal. The name refers
to the thermal baths
(caldas) as well
as to the word for queen
(rainha). This
festive work depicts
several beautiful venues
of ‘Rainha’, and can
beseen as a tribute to
the queen Eleanor, who
founded the settlement at
the end of the
15th
Century.
De stad
Caldas da Rainha
ligt aan de westkust van
Portugal. De plaatsnaam
verwijst zowel naar de
thermale baden
(caldas) als naar
het woord voor koningin
(rainha). Dit
feestelijke werk bevat
prachtige thema’s die
de schoonheidvan de stad
beschrijven, en kan
worden beschouwd als een
eerbetoon aan koningin
Eleonora, die de plaats
aan het eind van de
vijftiende eeuw heeft
gesticht.
Die
Stadt Caldas da Rainha
liegt an der Westküste
Portugals. Der Name
bezieht sich auf das
Thermalbad (caldas“)
und auf das
portugiesische Wort für
Königin (rainha“).
Dieses festliche Werk
beschreibt verschiedene
Sehenswürdigkeiten der
Stadt Rainhaund kann als
ein Tribut an Königin
Eleonore gesehen werden,
die Ende des 15.
Jahrhunderts die Siedlung
gegründet hat.
La
ville de Caldas da Rainha
est située la côte
Ouest du Portugal. Le nom
fait référence aux
bains thermaux (« caldas
») ainsi qu’au mot
portugais pour reine
(rainha). Cette
œuvre festive dépeint
plusieurs endroits
magnifiques fréquentés
parla Reine Eléonore,
afin de rendre hommage
cette « Rainha » qui
fonda la colonie la fin
du XVe siècle.
La
citt di Caldas da Rainha
si trova sulla costa
occidentale del
Portogallo. Il nome si
riferisce ai bagni
termali (caldas) e alla
parola “regina”
(rainha). Questo lavoro
festoso raffigura diversi
luoghi meravigliosi di
‘Rainha’, e può
essere visto anche come
un tributo alla regina
Eleanor, che costituì
l’insediamento alla
fine del 15esimo
secolo.
Piano Solo - Medium SKU: BU.EBR-A029 Composed by Claude Debussy. This edi...(+)
Piano Solo - Medium
SKU: BU.EBR-A029
Composed by Claude
Debussy. This edition:
French Edition.
Classique. Anacrouse.
Partition + Biographie +
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A029. Published by
Editions Bourges
(BU.EBR-A029).
ISBN
9790560150994. 8.58 x
12.48 inches.
La
collection ANACROUSE
offre aux pianistes
novices et confirmés un
large choix d’œuvres
classiques, allant de la
Renaissance à
l’époque
moderne.
Proposer
tout à la fois des
« incontournables »
du répertoire classique
et des pièces de
compositeurs parfois
oubliés, toutes d’une
valeur pédagogique
indéniable, tels sont
les objectifs que nous
nous sommes fixés.
Chaque pièce, vendue à
l’unité, a fait
l’objet d’un travail
éditorial attentif, tant
sur le plan de
l’établissement du
texte musical que de sa
gravure, afin de garantir
aux musiciens les
conditions indispensables
aux plaisirs tirés du
commerce fréquent de ces
œuvres.
Les
partitions sont
proposées sous la forme
d’ouvrages
traditionnels (feuillets
papier), et disponibles
également par
téléchargement.
Claude Debussy
compose ses deux
arabesques en 1888. Ces
compositions font parties
de la première période
de son développement de
l’écriture
pianistique. L’avenir
d’un nouveau langage se
révèle dans ces
pièces, par l’usage
d’une conception
moderne de la courbe
mélodique,
harmoniquement immobile.
Cette conception
caractérise la substance
principale de l’idée
d’une arabesque, si
chère à
Debussy. L’arabesque
n°1 revendique une forme
ternaire de même que
l’arabesque n°2. La
première arabesque en mi
majeur comporte des
triolets déliés qui
semblent suggérer
l’évolution de son
langage musical dans le
traitement des arpèges
et dans la facilité
d’utiliser les
modulations. Dès son
entrée dans le
répertoire, la pièce
prit une place constante
dans la musique vivante.
D’après Léon Vallas,
sa « souplesse fait
songer à la brillante
légèreté des ballets
de Delibes ». Alfred
Hitchkook nous fait
entendre l’arabesque
n°1 dans la scène du
dîner dans le film
« Les oiseaux ».
La première arabesque
est à l’égal d’une
pièce littéraire. Cette
pièce exprime à demi
teinte une ardeur
raffinée et réservée
des sens, comme un
tableau
impressionniste. Amate
urs de peintures de
Seurat ou de Monnet,
l’Arabesque n°1 vous
fera découvrir
l’univers à demi mot
du premier grand musicien
impressionniste qu’est
Claude Debussy.
Cityscapes Orchestre d'harmonie De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1094658-010 Composed by Jan...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1094658-010
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094658-010. Published by
De Haske Publications
(BT.DHP-1094658-010).
9x12 inches.
English-German-French-Dut
ch.
For
Cityscapes, the
composer used the
metropolis of New York,
the largest city of the
United States, as a
source of inspiration.
The first movement
mirrors the skyline of
the ‘Big Apple’. In
movement two, Central
Park is introduced and in
the closing movement of
this triptych, the
ever-sparkling Manhattan,
known for its many
skyscrapers, and its
financial centre Wall
Street, is the focal
point. Not only are the
busy city traffic and the
chaotic hustle and bustle
expressed in the music,
but also the impressive
buildings, including the
famous Empire State
Building. Let the magic
of New York shine with
this dramatic new item
for concert
band.
Voor
Cityscapes heeft
de componist zich laten
inspireren door de
metropool New York, de
grootste stad in de
Verenigde Staten. Het
eerste deel verklankt de
skyline van de ‘Big
Apple’. De grootse
aanblik van onder andere
Manhattan,Brooklyn Bridge
en het Vrijheidsbeeld
staat model voor het
pakkende hoofdthema. In
deel twee wordt de
stemming van het Central
Park voorgesteld. Dit
immense park in New York
is een plek voor
ontspanning en vermaak.
In het slotdeelvan dit
drieluik staat het altijd
bruisende Manhattan,
bekend om de vele
wolkenkrabbers en het
financiële centrum, Wall
Street, centraal. Een
absolute
aanrader!
Jan de
Haans Quelle der
Inspiration für
Cityscapes war die
Metropole New York, die
größte Stadt der
Vereinigten Staaten. In
drei Sätzen gelang es
ihm, einige
charakteristische
Merkmale des Big
Apples“ einzufangen:
der großartige Anblick
der Skyline von
Manhattan, Brooklyn
Bridge und der
Freiheitsstatue, die
Stimmung des berühmten
Central Park und das
pulsierende Leben in
dieser glitzernden,
eindrucksvollen
Metropole. Absolut
hörenswert!
Cityscapes
(“Paysages
urbains”) est une
œuvre inspirée
d’une série
d’impressions et de
paysages de la métropole
de New York, la plus
grande ville des
États-Unis.Dans le
premier mouvement,
l’impressionnante ligne
d’horizon de « La
Grosse Pomme »
s’étire devant nous.
Manhattan, le pont de
Brooklyn et la Statue de
la Liberté sont
l’essence du thème
principal. Les dernières
mesures de ce premier
mouvement font
référence la célèbre
Symphonie n° 9 dite
« du Nouveau Monde
» que le compositeur
tchèque Antón Dvorák
composa lors d’un
séjour New York.Le
second mouvement est
consacré Central Park,
l’immense parc
new-yorkais construit au
XIXe siècle, etdestiné
aux loisirs, au
divertissement et la
relaxation. Plusieurs b
timents célèbres, tels
que le Metropolitan
Museum of Art, jalonnent
Central Park.Le
troisième et dernier
mouvement de ce triptyque
dépeint l’esprit
bouillonnant de
Manhattan, quartier
célèbre pour abriter
d’impressionnants
gratte-ciel et la Bourse
de Wall Street. La
musique palpite au rythme
du trafic intense et suit
le tourbillon
d’activité tumultueux.
Elle décrit également
les immenses buildings
comme l'Empire State
Building.
Edited by Dennis Alexander. Method/Instruction; Piano - Alfred's Basic Piano Lib...(+)
Edited by Dennis
Alexander.
Method/Instruction; Piano
- Alfred's Basic Piano
Library. Alfred's Basic
Piano Library. Method and
Instructional. Duet book.
With standard notation.
32 pages. Published by
Alfred Music