(Full Size Edition). Composed by Various. For Ukulele. Ukulele. Softcover. 688 pages. Published by Hal Leonard

By Various. For Ukulele. Ukulele. Softcover. 688 pages. Published by Hal Leonard

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

(High Voice). Arranged by for Solo voice by Harry T. Burleigh. For Voice (High voice (Medium-High)). Vocal Collection. Spiritual. Book. 208 pages. Published by Alfred Music Publishing

Arranged by for Solo voice by Harry T. Burleigh. For Voice. (Low Voice). Vocal Collection. Spiritual. Book. 208 pages. Published by Alfred Publishing.

Arranged by Moses Hogan. For SATB choir and piano accompaniment (for rehearsal only) (SATB). Hal Leonard Choral Collection. Choral and Gospel. Songbook. Vocal score notation. 240 pages. Published by Hal Leonard

SKU: WD.080689549236

Composed by Steve W. Mauldin. Choral. Sacred Anthem. Octavo. Word Music #080689549236. Published by Word Music (WD.080689549236).

UPC: 080689549236.

A ministry-focused song, What You’ve Already Done is a testimony to God’s power, love, mercy and grace, even when our anxieties cause us to forget. Arranged and orchestrated by Steve W. Mauldin, this anthem urges us to remember that the God who moves mountains has already won our battles. Through our pains and storms, His goodness and faithfulness are at work while we wait.

By Brian Balmages. For concert band. FJH Young Band. Full set (score and parts). Score only also available: B1155S. Grade 2.5. Score and set of parts. Composed 2003. Published by The FJH Music Company Inc

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3.5

SKU: CF.CPS266F

Composed by Mark Lortz. Cps. Full score. 28 pages. Carl Fischer Music #CPS266F. Published by Carl Fischer Music (CF.CPS266F).

ISBN 9781491161760. UPC: 680160920457.

Clash of the Warriors is lightly based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors. I hope you and your ensemble enjoy performing Clash of the Warriors..
Clash of the Warriors is lightly based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors.I hope you and your ensemble enjoy performing “Clash of the Warriors.”.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3.5

SKU: CF.CPS266

Composed by Mark Lortz. Cps. Set of Score and Parts. 8+8+4+8+8+8+4+4+4+4+4+4+8 +8+8+4+4+6+6+6+6+4+8+2+6+ 2+4+10+28 pages. Carl Fischer Music #CPS266. Published by Carl Fischer Music (CF.CPS266).

ISBN 9781491161296. UPC: 680160919888.

Clash of the Warriors is loosely based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors. I hope you and your ensemble enjoy performing Clash of the Warriors..
Clash of the Warriors is loosely based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors.I hope you and your ensemble enjoy performing “Clash of the Warriors.”.

Brass Band - Grade 3

SKU: BT.GOB-000401-130

Composed by Saskia Apon. Score Only. 30 pages. Gobelin Music Publications #GOB 000401-130. Published by Gobelin Music Publications (BT.GOB-000401-130).

The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001.

Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town.
There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon.
The knight joins in the festivities but after a long evening is once more leftalone.
The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people.
However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off.
Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon, a spark ingnites between themand they build a life together and.... live happily ever after!

Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit, however it was her love of composition thatremained her focus.
Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartet and the brass band quintet Brass Ability.
Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble.
Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001.

Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town.
There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon.
The knight joins inthe festivities but after a long evening is once more left alone.
The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people.
However he becomesgreatly disillusioned when there is none to be found. In his desperation the knight climbs the tower ready to jump off.
Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thankshim for killing the dragon, a spark ingnites between them and they build a life together and.... live happily ever after!

Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing withcredit, however it was her love of composition that remained her focus.
Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartetand the brass band quintet Brass Ability.
At present she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble.
Besides the customary attention for the real splashworks she endeavours to add value to the melodic functionof the brass wind instruments in her music. Her compositions and arrangements can be found on many diverse Cds.

Gobelin Music Publications.

Brass Band - Grade 3

SKU: BT.GOB-000401-030

Composed by Saskia Apon. Set (Score & Parts). 56 pages. Gobelin Music Publications #GOB 000401-030. Published by Gobelin Music Publications (BT.GOB-000401-030).

The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001.

Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town.
There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon.
The knight joins in the festivities but after a long evening is once more leftalone.
The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people.
However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off.
Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon, a spark ingnites between themand they build a life together and.... live happily ever after!

Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit, however it was her love of composition thatremained her focus.
Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartet and the brass band quintet Brass Ability.
Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble.
Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001.

Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town.
There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home, but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon.
The knight joins inthe festivities but after a long evening is once more left alone.
The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people.
However he becomesgreatly disillusioned when there is none to be found. In his desperation the knight climbs the tower ready to jump off.
Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thankshim for killing the dragon, a spark ingnites between them and they build a life together and.... live happily ever after!

Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing withcredit, however it was her love of composition that remained her focus.
Self-taught, she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet, The Dutch Brass Ensemble, The Rotterdam Trombone Quartetand the brass band quintet Brass Ability.
At present she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble.
Besides the customary attention for the real splashworks she endeavours to add value to the melodic functionof the brass wind instruments in her music. Her compositions and arrangements can be found on many diverse Cds.

Gobelin Music Publications.

100 Songs by 100 Artists. By Various. Piano/Vocal/Guitar Songbook. Country. Softcover. 450 pages. Published by Hal Leonard

Flute Choir (Picc, 6 Fls, 2 Afls, 2 Bfls. Cbsfl (opt.)) - Grade 6 to 9

SKU: WN.OR004B

Composed by M. Orriss. Flutets series. Score and parts. Wonderful Winds #OR004B. Published by Wonderful Winds (WN.OR004B).

ISBN ISMN 9790570743766.

1.7. 16 was commissioned by The Hamilton Flute Band to commemorate the 100th anniversary of the Battle of the Somme, and was premiered in St Columb’s Cathedral, Londonderry on 1st July 2016. This new version for flute choir was written for The Woodbridge Flute Choir, Virginia, USA, in 2024. The piece takes some of its ideas from musical elements already connected to the story, from the signalling bugle calls that might have been used in battle, to hints of one of the March tunes that the band still use today.
794,628 lives were lost in the Battle of the Somme, a chilling statistic. These numbers are also woven into the music, colouring the choices of intervals, harmonies and chords, and building the central themes, including the slow march to the trenches, where the uncomfortable juxtaposition of 7ths and 9ths is used as a motif over the solo flute theme before the screeching whistle signal to go over the top.
One of the musical elements central to the piece is the bugle call for Assemble which is used as an enthusiastic call in the opening, then to give unity to the chilling fear of the trenches on the eve of the battle, and finally to lead into the Commemoration of the final section, as those in the Cathedral 100 years later became part of the story as they assembled to commemorate the huge sacrifice made.

Voice and Piano. By Various. Arranged by Marshall Bartholomew. Choral. Size 7.5x10.7 inches. 244 pages. Published by G. Schirmer, Inc.

Composed by Erik Sherburne. Jazz Ensemble. Score and parts. Composed 2017. Duration 3 minutes, 13 seconds. Published by C.L. Barnhouse (CL.032-4534-00).

Jazz ensemble - Grade 2

SKU: CL.032-4534-01

Composed by Sherburne. Jazz Ensemble. Extra full score. Composed 2017. Duration 3 minutes, 13 seconds. C.L. Barnhouse #032-4534-01. Published by C.L. Barnhouse (CL.032-4534-01).

Get ready to dig in! Turf War gives the whole band a chance to defend its ground while engaging in a battle of musical force! This driving rock chart never stops. Well-placed drum fills, mostly tutti scoring, crescendos and a big time ending lend lots of excitement to this hardcore rock tune! The changes are straight ahead so anyone can have the opportunity to solo and focus on the blues scale. Highly recommended!

Concert Band; Orchestra 2.2+EH.2+BCl.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set)

SKU: AP.36-A718902

Composed by George Butterworth. Full Orchestra, Conductor Score & Parts. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A718902. Published by LudwigMasters Publications (AP.36-A718902).

UPC: 659359730764. English.

George Butterworth (1885-1916), an English composer whose life was cut short at the Battle of the Somme, wrote two song cycles based on A SHROPSHIRE LAD, a collection of 63 poems by A.E. Housman. Conceived as an epilogue, the orchestral rhapsody to A SHROPSHIRE LAD is widely considered to be his masterpiece. The London Symphony Orchestra gave the first performance at the Leeds Festival on October 2, 1913 under the direction of Arthur Nikisch. Originally titled THE LAND OF THE LOST CONTENT, it looks back at an idyllic world threatened, perhaps prophetically, by the fear of uncertainty and loss. Instrumentation: 2.2+EH.2+BCl.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 2.2+EH.2+BCl.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set)

SKU: AP.36-A718901

Composed by George Butterworth. Full Orchestra, Conductor Score. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A718901. Published by LudwigMasters Publications (AP.36-A718901).

ISBN 9798892704250. UPC: 659359778070. English.

George Butterworth (1885-1916), an English composer whose life was cut short at the Battle of the Somme, wrote two song cycles based on A SHROPSHIRE LAD, a collection of 63 poems by A.E. Housman. Conceived as an epilogue, the orchestral rhapsody to A SHROPSHIRE LAD is widely considered to be his masterpiece. The London Symphony Orchestra gave the first performance at the Leeds Festival on October 2, 1913 under the direction of Arthur Nikisch. Originally titled THE LAND OF THE LOST CONTENT, it looks back at an idyllic world threatened, perhaps prophetically, by the fear of uncertainty and loss. Instrumentation: 2.2+EH.2+BCl.2: 4.2.3.1: Timp: Hp: Str (9-8-7-6-5 in set).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Hal Leonard Student Piano Library. Educational Piano Library. Softcover. Size 9x12 inches. 48 pages. Published by Hal Leonard.

SATB choir

SKU: WD.080689675232

Composed by Cliff Duren. Choral. Sacred Anthem. Octavo. Word Music #080689675232. Published by Word Music (WD.080689675232).

UPC: 080689675232.

Throu gh this anthem, It Is Finished, made popular by Passion and arranged and orchestrated by Cliff Duren, we are reminded that the battle has already been won. We have been forgiven and our debts have been paid. God has shown mercy and grace on us, and He alone is worthy of our praise.