By Grover C. Yaus, Roy M. Miller. Edited by Thom Proctor. Instrumental method/supplement. 32 pages. Published by Belwin.

Composed by Various. Edited by Frederick M. Noad. Music Sales America. Classical, Renaissance. Softcover Audio Online. 120 pages. Music Sales #AM968066. Published by Music Sales

By Grover C. Yaus And Roy M. Miller. For Drums. Band Supplement. Book. 32 pages. Published by Alfred Publishing.

Easy Piano Piano/Keyboard

SKU: HL.282479

The New Decade Series. Composed by Various. Easy Piano Songbook. Motown, Pop, Rock. Softcover. 410 pages. Published by Hal Leonard (HL.282479).

ISBN 9781540034366. UPC: 888680789237. 9.0x12.0x1.01 inches.

Starting with the songs released just after Woodstock all the way through the disco era, this collection features almost 100 songs from the 1970s arranged for easy piano with lyrics: ABC • American Pie • Bridge over Troubled Water • (They Long to Be) Close to You • Dancing Queen • Free Bird • Goodbye Yellow Brick Road • How Deep Is Your Love • I Shot the Sheriff • I Will Survive • Imagine • Killing Me Softly with His Song • Layla • Lean on Me • Maybe I'm Amazed • Piano Man • Reeling in the Years • Smoke on the Water • Stairway to Heaven • Stayin' Alive • Sweet Home Alabama • Time in a Bottle • Walk This Way • We Will Rock You • Y.M.C.A. • and more.

Concert band (Piccolo, Flute 1/2, Oboe 1/2, Bassoon 1/2, Bb Soprano Clarinet 1-3, Eb Alto Clarinet, Bb Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Cornet (in Bb) 1-3, Trumpet (in Bb) 1/2, French Horn 1-4 , Trombone 1-3, Euphonium, Tuba, Stri) - grade 4

SKU: CN.S11242

Composed by Adam Gorb. Arranged by Michael Brand. Band Music. Score only. Duration 4:20. Published by G & M Brand Music Publishers (CN.S11242).

Scenes from an English Landscape is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Gustav Holst and Ralph Vaughan Williams. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end of the work, both versions of the theme are stated together to bring the piece to a triumphant climax.

This is a brief nostalgic tone poem taking its inspiration from visions of rural England as depicted in the paintings of John Constable, the novels of Thomas Hard, and the music of Gustav Holst and Ralph Vaughan Williams. I imagined a community of villagers coming out of church and filling a village square with their vibrant presence. A chorale-like theme is stated in the brass and then taken up at three times the tempo in the woodwinds. At the end o the work, both versions of the theme are stated together to bring the piece to a triumphant climax. Adam Gorb was born in Cardiff and started composing at the age of ten. His first work broadcast on national radio was written when he was fifteen. He studied at Cambridge University (1977-1980) and the Royal Academy of Music (1991-1993) where he graduated with the highest honours including the Principal's Prize. He has been on the staff at the London College of Music and Media, the junior Academy of the Royal Academy of Music and, since 2000 he has been the Head of School of Composition at the Royal Northern College of Music in Manchester . International recognition came in 1994 with the US Walter Beeler Prize for his work Metropolis . With it began what has developed into probably the most important wind ensemble catalogue by a contemporary composer, ranging from extremely challenging to the most accessible, at all technical levels, seized on by players internationally, widely recorded and now absolutely central to the world's wind repertoire. Equally important though are his works for dance, and concert pieces like the chamber orchestral Weimar , the Violin Sonata , a Clarinet Concerto for the Royal Liverpool Philharmonic Orchestra and Diaspora for strings (for the Goldberg Ensemble). Deceptively mainstream at first glance, they display the same inventive brilliance, pulsating sound world, striking use of rhythm and an undogmatic absence of stylistic hang-ups to embrace jazz and serialism in works where power, poetry, irony and pathos, often underlaid by a theatrical and deeply subversive element, coalesce in an integrated, highly individual musical voice. Gorb is also not afraid to draw on the vivid musical heritage of his Jewish roots, sometimes directly, often in a more subsumed or radically creative way. The crucial and consistent feature of Gorb's work though is that it communicates strongly without patronizing players or audiences. He firmly believes that if contemporary music - any music - does not impact on listeners then its message is irrelevant; it is lost.

For Concert Band. Composed by Otto M. Schwarz. Duration 135 seconds. Hal Leonard #SDP067.21-02. Published by Hal Leonard

By Various. Fake Book (Includes melody line and chords). Size 9x12 inches. 264 pages. Published by Hal Leonard.

Cello

SKU: HL.224731

For Cello. By Various. Instrumental Folio. Pop. Softcover. 128 pages. Published by Hal Leonard (HL.224731).

ISBN 9781495090325. UPC: 888680671761. 9.0x12.0x0.312 inches.

Instrumenta lists will love this jam-packed collection of 101 timeless pop songs! Songs include: Another Brick in the Wall • Billie Jean • Dust in the Wind • Easy • Free Bird • Girls Just Want to Have Fun • Hey Jude • I'm a Believer • Jessie's Girl • Lean on Me • The Lion Sleeps Tonight • Livin' on a Prayer • My Girl • Piano Man • Pour Some Sugar on Me • Reeling in the Years • Stand by Me • Sweet Home Alabama • Take Me Home, Country Roads • With or Without You • You Really Got Me • and more.

By Various. Edited by Velvel Pasternak. For Melody/Lyrics/Chords. Tara Books. Softcover. 218 pages. Published by Tara Publications

Guitar - easy

SKU: HL.49019327

58 Easy Pieces for Guitar. Arranged by Martin Hegel. This edition: Saddle stitching. Sheet music with CD. Guitar. Dieses Heft enthalt alles, was man fur den Gitarrenunterricht braucht: 58 leichte originale Gitarrenstucke von Aguado, Mertz, Diabelli, Carulli, Sor oder Carcassi, aber auch leicht spielbare Bearbeitungen der klassischen Musik aus den Bereichen Orchesterm. Softcover with CD. 46 pages. Schott Music #ED21305. Published by Schott Music (HL.49019327).

ISBN 9783795747558. UPC: 841886018204. 9.0x12.0x0.2 inches.

This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony No. 9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. All pieces are recorded on the accompanying CD to make it easier for the pupils to study and master the works.

By Wayne Erbsen. For All Instruments. SongBook. Gospel-Old Time. Level: Beginning. Book. Size 9x12. 172 pages. Published by Native Ground Music.

100 Songs in the Key of C. Composed by Various. Easy Fake Book. Country, Pop, Standards. Softcover. Published by Hal Leonard

Born in Bicester in 1931, Anthony Hedges studied music at Keble College, Oxford, and left university with a first class honours degree and a post-graduate degree in composition. Following National Service as solo pianist and arranger with the Royal Signals Band, he spent the next five years as a lecturer at the Royal Scottish Academy of music. During that time he was a regular contributor on music to many national newspapers and journals. In 1962 he moved to Hull University where, he became, until his retirement in 1995, Reader in Composition. In 1972 he was elected Chairman of The Composers' Guild of Great Britain, served as joint-Chairman in 1973 and was subsequently elected to the Guild's Council. He has been a member of the music panels of Yorkshire Arts and Lincolnshire and Humberside Arts, the Music Board of C.N.N.A., and a Council member of the S.P.N.M. A Council member of Westminster Central Music Library for 15 years, he instituted its publishing scheme for contemporary British scores. As a pianist he has given regular solo recitals, and as an accompanist has worked with many leading performers. In the late 1970s he founded the Humberside Sinfonia with whom he gave numerous successful concerts as well as recording a highly-praised LP of his music. Anthony Hedges is equally successful in many types of music. His serious music has received wide critical acclaim; his light music enjoys numerous broadcasts, recordings and public performances. He has also written much music for children and amateurs as well as having composed for film, stage, ballet and television. His works have been performed by many major British orchestras and heard worldwide in many hundreds of broadcast and public performances. In 1991 he was the featured composer in the Riga Festival of British Music and Film and was subsequently invited back to Latvia to conduct further performances of his works. A prolific composer, much of his output has resulted from commissions - over 60 to date*. In 1990 Hull Central Library established an Archive collection of all his compositions and working sketches. A CD of his light orchestral music was issued in 1997 (Naxos/Marco Polo) and many CD recordings have followed on various labels. In the same year he was awarded an honorary D.Mus. by the University of Hull

Concert band (Flute/Piccolo*, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet*, 1st/2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st F Horn, 2nd F Horn, 1st/2nd Bb Trumpet, 1st/2nd* Trombone, Euphoni) - grade 2.5

SKU: CN.R10104

Song of the Auvergne. Composed by Kevin Thompson. Band Music. Score and parts. Duration 3:30. Published by G & M Brand Music Publishers (CN.R10104).

This beautiful song reflects the tranquillity of the French countryside. Dr. Kevin Thompson is a leading British authority on bands and his sensitive score is ideal for smaller groups, providing training for phrasing and ensemble playing.

This beautiful song reflects the tranquillity of the French countryside. Dr. Kevin Thompson is a leading British authority on bands and his sensitive score is ideal for smaller groups, providing training for phrasing and ensemble playing. Professor Kevin Thompson is Principal and Chief Executive of Dartington College of Arts, a University Sector institution dedicated to the performance arts.After undergraduate studies at the Royal Northern College of Music, he gained masters and subsequently doctoral degrees at the University of London. He began his career as a professional trumpet player, conductor, composer and teacher. He was the architect of University of Salford's degree in band musicianship, launched in 1987 and the first of its kind. From 1988 - 1993 he was Principal of Birmingham Conservatoire and during this time was elected to a personal professorship and subsequently a Deanship chair.On his arrival at Dartington, he was made an honorary Professor by the University of Plymouth. In 1992 he gained a Winston Churchill Fellowship to study the Great American Music Schools: Juilliard, Curtis, Eastman, Indiana. Other awards include those of the British Association for American Studies and the British Council for the Royal Danish Academy of Music. He is a Freeman of the City of London. His publications include a book on brass and wind bands published by Cambridge University, many articles in Times Newspaper and other leading British and American journals. The book on wind and brass bands became a key text in many college and university reading lists and was read extensively throughout the English speaking world, particularly in North America and the Pacific Rim. He is joint editor, with Dr Gordon Cox of the new eleven volume series on brass playing and teaching and author of two of the volumes.

Concert band (Flute 1/Piccolo, Flute 2, Oboe 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet*, Bb Bass Clarinet, Bassoon 1, Bassoon 2*, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone*, Bb Cornet 1, Bb Cornet 2, Bb Cornet 3, B) - grade 4.5

SKU: CN.R10214

Composed by Derek Bourgeois. Band Music. Score and parts. Duration 4:30. Published by G & M Brand Music Publishers (CN.R10214).

Adapted from the slow movement of Bourgeois' own Sonata for Brass Quintet, Northern Lament is a powerful work with a fiery climax in the middle and thematic material derived from a simple & memorable melody.

This piece originated in the slow movement of Sonata for Brass Quintet, which I wrote in 1965 whilst still a pupil of Herbert Howells at the Royal College of Music, London. It had been commissioned by the Halle Brass Quintet, although they never performed the work. In 1997, Timothy Reynish suggested that I should arrange the work for wind orchestra. I decided to expand the movement into something more than double its original length, adding a fiery climax to its central section. The whole movement derives from the simple melody stated at the beginning. Because of Timothy Reynish's association with the Royal Northern College of Music in Manchester, England and because the original sonata was never played by the northern-based Halle Brass Quintet who invited me to write it, I decided to call the new piece Northern Lament..

Concert band (Flute 1/Piccolo, Flute 2, Oboe 1/2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet*, Bb Bass Clarinet, Bassoon 1, Bassoon 2*, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone, Baritone Saxophone*, Bb Cornet 1, Bb Cornet 2, Bb Cornet 3, B) - grade 4.5

SKU: CN.S11214

Composed by Derek Bourgeois. Band Music. Score only. Duration 4:30. Published by G & M Brand Music Publishers (CN.S11214).

Adapted from the slow movement of Bourgeois' own Sonata for Brass Quintet, Northern Lament is a powerful work with a fiery climax in the middle and thematic material derived from a simple & memorable melody.

This piece originated in the slow movement of Sonata for Brass Quintet, which I wrote in 1965 whilst still a pupil of Herbert Howells at the Royal College of Music, London. It had been commissioned by the Halle Brass Quintet, although they never performed the work. In 1997, Timothy Reynish suggested that I should arrange the work for wind orchestra. I decided to expand the movement into something more than double its original length, adding a fiery climax to its central section. The whole movement derives from the simple melody stated at the beginning. Because of Timothy Reynish's association with the Royal Northern College of Music in Manchester, England and because the original sonata was never played by the northern-based Halle Brass Quintet who invited me to write it, I decided to call the new piece Northern Lament..

Concert band (Full Score, 1st Flute/Piccolo, 2nd Flute, Oboe, Clarinet 1/2/3, Bb Bass Clarinet, Bassoon, Alto Sax, Tenor Sax, Baritone Sax, Trumpet 1/2/3, Horn 1/2, Trombone 1/2/3, Euphonium, Tuba, Timpani, Percussion 1 (snare drum, tambourine, castanets, tam tam, cras) - grade 4

SKU: CN.R10221

Composed by Bruce Fraser. Band Music. Score and parts. Duration 7:30. Published by G & M Brand Music Publishers (CN.R10221).

The work has a military feel in the opening fanfare, but settles down to an angular melody with frequent changes in time signature. There is the possibility of adding extra drummers near the end - a drum corps was used behind the Band in the first performance making a stunning effect.

PANACHE was commissioned by Lt. Peter Rutterford who was then Director of Music for the Band of the Royal Marines (FOSNI). Peter was about to leave the Rosyth and wanted to have a celebratory work for his departure. The resulting piece was titled by him and to reflect his outgoing personality, and the first performance was given by Lt. Rutterford with the Royal Marines Band in the Carnegie Hall, Dunfermline, Scotland.

Concert band (1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, Eb Clarinet*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet*, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone*, Eb Baritone Sax) - grade 4

SKU: CN.S11191

Composed by Paul Hart. Arranged by Geoffrey Brand. Band Music. Royal Tournament Series. Score only. Duration 6:00. Published by G & M Brand Music Publishers (CN.S11191).

As a part of the Royal Tournament Series, Carnaby Street must entertain. Paul Hart has written a piece with audiences and artists in mind. With fast rhythms and a pulse that never slows, this one will send you to the edge of your seat.

Carnaby Street, n the heart of London's West End, will forever be synonymous with the 'swinging sixties' when the street was the place to be to experience the 'latest' - whether in dresswear or sounds. Paul Hart has skillfully captured the flavour in this atmospheric composition. Throughout, the bustle and energy of the young is felt, as they jostle through the crowded street at a tempo which from the beginning to end never slows or flags. Carnaby Street is another 'must' from this highly talented musician.

Concert band (Flute/Piccolo*, Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet*, 1st/2nd Eb Alto Saxophone*, Bb Tenor Saxophone*, Eb Baritone Saxophone*, 1st F Horn, 2nd F Horn, 1st/2nd Bb Trumpet, 1st/2nd* Trombone, Euphoni) - grade 2.5

SKU: CN.S11104

Song of the Auvergne. Composed by Kevin Thompson. Band Music. Score only. Duration 3:30. Published by G & M Brand Music Publishers (CN.S11104).

This beautiful song reflects the tranquillity of the French countryside. Dr. Kevin Thompson is a leading British authority on bands and his sensitive score is ideal for smaller groups, providing training for phrasing and ensemble playing.

This beautiful song reflects the tranquillity of the French countryside. Dr. Kevin Thompson is a leading British authority on bands and his sensitive score is ideal for smaller groups, providing training for phrasing and ensemble playing. Professor Kevin Thompson is Principal and Chief Executive of Dartington College of Arts, a University Sector institution dedicated to the performance arts.After undergraduate studies at the Royal Northern College of Music, he gained masters and subsequently doctoral degrees at the University of London. He began his career as a professional trumpet player, conductor, composer and teacher. He was the architect of University of Salford's degree in band musicianship, launched in 1987 and the first of its kind. From 1988 - 1993 he was Principal of Birmingham Conservatoire and during this time was elected to a personal professorship and subsequently a Deanship chair.On his arrival at Dartington, he was made an honorary Professor by the University of Plymouth. In 1992 he gained a Winston Churchill Fellowship to study the Great American Music Schools: Juilliard, Curtis, Eastman, Indiana. Other awards include those of the British Association for American Studies and the British Council for the Royal Danish Academy of Music. He is a Freeman of the City of London. His publications include a book on brass and wind bands published by Cambridge University, many articles in Times Newspaper and other leading British and American journals. The book on wind and brass bands became a key text in many college and university reading lists and was read extensively throughout the English speaking world, particularly in North America and the Pacific Rim. He is joint editor, with Dr Gordon Cox of the new eleven volume series on brass playing and teaching and author of two of the volumes.

For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, lyrics, piano accompaniment, chord names and leadsheet notation. Hymn. Series: Hal Leonard Fake Books. 494 pages. 9x12 inches. Published by Hal Leonard.

For Piano, Vocal, Guitar, Electronic Keyboard and All C Instruments. Composed by Various. Fake Book. Softcover. 232 pages. Published by Hal Leonard

200 Holiday Favorites. Composed by Various. Fake Book. Softcover. 288 pages. Published by Hal Leonard

Easy Piano Piano/Keyboard

SKU: HL.282483

The New Decade Series. Composed by Various. Easy Piano Songbook. Pop, Rock. Softcover. 424 pages. Published by Hal Leonard (HL.282483).

ISBN 9781540034403. UPC: 888680789275. 9.0x12.0x0.967 inches.

Almost 70 contemporary hits released since 2010 in easy piano arrangements with lyrics: All About That Bass • Bad Romance • Brave • Call Me Maybe • Cups (When I'm Gone) • Feel It Still • Get Lucky • Happy • Havana • Hey, Soul Sister • I Will Wait • Just Give Me a Reason • Let It Go • Mean • Moves like Jagger • Need You Now • Radioactive • Rolling in the Deep • Shake It Off • Stay with Me • Thinking Out Loud • Uptown Funk • We Are Young • and more.

Concert band (Piccolo, 1st Flute, 2nd Flute, Oboe 1/2, Bassoon 1/2, Eb Clarinet, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet, Bb Bass Clarinet, Eb Alto Saxophone 1/2, Bb Tenor Saxophone, Eb Baritone Saxophone, 1st Bb Cornet, 2nd/3rd Bb Cornet, 1) - grade 5

SKU: CN.S11158

Composed by Gordon Jacob. Band Music. Score only. Duration 15:30. Published by G & M Brand Music Publishers (CN.S11158).

A powerful work. An opening fanfare leads directly to an Allegro risoluto, which exudes determination and forthrightness. The second movement follows without a break and is a continuous plaint in which the melody seems forever seeking resolution like a troubled soul searching for respite. Only in the closing bars does peace seem to take over. The final movement, marked Allegro non troppo, starts with a cheering fanfare that leads to a bright and breezy romp, with a rustic feel about it. When the fanfare reappears we are suddenly immersed in exaltations of joy that really give a feeling of optimism as we proceed to the end of the piece via a short Coda.

With this Symphony, Gordon Jacob proclaims his absolute mastery of idiom and instrumentation with a triumphant rejoicing. Written in 1978 as a commission from Arthur Doyle (hence the AD in the title, a typical piece of Jacob wit), it lay virtually unplayed save for the efforts of his Estate, Troy Peterson and Geoffrey Brand and CBDNA (College Band Directors Association, USA), who between them ensured that it was professionally recorded in 1994 and published in 1995. There is little point in indulging in semantics as to whether the piece is a Symphony. It is Jacob's approach to his tuneful, folk-based material which is symphonic: weighty in exposition and development, sonorous and expressive in the slow movement, with a scherzo-like last movement and a giocoso coda. After a brilliant opening fanfare, the quick triple-meter first theme (Allegro Risoluto) is introduced on clarinets, punctuated with brass. It is soon followed by a contrasting melody for saxophone. In all this material the interval of a 4th is prominent, and throughout the work the 4th and 7th are important. Perhaps it is the frequent use of the 7th which gives a feeling of restlessness without resolution which pervades this movement as the themes are dissected and developed. The second movement follows directly after a horn bridge. Still the melody outlines the 7th and the ear is not satisfied until the full band (with organ), comes to rest in Bb major. This point of repose and the magic pianissimo which follows shortly after when the slow theme is re-stated, are the apex of the Symphony's construction. Soon, however, we are transported, via a fanfare, into a helter-skelter 9/8 romp: rustic, English, and almost vulgar, this theme is thrown around the group before exploding into a boisterous 2/4 coda.

Concert band (Flute 1, Flute 2, Oboe 1, Oboe 2*, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet*, Bb Bass Clarinet*, Bassoon 1, Bassoon 2*, Alto Saxophone, Alto Saxophone, Tenor Saxophone*, Baritone Saxophone*, Horn in F 1, Horn in F 2, Horn in F 3, Horn) - grade 4

SKU: CN.S11181

Composed by Bruce Fraser. Band Music. Score only. Duration 5:50. Published by G & M Brand Music Publishers (CN.S11181).

This blazing fast work suggests spectacular fireworks and other such explosions with off-beat accents in the driving snare drum and timpani. Set in the standard fast-slow-fast sections, an alto saxophone soloist moves into the spotlight during the slower expressive section.

Firepower was the code name for the planning of the 1997 Royal Tournament by Michael Parker (producer). I met Michael Parker in the summer of 1996 and he outlined an idea based on a firework festival he had seen in Valencia Spain. This sparked off some musical ideas and the result is this piece. The off-beat accents in the percussion part suggests explosions, and there are moments which suggest spectacular fireworks. The work is in three sections, two very fast outer parts surrounding a slower, more expressive opportunity for the alto sax soloist.