Just about every song ever written and sung by the Beatles, arranged in melody line with guitar chord boxes and symbols, strum marks and complete lyrics. One of the most famous songbooks ever published... The most celebrated Beatles book of them all. The Beatles Complete was first published in 1972 and was an instant best-seller. Reprinted every year since, it has sold over 2 million copies worldwide and remains the definitive collection of Beatles music. Freshly published here in high-quality compact format, featuring original illustrations by Alan Aldridge from the first edition. / Ligne De Mélodie, Paroles Et Accords

The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)

Par BEATLES THE. A fantastic and stupendous volume for fans of popular music and the Beatles! This comprehensive volume contains all and every one of the 194 songs that were written and sung by the Beatles during their prolific and productive career. Specially arranged in the original keys by Rikky Rooksby from the actual recordings, each song includes chord symbols, guitar chord boxes and complete lyrics and the band's full discography is also featured. / Niveau : Assez Facile / Rép International / Recueil / Chant et Guitare

Par BEATLES THE. This Real Book edition pays tribute to the Fab Four with over 100 arrangements of their masterful songs. Each song remains true to the spirit of its original performance and is presented in the classic fashion you've come to know from The Real Book with easy-to-read musical notation and chord symbols. The book is professionally copied and meticulously checked for accuracy in melody and rhythms while also presenting the harmonies within a jazz-oriented context./ Recueil / Instruments en Do

Par BEATLES THE. For the first time ever in one book every song written and recorded by The Beatles. Melody line, full lyrics and chord symbols. Plus discography and many photographs. / Niveau : Assez Facile / Rép International / Recueil / Chant et Guitare

This great collection features all 194 songs written and sung by The Beatles, specially transcribed here for strumming guitarists, from the actual recordings, in the original keys. Each song includes chord symbols, guitar chord boxes and complete lyrics. Also features a helpful playing guide and a full discography. / Guitare

Arranged for the first time with separate accompaniment and melody line. / Piano/Vocal/Guitare (PVG)

Pratiquement toutes les chansons composées et jouées par les Beatles avec en plus les photos originales et des illustrations couleur. Inclus Let it Be , Give Peace A Chance , Penny Lane , All You Need is Love et Yesterday . Arrangements en ligne mélodique avec accords de guitare.

Golden Slumbers Across The Universe All My Loving All You Need Is Love Revolution I Will And I Love Her It's Only Love Tell Me Why Julia Back In The U.S.S.R. Because Come Together The Ballad Of John And Yoko Girl She's A Woman It Won't Be Long Birthday Blackbird Every Little Thing Yesterday In My Life The Word Something Can't Buy Me Love Octopus's Garden A Day In The Life Day Tripper Dear Prudence Do You Want To Know A Secret' Drive My Car I Want To Hold Your Hand Eight Days A Week Eleanor Rigby Run For Your Life The Fool On The Hill From Me To You Get Back Good Day Sunshine Got To Get You Into My Life A Hard Day's Night Hello, Goodbye Help! Helter Skelter Here Comes The Sun Here, There And Everywhere Hey Jude I Am The Walrus I Feel Fine I Saw Her Standing There I Should Have Known Better I'll Cry Instead I'll Follow The Sun I'm A Loser I'm Happy Just To Dance With You I've Just Seen A Face If I Fell Lady Madonna Let It Be The Long And Winding Road Love Me Do Lucy In The Sky With Diamonds Magical Mystery Tour Martha My Dear Michelle No Reply Norwegian Wood (This Bird Has Flown) Nowhere Man Ob-La-Di, Ob-La-Da P.S. I Love You Paperback Writer Penny Lane Please Please Me Sgt. Pepper's Lonely Hearts Club Band She Loves You Strawberry Fields Forever Thank You Girl Things We Said Today This Boy (Ringo's Theme) Ticket To Ride Twist And Shout We Can Work It Out When I'm Sixty-Four While My Guitar Gently Weeps With A Little Help From My Friends Yellow Submarine Yes It Is You Can't Do That You Won't See Me You're Going To Lose That Girl You've Got To Hide Your Love Away Your Mother Should Know

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

This matching folio is now available again and re-issued with a new cover to coincide with the re-release of the digitally re-mastered classic album. Fourteen songs from The Beatles arranged for piano, voice and guitar. Newly arranged and engraved, with lyrics and guitar chord boxes. / Piano/Vocal/Guitare (PVG)

This inspirational resource for jazz and fusion musicians expands the possibilities of creative expression. Using the Yellowjackets tune 'Run for Your Life,' Jimmy walks through a study of Rhythm Changes and then branches out into the types of alterations and possibilities that have kept his playing fresh for over 47 years. Even the most seasoned jazz musician will find new ways of creating distinctive melodies, patterns, bass lines, and harmonies, allowing for the truest personal expression as you learn to speak through your instrument with ease. Recorded examples are available as free MP3 downloads from alfred.com/downloads. / Guitare Basse