Saxophone SKU: HL.48182295 Composed by Alfred Desenclos. Leduc. Classical...(+)
Saxophone
SKU:
HL.48182295
Composed
by Alfred Desenclos.
Leduc. Classical. CD. 52
pages. Alphonse Leduc
#AL23407. Published by
Alphonse Leduc
(HL.48182295).
UPC:
888680840044.
9.0x12.0x0.194
inches.
Quartet for
Saxophones is a piece for
four saxophones composed
by Alfred Desenclos in
1964, which lasts around
15 minutes and 30
seconds. Initially
written for the Marcel
Mule Quartet, Quartet for
Saxophones is a typical
French quartet, quite
smooth and suave. The
beginning of the piece
that sets up the Soprano
Saxophone against the
others is quite jazzy but
then it continues on to a
more lyrical part, quite
slow, with a simple
melody. The tension is
gradually built up and
the finale unison is
introduced quite
dramatically, with some
bursts of energy. This
Quartet for Saxophones
would fit a Quartet of
advanced to professional
players. Alfred Desenclos
(1912-1961) is a French
Composer who won the Prix
de Rome in 1942. He also
composed masses such as
'Messe de Requiem' and
other pieces for Double
Bass, Harp, Flute,
Trumpet or French
Horn.
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Choral; Chorus; Orchestra (Study Score) SKU: HL.49010254 Grande messe ...(+)
Choral; Chorus; Orchestra
(Study Score)
SKU:
HL.49010254
Grande
messe des morts.
Composed by Hector
Berlioz. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical,
Romantic. Study Score.
Op. 5. 122 pages.
Duration 85'. Eulenburg
Edition #ETP8003.
Published by Eulenburg
Edition (HL.49010254).
ISBN 9783795764463.
UPC: 841886008793.
7.5x10.25x0.42 inches.
Latin.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Composed by Maurice Durufle (1902-1986). Op. 9. For SATB chorus. Organ part sold...(+)
Composed by Maurice
Durufle (1902-1986). Op.
9. For SATB chorus. Organ
part sold separately
(50560468). Format: vocal
score. With vocal score
notation. 20th Century.
32 pages. 7.2x10.5
inches. Published by
Durand.
(Reduced Orchestration) Composed by Maurice Durufle (1902-1986). Op. 9. Accompan...(+)
(Reduced Orchestration)
Composed by Maurice
Durufle (1902-1986). Op.
9. Accompaniment part for
organ accompaniment.
Chorus part sold
separately (50561317).
With organ reduction and
standard notation. 44
pages. Published by
Durand.
Soloists, choir and orchestra SKU: M7.DOHR-17625 Grande Messa di Requi...(+)
Soloists, choir and
orchestra
SKU:
M7.DOHR-17625
Grande Messa di
Requiem (1850/1851) mit
Libera me (1856).
Composed by Mabellini and
Teodulo. Arranged by
Guido Johannes and Joerg.
Sheet music. Score. 260
pages. MDS (Music
Distribution Services)
#DOHR 17625. Published by
MDS (Music Distribution
Services)
(M7.DOHR-17625).
ISBN
9790202036259.
Latin.
Das Requiem
besteht aus:Grande Messa
di Requiem c-Moll
(1850/1851) - Libera me,
Domine f-Moll (1856) -
Die Partitur enthält
ein ausführliches
Nachwort, das über
Leben und Schaffen des
Komponisten sowie die
hier vorgelegte
Requiem-Komposition
informiert, sowie einen
umfangreichen kritischen
Bericht. Der
Klavierauszug enthält
beide Teile des Requiems.
Das
Aufführungsmaterial
erscheint für beide
Teile separat und
enthält jeweils eine
Digigier-Partitur im
Format DIN A3.
2
Flöten - 2 Oboen
/ 1 Englischhorn (nur Nr.
3) - 2 Klarinetten -
Bassklarinette (nur
Libera me) - 2
Fagotte (4 Fagotte im
Libera me) - 4
Hörner - 2
Trompeten (4 Trompeten im
Libera me) - 3
Posaunen - 1
Ophikleide (oder
Basstuba) - 4 Pauken
(2 Musiker) -
Tam-tam (nur Libera me) -
Soli (SATB / TTBB) -
Chor SATB -
Streicher.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Dvorak's
Requiem is one of
the Czech composer's
great sacred works and
one of the greatest
Requiem settings in music
history.
Requiem;
Romantic; Late-romantic.
Part. 24 pages. Duration
95'. Breitkopf and
Haertel #OB 5380-16.
Published by Breitkopf
and Haertel
(BR.OB-5380-16).
ISBN
9790004341834. 10 x 12.5
inches.
The
profound impression it
makes on us is due in
part to the sequence of
variations on a death
motif that seems to have
been borrowed from the
beginning of the second
Kyrie from Bach's Mass in
B minor. Written in 1890,
it was commissioned by
the publisher Novello for
the Birmingham Music
Festival and premiered
there under the direction
of the composer on 9
October 1891. For this
performance, Dvorak used
a copy of the score which
he had personally
examined and which later
served as the engraver's
copy. The Dvorak scholar
Klaus Doge succeeded in
tracking down its
location and evaluating
this important source for
the first time. It
contains the Fassung
letzter Hand and,
moreover, offers valuable
insights into Dvorak's
conducting workshop. It
served as the principal
source for the Breitkopf
Urtext
edition.
Dvorak's
Requiem is one of the
Czech composer's great
sacred works and one of
the greatest Requiem
settings in music
history.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Dvorak's
Requiem is one of
the Czech composer's
great sacred works and
one of the greatest
Requiem settings in music
history.
Requiem;
Romantic; Late-romantic.
Part. 24 pages. Duration
95'. Breitkopf and
Haertel #OB 5380-23.
Published by Breitkopf
and Haertel
(BR.OB-5380-23).
ISBN
9790004341858. 10 x 12.5
inches.
The
profound impression it
makes on us is due in
part to the sequence of
variations on a death
motif that seems to have
been borrowed from the
beginning of the second
Kyrie from Bach's Mass in
B minor. Written in 1890,
it was commissioned by
the publisher Novello for
the Birmingham Music
Festival and premiered
there under the direction
of the composer on 9
October 1891. For this
performance, Dvorak used
a copy of the score which
he had personally
examined and which later
served as the engraver's
copy. The Dvorak scholar
Klaus Doge succeeded in
tracking down its
location and evaluating
this important source for
the first time. It
contains the Fassung
letzter Hand and,
moreover, offers valuable
insights into Dvorak's
conducting workshop. It
served as the principal
source for the Breitkopf
Urtext
edition.
Dvorak's
Requiem is one of the
Czech composer's great
sacred works and one of
the greatest Requiem
settings in music
history.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Chor-Bibliothek (Choral
Library).
Dvorak's
Requiem is one of
the Czech composer's
great sacred works and
one of the greatest
Requiem settings in music
history.
Requiem;
Romantic; Late-romantic.
Choral score. 60 pages.
Duration 95'. Breitkopf
and Haertel #ChB 5318-02.
Published by Breitkopf
and Haertel
(BR.CHB-5318-02).
ISBN
9790004412510. 7.5 x 10.5
inches.
The
profound impression it
makes on us is due in
part to the sequence of
variations on a death
motif that seems to have
been borrowed from the
beginning of the second
Kyrie from Bach's Mass in
B minor. Written in 1890,
it was commissioned by
the publisher Novello for
the Birmingham Music
Festival and premiered
there under the direction
of the composer on 9
October 1891. For this
performance, Dvorak used
a copy of the score which
he had personally
examined and which later
served as the engraver's
copy. The Dvorak scholar
Klaus Doge succeeded in
tracking down its
location and evaluating
this important source for
the first time. It
contains the Fassung
letzter Hand and,
moreover, offers valuable
insights into Dvorak's
conducting workshop. It
served as the principal
source for the Breitkopf
Urtext
edition.
Dvorak's
Requiem is one of the
Czech composer's great
sacred works and one of
the greatest Requiem
settings in music
history.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Dvorak's
Requiem is one of
the Czech composer's
great sacred works and
one of the greatest
Requiem settings in music
history.
Requiem;
Romantic; Late-romantic.
Part. 20 pages. Duration
95'. Breitkopf and
Haertel #OB 5380-27.
Published by Breitkopf
and Haertel
(BR.OB-5380-27).
ISBN
9790004341865. 10 x 12.5
inches.
The
profound impression it
makes on us is due in
part to the sequence of
variations on a death
motif that seems to have
been borrowed from the
beginning of the second
Kyrie from Bach's Mass in
B minor. Written in 1890,
it was commissioned by
the publisher Novello for
the Birmingham Music
Festival and premiered
there under the direction
of the composer on 9
October 1891. For this
performance, Dvorak used
a copy of the score which
he had personally
examined and which later
served as the engraver's
copy. The Dvorak scholar
Klaus Doge succeeded in
tracking down its
location and evaluating
this important source for
the first time. It
contains the Fassung
letzter Hand and,
moreover, offers valuable
insights into Dvorak's
conducting workshop. It
served as the principal
source for the Breitkopf
Urtext
edition.
Dvorak's
Requiem is one of the
Czech composer's great
sacred works and one of
the greatest Requiem
settings in music
history.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Dvorak's
Requiem is one of
the Czech composer's
great sacred works and
one of the greatest
Requiem settings in music
history.
Requiem;
Romantic; Late-romantic.
Part. 24 pages. Duration
95'. Breitkopf and
Haertel #OB 5380-15.
Published by Breitkopf
and Haertel
(BR.OB-5380-15).
ISBN
9790004341827. 10 x 12.5
inches.
The
profound impression it
makes on us is due in
part to the sequence of
variations on a death
motif that seems to have
been borrowed from the
beginning of the second
Kyrie from Bach's Mass in
B minor. Written in 1890,
it was commissioned by
the publisher Novello for
the Birmingham Music
Festival and premiered
there under the direction
of the composer on 9
October 1891. For this
performance, Dvorak used
a copy of the score which
he had personally
examined and which later
served as the engraver's
copy. The Dvorak scholar
Klaus Doge succeeded in
tracking down its
location and evaluating
this important source for
the first time. It
contains the Fassung
letzter Hand and,
moreover, offers valuable
insights into Dvorak's
conducting workshop. It
served as the principal
source for the Breitkopf
Urtext
edition.
Dvorak's
Requiem is one of the
Czech composer's great
sacred works and one of
the greatest Requiem
settings in music
history.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Folder.
Orchester-Bibliothek
(Orchestral Library).
Dvorak's
Requiem is one of
the Czech composer's
great sacred works and
one of the greatest
Requiem settings in music
history.
Requiem;
Romantic; Late-romantic.
Set of parts. 298 pages.
Duration 95'. Breitkopf
and Haertel #OB 5380-30.
Published by Breitkopf
and Haertel
(BR.OB-5380-30).
ISBN
9790004341872. 10 x 12.5
inches.
The
profound impression it
makes on us is due in
part to the sequence of
variations on a death
motif that seems to have
been borrowed from the
beginning of the second
Kyrie from Bach's Mass in
B minor. Written in 1890,
it was commissioned by
the publisher Novello for
the Birmingham Music
Festival and premiered
there under the direction
of the composer on 9
October 1891. For this
performance, Dvorak used
a copy of the score which
he had personally
examined and which later
served as the engraver's
copy. The Dvorak scholar
Klaus Doge succeeded in
tracking down its
location and evaluating
this important source for
the first time. It
contains the Fassung
letzter Hand and,
moreover, offers valuable
insights into Dvorak's
conducting workshop. It
served as the principal
source for the Breitkopf
Urtext
edition.
Dvorak's
Requiem is one of the
Czech composer's great
sacred works and one of
the greatest Requiem
settings in music
history.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Dvorak's
Requiem is one of
the Czech composer's
great sacred works and
one of the greatest
Requiem settings in music
history.
Requiem;
Romantic; Late-romantic.
Part. 24 pages. Duration
95'. Breitkopf and
Haertel #OB 5380-19.
Published by Breitkopf
and Haertel
(BR.OB-5380-19).
ISBN
9790004341841. 10 x 12.5
inches.
The
profound impression it
makes on us is due in
part to the sequence of
variations on a death
motif that seems to have
been borrowed from the
beginning of the second
Kyrie from Bach's Mass in
B minor. Written in 1890,
it was commissioned by
the publisher Novello for
the Birmingham Music
Festival and premiered
there under the direction
of the composer on 9
October 1891. For this
performance, Dvorak used
a copy of the score which
he had personally
examined and which later
served as the engraver's
copy. The Dvorak scholar
Klaus Doge succeeded in
tracking down its
location and evaluating
this important source for
the first time. It
contains the Fassung
letzter Hand and,
moreover, offers valuable
insights into Dvorak's
conducting workshop. It
served as the principal
source for the Breitkopf
Urtext
edition.
Dvorak's
Requiem is one of the
Czech composer's great
sacred works and one of
the greatest Requiem
settings in music
history.
Urtext. Composed
by Antonin Dvorak. Edited
by Klaus Doge. Arranged
by Antonin Dvorak. Choir;
Softbound. Edition
Breitkopf.
Dvorak's
Requiem is one of
the Czech composer's
great sacred works and
one of the greatest
Requiem settings in music
history.
Requiem;
Romantic; Late-romantic.
Piano/Vocal Score. 156
pages. Duration 95'.
Breitkopf and Haertel #EB
8823. Published by
Breitkopf and Haertel
(BR.EB-8823).
ISBN
9790004183885. 7.5 x 10.5
inches.
The
profound impression it
makes on us is due in
part to the sequence of
variations on a death
motif that seems to have
been borrowed from the
beginning of the second
Kyrie from Bach's Mass in
B minor. Written in 1890,
it was commissioned by
the publisher Novello for
the Birmingham Music
Festival and premiered
there under the direction
of the composer on 9
October 1891. For this
performance, Dvorak used
a copy of the score which
he had personally
examined and which later
served as the engraver's
copy. The Dvorak scholar
Klaus Doge succeeded in
tracking down its
location and evaluating
this important source for
the first time. It
contains the Fassung
letzter Hand and,
moreover, offers valuable
insights into Dvorak's
conducting workshop. It
served as the principal
source for the Breitkopf
Urtext
edition.
Dvorak's
Requiem is one of the
Czech composer's great
sacred works and one of
the greatest Requiem
settings in music
history.
Requiem Trio Piano Trio: piano, violon, violoncelle Brotons & Mercadal
Requiem Trio. By Brotons Salvador. For violin, cello, piano. Chamber Music. The ...(+)
Requiem Trio. By Brotons
Salvador. For violin,
cello, piano. Chamber
Music. The Requiem Trio
was commissioned by the
New York based Damocles
Trio, and was written
during the Summer of
2004. When I was thinking
about the message of this
new Trio, the
catastrophic images of
the New York terrorist
attack on September 11,
2001 came to mind. I
therefore decided to
write a Trio as a tribute
to the city of New York
and to all the people
that lost their lives on
that tragic day. The four
movements of the piece
have titles taken from
parts of the Requiem
mass. Duration 20
minutes. Published by
Brotons and Mercadal
(Spanish import).
Flexible Ensemble SKU: HL.14019312 By Nicholas Hare. By Andrew Lloyd Webb...(+)
Flexible Ensemble
SKU:
HL.14019312
By
Nicholas Hare. By Andrew
Lloyd Webber. Edited by
Nicholas Hare. Music
Sales America. Sacred.
Set. Composed 2005.
Chester Music #CH55948.
Published by Chester
Music (HL.14019312).
ISBN 9780711947641.
9.0x12.0x0.316
inches.
Kaleidoscop
e will save you time! Do
you spend hours arranging
music for odd assortments
of instruments?
Kaleidoscope is specially
arranged to suit almost
any instrumental
combination and these
varied ensembles are easy
and enjoyable too. So
much scope for virtually
any combination of
instruments! The series
is successful with
recorders, guitars,
percussion and keyboard
as well as with
orchestral groupings.
Whether there are five or
fifty players, every
Kaleidoscope title will
work! Just make sure that
melody and keyboard parts
are included - all other
parts are optional.
Kaleidoscope is superb
value for money - each
set contains a score plus
around 50 parts, each one
carefully written to suit
the needs of each
instrument. For example,
easy string parts are in
first position only
whilst easy clarinet
parts take care to avoid
the break. There are more
demanding parts too, for
experienced players. To
help you choose the right
pieces for your players
we have given the key of
each Kaleidoscope in
brackets. The complete
performance option! These
super-flexible
arrangements of
well-known titles are a
must for every school.
Why not choose a theme
for your concert and
perform a selection of
Kaleidoscope show titles
and film themes or have
an evening of classical
favourites? In F. Edited
by Nicholas Hare.
Composed by Howard Goodall (1958-). Multi-Movement/Large Choral Work. Lent, T...(+)
Composed by Howard
Goodall
(1958-).
Multi-Movement/Large
Choral Work. Lent,
Triduum/Three Days,
Tenebrae,
21st Century, Heaven,
Lament/Grief/Sorrow.
Vocal/choral score.
MorningStar Music
Publishers
#56-0002. Published by
MorningStar Music
Publishers
Composed by Ferdinand
Schubert. Edited by Otto
Biba. Arranged by Josef
Friedrich Doppelbauer.
This edition: Paperbound.
Coppenrath Series. German
title: Requiem 1900301.
Sacred vocal music,
Requiem, Mourning, death.
Full score. Op. 9. 40
pages. Duration 23
minutes. Carus Verlag #CV
91.241/00. Published by
Carus Verlag
(CA.9124100).
Composed by Ferdinand
Schubert. Edited by Otto
Biba. Arranged by Josef
Friedrich Doppelbauer.
Coppenrath Series. German
title: Requiem 1900301.
Sacred vocal music,
Requiem, Mourning, death.
Single Part, Violin 1.
Op. 9. 8 pages. Duration
23 minutes. Carus Verlag
#CV 91.241/11. Published
by Carus Verlag
(CA.9124111).
Composed by Ferdinand
Schubert. Edited by Otto
Biba. Arranged by Josef
Friedrich Doppelbauer.
Coppenrath Series. German
title: Requiem 1900301.
Sacred vocal music,
Requiem, Mourning, death.
Single Part, Trombone 2.
Op. 9. 4 pages. Duration
23 minutes. Carus Verlag
#CV 91.241/34. Published
by Carus Verlag
(CA.9124134).
Composed by Ferdinand
Schubert. Edited by Otto
Biba. Arranged by Josef
Friedrich Doppelbauer.
Coppenrath Series. German
title: Requiem 1900301.
Sacred vocal music,
Requiem, Mourning, death.
Single Part, Trombone 1.
Op. 9. 4 pages. Duration
23 minutes. Carus Verlag
#CV 91.241/33. Published
by Carus Verlag
(CA.9124133).
Composed by Ferdinand
Schubert. Edited by Otto
Biba. Arranged by Josef
Friedrich Doppelbauer.
Coppenrath Series. German
title: Requiem 1900301.
Sacred vocal music,
Requiem, Mourning, death.
Single Part, Timpani. Op.
9. 4 pages. Duration 23
minutes. Carus Verlag #CV
91.241/41. Published by
Carus Verlag
(CA.9124141).