By ABBA. Edited by George Megaw. Arranged by Roy Phillippe. Concert band. Published by Alfred Publishing.

Guitar - Beginning

SKU: MB.31103M

Third Edition. Bluegrass, Wire bound. World. Book and online audio. 236 pages. Mel Bay Publications, Inc #31103M. Published by Mel Bay Publications, Inc (MB.31103M).

ISBN 9781513468792. 8.75x11.75 inches.

Adam Granger self-published the first edition of Grangerâ??s Fiddle Tunes for Guitar in 1979. A second edition was published in 1994. Now Mel Bay Publications presents the third edition of the book.

This 236-page book is the most extensive and best-documented collection of fiddle tunes for the flatpicking guitar player in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles.

There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book.

In this new edition, all tunes are typeset, instead of being handwritten as they were in the previous editions, making the tabs easier to read.

The tunes in Grangerâ??s Fiddle Tunes for Guitar are presented in Easytab, a streamlined tablature notation system designed by Adam specifically for fiddle tunes.

The book comes with a link which gives access to mp3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other.

Also included in Grangerâ??s Fiddle Tunes for Guitar are instructions for reading Easytab, descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection.

Mel Bay also offers The Granger Collection, by Bill Nicholson, the same 508 tunes in standard music notation.

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Concert Band/Harmonie - Grade 5

SKU: BT.DHP-0991533-010

Composed by Piet Swerts. Sovereign Series. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991533-010. Published by De Haske Publications (BT.DHP-0991533-010).

Following the spectacular movie Titanic, the story of the world famous ship stood in the spotlights once again. Piet Swerts was inspired by this catastrophic saga to compose this beautifully narrative piece, reflecting the masses of people in Southampton, playing children and the undulating sea. The piece gradually picks up impetuously culminating with the looming iceberg and the dramatic sinking of the Titanic.

Le prologue dépeint l'excitation de cette foule impatiente d'embarquer sur le Titanic amarré dans le port de Southampton en Angleterre. Le motif principal de ce passage d’ouverture fait référence Big Ben, remarque touchante pour mieux installer le décor d'une scène typiquement britannique. L'agitation des futurs passagers s'exprime par des sections polyrythmiques. Le premier thème aux accents héro ques dérivé du motif Big Ben est exposé. La trame devient plus constante, fluide, répétitive, symbole du doux départ du célèbre palais flottant. Le tableau suivant est une aquarelle riche en couleurs ; motifs ascendants et descendants rappellent le voyage en haute mer. On entend lesenfants jouer, le Capitaine Smith donner des ordres. On perçoit aussi les différences d’atmosphère entre les ponts de première et deuxième classes ; la pression ronflante des moteurs. Tout est présent dans cette fresque musicale. On entend surtout l'accélération des moteurs suite un ordre du Capitaine soumis la pression de l'armateur. Faisant suite un accelerando, le piccolo et la percussion font écho d'un signal en morse provenant d'un autre bateau qui prévient d'un danger immédiat : la proximité d'un iceberg. Hélas, ce message est ignoré et les moteurs continuent de tourner plein régime jusqu'au moment fatidique où le Titanic heurte l'iceberg. Le motif plaintif du saxophone, accompagné de trilles des clarinettes, traduit l'arrêt des moteurs après la collision. La percussion marque le tristement célèbre S.O.S. en code morse : trois points, trois traits, trois points. Les passagers sont pris de panique. Finalement, nous assistons au lent naufrage du paquebot. L'épilogue reprend le motif initial qui se métamorphose en une fin dramatique.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-0991533-140

Composed by Piet Swerts. Sovereign Series. Concert Piece. Score Only. Composed 1999. 136 pages. De Haske Publications #DHP 0991533-140. Published by De Haske Publications (BT.DHP-0991533-140).

Le prologue dépeint l'excitation de cette foule impatiente d'embarquer sur le Titanic amarré dans le port de Southampton en Angleterre. Le motif principal de ce passage d’ouverture fait référence Big Ben, remarque touchante pour mieux installer le décor d'une scène typiquement britannique. L'agitation des futurs passagers s'exprime par des sections polyrythmiques. Le premier thème aux accents héro ques dérivé du motif Big Ben est exposé. La trame devient plus constante, fluide, répétitive, symbole du doux départ du célèbre palais flottant. Le tableau suivant est une aquarelle riche en couleurs ; motifs ascendants et descendants rappellent le voyage en haute mer. On entend lesenfants jouer, le Capitaine Smith donner des ordres. On perçoit aussi les différences d’atmosphère entre les ponts de première et deuxième classes ; la pression ronflante des moteurs. Tout est présent dans cette fresque musicale. On entend surtout l'accélération des moteurs suite un ordre du Capitaine soumis la pression de l'armateur. Faisant suite un accelerando, le piccolo et la percussion font écho d'un signal en morse provenant d'un autre bateau qui prévient d'un danger immédiat : la proximité d'un iceberg. Hélas, ce message est ignoré et les moteurs continuent de tourner plein régime jusqu'au moment fatidique où le Titanic heurte l'iceberg. Le motif plaintif du saxophone, accompagné de trilles des clarinettes, traduit l'arrêt des moteurs après la collision. La percussion marque le tristement célèbre S.O.S. en code morse : trois points, trois traits, trois points. Les passagers sont pris de panique. Finalement, nous assistons au lent naufrage du paquebot. L'épilogue reprend le motif initial qui se métamorphose en une fin dramatique.

Concert Band - Grade 5

SKU: BT.DHP-0991533-040

Composed by Piet Swerts. Sovereign Series. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991533-040. Published by De Haske Publications (BT.DHP-0991533-040).

Following the spectacular movie Titanic, the story of the world famous ship stood in the spotlights once again. Piet Swerts was inspired by this catastrophic saga to compose this beautifully narrative piece, reflecting the massesof people in Southampton, playing children and the undulating sea. The piece gradually picks up impetuously culminating with the looming iceberg and the dramatic sinking of the Titanic.

Le prologue dépeint l'excitation de cette foule impatiente d'embarquer sur le Titanic amarré dans le port de Southampton en Angleterre. Le motif principal de ce passage d’ouverture fait référence Big Ben, remarque touchante pour mieux installer le décor d'une scène typiquement britannique. L'agitation des futurs passagers s'exprime par des sections polyrythmiques. Le premier thème aux accents héro ques dérivé du motif Big Ben est exposé. La trame devient plus constante, fluide, répétitive, symbole du doux départ du célèbre palais flottant. Le tableau suivant est une aquarelle riche en couleurs ; motifs ascendants et descendants rappellent le voyage en haute mer. On entend lesenfants jouer, le Capitaine Smith donner des ordres. On perçoit aussi les différences d’atmosphère entre les ponts de première et deuxième classes ; la pression ronflante des moteurs. Tout est présent dans cette fresque musicale. On entend surtout l'accélération des moteurs suite un ordre du Capitaine soumis la pression de l'armateur. Faisant suite un accelerando, le piccolo et la percussion font écho d'un signal en morse provenant d'un autre bateau qui prévient d'un danger immédiat : la proximité d'un iceberg. Hélas, ce message est ignoré et les moteurs continuent de tourner plein régime jusqu'au moment fatidique où le Titanic heurte l'iceberg. Le motif plaintif du saxophone, accompagné de trilles des clarinettes, traduit l'arrêt des moteurs après la collision. La percussion marque le tristement célèbre S.O.S. en code morse : trois points, trois traits, trois points. Les passagers sont pris de panique. Finalement, nous assistons au lent naufrage du paquebot. L'épilogue reprend le motif initial qui se métamorphose en une fin dramatique.

Band Concert Band

SKU: PR.11540239L

I. from Mythology Suite. Composed by Stacy Garrop. Large Score. Duration 5:30. Theodore Presser Company #115-40239L. Published by Theodore Presser Company (PR.11540239L).

UPC: 680160680221.

The Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens' beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors' peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots--represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise.
The Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens’ beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors’ peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots—represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise.

Band Concert Band

SKU: PR.11540239S

I. from Mythology Suite. Composed by Stacy Garrop. Full score. Duration 5:30. Theodore Presser Company #115-40239S. Published by Theodore Presser Company (PR.11540239S).

UPC: 680160680214.

The Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens' beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors' peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots--represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise.
The Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens’ beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors’ peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots—represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise.

Concert Band - Grade 1

SKU: AP.29564

Composed by Traditional. Arranged by Elena Roussanova Lucas. Concert Band; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Christmas; Sacred; Traditional; Winter. Score and Part(s). 130 pages. Duration 2:38. Belwin Music #00-29564. Published by Belwin Music (AP.29564).

UPC: 038081327990. English. Traditional.

A through-played medley, The Three O's of Christmas contains O Come, O Come Emmanuel, O Come Rejoicing and O Come, All Ye Faithful. A cherished new addition to the beginning holiday repertoire. (2:38).

Wind Quartet

SKU: BT.MUSM570208258

The Drift Of The Waters Parts. Composed by Luís Tinoco. Set of Parts. 4 pages. University of York Music Press #MUSM570208258. Published by University of York Music Press (BT.MUSM570208258).

English.

Lu s Tinoco 's O Curso Das Águas (The Drift Of The Waters) for Wind Quartet (Bassoon, Clarinet, Cor Anglais/Oboe d'Amore/Oboe and Flute). This work was published in 2001. The first performance was by the Gulbenkian Orchestra Soloists, Calouste Gulbenkian Foundation and took place on 23rd April 2001.

(O Come, O Come Emmanuel / Ukrainian Bell Carol). Arranged by Jared Barnes. Concert Band. Concert Band; Part(s); Score. Alfred Concert Band. Christmas; Sacred; Secular; Winter. Grade 3. 206 pages. Published by Alfred Music

(Songbook). By The King's Singers. Arranged by The King's Singers. For choir (one, two, or three-part voices) (Songbook). King's Singer's Choral. Pop Vocal, Traditional Folk, Baroque and Classical Period. Difficulty: easy-medium. Vocal score (one, two and three part rounds). Vocal melody, harmony part and leadsheet notation. 80 pages. Published by Hal Leonard

By Sean O'Loughlin. For concert band (flute 1, flute 2, oboe, clarinet 1 in Bb, clarinet 2 in Bb, clarinet 3 in Bb, bass clarinet in Bb, bassoon, alto saxophone 1 in Eb, alto saxophone 2 in Eb, tenor saxophone in Bb, baritone saxophone in Eb, trumpet 1 in

Arranged by Michael Story and Michael Story. Concert Band. Concert Band; Part(s); Score. Belwin Beginning Band. Form: Ballade. Christmas; Multicultural; Sacred; Winter. Grade 1. 136 pages. Published by Belwin Publishing

Arranged by D. McKechnie. For handbell choir (3-6 octaves) with optional C instrument. ADESTE FIDELES, Christmas, Sacred. Grade 3. Handbell score. 8 pages. Published by Hope Publishing Company

By John O'reilly. Music by John O'Reilly. For Concert Band. Concert Band. Accent on Achievement. Conductor Score & Parts. Published by Alfred Publishing.

(Pieces Macabre). By a plethora of guys, all dead. Arranged by Patrick Roszell. Concert Band. Concert Band; Part(s); Score; SmartMusic. Belwin Concert Band. Form: Transcription. Fall; Halloween. Grade 3. 202 pages. Published by Belwin Publishing

Voice, guitar tablature or piano

SKU: LM.BOOK050

Composed by Luc Plamondon and Michel Berger. Album. Pop, jazz. Score. Bookmakers International #BOOK050. Published by Bookmakers International (LM.BOOK050).

ISBN 9790231307665.

Ouve rture - Quand on arrive en ville - Travesti - Complainte de la serveuse automate - Le Blues du businessman - Un garcon pas comme les autres - Un enfant de la pollution - La Chanson de Ziggy - Banlieue Nord - Coup de foudre - Petite musique terrienne - Monopolis - Les adieux d'un sex-symbol - Besoin d'amour - Ego trip - Quand on n'a plus rien a perdre - Duo d'adieu - Les uns contre les autres - Ce soir on danse a Naziland - S.O.S. d'un terrien en detresse - Le Reve de Stella Spotlight - Le monde est stone.

Celebrate the History of Rock and Roll. By John Jacobson, Kirby Shaw. (teacher edition). Expressive Art (Choral). Children's Musical. Size 9x12 inches. 40 pages. Published by Hal Leonard.

Composed by Edwin Hawkins. Arranged by Scott Watson. Concert Band; Part(s); Score. Challenger Band Series. Sacred. 236 pages. Published by Alfred Music (AP.44162).

Composed by Adolphe Adam and Franz Gruber. Arranged by Clifton Jameson Jones. Concert Band. Concert Band; Part(s); Score. Alfred Concert Band. Christmas; Sacred; Winter. Grade 3. 136 pages. Published by Alfred Music

For Children's Voices. General Music and Classroom Publications. Wee Sing. 73 classic children's songs and fingerplays. Children's. Book and CD. 64 pages. Duration Over one hour. Published by Alfred Publishing.

By Sean O'Loughlin. For concert band (flute, oboe (opt. flute 2), clarinet in Bb, bass clarinet in Bb, alto saxophone in Eb, tenor saxophone in Bb, baritone saxophone in Eb, trumpet in Bb, horn in F, trombone, euphonium b.c., bassoon, euphonium t.c. in Bb

By Sean O'Loughlin. For concert band (flute, oboe (opt. flute 2), clarinet 1 in Bb, clarinet 2 in Bb, bass clarinet in Bb, bassoon, alto saxophone in Eb, tenor saxophone in Bb, baritone saxophone in Eb, trumpet 1 in Bb, trumpet 2 in Bb, horn in F, trombon