Concert Band/Harmonie/Fanfare Band - Grade 3

SKU: BT.DHP-0920371-015

Composed by Jacob De Haan. Inspiration Series. Original Light Music. Set (Score & Parts). Composed 1992. De Haske Publications #DHP 0920371-015. Published by De Haske Publications (BT.DHP-0920371-015).

Variazioni in Blue besteht aus einer Reihe von Variationen, die auf melodischen Blueselementen wie die blue notes“ beruhen. Einer ornamentalen Variation im klassischen Stil schließt sich eine Blues-Variation an. Dann folgt eine temporeiche, osteuropäische Variation. Das Werk ist dadurch sehr vielschichtig und abwechslungsreich und passt hervorragend in den konzertanten Teil eines Konzertes. Auch als Wertungsspielstück ist es sehr gut geeignet.

Variazioni in Blue est basé sur une série de variations dans laquelle des éléments du blues (comme les fameuses blue notes) servent de fil conducteur. Après une introduction majestueuse qui révèle partiellement le thème central, on entend une première variation ornementale dans un style classique. Elle est suivie par une deuxième variation dans le style du blues et par une troisième, plus rapide, dont le caractère provient des musiques traditionnelles d’Europe de l’Est. L’Andante espressivo contient de subtils changements harmoniques. Ce mouvement évolue en une reprise de la variation folklorique précédente dont l’intensité est augmentée par le passage enMajeur qui conduit vers le finale.

Violin, Cello, Piano Duet

SKU: HL.14041576

Composed by Kevin Volans. Music Sales America. Book Only. Composed 2011. 64 pages. Chester Music #CH74437. Published by Chester Music (HL.14041576).

9.25x12.0x0.21 inches.

For Violin, Cello and Piano Duet.

In the past composers wrote 'pieces' of music. More important pieces were called'works'. Nowadays, however, most composers write minutes. Phone up anyprofessional composer and ask how'r'ya doing? and nine out of ten will say something like: 'Terrible/ awful ... I've only written 4 (or .....) minutes and I have to write ... minutes!'
We're all commissioned to write minutes - like so many feet of wallpaper. Imagine this:' We loved your Jupiter Symphony Mr. Mozart, but it's 3 minutes less than wecommissioned.'
Fortunately most composers cheat a bit, and most commissioners don't sit with stopwatches in their hands.1000bars is not 1000 bars long. I stopped when the piece was finished. However it did turn out to be exactly 4'33' in duration.

What the piece itself is about has nothing to do with its title or length.

&nb sp;- Kevin Volans

Accordion Orchestra - Grade 5

SKU: BT.DHP-1074246-060

Composed by Camille Saint-Saens. Arranged by Foppe Jacobi. Accordion. Set (Score and Parts). Composed 2007. De Haske Publications #DHP 1074246-060. Published by De Haske Publications (BT.DHP-1074246-060).

ISBN 9789043128377. 9x12 inches. English-German-French-Dut ch.

Danse Macabre, or Dance of Death, is one of the most famous works by Camille Saint-Saëns. The composition is based on the poem of the same name by Henri Cazalis (1840-1909).The dance of death is musically represented with various effects, starting with twelve strokes of the clock - which of course suggest midnight. Then dissonant sounds and a somewhat wistful waltz melody follow. A thematic build-up full of tempo changes leads to an intense majestuoso, which ends abruptly, after which a melancholy farewell melody takes over. This wonderful symphonic poem appeals to everyoneâ??s imagination - as it will in this expert arrangement for accordion orchestra.

Danse Macabre is een van de beroemdste werken van Camille Saint-Saëns. Deze dodendansâ?? begint met twaalf middernachtelijke klokslagen. Vervolgens begint een weemoedige walsmelodie in een verminderde kwint. Via een thematische opbouwmet tempowisselingen bereikt het werk een majestuoso. Dit eindigt abrupt en wordt overgenomen door een melancholische melodie. Danse Macabre is een prachtig symfonisch gedicht in een vakkundig arrangement voor accordeonorkest

Danse Macabre ist eines der beru?hmtesten Werke von Camille Saint-Saëns. In dieser Bearbeitung wird der Totentanzâ?? mit verschiedenen Effekten musikalisch wiedergegeben - beginnend mit zwölf Glockenschlägen, die natu?rlich Mitternacht andeuten. Dann schlieÃ?en sich dissonante Klänge und eine etwas wehmu?tige Walzermelodie an. Ein thematischer Aufbau voller Tempowechsel fu?hrt zu einem intensiven Maestoso, das abrupt endet, woraufhin eine melancholische Melodie u?bernimmt. Das wundervolle sinfonische Tongedicht - und auch diese fachkundige Bearbeitung fu?r Akkordeonorchester - beflu?geln jedermanns Fantasie.

La Danse macabre (1874) est une des ?uvres les plus célèbres de Camille Saint-Saëns. Minuit sonne. Satan va conduire le bal. La Mort paraît et la ronde commence, presque furtivement au début, sâ??anime, semble sâ??apaiser et repart avec une rage accrue qui ne cessera quâ??au crépuscule matinal. Le sabbat se dissout avec le lever du jour. Cet arrangement élégant pour Orchestre dâ??Accordéons est fidèle la version originale.

Piano

SKU: DB.01-00447

On the Lighter Side (inkl. mp3). Composed by Andreas Hertel. Keyboard music. Doblinger Music Publishers #01-00447. Published by Doblinger Music Publishers (DB.01-00447).

ISBN 9790012206781.

Groo vin' (Rock), Riff Time (Slow Rock), A Groove to Move (Soul), Power Chords (Straight Rock), I'll Get It! (Soul), Very Cool (Shuffle), Earth Stomp (Rock/R&B), Rock 'n' Roll (Rock ,n' Roll), Summer Reggae (Reggae), Chicago Blues (Blues Rock), It's Show Time (Rhythm and Blues), Salsa Latina (Salsa), Can't Help Groovin' (Funk), Blues fur E. und L. van B. (Rhythm and Blues).

Voice and Piano

SKU: AP.36-M316091

Composed by Amy Marcy Beach. Arranged by Johann P. Hinnenthal. Performance Music Ensemble; Solo Voice with Piano. Ludwig Masters. Score and Part(s). Alfred Music #36-M316091. Published by Alfred Music (AP.36-M316091).

UPC: 660355086878. English.

These four early (1891) songs by the great American composer, Amy Beach (1867-1944), are settings of texts by Walter Learned (The Summer Wind), Jules de Rességuier (Le Secret), T. B. Aldrich (Sweetheart, Sigh No More), and E. R. Sill (The Thrush).

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1063973-140

Arranged by Masato Myokoin. New Sounds for Concert Band. Original Light Music. Score Only. Composed 2006. 28 pages. De Haske Publications #DHP 1063973-140. Published by De Haske Publications (BT.DHP-1063973-140).

9x12 inches. English-German-French-Dut ch.

In 1942 Glenn Miller voluntarily joined the army and founded the Glenn Miller Army Air Force Band and with his music he kept up the morale of the troops. In December 1944 he boarded an aircraft in England that would never reach its destination (France) - the plane was never found. The patriotic legend of this great composer however lives on in his music. Pennsylvania 6-5000 was one of the greatest successes of his famous band and is as popular today as it was in the 1940s.

In 1942 meldde Glenn Miller zich aan voor het Amerikaanse leger en richtte hij de Glenn Miller Army Air Force Band op. Met zijn muziek hield hij de moraal van de troepen hoog. In december 1944 ging hij in Engeland aan boord van eenvliegtuig dat zijn bestemming (Frankrijk) niet zou bereiken - het toestel werd nooit gevonden. De patriottische legende van zijn persoon leeft echter voort in zijn muziek. Pennsylvania 6-5000 is nog altijd een van de grootstesuccessen van zijn vermaarde orkest.

Das Thema des bekannten Swing-Standards Pennsylvania 6-5000 entstand im Jahr 1940 während eines dreimonatigen Engagements des Glenn-Miller-Orchesters im New Yorker Hotel Pennsylvania. Bei diesem Thema handelte es sich um nichts anderes als die Vertonung der Telefonnummer des Hotels. Kurz nach dem Aufenthalt im Hotel wurde die Aufnahme des Stückes gemacht, das sich bis heute als absoluter Dauerbrenner erwiesen hat. Masato Myokoin arrangierte die flotte Swingnummer für Blasorchester.

En 1942, Glenn Miller se met au service des forces armées américaines et fonde le Glenn Miller Army Air Force Band. Il part pour l’Europe pour apporter un soutien moral aux troupes. Deux ans plus tard, il disparaît mystérieusement en Manche. Il reste pour le public une véritable légende et ses airs les plus célèbres sont dans toutes les mémoires. Pennsylvania 6-5000 reste l’un des plus grands succès de cet orchestre mythique.

Nel 1942, Glenn Miller si mette al servizio delle forze armate americane e fonda la Glenn Miller Air Force Band. Parte per l’Europa per sostenere moralmente le truppe e, due anni dopo, scompare misteriosamente nel Canale della Manica. Glenn Miller resta una vera leggenda e le sue arie sono celebri in tutto il mondo. Pennsylvania 6-5000 è uno dei più grandi successi di questa mitica orchestra.

4-Part Flexible Ensemble - early intermediate

SKU: BT.DHP-1043701-070

Composed by Traditional. Arranged by Roland Kernen. Music Box. Original Light Music. Set (Score & Parts). Composed 2004. De Haske Publications #DHP 1043701-070. Published by De Haske Publications (BT.DHP-1043701-070).

ISBN 9789043136914.

The Banana Boat Song (also called Day-O) is based on a Jamaican folksong. At the end of the 1950s, Harry Belafonte had a major hit with it and it has since become a true classic. Roland Kernen has produced this swinging arrangement in an instrumentation that is suitable for many combinations of wind or brass instruments with ad-lib percussion.

De Banana Boat Song is gebaseerd op een Jamaicaans volksliedje. Harry Belafonte scoorde eind jaren vijftig een grote hit met deze klassieker. Roland Kernen maakte een swingend arrangement in een instrumentatie die geschiktis voor veel combinaties van blaasinstrumenten. De slagwerkpartijen zijn ad libitum.

Der Banana Boat Song, besser bekannt als Day-O in der Interpretation von Harry Belafonte, basiert auf einem jamaikanischen Volkslied. Inzwischen ist es ein wahrer Klassiker. Roland Kernen schuf ein schwungvolles Arrangement für variables Bläserquartett. Die Schlagzeugstimmen sind ad libitum.

Inspiré d’une chanson jama caine, Banana Boat Song est devenu un standard de la chanson internationale.Part 1 Fl Htb Cl. Si♭ Sax. S. Trp Part 2 Fl Cor Angl. Cl. Si♭ Cl. Alto Sax. A. Trp Cor Part 3 Cl. Alto Sax. T. Basson Cor Trb Euph. Part 4 Cl. Basse Sax. B. Basson Trb Euph. Tuba C. Cordes Opt. Mallets Batt. Perc 1 Perc 2

Banana Boat Song, anche chiamata Day-O, si basa su una canzone folcloristica giamaicana. Alla fine degli anni cinquanta, Harry Belafonte raggiunge il successo reinterpretandola e facendola diventare uno standard internazionale. Roland Kernen firma un arrangiamento swing con una strumentazione variabile che permette numerose combinazioni di strumenti a fiato, con percussioni ad lib.

Concert Band/Harmonie - Grade 5

SKU: BT.DHP-0960784-010

Composed by Piet Swerts. Sovereign Series. Concert Piece. Set (Score & Parts). Composed 1996. De Haske Publications #DHP 0960784-010. Published by De Haske Publications (BT.DHP-0960784-010).

This work, reminiscent of a film score, describes the history of the Dutch town Horn. A broad lyrical theme, played by the horns, depicts the history of this town on the river Meuse. A cheerful Allegro represents rural life around the town and its castle. Following this the horn theme returns and the music changes dramatically. A drum roll symbolises the times of war that the town and castle have known. The threatening music eventually develops once more into the hopeful horn theme, a sign of reconstruction and the future.

Piet Swerts (*1960) hat sich beim Schreiben dieses Werks musikalisch durch amerikanische Filmmusik, u. a. von John Williams, inspirieren lassen. Durch ein breites, lyrisches Horn-Thema wird die Entstehung des niederländischen Ortes Horn am Fluss Maas dargestellt. Dieses Thema symbolisiert die drei Hörner, die auf dem Wappenschild des Dorfes und des Grafen von Horn vorkommen. Ein munteres Allegro typisiert, wie in der Pastorale von Beethoven, das ländliche Leben rund um das Dorf und sein Schloss. Danach kommt das Thema der Hörner zurück und die Musik nimmt eine dramatische Wendung. Trommelwirbel symbolisieren Krieg! Die drohende Musik löst sich dann wieder imhoffnungsvollen Thema der Hörner auf.

Fantasy Tales décrit l’histoire de la ville de Horn aux Pays-Bas. L’œuvre développe un thème mélodique épique, lyrique, quasi filmique, qui retrace l’évolution de cette ville située sur les rives de la Meuse. L’interprétatio n de ce thème par les cors a une portée symbolique. En effet, le blason de la ville et les armoiries du comté de Horn sont constitués de trois cors de chasse rouges sur fond jaune. Un allegro joyeux, écrit dans le style d’une pastorale, dépeint la vie rurale autour de la ville et de son ch teau. Le thème initial est réexposé, mais la musique prend une tournure plus dramatique pour évoquer, travers des roulements de tambours, lesdiverses périodes de guerre. L’espoir renaît néanmoins. Le thème premier est repris et se fait le signe de la reconstruction, et de l’expansion. La ville de Horn est désormais tournée vers le futur.

Brass Band - Grade 4

SKU: BT.DHP-1115175-030

Composed by Van McCoy. Arranged by Klaas van der Woude and Naohiro Iwai. New Sounds in Brass. Concert Piece. Set (Score & Parts). Composed 2011. De Haske Publications #DHP 1115175-030. Published by De Haske Publications (BT.DHP-1115175-030).

9x12 inches.

American music producer, songwriter and musician Van McCoy became famous for his instrumental hit The Hustle. His African Symphony was released in the 1970’s and was soon arranged for brass band by Naohiro Iwai. His brilliant arrangement helped to establish his excellent reputation as an arranger of band music.

Die African Symphony des amerikanischen Musikproduzenten, Songschreibers und Musikers Van McCoy erschien in den siebziger Jahren des vergangenen Jahrhunderts und wurde von Naohiro Iwai für Brass Band und Blasorchester arrangiert. Die hervorragende Bearbeitung trug wesentlich zur Verbreitung des Stückes bei und begründete auch den ausgezeichneten Ruf, den Naohiro Iwai als Arrangeur weltweit genießt.

Band Concert Band - Grade 2

SKU: CF.YPS200

Composed by Matthew R. Putnam. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+2+2+5+2+2+4+4+6+3+3 +2+1+3+16+4+4+2+2 pages. Duration 2:15. Carl Fischer Music #YPS200. Published by Carl Fischer Music (CF.YPS200).

ISBN 9781491152201. UPC: 680160909704. Key: D minor.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!

Band Concert Band - Grade 2

SKU: CF.YPS200F

Composed by Matthew R. Putnam. Young Band (YPS). Full score. With Standard notation. 16 pages. Carl Fischer Music #YPS200F. Published by Carl Fischer Music (CF.YPS200F).

ISBN 9781491152881. UPC: 680160910380.

Step right up, ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange, or “Circus of the Strange.” This piece evokes a bygone era when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities. Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups and is a great way to expose students to the march form and style without sounding like your typical march.
Step right up ladies and gentleman, boys and girls, step right up! See the exotic, the strange, and the magical at the Cirque de L’étrange. Welcome to the Cirque de L’étrange, known in English as the “Circus of the Strange.” This piece evokes a time of a bygone era, a time when circuses and carnivals provided people from all walks of life a chance to see human and animal oddities that were sources of both delight and horror. While many of these sideshow attractions were deemed fraudulent, it did not deter the crowds from flocking to be shocked and awed. I have always held a special place in my heart for the showmanship of carnivals, because my grandfather dearly loved them. For much of his life, he worked at fairs and carnivals selling cotton candy and candy apples. A large portion of my days when growing up were spent running around fairgrounds and helping my grandfather with his stand. He imparted in me a love for the cunning, magic, and sheer joy that only carnivals and circuses can bring. In Cirque de L’étrange, I sought to capture the the mirthful, yet uncanny mood of the carnivals that I grew up exploring, thus transporting you to a different time.Cirque de L'étrange is an original concert march written in standard march form, but its sound is anything but standard. This piece is playable by younger groups, as it is a great way to expose students to the march form and style while not sounding like your typical march.Opening in D minor, the piece combines the playful feel of a march and a macabre tango. The second time through the First Strain (mm. 5-23), the upper woodwinds and bells add a second counter melody based in D harmonic minor, which heightens the peculiar nature of the piece. The Second Strain (mm. 24-43) by contrast, is a little more upbeat, thus evoking the magical ebullience of a circus, which is further highlighted by the xylophone part. The Second Strain ends in the key of F major and sets up the transition to the Trio in the key of G minor. The Trio (m. 44) begins with the G harmonic minor melody in the clarinets and a counter melody in the bassoon and tenor saxophone. The rest of the woodwinds and bells join in at m. 60 while the percussion adds a Gypsy-like feel with tambourine and triangle. At m. 76 the full band joins in the macabre parade with the trombones and baritones harmonizing the counter melody. The conclusion of the march has the upper woodwinds, adding a second counter melody complete with trills to bring the march to an exciting and dramatic finish.As the World’s Greatest Showman, P.T. Barnum, a man my grandfather greatly admired, once said “The noblest art is that of making others happy.” It is my hope that through this piece you will experience the thrill, delight, and fright that only carnivals can bring as you visit the Circus of the Strange!

Accordion Orchestra - Grade 3

SKU: BT.DHP-1002086-060

Composed by Don McLean. Arranged by Robert Baas. Accordion. Original Light Music. Set (Score & Parts). Composed 2000. De Haske Publications #DHP 1002086-060. Published by De Haske Publications (BT.DHP-1002086-060).

Don McLean’s success is largely due to the remarkable song American Pie released in 1971. In 2000 American Pie topped the charts again, this time recorded by Madonna when her version achieved number 1 status almost everywhere in the world.

American Pie is oorspronkelijk een evergreen van de Amerikaanse zanger Don McLean. In het voorjaar van 2000 werd dit nummer een grote hit in de coverversie gezongen door Madonna. Robert Baas bewerkte de muziek voor accordeonorkes.

De r unvergessene Evergreen von Don McLean, zuletzt von Madonna neu in Szene gesetzt und nun für Akkordeonorchester eingerichtet von Robert Baas. Das macht sicher auch Ihren Musikern Spaß!

American Pie est un standard de la musique folk (interprété en 1971 par Don McLean) auquel Madonna a su insuffler une nouvelle énergie et un nouveau rythme pour en faire un tube planétaire. Un hommage l’Amérique et aux musiciens qui ont su le mieux la chanter.

Piano

SKU: HL.14044834

CARISCH - MUSIC SALES. General Merchandise. Composed 2015. Editions Coup de Pouce #MF2800. Published by Editions Coup de Pouce (HL.14044834).

French.

M&eac ute;thode pour les enfants à partir de 6 ans.

Tu veux apprendre le Piano?

Cette méthode réalisée par un professeur est pour toi!

Simple, vivante, efficace:

Cette méthode comprend 1 livre et 1 CD, pour bien acquérir les bases du Piano.

• 64 pages en couleurs avec tous les exercices et morceaux.
• Des conseils pour que tu progresses rapidment.
• Des photos pour t’aider à bien positionner tes mains.
• Des melodies que tu reconnaîtras dès les premières notes.

Nous te conseillons d’écouter le CD joint àcette méthode avant de jouer les exercices et morceaux.

Apprends De Façon simple:

• La bonne position pour jouer du Piano.
• La position des mains.
• La frappe sur le clavier.
• Tes premières notes.
• Les principaux accords.
• Le jeu en arpèges.
• Tes premiers morceaux.
• L’ A, B, C du Solfège.

Accordion Orchestra - Grade 3.5

SKU: BT.DHP-0900163-060

Composed by Sjoerd van der Wal. Accordion. Festive and Solemn Music. Set (Score & Parts). Composed 1990. De Haske Publications #DHP 0900163-060. Published by De Haske Publications (BT.DHP-0900163-060).

Tussen 1895 en 1905 maakte het Amerikaanse publiek kennis met de unieke ‘fusion-stijl� �� ragtime. De koning van de ragtime was de componist Scott Joplin, maar ook andere componisten hebben in deze expressieve, gesyncopeerde stijl geschreven.Black Horse Rag van Sjoerd van der Wal is een authentieke rag voor accordeon: gracieus en dynamisch.

Zwische n 1895 und 1905 wurde das amerikanische Publikum mit einem neuen, einzigartigen Fusion- Stil“, dem Ragtime, bekannt gemacht. Ungekrönter König des Rag war zweifellos Scott Joplin, aber auch andere Komponisten schrieben in diesem ausdrucksvollen, synkopischen Stil. Black Horse Rag von Sjoerd van der Wal ist ein authentischer Rag für Akkordeon, graziös und dynamisch.

C’est entre 1895 et 1905 que le public américain semble avoir fait connaissance avec le ragtime, un genre unique issu de la fusion entre la musique européenne, les rythmes africains et les influences de la musique créole. Outre Scott Joplin, le « roi du ragtime », de nombreux autres compositeurs devaient contribuer la notoriété de cette musique hautement expressive, syncopée et polyrythmique. Black Horse Rag de Sjoerd van der Wal est un authentique ragtime pour Orchestre d’Accordéons, gracieux, dynamique et au charme d’antan.

4-Part Flexible Ensemble - easy

SKU: BT.DHP-1012586-070

Composed by Edvard Grieg. Arranged by Jacob De Haan. Music Box. Set (Score & Parts). Composed 2001. De Haske Publications #DHP 1012586-070. Published by De Haske Publications (BT.DHP-1012586-070).

ISBN 9789043141628.

Many of Grieg’s compositions have a strong Norwegian character and the three songs used for this suite are no exception. The first movement Fremad!, Fremad! has a majestic character, the second, Stille Nu, sounds rather sad due to its minor key, and the final movement, Fola Fola, Blakken is a cheerful allegro. Bring a bit of Scandinavian magic to your concert with this exciting suite.

Die Titel der Lieder lauten: 1. Fremad!, Fremad! 2. Stille Nu! und 3. Fola, Fola, Blakken. Das erste Lied hat einen majestätischen Charakter, während das Zweite eher traurig klingt, was vor allem von seiner Molltonalität her rührt. Diese kleine dreiteilige Suite endet in einem fröhlichen Allegro.

Trois mélodies norvégiennes d’Edvard Grieg.

Tre melodie norvegesi di Edvard Grieg: Fremad!, Fremad!, una canzone dal carattere maestoso, Stille Nu!, più malinconica per la sua tonalit minore e Folo, Fola, Blakken, un allegro gioioso.

Edited by Gayle Giese. Arranged by Dan Coates, Robert Schultz. Song activity (piano and voice). Level: easy piano. 120 pages. Published by Alfred Publishing.

By Various. Five Finger Piano Songbook. Size 9x12 inches. 32 pages. Published by Hal Leonard.

Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 1.5

SKU: BT.DHP-1012634-216

Composed by Kees Vlak. Flexible 4 Series. Original Light Music. Score Only. Composed 2001. De Haske Publications #DHP 1012634-216. Published by De Haske Publications (BT.DHP-1012634-216).

Pre-Pop is has is a five-movement work composed for beginner bands and can be played with a minimum of four players (+ percussion). It is of course also suitable for a full beginner band. The five contrasting movements are titled: March of the Planets, Lonely Stranger, Pagode, Lost in the World and Hot Pepper Boogie. Your players are certain to enjoy playing this work of great contrasts.

Pre-Pop ist ein attraktives fünfsätziges Werk, das sich für Anfängerorchester unterschiedlicher Besetzungen eignet. Auf einen modern klingenden ‚Astronauten-Marsch ’ mit viel Schlagzeug folgt eine langsame Ballade, in der die Einsamkeit der unbekannten Welt musikalisch spürbar wird. Mit Pagode schließt sich ein ruhiger Satz mit orientalischem Einschlag an, bevor der langsame Walzer Lost in the Wind dem Publikum erlaubt, seinen Gedanken freien Lauf zu lassen. Den Schluss dieser leichten, abwechslungsreichen, abwechslungsreich Komposition macht ein schwung- und temperamentvoller Klassiker: der Boogie-Woogie.

Pre-pop s’inscrit dans la lignée d’Inter-pop . Cette œuvre plaisante et divertissante, écrite quatre voix avec percussions, est parfaitement adaptée aux Orchestres Juniors. Une marche moderne, une ballade lente, une musique orientale, une valse lente et un boogie-woogie aux accents de swing constituent cette mosa que en cinq mouvements. Soyez créatifs !

Recorder

SKU: M7.EPB-1020216

Composed by Various. Sheet music with CD. Performance book. 24 pages. Paul Beuscher #EPB 1020216. Published by Paul Beuscher (M7.EPB-1020216).

15 leicht gesetzte Songs für Blockflöte, z.B. Don't Worry, Be Happy, Yesterday, Mathilda und It's A Small World. Mit Playback-CD.

Concert Band/Harmonie/Fanfare Band - Grade 3

SKU: BT.DHP-0940532-015

Composed by Johan Nijs. Applause Series. Original Light Music. Set (Score & Parts). Composed 1994. De Haske Publications #DHP 0940532-015. Published by De Haske Publications (BT.DHP-0940532-015).

Les vacances approchent ; la famille est en ébullition. Tout est prêt, mais il vous manque cette mélodie aux couleurs estivales pour vous détendre durant le voyage. Johan Nijs y a pensé. En associant un air simple fredonner des percussions endiablées, les ingrédients de la réussite sont rassemblés. vous de jouer.

Concert Band/Harmonie/Fanfare Band - Grade 3

SKU: BT.DHP-0940532-215

Composed by Johan Nijs. Applause Series. Original Light Music. Score Only. Composed 1994. De Haske Publications #DHP 0940532-215. Published by De Haske Publications (BT.DHP-0940532-215).

Les vacances approchent ; la famille est en ébullition. Tout est prêt, mais il vous manque cette mélodie aux couleurs estivales pour vous détendre durant le voyage. Johan Nijs y a pensé. En associant un air simple fredonner des percussions endiablées, les ingrédients de la réussite sont rassemblés. vous de jouer.

Sopranorecorder and piano

SKU: M7.VHR-3710

Composed by Ronald J. Autenrieth. Sheet music. Score and parts. 24 pages. Holzschuh Musikverlag #VHR 3710. Published by Holzschuh Musikverlag (M7.VHR-3710).

ISBN 9783940069764.

Late inamerikanische Lieder und Tänze für Sopran- und Altflöte und Klavier. Die vorliegende Sammlung bietet neben bearbeiteten Original-Tangos eine Reihe südamerikanischer Melodien, die im Tangostil gesetzt sind.

Concert Band/Harmonie/Fanfare Band - Grade 1.5

SKU: BT.DHP-1012634-015

Composed by Kees Vlak. Flexible 4 Series. Original Light Music. Set (Score & Parts). Composed 2001. De Haske Publications #DHP 1012634-015. Published by De Haske Publications (BT.DHP-1012634-015).

Pre-Pop is has is a five-movement work composed for beginner bands and can be played with a minimum of four players (+ percussion). It is of course also suitable for a full beginner band. The five contrasting movements are titled: March of the Planets, Lonely Stranger, Pagode, Lost in the World and Hot Pepper Boogie. Your players are certain to enjoy playing this work of great contrasts.

Pre-Pop ist ein attraktives fünfsätziges Werk, das sich für Anfängerorchester unterschiedlicher Besetzungen eignet. Auf einen modern klingenden ‚Astronauten-Marsch ’ mit viel Schlagzeug folgt eine langsame Ballade, in der die Einsamkeit der unbekannten Welt musikalisch spürbar wird. Mit Pagode schließt sich ein ruhiger Satz mit orientalischem Einschlag an, bevor der langsame Walzer Lost in the Wind dem Publikum erlaubt, seinen Gedanken freien Lauf zu lassen. Den Schluss dieser leichten, abwechslungsreichen, abwechslungsreich Komposition macht ein schwung- und temperamentvoller Klassiker: der Boogie-Woogie.

Pre-pop s’inscrit dans la lignée d’Inter-pop . Cette œuvre plaisante et divertissante, écrite quatre voix avec percussions, est parfaitement adaptée aux Orchestres Juniors. Une marche moderne, une ballade lente, une musique orientale, une valse lente et un boogie-woogie aux accents de swing constituent cette mosa que en cinq mouvements. Soyez créatifs !