By Camille Saint-Saens; Janet Galvan. For SSAA choir. Janet Galvan Womens Choral...(+)
By Camille Saint-Saens;
Janet Galvan. For SSAA
choir. Janet Galvan
Womens Choral. Sacred.
Octavo. Published by
Roger Dean.
(15/1649R) Level:
Moderately difficult.
(SATB a cappella). Composed by Camille Saint-Sa and Camille Saint-Saens (1835-19...(+)
(SATB a cappella).
Composed by Camille
Saint-Sa and Camille
Saint-Saens (1835-1921).
For Choral (SATB a
cappella). Editions
Durand. 8 pages. Editions
Durand #DF0888500.
Published by Editions
Durand
Danse Macabre Ensemble d'Accordéons - Intermédiaire De Haske Publications
Accordion Orchestra - Grade 5 SKU: BT.DHP-1074246-060 Composed by Camille...(+)
Accordion Orchestra -
Grade 5
SKU:
BT.DHP-1074246-060
Composed by Camille
Saint-Saens. Arranged by
Foppe Jacobi. Accordion.
Set (Score and Parts).
Composed 2007. De Haske
Publications #DHP
1074246-060. Published by
De Haske Publications
(BT.DHP-1074246-060).
ISBN 9789043128377.
9x12 inches.
English-German-French-Dut
ch.
Danse Macabre,
or Dance of Death, is one
of the most famous works
by Camille
Saint-Saëns. The
composition is based on
the poem of the same name
by Henri Cazalis
(1840-1909).The dance of
death is musically
represented with various
effects, starting with
twelve strokes of the
clock - which of course
suggest midnight. Then
dissonant sounds and a
somewhat wistful waltz
melody follow. A thematic
build-up full of tempo
changes leads to an
intense majestuoso, which
ends abruptly, after
which a melancholy
farewell melody takes
over. This wonderful
symphonic poem appeals to
everyoneâ??s imagination
- as it will in this
expert arrangement for
accordion
orchestra.
Danse
Macabre is een van de
beroemdste werken van
Camille Saint-Saëns.
Deze dodendansâ?? begint
met twaalf
middernachtelijke
klokslagen. Vervolgens
begint een weemoedige
walsmelodie in een
verminderde kwint. Via
een thematische opbouwmet
tempowisselingen bereikt
het werk een majestuoso.
Dit eindigt abrupt en
wordt overgenomen door
een melancholische
melodie. Danse Macabre is
een prachtig symfonisch
gedicht in een vakkundig
arrangement voor
accordeonorkest
Danse Macabre ist
eines der beru?hmtesten
Werke von Camille
Saint-Saëns. In dieser
Bearbeitung wird der
Totentanzâ?? mit
verschiedenen Effekten
musikalisch wiedergegeben
- beginnend mit zwölf
Glockenschlägen, die
natu?rlich Mitternacht
andeuten. Dann
schlieÃ?en sich
dissonante Klänge und
eine etwas wehmu?tige
Walzermelodie an. Ein
thematischer Aufbau
voller Tempowechsel
fu?hrt zu einem
intensiven Maestoso, das
abrupt endet, woraufhin
eine melancholische
Melodie u?bernimmt. Das
wundervolle sinfonische
Tongedicht - und auch
diese fachkundige
Bearbeitung fu?r
Akkordeonorchester -
beflu?geln jedermanns
Fantasie.
Alto, Mixed choir (SATB), Piano SKU: BA.BA11309-91 Composed by Camille Sa...(+)
Alto, Mixed choir (SATB),
Piano
SKU:
BA.BA11309-91
Composed by Camille
Saint-Saens. Edited by
Christina M. Stahl.
Paperback. Choral score.
Baerenreiter Verlag
#BA11309-91. Published by
Baerenreiter Verlag
(BA.BA11309-91).
ISBN
9790006569182. 27 x 19 cm
inches. Text Language:
English.
Psalm 137
Super flumina Babylonis
also known as By the
rivers of Babylon was an
inspiration for many
composers including
Camille Saint-Saëns.
He repeatedly occupied
himself with his psalm
motet for solo soprano,
mixed choir, saxophone
quartet, string orchestra
and organ, originally
composed in 1854. Two of
the four versions â??
the first version in
Latin and a much later
version in English for
alto solo, SATB choir and
piano â?? are now
available for the first
time in Urtext performing
editions taking a
meticulous account of all
the sources.
Ave Verum Chorale SATB SATB A Cappella - Facile Schott
Mixed Choir; Organ (SATB a cappella) - easy to intermediate SKU: HL.49017905<...(+)
Mixed Choir; Organ (SATB
a cappella) - easy to
intermediate
SKU:
HL.49017905
SATB,
a cappella, organ ad
lib.. Composed by
Camille Saint-Saë and
ns. Edited by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. Choral. Classical.
Choral score, with organ
part. 8 pages. Schott
Music #C 53377. Published
by Schott Music
(HL.49017905).
ISBN
9790001168007.
7.5x11.0x0.055 inches.
Latin.
There are
very few composers who
have left such a
comprehensive oeuvre
covering all genres as
Camille Saint-Saens. His
vocal music, however, has
rather fallen into
oblivion - if one leaves
aside his
'indestructible'
Christmas oratorio
(Oratorio de Noel, Opus
12). But apart from that,
Saint-Saens, who worked
as an organist at various
churches from 1852,
composed a number of
little church music
works: settings for
different
instrumentations,
certainly destined to be
used in services,
including his Ave verum
for four-part choir
(including organ without
pedal ad lib.). It is a
simple, yet harmonically
rich setting which
constitutes a valuable
addition to the choral
repertoire and an
evocative alternative to
the common Ave
settings.
First violin,second violin,viola,cello (1. Violin, 2. Violin, Viola, Violoncello...(+)
First violin,second
violin,viola,cello (1.
Violin, 2. Violin, Viola,
Violoncello)
SKU:
BA.BA10927
Composed
by Camille Saint-Saens.
Edited by Fabien
Guilloux. This edition:
urtext edition. In a
folder. Barenreiter
Urtext. Set of parts.
Opus 112. 19/19/19/19
pages. Baerenreiter
Verlag #BA10927_00.
Published by Baerenreiter
Verlag (BA.BA10927).
ISBN 9790006566259. 31
x 24.3 cm inches. Key: E
minor.
Ludwig van
Beethoven’s
overpowering legacy
caused many subsequent
composers to avoid
writing string quartets
at all. Saint-Saëns
was no exception in this
respect and waited until
1899 and 1918 to produce
his two contributions to
the genre. Couched in
classicism, they relate
in form and style to
early 19th-century French
quartets and to a titan
of the genre: Joseph
Haydn.
Saint-SaÃ
ns’ string
quartets appear here for
the first time in a
scholarly-critical
edition. It is also the
first edition to contain
the original version of
the Finale to String
Quartet No. 2 in score
and parts. An informative
Introduction is included
in the study score to
complete this volume of
important French chamber
music, based on the
Urtext from
“Camille
Saint-Saëns –
Complete Edition of the
Instrumental
Worksâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Alto, Mixed choir (SATB), Piano SKU: BA.BA11309 Composed by Camille Saint...(+)
Alto, Mixed choir (SATB),
Piano
SKU:
BA.BA11309
Composed
by Camille Saint-Saens.
Edited by Christina M.
Stahl. This edition:
urtext edition.
Paperback. Score.
Baerenreiter Verlag
#BA11309. Published by
Baerenreiter Verlag
(BA.BA11309).
ISBN
9790006577705. 27 x 19 cm
inches. Text Language:
English.
It is a
small music history
sensation: Thanks to Yves
Grard an unknown and
unpublished manuscript
penned by Camille
Saint-Saëns has been
unearthed in the
Mdiathèque Jean Renoir
in Dieppe in
France.
It is the
top four instrumental
parts which make this
manuscript something of a
sensation. Placed under
each other are
â??Saxophone Soprano en
Si bâ?, â??Saxophone
Alto en Mi bâ?,
â??Saxophone Tnor en Si
bâ? and â??Saxophone
Baryton en Mi bâ?,
strings, soprano solo
with chorus and organ.
Musical history has
hitherto credited
Jean-Baptiste Singele
(1812â??1875) with
having written the first
saxophone quartet, his
opus 53, which he
completed in 1857. Now
this historiography
clearly has to be
revised. The date 1854
has been found under the
first page of the
treasure from Dieppe,
which is pasted over and
also sewn, meaning that
Saint-Saënsâ?? work
was written three years
earlier than that of
Singele.
In
contrast to Singele,
Saint-Saëns does not
have the wind instruments
taking solo parts but
rather uses their tonal
colour to depict textual
moods and nuances. On the
one hand the saxophones
accompany the choral
parts (certainly singable
by amateurs) and support
the human voices in fugal
passages. On the other
hand, they take the
melody in the purely
orchestral
passages.
Saint-Sa
ëns wrote the motet in
the period when he had
taken up his first
permanent appointment as
organist at the Church of
Saint-Merri in Paris. He
revised the work several
times over the decades,
changing the motifs at
the beginning, correcting
obvious mistakes,
reworking the ending,
eventually changing the
instrumentation several
times and even â??
probably in the final
stage â?? replacing the
Latin text with an
English one. Today,
three-and-a-half versions
have been handed down,
one of them stopping
after just a few pages.
The compositional steps
have been successfully
reconstructed by means of
detailed detective work.
Furthermore, the first
saxophone version (BA
11305) and the last
English piano version (BA
11309) have been edited
to produce a
scholarly-critical
edition.
The
present edition of the
English version for
soprano solo, choir and
piano (BA 11309) serves
both as a full score and
as a vocal score due to
the
instrumentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SATB choir, organ, and
optional string quartet -
Beginning
SKU:
MN.50-1908
Composed
by Camille Saint-Saens
and Charles E. Peery.
Arranged by Charles E.
Peery. Catholic Year A
The Nativity of Our Lord.
Christmas, Romantic.
Choral score. MorningStar
Music Publishers
#50-1908. Published by
MorningStar Music
Publishers (MN.50-1908).
The closing
movement of
Saint-Saëns' Christmas
Oratorio in a new
edition, with an organ
accompaniment (optional
string parts available)
and both Latin and
English texts. Sung
during the Papal Visit in
September of 2015.
Urtext Edition. By Charles Camille Saint-Saens. Edited by Edward Blakeman. For S...(+)
Urtext Edition. By
Charles Camille
Saint-Saens. Edited by
Edward Blakeman. For
SMezATBar Soli, SATB
Chorus, Piano. Duration
circa 40 minutes.
Published by Edition
Peters.
Level
2. Composed by John
M. Feierabend. Choral.
Conversational Solfege.
Music Education. Octavo.
GIA Publications #527.
Published by GIA
Publications (GI.G-527).
Text by Noel
Goemanne.
Conversat
ional Solfege is a
dynamic and captivating
first-through-eighth
grade general music
program that enables
students to become
independent musical
thinkers with the help of
a rich variety of folk
and classical
music. It is organized
around increasingly
complex rhythmic and
melodic content. Each new
rhythmic or melodic
element is discovered
first in patterns and
then reinforced with folk
songs, rhymes, and
classical examples.
Central to the
Conversational Solfege
program is the use of
music harvested from our
rich and diverse American
musical history. This
variety of music serves
as a common thread that
spans and bonds
generations. Each book
contains varied song
material so the teacher
can select appropriate
music for the lower
grades or older
beginners. This 12-step
teaching method carefully
brings students from
readiness to, ultimately,
creating music through
inner hearing and then
transferring their
musical thoughts into
notation—in other
words, to compose music!
This CD provides
14Â classical
selections referenced in
Conversational Solfege
Level 2. These examples
provide reinforcement for
emerging literacy skills,
and they also enable
students to listen to
wonderful classical
examples with greater
attention. Listening to
classical music can be
challenging for
elementary students. With
nothing to hang onto, the
many notes can be too
much to comprehend and
attention soon wanes. But
with minimal literacy
skills, students will
have enough musical
information to discover
that classical music can
be accessible and
appealing. In the
included booklet, timings
are given for each
selection and the
portions of the music
that are readable by the
students are reproduced.
Whether using this CD
with Conversational
Solfege instructional
materials or simply as a
resource of classical
music with simple to read
rhythmic and melodic
material, both teachers
and students will delight
in discovering this
wonderful music through
literacy. This series is
a complete, innovative
approach to teaching
music that will stay
fresh year after year.
CONTENTS Conversational
Solfege Unit 5:Â 1.
Antonin Dvorak •
New World Theme
Conversational Solfege
Unit 6:Â 2. Franz
Joseph Haydn •
Theme from  the
Surprise Symphony, 3.
Camille
Saint-Sans •
Turtles from Carnival of
the Animals, 4. Ludwig
van Beethoven •
Symphony No. 7, 2nd
Movement, 5. Josef
Strauss •
Feuerfest (Fireproof)
Polka, Op. 269
Conversational Solfege
Unit 7:Â 6. Jacques
Offenbach •
Can-Can, 7. Dmitry
Kabalevsky •
Pantomime from the
Comedians, 8. Edvard
Grieg • In the
Hall of the Mountain King
Conversational Solfege
Unit 9 and Unit 11:Â 9.
Jacques
Offenbach •
Barcarolle Conversational
Solfege Unit 10:Â 10.
Edvard Grieg •
Morning Conversational
Solfege Unit 11:Â 11.
Ottorino
Respighi •
Ground in G
Conversational Solfege
Unit 12:Â 12. Johann
Sebastian Bach •
Jesu, Joy of Men's
Desiring, 13. Jean
Sibelius •
Finlandia Conversational
Solfege Unit 13:Â 14.
Ludwig Van
Beethoven •
Symphony No. 6, Movement
5Â John M. Feierabend
is Professor Emeritus and
former Director of Music
Education at The Hartt
School of Music,
University of Hartford,
Connecticut.
By Camille Saint-Saens (1835-1921) and Camille Saint-Sa. Arranged by Jamin Hoffm...(+)
By Camille Saint-Saens
(1835-1921) and Camille
Saint-Sa. Arranged by
Jamin Hoffman. For
Orchestra, String
Orchestra (Score and
Parts). Music for String
Orchestra. Grade 3-4.
Published by Hal Leonard
(Version for Violoncello With Marked and Unmarked String Parts). Composed by Cam...(+)
(Version for Violoncello
With Marked and Unmarked
String Parts). Composed
by Camille Saint-Saens
(1835-1921). Edited by
Dominik Rahmer. For
Cello, Piano
Accompaniment. Henle
Music Folios. Softcover.
G. Henle #HN1168.
Published by G. Henle
Aimons-nous Chorale SATB SATB, Piano [Conducteur] - Facile Carus Verlag
SATB Choir, Piano - Level 2 SKU: CA.926000 Composed by Charles Francois G...(+)
SATB Choir, Piano - Level
2
SKU: CA.926000
Composed by Charles
Francois Gounod. Arranged
by Denis Rouger. Separate
edition to the CD.
Lieder, Secular choral
music. Full Score.
Composed 1870. CG 449.
Duration 3 minutes. Carus
Verlag #CV 09.260/00.
Published by Carus Verlag
(CA.926000).
ISBN
9790007249229. Key: F
major. Language: French.
Text: Barbier,
Jules.
The three
verses of Aimons-nous,
separated by piano
interludes, are cheerful
and amorous, an
invitation to everlasting
mutual love. The text
portrays this almost as a
law of nature: rivers and
streams combine, the sun
embraces the earth, and
the birds snuggle close
to each other in their
nest. Light, rippling
syncopations in the piano
accompany Gounod's
typical catchy melodic
writing in the vocal
parts. The writer Jules
Barbier was Gounod's
favored opera librettist
(Faust, Romeo et
Juliette), but many other
19th century opera
composers also set his
texts, including Camille
Saint-Saens, Giacomo
Meyerbeer, and Jacques
Offenbach. This art song
was originally composed
not for chamber choir,
but for solo voice and
piano. Denis Rouger has
carefully adapted it to
suit the requirements and
expressive possibilities
offered by a larger
ensemble, without losing
the any of the qualities
of the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
Kennst du das Land ...
(Carus 83.495).
Soiree en mer Chorale SSATB SSATB, Piano [Conducteur] Carus Verlag
SSATB Choir, Piano SKU: CA.926400 Composed by Camille Saint-Saens. Arrang...(+)
SSATB Choir, Piano
SKU: CA.926400
Composed by Camille
Saint-Saens. Arranged by
Denis Rouger, Denis
Rouger. Carus digital:
Extra digital products.
Full Score. Composed
1862. Op. 13, No. 1.
Duration 5 minutes.
Published by Carus Verlag
(CA.926400).
ISBN
9790007261870. French.
Text: Victor
Hugo.
In his poem
Soiree en mer, Victor
Hugo describes how the
sea can be perceived very
differently by two lovers
at the same time in the
same place. While the man
perceives the deepening
shadows on the dancing
waves, the woman marvels
at the stars shining ever
brighter in the
firmament. In nature, as
in the words of the poem,
the painful ambiguity
that represents life at
its core can be
experienced. Like no
other poet, Hugo captures
this almost unbearable
simultaneity of living
and dying, of love and
suffering. Saint-Saens
translates this into
music - probably the most
ephemeral and
contemporary of all art
forms. His balanced
musical form leaves
plenty of room for the
poetry and his subtle
variations in timbre,
which also inspired Denis
Rouger to his choral
arrangement, create a
seething motion under the
surface of the
sea.
This art song
was originally composed
not for chamber choir,
but for solo voice and
piano. Denis Rouger has
carefully adapted it to
suit the requirements and
expressive possibilities
offered by a larger
ensemble, without losing
any of the qualities of
the original in the
process. Each part in the
choir has a melodic line
drawn from the harmonic
and rhythmic framework.
In the process, the
variety and refinement of
the choral language
combines with an enormous
flexibility in form and
expression, as French
melodies or German art
song demand from a
soloist and pianist. The
songs have been recorded
by the figure humaine
chamber choir on the CD
...wo die Ztronen bluhn
(Carus 83.514).
Composed by Camille
Saint-Saens. This
edition: urtext edition.
Paperback. Piano
reduction. Baerenreiter
Verlag #BA11305-90.
Published by Baerenreiter
Verlag (BA.BA11305-90).
ISBN 9790006567034. 27
x 19 cm inches. Text
Language: Latin. Preface:
Stahl, Christina
M.
Psalm 137 Super
flumina Babylonis also
known as By the rivers of
Babylon was an
inspiration for many
composers including
Camille Saint-Saëns.
He repeatedly occupied
himself with his psalm
motet for solo soprano,
mixed choir, saxophone
quartet, string orchestra
and organ, originally
composed in 1854. Two of
the four versions â??
the first version in
Latin and a much later
version in English for
alto solo, SATB choir and
piano â?? are now
available for the first
time in Urtext performing
editions taking a
meticulous account of all
the
sources.
Saint-Sa
«ns lived up to his
reputation as an
innovative composer by
exploring the use of the
saxophone family in
sacred music just a few
years after the invention
of these instruments. The
successful combination of
voice and saxophone
creates a special sound
experience.
Soli, SATB choir,
orchestra
(Soloists, Mixed choir
(SATB),
Orchestra)
Composed by Camille
Saint-
Saens (1835-1921). Edited
by
Christina M. Stahl. This
edition: urtext edition.
Paperback. Barenreiter
Urtext.
Score. Opus 12.
Baerenreiter
Verlag #BA11304.
Published by
Baerenreiter Verlag