| The Hymn Fake Book - C Edition
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
(3)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Certificate - Complete Initiation GIA Publications
SKU: GI.001066 Composed by Michael O'Neill McGrath. Children. Sacred. GIA...(+)
SKU: GI.001066
Composed by Michael
O'Neill McGrath.
Children. Sacred. GIA
Publications #001066.
Published by GIA
Publications (GI.001066).
UPC: 641151010663.
English. This
certificate is for
unbaptized persons who
are being fully initiated
into the Roman Catholic
Church through the
sacraments of baptism,
confirmation, and
Eucharist. A lovely gift
for Catechumens who
are baptized, confirmed,
and receive the Eucharist
for the first time at the
Easter Vigil
or Catechumens who
receive all three
sacraments at another
time NOTE: Not for those
received into Full
Communion with the
Catholic Church who have
been validly baptized in
another Christian
denomination. Use Full
Communion Certificate
(001067). 11 x 8.5. $2.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Let Earth Receive Her King - ChoirTrax CD CD Chorale [Conducteur et Parties séparées] Hal Leonard
Choral (ChoirTrax CD) SKU: HL.8754452 Arranged by Keith Christopher. Sacr...(+)
Choral (ChoirTrax CD)
SKU: HL.8754452
Arranged by Keith
Christopher. Sacred
Choral. Anthem, Carol,
Christmas,
Christmas/Advent Sacred,
Concert, Congregation,
General Worship, Medley,
Sacred. CD. Duration 270
seconds. Published by Hal
Leonard (HL.8754452).
UPC: 884088641535.
4.75x5.0x0.155
inches. Festive and
upbeat, here is a simple
medley for choir or
choir/congregation
featuring three of your
favorite carols. Includes
Joy to the World, Away in
a Manger and O Come, All
Ye Faithful. Available
separately: SATB,
ChoirTrax CD. Score and
parts (fl 1-2/ob, cl 1-2,
tpt 1-3, hn, tbn 1-2, tbn
3/tba, timp, perc 1-2,
rhythm, vn 1-2, va, vc,
db) available as a CD-ROM
and as a digital
download. Duration: ca.
4:30. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Keyboard Kids - Complete (Book 1 and 2) Piano seul [Partition] Santorella Publications
Keyboard Kids * Complete Piano Method composed by Carolyn Carson. For easy piano...(+)
Keyboard Kids * Complete
Piano Method composed by
Carolyn Carson. For easy
piano. This edition:
Paperback. Instructional.
Keyboard Kids series.
Method. 2 method books.
Text Language: English.
192 pages. Published by
Santorella Publications
$29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| We Receive What We Are Chorale SATB SATB, Clavier - Débutant GIA Publications
SATB choir, assembly, keyboard accompaniment, guitar - Beginning SKU: GI.G-89...(+)
SATB choir, assembly,
keyboard accompaniment,
guitar - Beginning
SKU: GI.G-8960
Three Songs for the
Communion Procession.
Composed by Michel
Guimont. Choral. Choral.
Sacred. Octavo. With
guitar chord names. 16
pages. GIA Publications
#8960. Published by GIA
Publications (GI.G-8960).
UPC: 785147896005.
English. Text by Delores
Dufner. Each song
in this edition is set
for SATB voices, yet
versatile enough to work
well with just cantor and
assembly. Smaller choirs
can make use of these
gems, singing only the
melodies. The
accompaniments are
playable on organ or
piano. This trio of songs
follows the success of a
previous Dufner/Guimont
collaboration, Amen to
the Body of Christ: Eight
Songs for the Communion
Procession, G-7205. The
Guitar part is
optional. Contents: O
Christ, You Are the Seed
That Died, We Are Blest
Who Are Called and We
Receive What We Are. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| We Receive What We Are - Guitar edition Guitare GIA Publications
Guitar SKU: GI.G-8960G Three Songs for the Communion Procession. C...(+)
Guitar SKU:
GI.G-8960G Three
Songs for the Communion
Procession. Composed
by Michel Guimont. This
edition: Guitar edition.
Sacred. Guitar part. With
guitar chord names. 8
pages. GIA Publications
#8960G. Published by GIA
Publications
(GI.G-8960G). UPC:
785147896074. English.
Text by Delores
Dufner. Contains O
Christ, You Are the Seed
That Died, We Are Blest
Who Are Called and We
Receive What We Are. $7.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| AirLine AWXm Micro UHF Wind Instrument Wireless System Hal Leonard
SKU: HL.301319 HM60 SYS D-Band. Samson Wireless. Wireless System. ...(+)
SKU: HL.301319
HM60 SYS D-Band.
Samson Wireless. Wireless
System. Hal Leonard
#SW9A9SHM60-D. Published
by Hal Leonard
(HL.301319). UPC:
809164222248. 9.5x9.0x3.5
inches. For the
working horn player who
is looking for the
freedom to go wireless,
the AirLine AWXm Wind
Instrument system offers
the latest in wireless
technology by pairing the
innovative ATX clip-on
transmitter with the
portable AR99m micro
receiver. Small enough to
fit into any gig bag,
this system provides high
definition sounds for
wind instruemtns without
the need of a beltpack or
cable. Features: ATX-End
Your Reach The ATX
wireless transmitter
enables easy,
inconspicuous mounting
while providing a secure
connection to the bell of
the instrument. The
innovative clip design
allows the performer to
easily switch between
instruemnts without the
hassle of a wire or
beltpack. Small enough to
fit in the palm of your
hand, the lightweight ATX
transmitter features a
rechargeable batery that
provides up to 8 hours of
continuous use, perfect
for any extended
performance. Clear as a
Bell Designed
specifically for live
peroformance, the HM60
condenser microphone
delivers the dynamic,
natural sound of the
instrument with a wide 20
Hz to 18 kHz frequency
response. Able to handle
high sound pressure
levels (SPL) of up to 125
dB, the HM60 is well
suited for close miking
brass and woodwind
instruments. The
supercardioid polar
pattern provides
excellent isolation of
the instrument while
reducing pickup of
unwanted ambient sounds.
The unique 3-point halo
isolation mount minimizes
mechanical vibrations and
keyclick noises. Micro
and Multifunctional With
True RF Diversity, the
AR99m micro receiver
ensures for maximum
wireless clarity with an
operating range up to
300'. With three output
connections (1/4-inch,
1/8-inch, and XLR), the
AR99m offers more
compatibility while being
a fraction of the size of
other receivers. With a
simple touch of a button,
the AR99m analyzes the
100 available channels
and selects the clearest
channel for your area.
Turn the AR99m into a
dual channel system by
connecting a Samson XPD
Series USB Digital
Wireless System (sold
separately).
Applications: •
Club-date musicians
• Wedding DJs and
performers • House
of worship •
Education/corporate
AV. $399.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Comedy Overture Orchestre d'harmonie [Conducteur et Parties séparées] G and M Brand Music Publishers
Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarine...(+)
Concert band (Piccolo,
1st Flute, 2nd Flute, 1st
Oboe, 2nd Oboe*, 1st Bb
Clarinet, 2nd Bb
Clarinet, 3rd Bb
Clarinet, Eb Alto
Clarinet*, Bb Bass
Clarinet, 1st Bassoon,
2nd Bassoon*, 1st Eb Alto
Saxophone, 2nd Eb Alto
Saxophone, Bb Tenor
Saxophone, Eb Baritone
Saxophone*) - grade 5
SKU: CN.R10004
Composed by John Ireland.
Band Music. Score and
parts. Duration 10:30.
Published by G & M Brand
Music Publishers
(CN.R10004). A
slow introduction gives
way to the chirpy theme
which is developed,
inverted, and accents
displaced across the bar
line to give a 3/2 feel
against the written
meter. Restlessness leads
to a tranquillo presented
by the flute and
clarinet, weaving a
flowing counterpoint
around the melody until
the original slow
introduction returns. A
triumphant recapitulation
of the main theme brings
this wonderful piece to
an end.
Originally
composed for Brass Band
in 1934 Comedy Overture
is, despite its name, a
serious piece of writing.
The term Overture does
not imply that there is
anything else to follow;
it is used in the 19th
century sense of Concert
Overture (like
Mendelssohn's Fingal's
Cave - in other words, a
miniature Tone Poem). The
1930's was a period of
Ireland's mature writing
- yielding the Piano
Concerto (1930), the
Legend for piano and
orchestra (1933), and the
choral work These Things
Shall Be (1936-1937). We
are fortunate therefore
to have both Comedy
Overture and A Downland
Suite (1932) written for
band medium at this time.
As with Maritime Overture
(written in 1944 for
military band) Ireland
approaches his material
symphonically. The
opening three notes state
immediately the two
seminal intervals of a
semitone and a third.
These are brooding and
dark in Bb minor. It is
these intervals which
make up much of the
thematic content of
Comedy, sometimes
appearing in inverted
form, and sometimes in
major forms as well. The
concept that some musical
intervals are consonant ,
some dissonant, and some
perfect is perhaps useful
in understanding the
nature of the tension and
resolution of this work.
The third is inherently
unstable, and by bar 4,
the interval is expanded
to a fourth - with an
ascending sem-quaver
triplet - and then
expanded to a fifth. The
instability of the third
pushes it towards a
perfect resolution in the
fourth or the fifth. The
slow introduction is
built entirely around
these intervals in Bb
minor and leads through
an oboe cadenza, to an
Allegro moderato
brillante in Bb major.
Once again, the semi-tone
(inverted) and a third
(major) comprise the
main, chirpy,
theme-inspired by a
London bus-conductor's
cry of Piccadilly. (Much
of the material in Comedy
was re-conceived by
Ireland for orchestra and
published two years later
under the title A London
Overture.) The expansion
of the interval of a
third through a fourth,
fifth, sixth, and seventh
now takes place quickly
before our very ears at
the outset of this
quicker section.
Immediately the theme is
developed, inverted, and
accents displaced across
the bar line to give a
3/2 feel against the
written meter. But this
restlessness leads to a
tranquillo built around
an arpeggio figure and
presented by flute and
clarinet. Ireland weaves
his flowing counterpoint
around this melody until
the original slow
introduction returns
leading to a stretto
effect as the rising bass
motifs become more
urgent, requesting a
resolution of the tension
of that original semitone
and minor third. Yet
resolution is withheld at
this point as the music
becomes almost becalmed
in a further, unrelated
tranquillo section marked
pianissimo. It is almost
as if another side of
Ireland's nature is
briefly allowed to shine
through the stern
counterpoint and
disciplined structure.
This leads to virtually a
full recapitulation of
the chirpy brilliante,
with small additional
touches of counterpoint,
followed by the first
tranquillo section-this
time in the tonic of Bb
major. But the
instability of the third
re-asserts itself, this
time demanding a
resolution. And a
triumphant resolution it
receives, for it finally
becomes fully fledged and
reiterates the octave in
a closing vivace. The
opening tension has at
last resolved itself into
the most perfect interval
of all. $130.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Children of the Light - Bundle GIA Publications
SKU: GI.G-10619B Catechumenate Sessions for Children and Families - Vo...(+)
SKU: GI.G-10619B
Catechumenate Sessions
for Children and Families
- Vol. 1, 2, and 3.
Composed by Blessie La
Scola. Sacred. GIA
Publications #10619B.
Published by GIA
Publications
(GI.G-10619B).
Save when you
purchase all three
volumes of Children of
the Light! Â
Volume 1: The 25 sessions
in this resource offer a
variety of ways to
explore each topic as
part of a continual and
ongoing process,
including gathering
prayers, scripture
readings, games or
icebreakers, hands-on
activities, reflective
responses by the
participants, and closing
prayer rituals. Includes
a CD-ROM with all
handouts, letters, and
worksheets. Â Volume
2: This second volume
of contains 28 more
sessions that build on
the children’s
evolving faith formation
first explored in the
precatechumenate period
and developed in the
first volume. Includes
a CD-ROM with all
handouts, letters, and
worksheets. Â Volume
3: Volume 3 provides
rich, interactive
sessions for the Period
of Purification and
Enlightenment and the
Period of Mystagogy as
children prepare for and
receive the sacraments of
initiation through the
RCIA as adapted for
children. It offers
eleven core sessions, two
retreat formats (a Day
Retreat to Prepare for
the Rite of Election and
a Lenten Day of
Reflection) plus an
additional session on the
sacrament of
reconciliation. Â This
volume includes a code to
access downloadable PDFs
of handouts, worksheets,
and a letter home for
each session. $175.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 150 Keyboard Tips and Lessons Clavier [Partition + Accès audio] Hal Leonard
Take Your Playing from Ordinary to Extraordinary!. Piano Instruction. Instruc...(+)
Take Your Playing from
Ordinary to
Extraordinary!.
Piano Instruction.
Instruction. Softcover
Audio
Online. 208 pages.
Published
by Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Adventures for Three Woodwinds Carl Fischer
Chamber Music Bassoon, Clarinet, Flute SKU: CF.N1196 Composed by Randy Na...(+)
Chamber Music Bassoon,
Clarinet, Flute SKU:
CF.N1196 Composed by
Randy Navarre. Set of
Score and Parts. Duration
20 minutes. Carl Fischer
Music #N1196. Published
by Carl Fischer Music
(CF.N1196). UPC:
680160683062. Notes
: This composition was
completed in September of
1978. It was written for
the Kappelle Woodwind
Trio, who performed it
many times including in
Carnegie Recital Hall in
New York City. I am
particularly proud of
this work, because it was
the first truly mature
work that I had written.
Much like a good novel
where every character
introduced is developed
and completed, every
motif that was introduced
was developed at some
point in this work. When
I say developed, I do not
mean in the way Mozart,
Beethoven, or other
classical composers
worked their motives in
the development section,
running through different
keys and tonalities. In
this work, I let the
motives spin their way
into longer themes or
just show up in a
different or disguised
way. For example, a motif
introduced in the first
movement receives its
final development in the
final of the fourth
movement. I hope the
audience enjoys listening
to this composition, and
of course, the performers
enjoy exploring and
playing my music. Thank
you! - Randy
Navarre. Notes:This
composition was completed
in September of 1978. It
was written for the
Kappelle Woodwind Trio,
who performed it many
times including in
Carnegie Recital Hall in
New York City. I am
particularly proud of
this work, because it was
the first truly mature
work that I had written.
Muchlike a good novel
where every character
introduced is developed
and completed, every
motif that was introduced
was developed at some
point in this work. When
I say developed, I do not
mean in the way Mozart,
Beethoven, or other
classical composers
worked their motives in
the development section,
running through different
keys and tonalities. In
this work, I let the
motives spin their way
into longer themes or
just show up in a
different or disguised
way. For example, a motif
introduced in the first
movement receives its
final development in the
final of the fourth
movement.I hope the
audience enjoys listening
to this composition, and
of course, the performers
enjoy exploring and
playing my music.Thank
you!- Randy Navarre. $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto In E Minor Theodore Presser Co.
Chamber Music Flute, Piano, Piccolo SKU: PR.114418820 For Piccolo, Flu...(+)
Chamber Music Flute,
Piano, Piccolo SKU:
PR.114418820 For
Piccolo, Flute, and
Chamber Orchestra (or
Piano), TWV 52:e1.
Composed by Georg Philipp
Telemann. Arranged by
Valerie Shields Zart
Dombourian-Eby. Set of
Score and Parts. With
Standard notation.
32+12+12 pages. Duration
14 minutes. Theodore
Presser Company
#114-41882. Published by
Theodore Presser Company
(PR.114418820). ISBN
9781491113998. UPC:
680160667697. Compo
sed by Telemann as a
double concerto for
recorder and transverse
flute, Zart
Dombourian-Eby’s
new edition is prepared
for piccolo, flute, and
piano — remaining
compatible with available
orchestral editions, and
respectfully faithful to
Telemann’s
detailed nuances. Cast in
the slow-fast, slow-fast
four-movement mold
typical of Baroque
concert works, the
CONCERTO IN E MINOR is at
once among the most
beautiful and
exhilarating works of
Telemann’s
formidable
output.__________________
____________________Text
from the scanned back
cover:ZART DOMBOURIAN-EBY
is the Principal
Piccoloist of the
SeattleSymphony and is
regularly featured as
both a soloist and
clinician in Seattle and
across the world. Her
performances consistently
receive highest praise
from both critics and
audiences. A native of
New Orleans, she received
B.A. and M.M. degrees
from Louisiana State
University. After a year
of study with Albert
Tipton she attended
Northwestern University
earning a Doctor of Music
degree under the tutelage
of Walfrid Kujala. She
has been a member of the
New Orleans Pops, Baton
Rouge Symphony, Colorado
Philharmonic, and the
Civic Orchestra of
Chicago. She has
performed with the
Chicago Symphony and
served on the faculties
of the University of
Washington and Pacific
Lutheran University. She
was the founding editor
of Flute Talk and ison
the Editorial Board for
The Flutist Quarterly.
Zart is the immediate
past president of the
National Flute
Association, and been a
featured soloist and
presenter at numerous NFA
conventions. Zart has
commissioned numerous
works, including two for
piccolo and piano by
Martin Amlin, sonatas by
Gary Schocker and Levente
Gyongyosi, and a chamber
work by Ken Benshoof. She
can be heard in over 100
recordings by the Seattle
Symphony, and her solo
CD, in shadow, light, is
available on Crystal
Records. Her
award-winning edition of
the three Vivaldi piccolo
concertos is published by
Theodore Presser.A native
of Seattle, VALERIE
SHIELDS received her B.M.
summa cum laude in organ
and violin from St. Olaf
College. While completing
her M.M. from
Northwestern University,
she became increasingly
interested and skilled in
the art of improvisation.
She served as Director of
Music at St.
Luke’s Lutheran
Church in Park Ridge,
Illinois, where she
developed a music program
involving over 150
participants in choirs
and chamber music
groups.Upon her return to
Seattle, she served for
12 years as director of
adivision of the
Northwest Girlchoir. She
became organist and
developed a vibrant Youth
Choir at Phinney Ridge
Lutheran Church, where
she served for over 30
years, as well as
enjoying a 20-year tenure
as Music Director and
Composer-in-Residence of
Temple De Hirsch Sinai.
Valerie’s work
with children’s
choirs,churches, and
synagogues has inspired
over 100 published
compositions. When I
was invited to perform a
Vivaldi piccolo concerto
in Italy a few years ago,
my host, Luisa Sello,
wrote that Carol Wincenc
was going to be on the
same concert, and was
there any piece that we
could play together? I
looked and asked around,
and my colleague Joanna
Bassett recommended the
Telemann Concerto in E
Minor for Traverso and
Recorder. I didn’t
know the piece, but as I
listened to a recording
of it, I immediately
loved it and could easily
envision how beautifully
it could work, with a few
“adjustments,â€
for flute and piccolo.
I got to work, and the
current publication is
the result. I have
performed it many times,
and enjoy it even more
every time. It fits a
unique place in our
repertoire, and works
equally well with piano
as with the string
orchestra
setting.According to
Steven D. Zohn,
pre-eminent Telemann
scholar, and author of
Music for a Mixed Taste:
Style, Genre, and Meaning
in Telemann’s
Instrumental Works, much
is unknown about the
concerto itself; it
likely dates from the
1720s, soon after
Telemann moved to
Hamburg. Only an
eighteenth-century
copyist’s set of
parts is extant, that of
Johann Samuel Endler, who
was engaged at the
Darmstadt court as a
singer and violinist,
later becoming
Vice-Kapellmeister and
Kapellmeister, and who
had a large collection of
Telemann’s
works.As in my Vivaldi
concertos edition
(Presser 414-41190), I
have added virtually all
of the articulations and
dynamics that appear
here, and have inserted
quite a bit of
ornamentation. Unlike the
Vivaldi edition, I have
not included any
indication of the
original Telemann in
those passages, nor have
I included any
pedagogical markings,
such as
fingerings.Finally, I
would like to
acknowledge, with
gratitude, Joanna
Bassett, Daniel Dorff,
Benton Gordon, Evan
Pengra-Sult, Sandra
Saathoff, Valerie
Shields, Carol Wincenc,
and Steven Zohn, for the
various roles they played
in the making of this
publication.— Zart
Dombourian-EbyJune
2018. $34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony Eb Major Hob. I:91 Orchestre [Conducteur d'étude / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489059 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489059
Study Score.
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 58 pages. G.
Henle #HN9059. Published
by G. Henle
(HL.51489059). UPC:
840126932898.
6.75x9.5x0.22
inches. Haydn's
three Symphonies nos.
90-92 might rightly be
dubbed his “Paris
Symphonies Part
II,†as they were
commissioned in 1788/89,
likewise by the
Société Olympique,
for which Haydn had
already composed his six
“Paris
Symphonies†nos.
82-87 just a few years
earlier. Ironically
enough, Haydn would later
sell these three a second
time to Prince von
Oettingen-Wallerstein who
requested he
“receive 3 new
symphonies from
him.†Regardless of
such mercantile
entanglements, Haydn
shows himself to be at
the full height of his
mastery as a symphonist
in these works. Completed
in 1788 according to the
autograph manuscript, the
Symphony in E flat major
no. 91 astonishes, even
for HaydnÂ’s
standards, with its many
idiosyncrasies, such as
the Baroque, contrapuntal
theme of the first
movement or the strings
of trills in the slow
variation movement. This
study edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy scorean
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony G Major Hob. I:92 (Oxford) Orchestre [Conducteur d'étude / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489060 Orchestra Study Score. Co...(+)
Orchestra (Study Score)
SKU: HL.51489060
Orchestra Study
Score. Composed by
Franz Joseph Haydn.
Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 64 pages. G.
Henle #HN9060. Published
by G. Henle
(HL.51489060). UPC:
840126932843.
6.75x9.5x0.226
inches. Haydn's
three Symphonies nos.
90-92 might rightly be
dubbed his “Paris
Symphonies Part
II,†as they were
commissioned in 1788/89,
likewise by the
Société Olympique,
for which Haydn had
already composed his six
“Paris
Symphonies†nos.
82-87 just a few years
earlier. Ironically
enough, Haydn would later
sell these three a second
time to Prince von
Oettingen-Wallerstein who
requested he
“receive 3 new
symphonies from
him.†Regardless of
such mercantile
entanglements, Haydn
shows himself to be at
the full height of his
mastery as a symphonist
in these works. Completed
in 1788 according to the
autograph manuscript, the
Symphony in E flat major
no. 91 astonishes, even
for HaydnÂ’s
standards, with its many
idiosyncrasies, such as
the Baroque, contrapuntal
theme of the first
movement or the strings
of trills in the slow
variation movement. This
study edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy scorean
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony in C Major, Hob. I:90 Orchestre [Conducteur d'étude / Miniature] G. Henle
Orchestra (Study Score) SKU: HL.51489058 Study Score. Composed by ...(+)
Orchestra (Study Score)
SKU: HL.51489058
Study Score.
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. Henle Study
Scores. Classical.
Softcover. 63 pages. G.
Henle #HN9058. Published
by G. Henle
(HL.51489058). UPC:
840126932904.
6.75x9.5x0.232
inches. Haydn's
three Symphonies nos.
90-92 might rightly be
dubbed his “Paris
Symphonies Part
II,†as they were
commissioned in 1788/89,
likewise by the
Société Olympique,
for which Haydn had
already composed his six
“Paris
Symphonies†nos.
82-87 just a few years
earlier. Ironically
enough, Haydn would later
sell these three a second
time to Prince von
Oettingen-Wallerstein who
requested he
“receive 3 new
symphonies from
him.†Regardless of
such mercantile
entanglements, Haydn
shows himself to be at
the full height of his
mastery as a symphonist
in these works. According
to the autograph
manuscript, the Symphony
in C major no. 90 was
completed in 1788 and
highlights its festive
character with the
addition of timpani and
trumpets. This study
edition adopts the
musical text of the Haydn
Complete Edition, thereby
guaranteeing the highest
scholarly quality. An
informative preface and a
brief Critical Report
make the handy score an
ideal companion for all
current and soon-to-be
Haydn fans.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Easy Organ Library, Vol. 35 Orgue [Partition] Lorenz Publishing Company
For organ. Level: 2-staff. Sacred organ. Published by Lorenz Publishing Company....(+)
For organ. Level:
2-staff. Sacred organ.
Published by Lorenz
Publishing Company.
(70/1468L)
$34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cajun Folk Songs Orchestre d'harmonie [Conducteur] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:40.
Published by Manhattan
Beach Music.
$30.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cajun Folk Songs Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:40. Published
by Manhattan Beach Music.
$195.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Jan Ladislav Dussek (1760-1812). A Bohemian Composer ‘en voyage’ through Europe Ut Orpheus
Books and Journals SKU: UT.QC-4 Edited by Roberto Illiano and Rohan H. St...(+)
Books and Journals
SKU: UT.QC-4
Edited by Roberto Illiano
and Rohan H.
Stewart-MacDonald.
Paperback (Soft Cover).
Quaderni Clementiani.
Essays by Jean-Pierre
Bartoli, Alan Davison,
Therese Ellsworth, Erik
Entwistle, Jeremy
Eskenazy, Michaela
Freemanova, Stephan D.
Lindeman, Rudolf Rasch,
Renato Ricco, Jeanne
Roudet, David Rowland,
Massimiliano Sala, Laure
Schnapper, Rohan H.
Stewart-MacDo. Classical.
Books and Journals. 568
pages. Ut Orpheus #QC 4.
Published by Ut Orpheus
(UT.QC-4). ISBN
9788881094783. 6.5 x 9.5
inches. Saggi di
Jean-Pierre Bartoli, Alan
Davison, Therese
Ellsworth, Erik
Entwistle, Jeremy
Eskenazy, Michaela
Freemanová, Stephan D.
Lindeman, Rudolf Rasch,
Renato Ricco, Jeanne
Roudet, David Rowland,
Massimiliano Sala, Laure
Schnapper, Rohan H.
Stewart-MacDonald, Marie
Sumner
Lott
The
career of Jan Ladislav
Dussek (1760-1812) was
notable for its
peripateticism. Starting
out in his native Bohemia
Dussek spent periods of
time in Germany and the
Netherlands, settling in
London for about ten
years in the 1790s,
progressing to Hamburg
and ending his days in
Paris. Although his
activities centred on the
piano, like so many
musicians of his day
Dussek branched out from
performing and composing
to encompass teaching,
publishing and instrument
retail, with varying
success. A plethora of
reviews and biographical
accounts attest to
Dussek’s renown
throughout Europe as a
pianist and composer,
particularly when it came
to sensitive and
cantabile playing; and he
interacted with some of
the most eminent
musicians, artists and
political figures of his
time. Dussek’s
reputation declined
sharply in the nineteenth
century, however, and
with the exception of
isolated revivals of his
work, for instance in
London in the
mid-nineteenth century,
he has remained on the
verge of obscurity in the
minds of many musicians
and music-lovers until
the present day: even his
well-known innovation of
placing the piano
sideways-on to the
audience to display his
striking profile is often
mistakenly attributed to
Franz Liszt. Although
Dussek has provided the
subject of a number of
student dissertations
over the years, in the
published literature he
has largely been
restricted to cameo
appearances or brief
entries in historical
surveys. The
bicentennial anniversary
of Dussek’s death
provides a fitting
occasion for bringing
together scholars from
all parts of the world to
produce the first
multi-author,
multi-lingual study of
the composer. Several
chapters deal with
aspects of
Dussek’s biography
and iconography that
receive only sparse
treatment elsewhere;
others survey the
different branches of his
output, including the
piano sonatas, the piano
concertos, the chamber
music with and without
harp and the three String
Quartets, Op. 60, which
are currently enjoying a
revival via recordings
and a new edition.
This book has two
fundamental aims. One is
to stimulate renewed
interest in, and debate
about, a less than
celebrated – one
might say unjustly
neglected –
figure. The other aim is
to approach
Dussek’s
multi-facetted,
geographically diverse
career as an interface
between ourselves and the
music business at the
beginning of the
nineteenth century, whose
complexity and
vicissitudes emanated
from the sociological
dynamics and political
events with which Dussek
was, to an almost unique
degree, inextricably
associated. The highs and
lows of Dussek’s
career, the surviving
contemporary accounts of
Dussek the performer and
composer, and the letters
he exchanged with
colleagues in several
nations vividly portray
the struggles of a
worldly, ambitious,
versatile and extremely
perspicacious musician
striving to carve out a
place of eminence and
material security for
himself. This meant
negotiating the complex
progression, underway at
this point in history,
from the patronage system
to the emergence of the
artist as a socially and
financially autonomous
entity.
$146.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Kings of Christmas Orchestre - Débutant Highland/Etling
Orchestra - Grade 1.5 SKU: AP.31580 Featuring: Good King Wenceslas / W...(+)
Orchestra - Grade 1.5
SKU: AP.31580
Featuring: Good King
Wenceslas / We Three
Kings / Joy to the
World. Arranged by
Bob Phillips. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Explorer. Christmas;
Sacred; Traditional;
Winter. Score and
Part(s). 72 pages.
Highland/Etling
#00-31580. Published by
Highland/Etling
(AP.31580). UPC:
038081349817. English.
Traditional. Let
the earth receive her
King! So rings the
closing chord of this
lovely setting of Good
King Wenceslas, We Three
Kings and Joy to the
World. Unison parts and
varied section features
provide interest and
skill building for all
instruments in this truly
easy holiday piece.
Correlates with String
Explorer Book One, page
32. $42.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Set me as a seal upon thine heart Stainer and Bell
SAATB choir SKU: ST.CN4P Composed by Benjamin Woodgates. ChoralNow. SSATB...(+)
SAATB choir SKU:
ST.CN4P Composed by
Benjamin Woodgates.
ChoralNow. SSATB
unaccompanied (with
divisions). . This
PRINTED version is
available to purchase as
a regular sheet music
title for delivery by
post. Octavo. Stainer &
Bell Ltd. #CN4P.
Published by Stainer &
Bell Ltd. (ST.CN4P).
ISBN
9790220224614. Thes
e time-honoured words so
suitable for the musical
adornment of a service of
marriage or blessing
receive a new and very
moving encounter with
music through the
inspiration of Benjamin
Woodgates. His five-part
a cappella setting is in
a simple three-part form,
rightly illustrating the
tempestuous waters that
cannot quench love in a
more strenuous middle
section. The overall
impression however is of
the stillness and
solemnity of a special
moment of ceremony, by
definition unique and
unrepeatable, which will
nonetheless be renewed in
spirit with every
performance of this
glowing and rapturous
setting. $5.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Walking in Love Chorale 3 parties SSA, Piano BriLee Music
Composed by Lynn Shaw Bailey. Fold. Octavo. 12 pages. Duration 3:15. BriLee Mu...(+)
Composed by Lynn Shaw
Bailey.
Fold. Octavo. 12 pages.
Duration 3:15. BriLee
Music
#BL1121. Published by
BriLee
Music
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Christmas Reflections - Score Orchestre à Cordes [Conducteur] - Débutant Kjos Music Company
Orchestra string orchestra - Grade 1 SKU: KJ.SO76F Composed by Robert Fro...(+)
Orchestra string
orchestra - Grade 1
SKU: KJ.SO76F
Composed by Robert Frost.
Christmas. Score. Neil A.
Kjos Music Company
#SO76F. Published by Neil
A. Kjos Music Company
(KJ.SO76F).
3Christmas
Reflections is an
arrangement of three
Christmas carols. The
first carol, The Friendly
Beasts, is a traditional
English carol. It is
based on an old belief
that farm animals receive
the gift of speech at
midnight on Christmas
eve. The second carol is
a traditional carol from
Austria. As Lately We
Watched is a description
of the nativity scene as
observed by shepherds
guarding their flocks.
The third carol in the
arrangement, O Come
Little Children, was
written by German
composer, J. A. P. Schulz
(1747-1800). Schulz
studied music in Berlin
and was a prolific
composer of sacred vocal
music. He also composed
operettas, instrumental
works, and various piano
pieces. The carol is an
invitation for all
people, especially
children, to visit the
nativity. $5.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Living the Word 2022-23 Year A GIA Publications
SKU: GI.G-LTW22 Sacred. GIA Publications #LTW22. Published by GIA Publica...(+)
SKU: GI.G-LTW22
Sacred. GIA Publications
#LTW22. Published by GIA
Publications
(GI.G-LTW22). ISBN
9781622776986. Insi
ghts into the scriptures
for each Sunday, holy
day, and major
celebration of the
liturgical year. Each
entry includes readings
of the day and three
articles. Please call
customer service to
receive the following
quantity pricing:
2–9
copies:Â $11.50 each,
plus shipping
10–24 copies:
$10.50 each, plus
shipping 25–99
copies: $9.50
each, plus shipping
100 or more copies: $7.50
each, plus shippingÂ
 . $15.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Messiah, HWV 56 [Conducteur] Barenreiter
Solo soprano voice, 2 solo alto voice, solo tenor voice, solo bass voice, mixed ...(+)
Solo soprano voice, 2
solo alto voice, solo
tenor voice, solo bass
voice, mixed choir-SSATB,
orchestra (Soprano solo,
Alto solo (2), Tenor
solo, Bass solo, Mixed
choir (SSATB), Orchestra)
SKU: BA.BA04012-02
Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by John Tobin.
This edition: urtext
edition. Paperback.
Barenreiter Urtext.
Score. HWV 56. Duration
12 hours. Baerenreiter
Verlag #BA04012_02.
Published by Baerenreiter
Verlag (BA.BA04012-02).
ISBN 9790006565313. 31
x 24.3 cm inches. Text
Language: English,
German. Translation:
Konrad Ameln. Charles
Jennens. TheMessiah
occupies a unique
position in Handel's
work. It is one of the
most renowned works of
this composer's
monumental
output.
It has
often been said that
Handel composed
theMessiahfor his visit
in Ireland, where he had
been invited by the Lord
Lieutenant, William
Cavendish, Duke of
Devonshire, to perform
his music for the benefit
of charity. The first
performance took place on
13 April 1742 in Neale's
Music Hall, Dublin. After
Handel's return from
Ireland,
theMessiahreceived no
less than fifty-six
performances in England
during his
lifetime. Now
theMessiahis being
published in a handy
affordable soft-cover
score to complement the
substantial linen-bound
complete edition volume.
The tried and tested
musical text remains the
same, whilst the Foreword
has been revised and
supplemented by an
English translation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$114.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasia for Tuba [Conducteur et Parties séparées] - Intermédiaire Curnow Music
Brass Band and Tuba Solo - Grade 4 SKU: BT.CMP-1223-07-030 Composed by Ja...(+)
Brass Band and Tuba Solo
- Grade 4 SKU:
BT.CMP-1223-07-030
Composed by James Curnow.
Brassband. Solo &
Concerto. Set (Score &
Parts). Composed 2007.
Curnow Music #CMP
1223-07-030. Published by
Curnow Music
(BT.CMP-1223-07-030).
A4 (210X297) inches.
English. This work
for Tuba and Brass Band
was commissioned by and
written for
internationally renowned
tuba soloist Steve Sykes.
The Tuba plays four notes
(F, Bb, G, C) during the
opening. All the themes
and much of the harmonic
structure are based on
these fours notes and
their permutations. The
soloist receives ample
opportunity to showcase
his or her technical
prowess and expressive
capabilities. Fantasia
for Tuba also provides
plenty of interaction
between the soloist and
brass band.
In de
loop der eeuwen is
schitterende kerstmuziek
geschreven. In de
dertiende eeuw ontstond
March of the Three
Kings. Deze melodie,
die wordt toegeschreven
aan een anonieme monnik,
is nog altijd geliefd. In
Fantasia on a13th
Century Carol is de
melodie verwerkt in
diverse variaties en
stijlen, met als
hoogtepunt een
symfonische
mars.
Dieses Werk
für Tuba und Brass
Band entstand im Auftrag
des international
renommierten Tubasolisten
Steve Skyes. Zu Beginn
intoniert die Tuba die
vier Noten F, B G und C,
auf welchen alle Themen,
viele Harmonien und
Permutationen basieren.
Vor dem kraftvollen
Schluss hat der Solist
viel Gelegenheit, sein
technisches Können und
seine Ausdruckskraft
unter Beweis zu stellen,
aber auch für den
Dialog mit anderen
Solisten und der gesamten
Brass Band ist Raum in
dieser kunstvollen
Fantasia. $84.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
Page suivante 1 31 |