| In dulci jubilo (Nun singet und seid froh) Carus Verlag
Coro SAM[M], Pfte[Org] SKU: CA.338170 Composed by Johann Walter and Rober...(+)
Coro SAM[M], Pfte[Org]
SKU: CA.338170
Composed by Johann Walter
and Robert Lucas
Pearsall. Arranged by
Klaus Brecht. Separate
edition with choral
collection. Full Score.
Carus Verlag #CV
03.381/70. Published by
Carus Verlag (CA.338170).
ISBN 9790007254957.
Language:
German/Latin. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Brazilian and Afro-Cuban Jazz Conception -- Guitar Guitare Advance Music
Guitar SKU: AP.1-ADV14846 Composed by Fernando Brandão. Guitar Method ...(+)
Guitar SKU:
AP.1-ADV14846
Composed by Fernando
Brandão. Guitar Method
or Supplement;
Improvisation;
Method/Instruction;
Play-Along; Technique
Musicianship. Advance
Music: Brazilian and
Afro-Cuban Jazz
Conception. Jazz; Latin.
Book and CD. Advance
Music #01-ADV14846.
Published by Advance
Music (AP.1-ADV14846).
ISBN 9783892212263.
UPC: 805095148466.
English. Brazilian
and Afro-Cuban Jazz
Conception is the new
exciting series of
play-along books by
award-winning Brazilian
flutist and composer
Fernando Brandão and
features fifteen original
tunes in various
Brazilian and Afro-Cuban
styles. This edition
clearly aims at being
more than a simple
play-along collection.
For each of the tunes a
thorough analysis and
additional exercises are
given. An extensive
introduction into the
various styles and
rhythms of Brazilian and
Afro-Cuban music makes
these books even more
valuable. The rhythm
section and soloists are
among the most
prestigious musicians in
contemporary Brazilian
music.
Rhythm
Section: Leandro Braga,
piano; Adriano Giffoni,
bass; Xande Figueiredo,
drums; Zero, percussion.
Titles include:
Afoxé Urbano * Bangu *
Bolero for Lucia * El Son
Mayo * Frog Samba * Funky
Samba * The Island *
Latin Tower * Lucas' Cha
Cha * Rodrigo No Frevo *
Sad Solitude * Sanfona *
Samba Dance * Santa Cruz
* Snobby. $26.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Brazilian and Afro-Cuban Jazz Conception -- Clarinet Clarinette Advance Music
Clarinet SKU: AP.1-ADV14845 Composed by Fernando Brandão. Improvisatio...(+)
Clarinet SKU:
AP.1-ADV14845
Composed by Fernando
Brandão.
Improvisation;
Method/Instruction;
Play-Along; Technique
Musicianship; Woodwind -
Clarinet Method or
Collection. Advance
Music: Brazilian and
Afro-Cuban Jazz
Conception. Jazz; Latin.
Book and CD. Advance
Music #01-ADV14845.
Published by Advance
Music (AP.1-ADV14845).
ISBN 9783892212256.
UPC: 805095148459.
English. Brazilian
and Afro-Cuban Jazz
Conception is the new
exciting series of
play-along books by
award-winning Brazilian
flutist and composer
Fernando Brandão and
features 15 original
tunes in various
Brazilian and Afro-Cuban
styles. This edition
clearly aims at being
more than a simple
play-along collection.
For each of the tunes, a
thorough analysis and
additional exercises are
given. An extensive
introduction into the
various styles and
rhythms of Brazilian and
Afro-Cuban music makes
these books even more
valuable. The rhythm
section and soloists are
among the most
prestigious musicians in
contemporary Brazilian
music.
Rhythm
Section: Leandro Braga,
piano; Adriano Giffoni,
bass; Xande Figueiredo,
drums; Zero, percussion.
Titles include:
Afoxé Urbano * Bangu *
Bolero for Lucia * El Son
Mayo * Frog Samba * Funky
Samba * The Island *
Latin Tower * Lucas' Cha
Cha * Rodrigo No Frevo *
Sad Solitude * Sanfona *
Samba Dance * Santa Cruz
* Snobby. $26.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Brazilian and Afro-Cuban Jazz Conception -- Alto and Baritone Saxophone Advance Music
Alto & Baritone Saxophone SKU: AP.1-ADV14840 Composed by Fernando BrandÃ...(+)
Alto & Baritone Saxophone
SKU: AP.1-ADV14840
Composed by Fernando
Brandão.
Improvisation;
Method/Instruction;
Play-Along; Technique
Musicianship; Woodwind -
Saxophone Method or
Collection. Advance
Music: Brazilian and
Afro-Cuban Jazz
Conception. Jazz; Latin.
Book and CD. Advance
Music #01-ADV14840.
Published by Advance
Music (AP.1-ADV14840).
ISBN 9783892212201.
UPC: 805095148404.
English. Brazilian
and Afro-Cuban Jazz
Conception: Alto and
Baritone Saxophone is
part of an exciting
series of play-along
books by award-winning
Brazilian flutist and
composer Fernando
Brandão and features
15 original tunes in
various Brazilian and
Afro-Cuban styles. This
edition clearly aims at
being more than a simple
play-along collection.
For each of the tunes a
thorough analysis and
additional exercises are
given. An extensive
introduction into the
various styles and
rhythms of Brazilian and
Afro-Cuban music makes
these books even more
valuable. The rhythm
section and soloists are
among the most
prestigious musicians in
contemporary Brazilian
music.
Rhythm
Section: Leandro Braga,
piano; Adriano Giffoni,
bass; Xande Figueiredo,
drums; Zero, percussion.
Titles include:
Afoxé Urbano * Bangu *
Bolero for Lucia * El Son
Mayo * Frog Samba * Funky
Samba * The Island *
Latin Tower * Lucas' Cha
Cha * Rodrigo No Frevo *
Sad Solitude * Sanfona *
Samba Dance * Santa Cruz
* Snobby. $26.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Brazilian and Afro-Cuban Jazz Conception -- Trombone Trombone Advance Music
Trombone SKU: AP.1-ADV14843 Composed by Fernando Brandão. Brass - Trom...(+)
Trombone SKU:
AP.1-ADV14843
Composed by Fernando
Brandão. Brass -
Trombone and Baritone
Method or Collection;
Improvisation;
Method/Instruction;
Play-Along; Technique
Musicianship. Advance
Music: Brazilian and
Afro-Cuban Jazz
Conception. Jazz; Latin.
Book and CD. Advance
Music #01-ADV14843.
Published by Advance
Music (AP.1-ADV14843).
ISBN 9783892212232.
UPC: 805095148435.
English. Brazilian
and Afro-Cuban Jazz
Conception: Trombone is
part of an exciting
series of play-along
books by award-winning
Brazilian flutist and
composer Fernando
Brandão and features
15 original tunes in
various Brazilian and
Afro-Cuban styles. This
edition clearly aims at
being more than a simple
play-along collection.
For each of the tunes a
thorough analysis and
additional exercises are
given. An extensive
introduction into the
various styles and
rhythms of Brazilian and
Afro-Cuban music makes
these books even more
valuable. The rhythm
section and soloists are
among the most
prestigious musicians in
contemporary Brazilian
music.
Rhythm
Section: Leandro Braga,
piano; Adriano Giffoni,
bass; Xande Figueiredo,
drums; Zero, percussion.
Titles include:
Afoxé Urbano * Bangu *
Bolero for Lucia * El Son
Mayo * Frog Samba * Funky
Samba * The Island *
Latin Tower * Lucas' Cha
Cha * Rodrigo No Frevo *
Sad Solitude * Sanfona *
Samba Dance * Santa Cruz
* Snobby. $26.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Brazilian and Afro-Cuban Jazz Conception -- Piano Piano seul Advance Music
Piano/Keyboard SKU: AP.1-ADV14847 Composed by Fernando Brandão. Improv...(+)
Piano/Keyboard SKU:
AP.1-ADV14847
Composed by Fernando
Brandão.
Improvisation;
Keyboard/Piano;
Method/Instruction;
Play-Along; Technique
Musicianship. Advance
Music: Brazilian and
Afro-Cuban Jazz
Conception. Jazz; Latin.
Book and CD. Advance
Music #01-ADV14847.
Published by Advance
Music (AP.1-ADV14847).
ISBN 9783892212270.
UPC: 805095148473.
English. Brazilian
and Afro-Cuban Jazz
Conception is the new
exciting series of
play-along books by
award-winning Brazilian
flutist and composer
Fernando Brandão and
features 15 original
tunes in various
Brazilian and Afro-Cuban
styles. This edition
clearly aims at being
more than a simple
play-along collection.
For each of the tunes a
thorough analysis and
additional exercises are
given. An extensive
introduction into the
various styles and
rhythms of Brazilian and
Afro-Cuban music makes
these books even more
valuable. The rhythm
section and soloists are
among the most
prestigious musicians in
contemporary Brazilian
music.
Rhythm
Section: Leandro Braga,
piano; Adriano Giffoni,
bass; Xande Figueiredo,
drums; Zero, percussion.
Titles include:
Afoxé Urbano * Bangu *
Bolero for Lucia * El Son
Mayo * Frog Samba * Funky
Samba * The Island *
Latin Tower * Lucas' Cha
Cha * Rodrigo No Frevo *
Sad Solitude * Sanfona *
Samba Dance * Santa Cruz
* Snobby. $26.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Quintet, Op. 27 Quintette de Clarinette: Clarinette, Quatuor à Cordes Rosewood Publications
By Josef Holbrooke. Winds and Strings. For clarinet and string quartet. This edi...(+)
By Josef Holbrooke. Winds
and Strings. For clarinet
and string quartet. This
edition: Facsimile
Editions. Unique
composition style. This
edition was obtained from
the composer's nephew,
who is most interested in
expanding recognition of
Holbrooke's works..
Parts. 20th Century.
$13.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Three Dramatic Songs Voix, Quatuor à cordes Rosewood Publications
By Josef Holbrooke. For 2 violins, viola, cello, piano, soprano voice/tenor voic...(+)
By Josef Holbrooke. For 2
violins, viola, cello,
piano, soprano
voice/tenor voice.
Facsimile Editions -
Strings and Piano.
Sextets. 20th Century.
Published by Rosewood
Publications
$16.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| TemA Breitkopf & Härtel
Trio SKU: BR.EB-9459 Composed by Helmut Lachenmann. Chamber music; staple...(+)
Trio SKU:
BR.EB-9459 Composed
by Helmut Lachenmann.
Chamber music; stapled.
Edition Breitkopf. Music
post-1945. Sheet Music.
Composed 1968. 20 pages.
Duration 14'. Breitkopf
and Haertel #EB 9459.
Published by Breitkopf
and Haertel (BR.EB-9459).
ISBN 9790004189368.
10.5 x 14
inches. TemA was
written in the summer of
1968. In spite of
Ligeti's Aventures it may
be considered one of the
first compositions in
which the breathing plays
a role as an
accoustically transmitted
energy process (Holliger,
Globokar, Kagel, Schnebel
and Stockhausen in Hymnen
have already worked on
this phenomenon
independently of each
other and from different
points of view).
Moreover, temA marks for
me the first step into
that musique concrete
instrumentale in which
the mechanical conditions
of the sound production
are incorporated into the
composition. This
characterizes my later
pieces such as
Kontrakadenz, Air,
Pression etc. more
consistently. In temA,
unlike what happened in
my previous works, the
naturalistic extreme
cases were consciously
accepted but at the same
time integrated into a
very rigorous musical
context which was also to
give a new meaning to the
traditional playing
conceptions. The
violation of the tabus
felt in the nearly 70s
(not only regarding this
piece) lay to a less
degree in the phenomenon
of the sound deformation
(snoring, pressed
strings, soundless
blowing etc.), since such
an alienation was
perfectly tolerated as an
humoristic, dadaistic or
expressionistic element.
Rather the shock was
caused by the technical
logic of the movements
which rendered relative
the sheer surrealistic
effect and had to be
taken seriously instead
of in an humoristic
way.(Helmut Lachenmann,
translation: Roger
Clement)CD:Linda Hirst,
Martin Fahlenbock, Lucas
Fels CD Montaigne Auvidis
MO 782023ensemble
phorminxCD WER 6682
2Bibliography:Hiekel,
Jorn Peter: Escaped from
Paradise? Construction of
Identity and Elements of
Ritual in Vocal Works by
Helmut Lachenmann and
Giacinto Scelsi, in:
Vocal Music and
Contemporary Identities.
Unlimited Voices in East
Asia and the West (=
Routledge Research in
Music 3), hrsg. von
Christian Utz und
Frederick Lau, London und
New York: Routledge 2013,
pp. 158-174.ders.: Helmut
Lachenmann und seine
Zeit, Laaber: Laaber
2023, S.
202-213.Meyer-Kalkus,
Reinhart: Klangmotorik
und verkorpertes Horen in
der Musik Helmut
Lachenmanns, in: Der Atem
des Wanderers. Der
Komponist Helmut
Lachenmann, hrsg. von
Hans-Klaus Jungheinrich,
Mainz: Schott 2006, pp.
91-110.ders.: Stimme und
Atemsyntax in
Vortragskunst, Prosa und
Musik, in: Musik &
Asthetik, Heft 51 (Juli
2009), pp.
73-106.Nonnenmann, Karl
Rainer: Auftakt der
instrumentalen musique
concrete. Helmut
Lachenmanns temA, in:
MusikTexte 67/68 (1997),
pp. 106-114.Saxer,
Marion: Kunstgesang als
Klangsymbol. Belcanto in
experimenteller
Vokalmusik nach 1960, in:
Musik & Asthetik, Heft 92
(Oktober 2019), S. 5-25
Weber,Barbara Balba: ,,Es
musste einfach schick
sein, beim Musikhoren
etwas zuriskieren.
Weltbezuge bei
Lachenmann: Perspektive
der Musikvermittlung,
in:Zuruck zur Gegenwart?
Weltbezuge in neuer
Musik, hrsg. von Jorn
Peter
Hiekel(Veroffentlichungen
des Instituts fur Neue
Musik und Musikerziehung
Darmstadt55), Mainz:
Schott 2015, pp.
160-169.
World
premiere: Stuttgart,
February 19, 1969. $60.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Pression Contre Basse Breitkopf & Härtel
Double bass solo SKU: BR.EB-9268 Revised Version 2010. Composed by...(+)
Double bass solo SKU:
BR.EB-9268 Revised
Version 2010.
Composed by Helmut
Lachenmann. Arranged by
Caleb Salgado. Solo
instruments; Folder.
Edition Breitkopf. Music
post-1945; New music
(post-2000). Score.
Composed 1969/2010. 26
pages. Duration 9'.
Breitkopf and Haertel #EB
9268. Published by
Breitkopf and Haertel
(BR.EB-9268). ISBN
9790004185681. 12 x 9
inches. This piece
originated as an
introduction to
instrumental
musique-concrete. In this
sort of piece it is
common for sound
phenomena to be so
refined and organised
that they are not so much
the results of musical
experiences as of their
own acoustic attributes.
Timbres, dynamics and so
on arise not of their own
volition but as
components of a concrete
situation characterised
by texture, consistency,
energy, resistance.This
does not come from within
but from a liberated
compositional technique.
At the same time it
implies that our
customary sharply-honed
auditory habit is
thwarted. The result is
aesthetic provocation:
beauty denying
habit.(Helmut
Lachenmann),,Cette
nouvelle edition est une
invitation faite aux
violoncellistes qui
souhaiteraient
redecouvrir leur
instrument et la maniere
de la faire sonner en
realisant dessus un
nouveau genre de
polyphonie: une
polyphonie d'actions.
(Francois-Xavier Feron,
Circuit, Heft 25, Juni
2015)CDs/LPs:Michael Bach
CD cpo 999 102-2 Lucas
Fels CD Montaigne Auvidis
MO 782075 Walter Grimmer
CD col legno WWE 31863
Taco Kooistra CD Attacca
Babel 9369-1 Pierre
Strauch CD Accord 202082
Michael Bach LP ABE ERZ
1003 Werner Taube LP ABE
ERZ 1003ensemble
phorminxCD WER 6682
2Michael M. KasperCD
Michael M. Kasper rounds
per minute, Ensemble
Modern Medien,
EMCD-006Michael Svoboda
(trombone)CD Wittener
Tage fur neue Kammermusik
2011Bibliography:Deltz,
Eberhard: begegnung im
grenzbereich. Zwei Werke
von Helmut Lachenmann und
Hideaki Yamanobe im
Spiegel eines Haiku von
Matsuo Basho, in: Neue
Zeitschrift fur Musik 167
(2006), Heft 1, pp.
36-41.Feron,
Francois-Xavier: Enjeux
et evolution du systeme
de notation dans
,,Pression pour un(e)
violoncelliste de Helmut
Lachenmann, in: Circuit,
Heft 25, 2015, pp.
55-65.GoGwilt, Keir:
Templates for Technique
in Mantel and Lachenmann.
Between Transcendence and
Immanence, in: The Dark
Precursor: Deleuze and
Artistic Research. Band
I: The Dark Precursor in
Sound and Writing, hrsg.
von Paulo de Assis und
Paolo Giudici, Leuven:
Leuven University Press
2017, pp.
105-113.Griffiths, Paul:
ModernMusic and After,
3rd edition, Oxford
University Press 2010,
pp. 216-219.Handschick,
Matthias: Musik als
,,Medium der sich selbst
erfahrenden Wahrnehmung.
Moglichkeiten der
Vermittlung Neuer Musik
unter dem Aspekt der
Auflosung und Reflexion
von Gestalthaftigkeit (=
Schriften der Hochschule
fur Musik Freiburg 3),
Hildesheim u. a.: Olms
2015, dort pp.
161-167.Hiekel, Jorn
Peter: Helmut Lachenmann
und seine Zeit, Laaber:
Laaber 2023, S. 169-172,
231-232.Jahn, Hans-Peter:
simultan eine Erinnerung,
in: Neue Zeitschrift fur
Musik 167 (2006), Heft 1,
pp. 12-15.Lessing,
Wolfgang: Musizieren als
Prozess. Zur didaktischen
Dimension von Helmut
Lachenmanns Pression, in:
Musik inszeniert.
Prasentation und
Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 73-83.ders.:
Verweigerung von
Gewohnheit.
Instrumentaldidaktische
Annaherungen an Pression
von Helmut Lachenmann,
in: Darstellen und
Mitteilen. Ein Handbuch
der musikalischen
Interpretation, hrsg. von
Ursula Brandstatter,
Martin Losert, Christoph
Richter und Andrea Welte,
Mainz: Schott 2010, pp.
111-122.ders.:
Interpretation, Verstehen
und Vermittlung, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 24-39.Mosch, Ulrich:
Das Unberuhrte beruhren
Anmerkungen zur
Interpretation von Helmut
Lachenmanns Werken
Pression und Allegro
sostenuto, in: Musik
inszeniert. Prasentation
und Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 25-46.Musik als
Bildkritik Gesprach
zwischen Gottfried Boehm,
Helmut Lachenmann und
Matteo Nanni, in: Helmut
Lachenmann: Musik mit
Bildern? Hrsg. von Matteo
Nanni und Matthias
Schmidt (= eikones, hrsg.
von Nationalen
Forschungsschwerpunkt
Bildkritik an der
Universitat Basel),
Munchen: Wilhelm Fink
2012, pp.
237-269.Neuwirth, Markus:
Strukturell vermittelte
Magie.
Kognitionswissenschaftlic
he Annaherungen an Helmut
Lachenmanns Pression und
Allegro sostenuto, in:
Musik als
Wahrnehmungskunst.
Untersuchungen zu
Kompositionsmethodik und
Horasthetik bei Helmut
Lachenmann, hrsg. von
Christian Utz und Clemens
Gadenstatter (=
musik.theorien der
gegenwart 2),
Saarbrucken: Pfau 2008,
pp. 73-100.Orning, Tanja:
The Polyphonic Performer.
A Study of Performance
Practice in Music for
Cello Solo by Morton
Feldman, Helmut
Lachenmann, Klaus K.
Hubler and Simon
Steen-Andersen, Diss.
Oslo 2014, Oslo:
NMH-publikasjoner (mit
DVD).Sparrer,
Walter-Wolfgang: Wider
den geolten Gleichlauf.
Von der Notwendigkeit
strukturierender
Verfahrensweisen bei der
Interpretation von Musik.
Modell I: Kompositionen
fur Violoncello solo von
J. S. Bach, Isang Yun und
Helmut Lachenmann, in:
Musikalische Produktion
und Interpretation, hrsg.
von Otto Kolleritsch,
Wien/Graz 2003 (= Studien
zur Wertungsforschung,
Band 43), pp. 75-100.Utz,
Christian: Erinnerte
Gestalt und gebannter
Augenblick. Zur Analyse
und Interpretation
post-tonaler Musik als
Wahrnehmungspraxis
Klangorganisation und
Zeiterfahrung bei Morton
Feldman, Helmut
Lachenmann und Brian
Ferneyhough, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 40-67.
World
premiere: Como (Autunno
musicale), September 30,
1970. $49.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
1 |