(Cello Easy Instrumental Play-Along Book with Online Audio Tracks). By Various. For Cello (Cello). Easy Instrumental Play-Along. Softcover. 8 pages. Published by Hal Leonard

(Violin). Arranged by Various. For Violin. Book; CD; Play-Along; String Series. Top Hits Instrumental Solos. Broadway; Movie; TV. Grade 2; Grade 3. 76 pages. Published by Alfred Music

(Viola). Arranged by Various. For Viola. Book; CD; Play-Along; String Series. Top Hits Instrumental Solos. Broadway; Movie; TV. Grade 2; Grade 3. 76 pages. Published by Alfred Music

String Orchestra - Grade 3

SKU: KN.KEN10125S

(Ma'oz Tzur). Composed by Traditional. Arranged by Michael Hopkins. Solo or Ensemble. Apex String Orchestra. Kendor Music Inc #KEN10125S. Published by Kendor Music Inc (KN.KEN10125S).

UPC: 822795101256.

Based on the popular Hanukkah song, Ma'oz Tzur, this theme-and-variations arrangement features every section of the orchestra. It offers great opportunities for strengthening high 3rd finger technique on violin and viola, extensions on cello, and third-position playing on violin. Dramatic contrasts in dynamics create an air of excitement throughout, and lots of tutti scoring builds student confidence. Duration 4:15.

Composed by Kathy and David Blackwell. For piano accompaniment. Cello Time. Level A-B (very easy - easy). Piano accompaniment book. 40 pages. Published by Oxford University Press

(Originally Performed by Aerosmith). Composed by Diane Warren. Arranged by for Vitamin String Quartet by Jim McMillen. Orchestra. Part(s); Score; String Orchestra. Pop Concert String Orchestra. Form: Ballade. Pop/Rock. Grade 3.5. 124 pages. Published by Alfred Music

Composed by Kathy Blackwell & David Blackwell. For piano accompaniment. Cello Time. Level A (very easy). Piano accompaniment book. 44 pages. Published by Oxford University Press

(Violin). For Violin. Book; CD; Play-Along; String Series. Instrumental Solos Series. Pop; Pop/Rock. Grade 2; Grade 3. 52 pages. Published by Alfred Music

(Horn in F). For Horn in F. Book; CD; Instrumental Series; Play-Along. Instrumental Solos Series. Pop; Pop/Rock. Grade 2; Grade 3. 52 pages. Published by Alfred Music

Cello

SKU: HL.224731

For Cello. By Various. Instrumental Folio. Pop. Softcover. 128 pages. Published by Hal Leonard (HL.224731).

ISBN 9781495090325. UPC: 888680671761. 9.0x12.0x0.312 inches.

Instrumenta lists will love this jam-packed collection of 101 timeless pop songs! Songs include: Another Brick in the Wall • Billie Jean • Dust in the Wind • Easy • Free Bird • Girls Just Want to Have Fun • Hey Jude • I'm a Believer • Jessie's Girl • Lean on Me • The Lion Sleeps Tonight • Livin' on a Prayer • My Girl • Piano Man • Pour Some Sugar on Me • Reeling in the Years • Stand by Me • Sweet Home Alabama • Take Me Home, Country Roads • With or Without You • You Really Got Me • and more.

By Various. Arranged by Robert Frost. For cello/bass. String Collection. Christmas. Grade 1-2. Individual part. Published by Kendor Music Inc

String Trio - intermediate

SKU: BT.DHP-1186025-070

Arranged by Nico Dezaire. De Haske Flexible String Trios. Set (Score & Parts). Composed 2018. 28 pages. De Haske Publications #DHP 1186025-070. Published by De Haske Publications (BT.DHP-1186025-070).

ISBN 9789043155700. English-German-French-Dut ch.

Discover Rock ’n’ Roll is a collection of arrangements of some of the most popular songs from the Rock ’n’ Roll era. Part of the Flexible String Trios series, the set contains five inspiring arrangements that are enjoyable, yet challenging, to play and perform. The Flexible String Trios Series offers attractive pieces which have been specially arranged for string ensembles. Each of the three parts can be played by violin, viola or cello.

Voor strijkers-ensembles die in wisselende bezettingen spelen biedt de Flexible String Trios serie een uitgekiend concept. In de partituur worden 3 stemmen aangegeven, waarbij iedere stem door zowel viool, altviool of cello kan worden ingevuld. Op deze manier kunnen de stukken in allerlei combinaties van strijkinstrumenten worden gespeeld. Discover Rock ’n’ Roll is een verzameling van enkele van de meest populaire nummers uit het Rock ‘n Roll tijdperk. De partijen zijn aantrekkelijk geschreven en blijven qua klank dicht bij het origineel. Discover Rock ’n’ Roll bevat vijf uitdagende arrangementen heerlijk om te spelen en uitermate geschikt voor uitvoeringen!

D iscover Rock ’n’ Roll ist eine Sammlung von Bearbeitungen einiger der populärsten Titel aus der Ära des Rock ’n’ Roll. Die Ausgabe gehört zur Serie Flexible String Trios und enthält fünf anspruchsvolle Arrangements, die herrliches Spielmaterial sind und sich ausgezeichnet für Aufführungen eignen! Wie in dieser Serie üblich, enthält das Set jeden der drei Parts in Einzelstimmen für Violine, Viola und Cello, sodass die Sätze in verschiedensten Kombinationen besetzt und ausgeführt werden können.

Pour les Ensembles Cordes qui jouent en instrumentation variable, la collection Flexible String Trios offre de multiples avantages : Le set complet contient un conducteur trois voix et neuf parties séparées car chaque voix est déclinée pour chacun des trois instruments. Ceci signifie que toutes les combinaisons instrumentales pourront être envisagées. Discover Rock ’n’ Roll rassemble une collection des titres les plus populaires de la période Rock ’n’ Roll. Les arrangements sont attrayants tout en restant fidèles au style des pièces originales.

(Cello/Bass). Arranged by Michael Story and Michael Story. For Cello/Bass. Duet or Duo; Mixed Instruments - Flexible Instrumentation. Instrumental Ensembles for All. Movie. Book. 24 pages

For cello/double bass. Instrumental collection. Intermediate. Book only. Published by SoundForth

Chamber Music String Quartet

SKU: PR.114405050

Composed by John Downey. Set of Score and Parts. With Standard notation. 53 pages. Duration 25 minutes. Theodore Presser Company #114-40505. Published by Theodore Presser Company (PR.114405050).

UPC: 680160008377. 11 x 14 inches.

Although structurally it subdivides into five movements, the entire quartet emerges as one vast continuum. There are no formal breaks between movements. However, certain musical signposts can be discerned, associated with each of the movements' terminations and new beginnings. The opening movement, The Nostalgia of Clanging Bell Sonorities, begins floating on recurrent Bbs whose soft rhythmic flow slowly puts into motion strong undercurrents suggestive of the latent power of water... After several suggestions of tolling bells, the movement gradually fades into hushed tones of veiled and very distant sonorities. It uses a unique efffect, for the first time in a musical context, conveyed through the use of extra heavy practice mutes. The second movement, The Spill of Water , disengages itself from the first through its distinct contrast in tempo. Water moves fast, and when it splashes, it tends to run wildly. In this case, it happens to be bubbly water that gushes forth bodly... smashing across rocky shorlines. So, too, the music attempts to conjure such moods. At the end of this movement, a cello cadenza emerges, introducing an introspective type of melodicism. The third movement, The Poignancy of Memory, contains many silences as it tries to convey memory through fragmented remembrances much like often occur in our dream state. Progressing through several slowly building images, it gradually works itself into juxtaposition of musical images. Towards the movement's end, high harmonics are sounding in all four instruments while left hand pizzicato notes in the cello pluch the last remembrances of this central core. Almost imperceptibly, the viola assumes leadership as it dissolves into: The fourth movement, The Fluidity of Motion, which has mostly the viola, but also the cello, articulating lyrical statements against the sheets of sound conjured up by the two violins playing a flood of swirling figures, evokes a kind of static motion in spae. Here, the virtually imperceptible manner in which this hushed whisper continues incessantly, can suggest the potential fluidity with which movement may inch forward... Later into the fourth movement , two fairly extended solos by the second and then the first violins, lead to a kind of spontaneous dialogue among the four instrumentalists. Eventually, this musical conversation gets caught up in: The fifth movement's The Rush of Time, which opens with a hushed flurry of speed, precipitates the Finale. It generates, at first slowly, but then very swiftly, whole shifts of rhythmic fields that initially seem to conflict with one another. Ultimately, this use of 'psycho-rhythmics contributes to an on-rush of motion and time. Rhythmic changes are, at times, abruptly precipitated with but little or no preparation creating a kind of inevitability in forward thrust, while the movement rushes forward with a feeling of gradual and continuous acceleration. It gathers density as more and more notes are piled progressively upon successive beats. The attempt is to spark tension and ignite excitement by means of frenetic confrontations of dissimilitudes. Ultimately - with the help of time - these polarities centrifically spin out their own destinies with their accompanying fall-out and own inevitable resolutions.

Chamber Music String Quartet

SKU: PR.11440505S

Composed by John Downey. Full score. With Standard notation. 53 pages. Duration 25 minutes. Theodore Presser Company #114-40505S. Published by Theodore Presser Company (PR.11440505S).

UPC: 680160008391. 11 x 14 inches.

Although structurally it subdivides into five movements, the entire quartet emerges as one vast continuum. There are no formal breaks between movements. However, certain musical signposts can be discerned, associated with each of the movements' terminations and new beginnings. The opening movement, The Nostalgia of Clanging Bell Sonorities, begins floating on recurrent Bbs whose soft rhythmic flow slowly puts into motion strong undercurrents suggestive of the latent power of water... After several suggestions of tolling bells, the movement gradually fades into hushed tones of veiled and very distant sonorities. It uses a unique effect, for the first time in a musical context, conveyed through the use of extra heavy practice mutes. The second movement, The Spill of Water, disengages itself from the first through its distinct contrast in tempo. Water moves fast, and when it splashes, it tends to run wildly. In this case, it happens to be bubbly water that gushes forth bodly... smashing across rocky shorelines. So, too, the music attempts to conjure such moods. At the end of this movement, a cello cadenza emerges, introducing an introspective type of melodicism. The third movement, The Poignancy of Memory, contains many silences as it tries to convey memory through fragmented remembrances much like often occur in our dream state. Progressing through several slowly building images, it gradually works itself into juxtaposition of musical images. Towards the movement's end, high harmonics are sounding in all four instruments while left hand pizzicato notes in the cello pluck the last remembrances of this central core. Almost imperceptibly, the viola assumes leadership as it dissolves into: The fourth movement, The Fluidity of Motion, which has mostly the viola, but also the cello, articulating lyrical statements against sheets of sound conjured up by the two violins playing a flood of swirling figures, evokes a kind of static motion in space. Here , the virtually imperceptible manner in which this hushed whisper continues incessantly, can suggest the potential fluidity with which movement may inch forward... Later into the fourth movement, two fairly extended solos by the second and then the first violins, lead to a kind of spontaneous dialogue amont the four instrumentalists. Eventually, this musical conversation gets caught up in: The fifth movement's The Rush of Time, which opens with a hushed flurry of speed, precipitates the Finale. It generates, at first slowly, but then very swiftly, whole shifts of rhythmic fields that initially seem to conflict with one another. Ultimately, this use of psycho-rhythmics contributes to an on-rush seem of motion and time. Rhythmic changes are, at times, abruptly precipitated with but little or no preparation creating a kind of inevitability in forward thrust, while the movement rushes forward with a feeling of gradual and continuous acceleration. It gathers density as more and more notes are piled progressively upon successive beats. The attempt is to spark tension and ignite excitement by means of frenetic confrontations of dissimilitudes. Ultimately - with the help of time - these polarities centrifically spin out their own destinies with their accompanying fall-out and own inevitable resolutions.

(Cello/String Bass). Arranged by Victor LÌ_pez. For Cello/String Bass. A and D Partbook; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Solo--A, Duet--B/C/D, Trio--C, Quartet--D. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing

Cello Solos. Arranged by Various and ed. Bill Galliford. Play-Along; SmartMusic; String Series. Pop Instrumental Solos Series. Broadway; Movie. Book; Digital Download; Software. 28 pages. Alfred Music #00-47983. Published by Alfred Music