| 25 Reggae & Ska Per Pianoforte Ed Altre Tastiere Piano seul [Partition + CD] Play Music Publishing
Piano SKU: BT.MUSMI0378 Arranged by Pietro Pinelli. Method. Book with CD....(+)
Piano SKU:
BT.MUSMI0378 Arranged
by Pietro Pinelli.
Method. Book with CD.
Composed 2018. Play Music
Italy #MUSMI0378.
Published by Play Music
Italy (BT.MUSMI0378).
Italian. Con non
meno di 25 brani reggae e
ska per pianoforte,
questo metodo vi
divertirà per un
bel po’ di tempo!
Ma non solo… In
effetti, oltre al piacere
di suonarli, questi brani
vi permetteranno di
scoprire e far pratica
con tutte le tecniche
utili per creare
accompagnamenti adatti a
questi stili… ed
in particolare il famoso
skank! L’idea di
questo metodo è
quindi quella di imparare
suonando, progredire
divertendosi! Sappiate
inoltre che questi 25
brani s’ispirano ai
più grandi
successi degli stili
reggae e ska alla maniera
dei più grandi
artisti e pianisti di
ieri e di oggi: The
Skatalites, Bob Marley /
The Wailers,
UB40,Madness, The
Specials, Jimmy Cliff,
Alpha Blondy, Burning
Spear, Peter Tosh e tanti
altri ancora… Sul
disco dati allegato al
metodo, troverete diversi
file audio e video. I
video (mp4) presentano
tramite l’immagine
i 25 brani così
come devono essere
suonati, a
velocità normale,
poi ridotta. Le
registrazioni audio (mp3)
invece propongono le basi
musicali corrispondenti,
anch’esse a due
velocità diverse.
Potrete in questo modo
suonare i brani proposti
sulle basi musicali
oppure approfittarne per
sviluppare liberamente le
vostre proprie idee di
accompagnamento in questi
stili. $18.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 25 reggae and ska per chitarra Guitare [Partition + DVD] Play Music Publishing
Guitar SKU: BT.MI0424 Composed by Michele Milazzo. Book and DVD. Composed...(+)
Guitar SKU:
BT.MI0424 Composed by
Michele Milazzo. Book and
DVD. Composed 2020. Play
Music Italy #MI0424.
Published by Play Music
Italy (BT.MI0424).
Con non meno di
25 brani Reggae e Ska per
chitarra, questo metodo
vi divertir per un bel
poââ¬â¢ di
tempo! Ma non
soloââ¬Â¦ In
effetti, oltre al piacere
di suonarli, questi
brani, composti da
diverse parti di
chitarra, vi
permetteranno di lavorare
su tutte le tecniche
utili per creare
accompagnamenti adatti a
questi stili, in
particolare il famoso
skank o
lââ¬â¢inevitab
ile gimmick in single
note.
Lââ¬â¢idea di
questo metodo è
quindi quella di imparare
suonando, progredire
divertendosi! Sappiate
inoltre che questi 25
brani
sââ¬â¢ispirano
ai più grandi
successi degli stili
Reggae e Ska, alla
maniera dei più
grandi artisti e
chitarristi di ieri e di
oggi: The Skatalites, Bob
Marley / TheWailers,
UB40, The Neville
Brothers, Madness, Jimmy
Cliff, The Specials,
Alpha Blondy, Burning
Spear, Peter Tosh e tanti
altri
ancoraââ¬Â¦ Sul
disco dati allegato al
metodo, troverete diversi
file audio e video. I
video (mp4) presentano
tramite
lââ¬â¢immagine
tutte le parti di
chitarra dei 25 brani
così come devono
essere suonate, sulla
loro base musicale, per
aiutarvi a tenere il
tempo. Le registrazioni
audio (mp3) invece
propongono le basi
musicali corrispondenti
ad ogni parte di
chitarra. Potrete in
questo modo suonarci
sopra la parte mancante
o, perché no,
approfittarne per
sviluppare liberamente le
vostre proprie idee in
stile Reggae o Ska. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| World Melodies for Accordion Accordéon [Partition] - Facile Mel Bay
By Frances Irwin. For Accordion (Keyboard). Solos. World Music. Level: Beginning...(+)
By Frances Irwin. For
Accordion (Keyboard).
Solos. World Music.
Level:
Beginning-Intermediate.
Book. Size 8.5x11. 106
pages. Published by Mel
Bay Publications, Inc.
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 25 boogie e ragtime per pianoforte Piano seul Play Music Publishing
Piano SKU: BT.MI0415 Composed by Federico Dattino. Book and DVD. Composed...(+)
Piano SKU:
BT.MI0415 Composed by
Federico Dattino. Book
and DVD. Composed 2019.
Play Music Italy #MI0415.
Published by Play Music
Italy (BT.MI0415).
Italian. Con non
meno di 25 brani per
pianoforte negli stili
boogie-woogie e ragtime,
questo metodo vi divertir
per un bel po’ di
tempo! Ma non solo…
L’idea di questa
raccolta è in effetti
quella di imparare
suonando, progredire
divertendosi. Questi
brani vi permetteranno
quindi di scoprire e far
pratica con tutte le
tecniche, i gimmicks ed
altre figure stilistiche
proprie del boogie come
del ragtime. Inoltre, per
aiutarvi ad affrontarli
più facilmente,
abbiamo indicato per
ognuno le diteggiature da
utilizzare. Sappiate
inoltre che questi 25
brani s’ispirano
ai più grandi artisti
di entrambi gli stili:
Scott Joplin, Joseph
Lamb, James Scott, Pine
Top Smith, Meade Lux
Lewis,Albert Ammons e
tanti altri. Sul disco
dati allegato al metodo,
troverete diversi file
audio e video. I video
(mp4) presentano tramite
l’immagine i 25
brani così come devono
essere suonati, a velocit
normale, poi ridotta. Le
registrazioni audio (mp3)
invece propongono le basi
musicali corrispondenti,
anch’esse a due
velocit diverse. Potrete
in questo modo suonare i
brani proposti sulle basi
musicali oppure
approfittarne per
sviluppare liberamente le
vostre proprie idee di
accompagnamento in questi
stili. $18.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 25 Canzoni Pop Per Pianoforte Piano seul [Partition + CD] - Facile Play Music Publishing
Piano - Grade 2 SKU: BT.MUSMI0370 Composed by Pietro Pinelli. Tuition. Bo...(+)
Piano - Grade 2 SKU:
BT.MUSMI0370 Composed
by Pietro Pinelli.
Tuition. Book with CD.
Composed 2017. Play Music
Italy #MUSMI0370.
Published by Play Music
Italy (BT.MUSMI0370).
Italian. Con
non meno di 25
accompagnamenti al
Pianoforte per canzoni
pop, questo metodo vi
divertirà per un
bel po’ di
tempo! Ma non
solo… In effetti,
oltre al piacere di
suonarli, questi brani
vipermetteranno di far
pratica con tutte le
tecniche utili per creare
accompagnamenti adatti a
questo stile: esecuzione
con accordi
“placcati”,
semi-arpeggiati o
arpeggiati, formule
melodiche per la mano
destra con osenza
controcanto della
sinistra, sincopi
ritmiche...
c’è di
tutto!
L’idea è
quindi quella di imparare
suonando, progredire
divertendosi! Sappiate
inoltre che queste 25
canzoni
s’ispiranoaipi&ugra
ve; grandi artisti e
pianisti di ieri e di
oggi: The Beatles,
Michael Jackson, Oasis,
Madonna, Elton John,
Mika, Céline Dion,
Robbie Williams…
Sul disco dati allegato
al metodo, troverete
diversi file audioe
video. I video
(mp4) presentano tramite
l’immagine i 25
brani così come
devono essere suonati, a
velocità normale,
poi ridotta. Le
registrazioni audio (mp3)
invece propongono le basi
musicalicorrispondenti,
anch’esse a due
velocità
diverse. Potrete
in questo modo suonare le
canzoni proposte sulle
basi musicali oppure
approfittarne per
sviluppare liberamente le
vostre proprie idee di
accompagnamentoin stile
pop. $18.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Accompagnamenti Al Pianoforte Piano seul Play Music Publishing
Piano SKU: BT.MUSMI0343 Play Music Italia. Tuition. Book and DVD. Play Mu...(+)
Piano SKU:
BT.MUSMI0343 Play
Music Italia. Tuition.
Book and DVD. Play Music
Italy #MUSMI0343.
Published by Play Music
Italy (BT.MUSMI0343).
Italian. Ques
t’opera ha lo scopo
di farvi suonare i vostri
primi accompagnamenti al
pianoforte. Comincerete
suonando semplici
concatenazioni di accordi
- che sono una forma
basilare di
accompagnamento al piano
- con la sola manodestra,
poi con la sola mano
sinistra, prima di
suonare con entrambe le
mani sulla tastiera.
Potrete così
facendo affrontare
serenamente una prima
serie di accompagnamenti
con accordi, prima di
proseguire con una
secondaserie di
accompagnamenti con
arpeggi, per poi
concludere con una terza
serie di accompagnamenti
con melodia. Per ognuno
dei 60 accompagnamenti,
l’indicazione delle
diteggiature da
utilizzare nonché
alcunespiegazioniutili vi
aiuteranno a superare le
eventuali
difficoltà
tecniche. Inoltre, sul
disco (audio mp3 e video
mp4) allegato al metodo,
troverete per ogni
accompagnamento una
dimostrazione con suono
ed immaginenonché
una base musicale
specifica, a due
velocità diverse,
che vi permetterà
d’imparare a
suonare a tempo
nonché
divertirvi… come
se foste in un gruppo, in
mezzo ad altri
musicisti. $18.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Caminemos con Jesús GIA Publications
SKU: GI.G-1064 Composed by Tony Alonso S.J. Sacred. GIA Publications #106...(+)
SKU: GI.G-1064
Composed by Tony Alonso
S.J. Sacred. GIA
Publications #1064.
Published by GIA
Publications (GI.G-1064).
UPC:
785147006428. From
the music of the Buena
Vista Social Club to
Gloria Estefan, the
lyrical melodies and
infectious rhythms of
Cuban music have become
embedded in U.S. culture.
With Caminemos con
Jesús / Let Us Walk
with Jesus, composer Tony
Alonso presents a
groundbreaking collection
of liturgical music that
calls on his own Cuban
musical heritage to
provide new ways of
singing the liturgy in
Spanish, English or
bilingually. The first
project of its kind,
Caminemos con Jesús
not only utilizes rich
Cuban idioms but also
explores what style and
musical form can teach us
about praying together
across cultural and
linguistic boundaries.
The dynamic
call-and-response form
that is a hallmark of
traditional Cuban music
makes these songs
especially compelling
choices for bilingual
worship, allowing
assemblies to learn,
internalize, and pray
easily in both Spanish
and English.
“Qué AlegrÃa
Cuando Me Dijeron / I
Rejoiced When I Heard
Them Say†uses the
words of the psalm as a
rhythmic mantra, creating
a fresh and engaging way
to gather as the Body of
Christ. “LetanÃa
a la Madre de las
Américas / Litany of
Mary of The
Americas,†invokes
the Mary of many names
and nations with a simple
yet strong response that
will enliven Marian
feasts throughout the
year. The gentle
simplicity of “Tres
Guajiros / Three
Peasantsâ€
re-imagines the story of
the Magi as humble
peasants bringing gifts
of the land to honor the
newborn Jesus. Also, in
this collection and for
the first time in
published form, is Gloria
Estefan’s
“Caridad,†a
powerful and poetic
prayer to Our Lady of
Charity, the patroness of
Cuba. All of the pieces
of this collection focus
on the importance of
bringing the voices of
the assembly to the
forefront while the
arrangements are
skillfully crafted to be
accessible to musicians
of all abilities. In
addition to the
spiral-bound edition,
individual octavos, and
flute and brass parts,
Caminemos con Jesús
offers a special edition
featuring parts for
guitar, percussion and
other instruments central
to Cuban music. The
studio recording is a
stunning source of prayer
and inspiration, produced
in Miami by Grammy Award
winner Juan Delgado and
featuring some of the
finest Cuban-American
musicians today. GIA
Publications, Inc. is
committed to responding
to the rich diversity of
the contemporary Church.
With Caminemos con
Jesús, we offer you
our very best bilingual
music for the liturgical
year. “The
music of my
father’s Cuban
homeland has been the
language of my heart for
as long as I can
remember. These songs
infuse that rich
tradition with the unique
sabor of my own
experience as a
Cuban-American in a
distinctly liturgical
shape that I hope will
inspire others in their
daily camino con
Jesús.â€
–Tony Alonso
Featuring “Live
Mercy, Be Holy / Vive la
Misericordia, Vive la
Santidad,†the 2020
Los Angeles Religious
Education Congress theme
song! Desde la música
de Buena Vista Social
Club hasta la de Gloria
Estefan, las melodÃas
lÃricas y ritmos
contagiosos de la
música cubana son
incrustados en la cultura
estadounidense. Con
Caminemos con Jesús /
Let Us Walk with Jesus,
el compositor Tony Alonso
presenta una colección
innovadora de música
litúrgica que
incorpora su herencia
musical cubana para
producir una manera nueva
de cantar la liturgia
— en español,
inglés o
bilingüemente. El
primer proyecto de este
tipo, Caminemos con
Jesús no sólo
utiliza modismos ricos de
Cuba sino también
explora lo que el estilo
y la forma musical nos
pueden enseñar con
respeto a rezar juntos a
través de los
lÃmites culturales y
lingüÃsticos.Â
La forma dinámica de
llamada-y-respuesta que
es un sello distintivo de
la música cubana
tradicional crea opciones
cautivadoras para los
rituales bilingües
donde la asamblea puede
aprender, interiorizar y
rezar facilmente tanto en
español como en
inglés. “Qué
AlegrÃa Cuando Me
Dijeron†incorpora
la letra del salmo como
una mantra rÃtmica,
creando una manera
original para congregar
al Cuerpo de Cristo. La
“LetanÃa a la
Madre de las
Américas,†la
cual invoca a la MarÃa
de muchos nombres y
naciones utilizando una
respuesta sencilla y
fuerte, enriquecerá a
las fiestas marianas de
muchos pueblos durante
todo el año. La
sencillez suave de
“Tres
Guajiros†reimagina
la historia de los Reyes
Magos como guajiros
humildes, trayendo
regalos de la tierra para
honrar al recién
nacido Jesús.
También se encuentra
en esta colección, por
la primera vez en forma
publicada, el tema
musical
“Caridad†por
Gloria Estefan, que es
una oración poderosa y
poética a Nuestra
Madre de Caridad, la
patrona de Cuba. Todas
las piezas en esta
colección se enfocan
en la importancia de las
voces de la asamblea
mientras los arreglos son
accesibles para los
músicos de todas
habilidades. Además de
la edición con
espiral, las partituras
corales individuales, y
las ediciones para flauta
y instrumentos de metal,
Caminemos con Jesús
también ofrece una
edición para guitarra
con partituras
adicionales para
percusión y otros
instrumentos centrales en
la música cubana. La
grabación del estudio
es espectacular, una
fuente de oración y
inspiración. Producido
en Miami por el ganador
de Grammy Juan Delgado,
el álbum destaca los
talentos de unos de los
mejores músicos
cubano-americanos de hoy
dÃa. GIA
Publications, Inc.
está comprometido a
responder a la diversidad
rica de la Iglesia
actual. En Caminemos con
Jesús, les ofrecemos
nuestra mejor música
bilingüe para todo el
año litúrgico.
“La música de la
tierra cubana de mi padre
ha sido el lenguaje de mi
corazón desde que yo
tengo memoria. Estas
canciones infunden esa
rica tradición del
sabor único de mi
propia experiencia como
cubanoamericano con una
forma claramente
litúrgica. Es mi deseo
que esta obra inspire a
los demás en su propio
camino diario con
Jesúsâ€.
–Tony AlonsoÂ
Incluye el canto tema,
“Vive la
Misericordia, Vive la
Santidad / Live Mercy, Be
Holy,†compuesto
para el Congreso de
Educación Religiosa de
Los Angeles del 2020.
CONTENTS / CONTENIDO:
Arriba los Corazones / We
Lift Up Our Hearts
• Caminemos con
Jesús / Let Us Walk
with Jesus •
Cántico de Daniel /
Canticle of Daniel
• Caridad / Our
Lady of Charity •
LetanÃa del Santo
Nombre de Jesús /
Litany of the Holy Name
of Jesus •
LetanÃa a la Madre de
las Américas / Litany
to the Mother of the
Americas • Qué
AlegrÃa Cuando Me
Dijeron / I Rejoiced When
I Heard them Say •
Una Gran Nube de Testigos
/ A Wondrous Cloud of
Witnesses • Tres
Guajiros / Three Peasants
• Vayan Por el
Mundo Entero / Go Out to
All the World •
Vive la Misericordia,
Vive la Santidad / Live
Mercy, Be Holy. Â . $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Real Latin Book Instruments en Sib [Fake Book] Hal Leonard
(B-Flat Instruments). Composed by Various. For B-flat Instruments. Fake Book. So...(+)
(B-Flat Instruments).
Composed by Various. For
B-flat Instruments. Fake
Book. Softcover. 576
pages. Published by Hal
Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Latin Book Instruments en Do [Fake Book] Hal Leonard
(C Instruments). By Various. For C Instruments. Fake Book. Softcover. 464 pages....(+)
(C Instruments). By
Various. For C
Instruments. Fake Book.
Softcover. 464 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 20th Century American Duos for Flute & Piano [CD d'écoute] Mark Custom Music
By Susan Levitin, flute; Gerald Rizzer, piano. By Various. For flute solo. Mark ...(+)
By Susan Levitin, flute;
Gerald Rizzer, piano. By
Various. For flute solo.
Mark Records. Audio CD.
Published by Mark Custom
Music
$15.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The William Bay Collection - Plectrum Guitar Solo Anthology Guitare [Partition + Accès audio] - Intermédiaire Mel Bay
Guitar - Intermediate SKU: MB.WBM58M Traditional, Wire bound, Celtic. Fol...(+)
Guitar - Intermediate
SKU: MB.WBM58M
Traditional, Wire bound,
Celtic. Folk. Book and
online audio. 216 pages.
Mel Bay Publications, Inc
#WBM58M. Published by Mel
Bay Publications, Inc
(MB.WBM58M). ISBN
9781736363058. 8.75x11.75
inches. A
comprehensive collection
of 172 guitar solos for
the flatpick or plectrum
guitarist. All solos are
written in standard
notation with
accompanying online
recordings by the author.
The solos include
beautiful American,
British and Celtic airs
and ballads, Celtic dance
tunes, lute and early
music, popular classical
repertoire and
contemporary etudes.
Includes access to online
audio. $34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pacific Dreams Chorale SATB [Conducteur et Parties séparées] - Facile De Haske Publications
SATB Choir - Grade 3 SKU: BT.DHP-0991451-050 Composed by Jacob De Haan. I...(+)
SATB Choir - Grade 3
SKU:
BT.DHP-0991451-050
Composed by Jacob De
Haan. Inspiration Series.
Set (Score & Parts).
Composed 1999. De Haske
Publications #DHP
0991451-050. Published by
De Haske Publications
(BT.DHP-0991451-050).
English. Pacific
Dreams describes the
experience of Miguel, a
traveling composer from
Spain who, feeling
somewhat alienated from
his homeland, is
wandering through an area
of Sydney known as The
Rocks. At a small outdoor
market in a typical
street of this
oldcolonial
neighbourhood, he
discovers a print of
William DeShazos painting
Pacific Dreams Portrayed
in the painting is the
surf of one of the exotic
islands in the Pacific.
Next, with the impressive
Sydney Harbour Bridge
looming over the
narrowstreets of The
Rocks, he envisions
sultry Pacific beaches.
Suddenly a theme he once
composed about the lakes
in Japan comes to him. Is
it the Asian influences
present in cosmopolitan
Sydney that bring this
theme to mind? Or perhaps
the waters aroundSydney,
over which he could sail
to Tahiti? He is
uncertain. Could this
same theme be used to
create a new composition
about his feelings for
the metropolis Sydney?
How then to work his
Pacific Dreams into the
mix? Miguel is certainly
no fan ofHawaiian music.
Mayby he could use the
vocabularies of islands
like Hawaii and Tahiti,
their beautiful vowel
combinations being sung
ad libitum by a mixed
choir.With these ideas
and his newly purchased
print of Pacific Dreams,
he boards the Metroat
Circular Quay. He has a
final glimpse of the
harbour and the Sydney
Opera House as the train
races into the ground. On
to the hotel! To work! He
must compose!Maestoso :
Miguel is impressed as he
gazes upon the Sydney
Harbour Bridge. And yet,
hewants to go away from
this city. Away, to an
exotic island in the
Pacific.Steady Rock : In
the Rocks, musicians are
playing at a square.
Miguel basks in the
atmosphere but at the
same time he is
fantasizing about Hawaii
and Tahiti.Andante
Lamentoso :In his hotel
room, Miguel is feeling
sad and lonely in this
big city. He takes
comfort in his Pacific
Dreams.Allegro : Miguel
boards the boat that
takes him from Darling
Harbour to Circular Quay.
In his mind he is
traveling on to Hawaii.
Or is ithome, where the
bolero is playing? He is
pulled back to reality by
the skyline of
Sydney.
Wir
schlüpfen in die Haut
von Miguel und reisen mit
ihm nach Australien.
Einigermaßen
entfremdet von seiner
spanischen Heimat
schlendert er durch das
Viertel The Rocks in
Sydney. Auf einem kleinen
Markt entdeckt er einen
Druck des Gemäldes
Pacific Dreams von
William DeShazo. Das Bild
stellt die Meeresbrandung
auf einer exotischen
Insel im Pazifik dar.
Während die
eindrucksvolle Harbour
Bridge von Sidney vor ihm
auftaucht, ist er in
Gedanken bei den
heißen Stränden im
Stillen Ozean. Auf einmal
kommt ihm das Thema in
den Sinn, das er einst
über die Gewässer
Japans komponiert hatte.
Liegt es an den
asiatischen
Einflüssen, die im
kosmopolitischen Sydney
so vielfältig
vertretensind? Oder sind
es die Wasser rund um
Sydney, über die er
nach Tahiti segeln
könnte? Er ist sich
unsicher. Könnte er
genau dieses Thema für
eine neue Komposition
über die Metropole
Sydney verwenden? Wie
sollte er seine Träume
vom Pazifik, seine
Pacific Dreams, in
diese Mixtur einbringen?
Vielleicht könnte er
den Wortschatz von Inseln
wie Hawaii und Tahiti
für seine Komposition
verwenden. Und einen
gemischten Chor die
schönen
Vokalverbindungen ad
libitum singen lassen.
Mit diesen Ideen im Kopf
steigt er in die Metro am
Circular Quay. Auf ins
Hotel und frisch ans
Werk! Jetzt muss er
einfach
komponieren.... $31.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| In principio era il canto. Ripristini e restauri tecnico-vocali Ut Orpheus
Books and Journals; Voice SKU: UT.LB-25 Composed by Antonio Juvarra. Pape...(+)
Books and Journals; Voice
SKU: UT.LB-25
Composed by Antonio
Juvarra. Paperback (Soft
Cover). Studies and
Texts. Classical. Books
and Journals. 192 pages.
Ut Orpheus #LB 25.
Published by Ut Orpheus
(UT.LB-25). ISBN
9788881094943. 5.51 x
8.26 inches. Da
anni nel canto si assiste
al fenomeno del
moltiplicarsi delle
tecniche vocali. Queste
tecniche, quasi tutte
ispirate al meccanicismo
foniatrico più datato,
hanno una pretesa di
scientificità che è
paradossalmente smentita
sul nascere dalla loro
violazione dei principi
primi della fisica
acustica e della
fisiologia. Il risultato
è un canto forzato,
faticoso e monocorde,
frutto della
moltiplicazione dei
controlli muscolari
diretti. Al di sopra
di queste forme inferiori
di canto si pone il canto
di alto livello
dell’antica scuola
italiana, che si basa al
contrario sulla
semplificazione degli
elementi di controllo,
sul rispetto dei principi
funzionali di massima
resa e minimo sforzo e ha
come esito la purezza del
suono, la risonanza
libera, la facilità di
emissione e la ricchezza
coloristica, dinamica ed
espressiva. Demolire
le impalcature
pseudo-tecniche che
sempre di più
soffocano la voce, e
ripristinare
l’antica tecnica
vocale italiana sono
diventati al giorno
d’oggi i due
obiettivi più
importanti che deve porsi
ogni serio cantante e
maestro di canto. $33.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Harbor Music Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
String Quartet SKU: PR.16400222S Composed by Dan Welcher. Full score (stu...(+)
String Quartet SKU:
PR.16400222S Composed
by Dan Welcher. Full
score (study). With
Standard notation.
Duration 11 minutes.
Theodore Presser Company
#164-00222S. Published by
Theodore Presser Company
(PR.16400222S). UPC:
680160037841. This
work follows my Quartet
No. 1 by five years. In
terms of style and
aesthetic aim, however,
it seems light years
away. Where the first
work, a 28-minute,
four-movement piece, took
aim at cosmic conflicts
and heroic resolutions,
the present work is
intended as a kind of
divertissment. Harbor
Music lasts a mere eleven
minutes, is cast in a
single movement with six
sections, and should
leave both performers and
listeners with a feeling
of good humor and
affection. The
title comes from my
experience as a guest in
the magnificent city of
Sydney, Australia. One of
its most attractive
features is its unique
system of ferry boats:
the city is laid out
around a large,
multi-channeled harbor,
with destinations more
easily approached by
water than by land.
Consequently, inhabitants
of Sydney get around on
small, people-friendly
boats that come and go
from the central docks at
Circular Quay. During a
week's visit in 1991, I
must have boarded these
boats at least a dozen
times, always bound for a
new location - the resort
town of Manley, or the
Zoo at Taronga Park, or
the shopping district at
Darling Harbour.
In casting about for a
form for my second string
quartet, a kind of loose
rondo came to mind. Each
new destination would be
approached from the same
starting-out point
(although there are
subtle variations in the
repeating theme; it's
always in a new key, and
the texture is never the
same). The result, I
hope, is a sense of
constant new information
presented with
introductory frames of a
more familiar nature.
The embarkation
theme, which begins the
piece, is a sort of
bi-tonal fanfare in which
the violins are in G
major and the viola and
cello are in B-flat
major. It is bold, eager,
and forward-looking. The
first voyage maintains
this bi-tonality,
beginning as a 9/8 due
for second violin and
viola in a kind of
rocking motion -much as a
boat produces when
reaching the deeper water
in the harbor. A sweet,
nostalgic theme emerges
over this rocking
accompaniment. This music
is developed somewhat,
then transforms quickly
into a much faster and
lighter episode, filled
with rising and falling
scales (again, in
differing keys). A
scherzando interlude in
short notes and changing
meters provides contrast,
and the episode ends with
a reprise of the scales.
The second
embarkation follows, this
time in A major/C major.
It leads quickly into a
very warm and slow theme,
in wide-leaping intervals
for the viola. This
section is interrupted
twice by solo cadenzas
for the cello, suggesting
distant boat-horns in
major thirds. The end of
the episode becomes a
transition, with
boat-horns leading into
the final appearance of
the embarkation music,
this time in trills and
tremolos instead of
sharply accented chords.
The nostalgic theme of
the first episode makes a
final appearance, serving
now as a coda. The
rocking motion continues,
in a lullaby fashion,
leaving us drowsy and
satisfied on our homeward
journey. Harbor
Music was written for the
Cavani Quartet, and is
dedicated to Richard J.
Bogomolny. Commissioned
by his employees at First
National Supermarkets as
a gift, it represents a
thank you from many of
the people (including
this composer) who have
benefitted from his
vision and generosity. An
ardent advocate of
chamber music (and a
cellist himself), Mr.
Bogomolny has for many
years been Chairman of
the Board of Chamber
Music America. -- Dan
Welcher. $25.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Violin - Concerto Orchestre, Violon SATB, Orchestre Editorial de Musica Boileau
Violin and orchestra SKU: BO.B.3340 Composed by Jordi Cervello. Instrumen...(+)
Violin and orchestra
SKU: BO.B.3340
Composed by Jordi
Cervello. Instrumental
Sets. Duration 29:00.
Published by Editorial de
Musica Boileau
(BO.B.3340). ISBN
9788480207591. Engl
ish comments: My
dedication to the string
instruments has been a
constant throughout my
compositional career and
I knew that sooner or
later the time would come
to compose a concerto for
violin and orchestra.
That moment came in the
autumn of 2002 and after
ten months of
uninterrupted work I
finished it in August of
2003. It is a work
structured similarly to
the traditional
concertos. An important
impetus for the
elaboration of my
concerto was due to the
ill-fated violinist
Ginette Neveu. Her
version of Sibelius'
Concerto has always
stayed with me. For this
reason the first
movement,
Moderato-Allegro, begins
with a contemplative
atmosphere similar to
that of Sibelius'
Concerto in which the
principal thematic ideas
appear tentatively. These
ideas, two rhythmic and
two melodic, are
reaffirmed through a
broad development that
culminates in an
orchestral fullness. A
calm, mysterious passage
recalls the introduction
and after becoming
blurred, three bars burst
in leading to the rapid
section of the movement.
Soloist and orchestra
engage in a dialectic
struggle of a dramatic
nature. The agitation
subsides leaving only a
tranquil and suggestive
clarinet phrase. This
will be taken up by the
soloist who leads up to
the movement's most
dramatic moment playing
an accelerating triplet
figure supported by an
orchestral pedal in
crescendo. From here the
soloist's cadenza emerges
beginning with soft
double notes. It finishes
with an ascending
progression and the
soloist settles into the
high register to elicit
the orchestra's
intervention in a soft
and transfigured
atmosphere. Once
internalised the second
movement, Adagio poco
sostenuto e leggero
begins. It has a solemn
character and opens with
two trumpet calls
answered by the
violoncellos and the
contrabasses. The violin
soloist introduces and
plays two nostalgic
themes, the first in the
low register and the
second, more extensive,
in the middle register.
The soft and delicate
Misterioso e leggero
begins with the violin
singing on high. The
rhythm of the constant
quaver figures gradually
accelerates until the
soloist provokes a
dramatic full orchestra
as in a cadenza. Once
again, the Calmo, in
which the soloist with
less and less orchestral
attire serenely bids
farewell. A rising series
of double stops by the
soloist serves to
initiate the
Finale-Scherzo. In 6/8
rhythm and with the
character of a rondo it
carries us along in a
carefree, virtuosic
ambiance. The principal
motives, brief and
concise, emerge from the
happy, playful theme
presented by the soloist.
With an intricate
progression of rapid
sixths in double stops it
reaches a tense and
somewhat combative
moment. However this
resolves itself in a
diminuendo that the
soloist peacefully takes
up with the notes re-la
to commence the cadenza.
This culminates in a
series of tied notes to
reintroduce the principal
theme. A moment of
melodic suspension serves
as a farewell before the
brief and jovial final
coda. --The
author
Comentari
os del Espanol: A lo
largo de mi carrera
compositiva mi dedicacion
a los instrumentos de
cuerda ha sido constante
y sabia que, tarde o
temprano, llegaria el
momento de componer un
concierto para violin y
orquesta. Este llego en
otono de 2002 y, tras
diez meses de trabajo
ininterrumpido, lo
termine en agosto de
2003. Se trata de una
obra estructurada de
manera similar a los
conciertos tradicionales.
Un importante impulso a
la elaboracion de mi
concierto lo debo al
recuerdo de la malograda
violinista Ginette Neveu.
Su version del concierto
de Sibelius ha
permanecido siempre
dentro de mi. Por ese
motivo, el primer
movimiento
Moderato-Allegro se
inicia con una atmosfera
contemplativa cercana a
la del mencionado
Concierto, en la que
aparecen cautamente las
principales ideas
tematicas. Con un amplio
desarrollo se llega a un
lleno orquestal en el que
estas ideas -dos ritmicas
y dos melodicas- quedan
reafirmadas. Un pasaje
calmo y misterioso
rememora la introduccion.
Tras desdibujarse,
irrumpen tres compases
que nos llevan a la parte
rapida del movimiento.
Solista y orquesta
establecen un combate
dialectico de caracter
dramatico. La inquietud
desaparece hasta una
tranquila e insinuante
frase del clarinete. Esta
sera recogida por el
solista, quien, a base de
una figuracion de
tresillos cada vez mas
rapidos apoyada por un
pedal de la orquesta in
crescendo, conduce hacia
el momento mas dramatico
del movimiento. De aqui
nace la cadenza del
solista, que se incia con
suaves notas dobles.
Finaliza con una
progresion ascendente y
el solista se coloca en
el registro agudo para
llamar la intervencion de
la orquesta dentro de una
atmosfera suave y
transfigurada.
Interiorizado es el
segundo movimiento Adagio
poco sostenuto e leggero.
Con dos llamadas de las
trompas respondidas por
los violonchelos y
contrabajos inicia el
Adagio de caracter grave.
El violin solista
introduce y canta dos
temas nostalgicos. El
primero en el registro
grave y el segundo, mas
amplio, en el medio.
Inicia el Misterioso e
leggero, de caracter
suave y delicado. Con el
violin cantando en agudo.
La constante figuracion
de corcheas acelerara
poco a poco el ritmo
hasta que el solista a
modo de cadenza provocara
un dramatico lleno
orquestal. De nuevo el
Calmo, donde el solista,
cada vez con menos ropaje
orquestal, se despide
serenamente. Una subida
de dobles cuerdas a cargo
del solista sirve para
iniciar el
Finale-Scherzo. Este, en
ritmo de 6/8 y con
caracter de rondo, nos
transporta en un clima
virtuosistico y
despreocupado. Del tema
alegre y jugueton
presentado por el solista
nacen los principales
motivos, breves y
concisos. Con una
intrincada sucesion de
rapidas sextas en doble
cuerda se llega a un
momento crispado y algo
combativo que, sin
embargo, se resolvera en
un diminuendo que el
solista recoge
apaciblemente con las
notas re-la para inciar
la cadenza. Esta culmina
con un suave rosario de
notas en ligado para
introducir de nuevo el
tema principal. Un
momento de suspension
melodica sirve como
despido antes de la breve
y jovial coda final. La
obra fue estrenada el 23
de septiembre de 2005 en
el Teatre Monumental de
Madrid por la Orquesta
Sinfonica de RTVE con
Markus Placci de solista
y Uwe Mund de director.
Gravacion: RNE y Canal
Clasico de TVE. --El
Autor. $42.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Pacific Dreams Ensemble de cuivres [Conducteur et Parties séparées] - Facile De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-0991451-030 Composed by Jacob De Haan. I...(+)
Brass Band - Grade 3
SKU:
BT.DHP-0991451-030
Composed by Jacob De
Haan. Inspiration Series.
Original Light Music. Set
(Score & Parts). Composed
1999. De Haske
Publications #DHP
0991451-030. Published by
De Haske Publications
(BT.DHP-0991451-030).
Pacific Dreams
describes the experience
of Miguel, a traveling
composer from Spain who,
feeling somewhat
alienated from his
homeland, is wandering
through an area of Sydney
known as The Rocks. At a
small outdoor market in a
typical street of this
oldcolonial
neighbourhood, he
discovers a print of
William DeShazos painting
Pacific Dreams Portrayed
in the painting is the
surf of one of the exotic
islands in the Pacific.
Next, with the impressive
Sydney Harbour Bridge
looming over the
narrowstreets of The
Rocks, he envisions
sultry Pacific beaches.
Suddenly a theme he once
composed about the lakes
in Japan comes to him. Is
it the Asian influences
present in cosmopolitan
Sydney that bring this
theme to mind? Or perhaps
the waters aroundSydney,
over which he could sail
to Tahiti? He is
uncertain. Could this
same theme be used to
create a new composition
about his feelings for
the metropolis Sydney?
How then to work his
Pacific Dreams into the
mix? Miguel is certainly
no fan ofHawaiian music.
Mayby he could use the
vocabularies of islands
like Hawaii and Tahiti,
their beautiful vowel
combinations being sung
ad libitum by a mixed
choir.With these ideas
and his newly purchased
print of Pacific Dreams,
he boards the Metroat
Circular Quay. He has a
final glimpse of the
harbour and the Sydney
Opera House as the train
races into the ground. On
to the hotel! To work! He
must compose!Maestoso :
Miguel is impressed as he
gazes upon the Sydney
Harbour Bridge. And yet,
hewants to go away from
this city. Away, to an
exotic island in the
Pacific.Steady Rock : In
the Rocks, musicians are
playing at a square.
Miguel basks in the
atmosphere but at the
same time he is
fantasizing about Hawaii
and Tahiti.Andante
Lamentoso :In his hotel
room, Miguel is feeling
sad and lonely in this
big city. He takes
comfort in his Pacific
Dreams.Allegro : Miguel
boards the boat that
takes him from Darling
Harbour to Circular Quay.
In his mind he is
traveling on to Hawaii.
Or is ithome, where the
bolero is playing? He is
pulled back to reality by
the skyline of
Sydney.
Wir
schlüpfen in die Haut
von Miguel und reisen mit
ihm nach Australien.
Einigermaßen
entfremdet von seiner
spanischen Heimat
schlendert er durch das
Viertel The Rocks in
Sydney. Auf einem kleinen
Markt entdeckt er einen
Druck des Gemäldes
Pacific Dreams von
William DeShazo. Das Bild
stellt die Meeresbrandung
auf einer exotischen
Insel im Pazifik dar.
Während die
eindrucksvolle Harbour
Bridge von Sidney vor ihm
auftaucht, ist er in
Gedanken bei den
heißen Stränden im
Stillen Ozean. Auf einmal
kommt ihm das Thema in
den Sinn, das er einst
über die Gewässer
Japans komponiert hatte.
Liegt es an den
asiatischen
Einflüssen, die im
kosmopolitischen Sydney
so vielfältig
vertretensind? Oder sind
es die Wasser rund um
Sydney, über die er
nach Tahiti segeln
könnte? Er ist sich
unsicher. Könnte er
genau dieses Thema für
eine neue Komposition
über die Metropole
Sydney verwenden? Wie
sollte er seine Träume
vom Pazifik, seine
Pacific Dreams, in
diese Mixtur einbringen?
Vielleicht könnte er
den Wortschatz von Inseln
wie Hawaii und Tahiti
für seine Komposition
verwenden. Und einen
gemischten Chor die
schönen
Vokalverbindungen ad
libitum singen lassen.
Mit diesen Ideen im Kopf
steigt er in die Metro am
Circular Quay. Auf ins
Hotel und frisch ans
Werk! Jetzt muss er
einfach
komponieren.... $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Folk. Series: Hal
Leonard Fake Books. 536
pages. 9.6x12 inches.
Published by Hal Leonard.
(10)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
1 |