| Samuel Adler : Fantasy Piano seul Theodore Presser Co.
Composed by Samuel Adler. For piano solo. Contemporary. Score and Part. St...(+)
Composed by Samuel Adler.
For piano solo.
Contemporary. Score and
Part. Standard Notation.
8
pages. Duration 6
minutes.
Published by Theodore
Presser Company
$11.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Piano Preludes Piano seul Carl Fischer
| | |
| Samuel Adler: Concerto Alto, Piano [Reduction] Theodore Presser Co.
For Viola and Orchestra. By Samuel Adler. For Viola Solo, Piano. This edition: S...(+)
For Viola and Orchestra.
By Samuel Adler. For
Viola Solo, Piano. This
edition: Solo Part and
Piano Reduction.
Classical. Solo Part with
Piano Reduction. Composed
1998. 33 pages. Duration
23:00. Published by
Theodore Presser Company.
$21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A Bonnie Tune Flûte traversière [Partie seule] - Avancé Theodore Presser Co.
(A Scherzo for Solo Flute). By Samuel Adler. For flute solo. Solo part. 4 pages....(+)
(A Scherzo for Solo
Flute). By Samuel Adler.
For flute solo. Solo
part. 4 pages. Duration 3
minutes, 40 seconds.
Published by Theodore
Presser Company
$7.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Three Liturgical Settings Chorale 3 parties SAB Transcontinental Music
By Samuel Adler. (SAB). TRANSCONTINENTAL MUSIC CHORAL. Jewish. 15 pages. Publis...(+)
By Samuel Adler. (SAB).
TRANSCONTINENTAL MUSIC
CHORAL. Jewish. 15 pages.
Published by
Transcontinental Music
Publications.
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Canto III Violon [Partie seule] Carl Fischer
(Solo Violin). By Samuel Adler. Solo instrument. For Violin. Premiere: Zvi Zeitl...(+)
(Solo Violin). By Samuel
Adler. Solo instrument.
For Violin. Premiere: Zvi
Zeitlin, New York, 1977.
Contemporary. Solo part.
Standard notation.
Composed DECEMBER 1975. 4
pages. Duration 8
minutes. Published by
Carl Fischer . solo
part. contemporary.
$15.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Two Southern Appalachian Folk Songs Violon et Piano Theodore Presser Co.
Composed by Samuel Adler. For violin and piano. Contemporary. Score and Part. St...(+)
Composed by Samuel Adler.
For violin and piano.
Contemporary. Score and
Part. Standard Notation.
10 pages. Duration 4
minutes. Published by
Theodore Presser Company
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Solemn Soliloquy Violon [Conducteur] Theodore Presser Co.
Composed by Samuel Adler. For violin solo. Score. 4 pages. Duration 5 minutes. P...(+)
Composed by Samuel Adler.
For violin solo. Score. 4
pages. Duration 5
minutes. Published by
Theodore Presser Company
$10.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Seven Variations On "God Save The King" [Conducteur] Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Flute 1, Flu...(+)
Orchestra Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
Flute 1, Flute 2, Horn 1,
Horn 2, Oboe 1, Oboe 2,
Timpani, Trumpet 1,
Viola, Violin 1, Violin
2, Violoncello SKU:
PR.416415450 For
Orchestra. Composed
by Ludwig van Beethoven.
Arranged by Samuel Adler.
This edition:
Orchestration by Samuel
Adler. Sws. Classical.
Full score. With Standard
notation. Composed 2015.
44 pages. Duration 10
minutes. Theodore Presser
Company #416-41545.
Published by Theodore
Presser Company
(PR.416415450). UPC:
680160632695. 8.5x11
inches. Key: C major.
Orchestration by Samuel
Adler. $34.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Nuptial Scene Carl Fischer
Chamber Music Bass Clarinet, Celesta, Cello, Flute, Mezzo-soprano voice, Oboe, P...(+)
Chamber Music Bass
Clarinet, Celesta, Cello,
Flute, Mezzo-soprano
voice, Oboe, Percussion,
Viola, Violin SKU:
CF.FE189S Composed by
Samuel Adler. Large
Score. With Standard
notation. 41 pages.
Duration 10 minutes. Carl
Fischer Music #FE189S.
Published by Carl Fischer
Music (CF.FE189S).
ISBN 9780825877520.
UPC: 798408077525. 9.5 x
13 inches. Nuptial
Scene was commissioned by
the Jerusalem Symphony
Orchestra in cooperation
with the city of
Jerusalem for the
celebration of the fourth
Testimonium, a festival
to preserve Jewish
heritage. The work was
written in September,
1975, and premiered in
Jerusalem in February,
1976, with the Jerusalem
Symphony, Juan Pablo
Izquierdo conducting, and
Adi Etzion as soloist. It
is dedicated to Recha
Freier, the originator
and prime mover of the
festival. Nuptial Scene
is based on a simple
medieval poem of
prenuptial instruction.
Part of it is in Catalan
and part in Hebrew. The
poem originated in
Catalonia, where a highly
developed Jewish
community existed until
the expulsion of 1492. A
mother is instructing her
daughter in the ways and
strategies of marriage
and rejoicing with a new
song for a new bride.
When I initially planned
the setting for this
lovely poem, I realized
that the age of the
daughter would be about
twelve, for girls in that
historical period were
married at puberty. This
set in motion a scheme
for the composition,
since my oldest daughter
was thirteen at that
time, and I used her
psyche to give me
direction. When a girl of
twelve or thirteen thinks
of a wedding, she is
completely captivated by
its frills -- the dress,
the party, the dancing.
In her imagination, the
reality of a husband or
any kind of domestic
responsibility would be
nonexistent. Therefore,
during the mother's
ardent pleas,
instructions,
admonitions, and even
innuendos, the daughter's
mind wanders and dreams
of dancing. Musically,
the rather straight,
somber rhythm and melody
of the song are
interrupted by an
independent, faster dance
speed of the bongos and
by scattered fragments of
an actual medieval
Spanish-Jewish dance. At
the point where the
mother speaks of sensuous
marital problems, she
herself becomes excited,
and in a nostalgic,
dreamlike spirit -- with
the use of improvised
melodic lines for which
only the gestural
outlines are given -- she
goes into a kind of
rapturous trance. The
daughter, however, seems
unmoved, and she falls
asleep. The mother calms
down, puts her head on
the daughter's shoulder,
and quietly muses, then
also closes her eyes.
--Samuel Adler
 . Nuptial Scene
was commissioned by the
Jerusalem Symphony
Orchestra in cooperation
with the city of
Jerusalem for the
celebration of the fourth
“Testimoniumâ€
, a festival to preserve
Jewish heritage. The
work was written in
September, 1975, and
premiered in Jerusalem in
February, 1976, with the
Jerusalem Symphony, Juan
Pablo Izquierdo
conducting, and Adi
Etzion as
soloist.  It is
dedicated to Recha
Freier, the originator
and prime mover of the
festival.Nuptial Scene is
based on a simple
medieval poem of
prenuptial
instruction. Part of
it is in Catalan and part
in Hebrew. The poem
originated in Catalonia,
where a highly developed
Jewish community existed
until the expulsion of
1492. A mother is
instructing her daughter
in the ways and
strategies of marriage
and rejoicing with a
“new songâ€
for a “new
brideâ€.When I
initially planned the
setting for this lovely
poem, I realized that the
age of the daughter would
be about twelve, for
girls in that historical
period were married at
puberty. This set in
motion a scheme for the
composition, since my
oldest daughter was
thirteen at that time,
and I used her psyche to
give me direction.Â
When a girl of twelve or
thirteen thinks of a
wedding, she is
completely captivated by
its frills — the
dress, the party, the
dancing. In her
imagination, the reality
of a husband or any kind
of domestic
responsibility would be
nonexistent.Â
Therefore, during the
mother’s ardent
pleas, instructions,
admonitions, and even
innuendos, the
daughter’s mind
wanders and dreams of
dancing. Musically,
the rather straight,
somber rhythm and melody
of the song are
interrupted by an
independent, faster dance
speed of the bongos and
by scattered fragments of
an actual medieval
Spanish-Jewish dance.Â
At the point where the
mother speaks of sensuous
marital problems, she
herself becomes excited,
and in a nostalgic,
dreamlike spirit —
with the use of
improvised melodic lines
for which only the
gestural outlines are
given — she goes
into a kind of rapturous
trance. The daughter,
however, seems unmoved,
and she falls asleep.Â
The mother calms down,
puts her head on the
daughter’s
shoulder, and quietly
muses, then also closes
her eyes.—Samuel
Adler . $58.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Nuptial Scene Carl Fischer
Chamber Music Bass Clarinet, Celesta, Cello, Flute, Mezzo-soprano voice, Oboe, P...(+)
Chamber Music Bass
Clarinet, Celesta, Cello,
Flute, Mezzo-soprano
voice, Oboe, Percussion,
Viola, Violin SKU:
CF.FE189 Composed by
Samuel Adler. Set of
Score and Parts. With
Standard notation.
41+4+4+4+2+3+3+3+3 pages.
Duration 10 minutes. Carl
Fischer Music #FE189.
Published by Carl Fischer
Music (CF.FE189). ISBN
9780825877513. UPC:
798408077518. 9.5 x 13
inches. Nuptial
Scene was commissioned by
the Jerusalem Symphony
Orchestra in cooperation
with the city of
Jerusalem for the
celebration of the fourth
Testimonium, a festival
to preserve Jewish
heritage. The work was
written in September,
1975, and premiered in
Jerusalem in February,
1976, with the Jerusalem
Symphony, Juan Pablo
Izquierdo conducting, and
Adi Etzion as soloist. It
is dedicated to Recha
Freier, the originator
and prime mover of the
festival. Nuptial Scene
is based on a simple
medieval poem of
prenuptial instruction.
Part of it is in Catalan
and part in Hebrew. The
poem originated in
Catalonia, where a highly
developed Jewish
community existed until
the expulsion of 1492. A
mother is instructing her
daughter in the ways and
strategies of marriage
and rejoicing with a new
song for a new bride.
When I initially planned
the setting for this
lovely poem, I realized
that the age of the
daughter would be about
twelve, for girls in that
historical period were
married at puberty. This
set in motion a scheme
for the composition,
since my oldest daughter
was thirteen at that
time, and I used her
psyche to give me
direction. When a girl of
twelve or thirteen thinks
of a wedding, she is
completely captivated by
its frills -- the dress,
the party, the dancing.
In her imagination, the
reality of a husband or
any kind of domestic
responsibility would be
nonexistent. Therefore,
during the mother's
ardent pleas,
instructions,
admonitions, and even
innuendos, the daughter's
mind wanders and dreams
of dancing. Musically,
the rather straight,
somber rhythm and melody
of the song are
interrupted by an
independent, faster dance
speed of the bongos and
by scattered fragments of
an actual medieval
Spanish-Jewish dance. At
the point where the
mother speaks of sensuous
marital problems, she
herself becomes excited,
and in a nostalgic,
dreamlike spirit -- with
the use of improvised
melodic lines for which
only the gestural
outlines are given -- she
goes into a kind of
rapturous trance. The
daughter, however, seems
unmoved, and she falls
asleep. The mother calms
down, puts her head on
the daughter's shoulder,
and quietly muses, then
also closes her eyes.
--Samuel Adler
 . Nuptial Scene
was commissioned by the
Jerusalem Symphony
Orchestra in cooperation
with the city of
Jerusalem for the
celebration of the fourth
“Testimoniumâ€
, a festival to preserve
Jewish heritage. The
work was written in
September, 1975, and
premiered in Jerusalem in
February, 1976, with the
Jerusalem Symphony, Juan
Pablo Izquierdo
conducting, and Adi
Etzion as
soloist.  It is
dedicated to Recha
Freier, the originator
and prime mover of the
festival.Nuptial Scene is
based on a simple
medieval poem of
prenuptial
instruction. Part of
it is in Catalan and part
in Hebrew. The poem
originated in Catalonia,
where a highly developed
Jewish community existed
until the expulsion of
1492. A mother is
instructing her daughter
in the ways and
strategies of marriage
and rejoicing with a
“new songâ€
for a “new
brideâ€.When I
initially planned the
setting for this lovely
poem, I realized that the
age of the daughter would
be about twelve, for
girls in that historical
period were married at
puberty. This set in
motion a scheme for the
composition, since my
oldest daughter was
thirteen at that time,
and I used her psyche to
give me direction.Â
When a girl of twelve or
thirteen thinks of a
wedding, she is
completely captivated by
its frills — the
dress, the party, the
dancing. In her
imagination, the reality
of a husband or any kind
of domestic
responsibility would be
nonexistent.Â
Therefore, during the
mother’s ardent
pleas, instructions,
admonitions, and even
innuendos, the
daughter’s mind
wanders and dreams of
dancing. Musically,
the rather straight,
somber rhythm and melody
of the song are
interrupted by an
independent, faster dance
speed of the bongos and
by scattered fragments of
an actual medieval
Spanish-Jewish dance.Â
At the point where the
mother speaks of sensuous
marital problems, she
herself becomes excited,
and in a nostalgic,
dreamlike spirit —
with the use of
improvised melodic lines
for which only the
gestural outlines are
given — she goes
into a kind of rapturous
trance. The daughter,
however, seems unmoved,
and she falls asleep.Â
The mother calms down,
puts her head on the
daughter’s
shoulder, and quietly
muses, then also closes
her eyes.—Samuel
Adler . $90.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 10 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.114416260 Composed by Samuel Adler. ...(+)
Chamber Music String
Quartet SKU:
PR.114416260 Composed
by Samuel Adler.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed August 19 2013.
36+16+12+12+12 pages.
Duration 15 minutes.
Theodore Presser Company
#114-41626. Published by
Theodore Presser Company
(PR.114416260). ISBN
9781491101070. UPC:
680160620043. 9 x 12
inches. Adler's
milestone String Quartet
No. 10 was composed for
the Cassatt String
Quartet for performance
at the Bowdoin
International Music
Festival's 50th
Anniversary season in
2014. Built in a single
movement of contrasting
sections, Adler's 10th
will continue to be
featured in upcoming
concerts by the Cassatt
Quartet, including a
performance in Beijing in
July. The String
Quartet No. 10 was
written in 2013 for the
50th anniversary of the
Bowdoin International
Summer Music Festival and
is dedicated to the
Cassatt Quartet who
premiered the work during
the 50th anniversary
celebration in July 2014.
 The work was written
with a generous grant
from the Fromm Music
Foundation.The 10th
String Quartet is in one
continuous movement but
divided into four
sections. Â The first
section is a slow
introduction which
presents the basic
harmonic material of the
entire work. Â This is
suddenly interrupted by a
very agitated movement
forming a great contrast
to the calm of the
beginning. Â This
rhythmic drive comes to a
stop and is relieved by
the third section which
is a variation of the
beginning, but is a bit
longer and more
developed. Â This is
followed by the final
section which again
captures the agitation of
the second section and
brings the work to a wild
and most aggressive
end.—Samuel
Adler. $46.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Anthology of Jewish Art Song, Vol. 2 [Partition] Transcontinental Music
(Father to Son: A Hugo Chaim Adler & Samuel Adler Solo Collection). By Samuel Ad...(+)
(Father to Son: A Hugo
Chaim Adler & Samuel
Adler Solo Collection).
By Samuel Adler.
Transcontinental Music
Folios. Softcover. 114
pages. Transcontinental
Music #993357. Published
by Transcontinental Music
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fidl-Fantazye Violon et Piano Theodore Presser Co.
Chamber Music violin, piano SKU: PR.114418650 A Klezmer Concerto. ...(+)
Chamber Music violin,
piano SKU:
PR.114418650 A
Klezmer Concerto.
Composed by Noah
Bendix-Balgley. Arranged
by Samuel Adler. Set of
Score and Parts. With
Standard notation. 48+28
pages. Theodore Presser
Company #114-41865.
Published by Theodore
Presser Company
(PR.114418650). UPC:
680160642977. 9.5 x 13
inches. Bendix-Balg
ley is a major young
talent, currently serving
as first concertmaster in
the Berlin Philharmonic.
Klezmer music was a
background for his
childhood and has been an
influence in his life
ever since. Upon writing
his very own Klezmer
Concerto, Bendix-Balgley
was delighted to have the
master of orchestration,
Samuel Adler, produce
performance versions for
both full orchestra and a
fully-realized piano
reduction. Formerly
concertmaster with the
Pittsburgh Symphony
Orchestra, Bendix-Balgley
performed the premiere of
this PSO-commissioned
work in June, 2016 with
the PSO, Maestro Manfred
Honeck conducting.
Adler's piano reduction
of the work is now
available. $95.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alone, Together Theodore Presser Co.
Chamber Music Flute(s) SKU: PR.114422460 A Monologue for Solo Flute(+)
Chamber Music Flute(s)
SKU: PR.114422460
A Monologue for Solo
Flute. Composed by
Samuel Adler. Fold.
Performance Score. 4
pages. Duration 4:30.
Theodore Presser Company
#114-42246. Published by
Theodore Presser Company
(PR.114422460). ISBN
9781491134269. UPC:
680160684632. 9 x 12
inches. Artistic
expression always finds a
way to be heard, and
coping with the 2020
quarantine inspired a
great torrent of new
outlets for musical
performance. For Samuel
Adler, this sparked new
compositions for solo
performers, and for
flutist Mimi Stillman it
led to streaming solo
recitals featuring live
composer interviews.
Adler and Stillman
intersected with a new
solo flute work to be
premiered online, with
the composer remotely in
attendance, and the
perfectly titled ALONE,
TOGETHER. $9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Great Shofar is Sounded Orgue [Conducteur] Paraclete Press
Organ SKU: PL.PPM02159M Composed by Samuel Adler. Score. Paraclete Press ...(+)
Organ SKU:
PL.PPM02159M Composed
by Samuel Adler. Score.
Paraclete Press
#PPM02159M. Published by
Paraclete Press
(PL.PPM02159M).
A heroic new
organ solo by Samuel
Adler, this substantial
work was written for the
dedication of the St.
Cecilia organ at the
Church of the
Transfiguration in
Orleans, MA. Adler has
used the vivid fresco
images of shofars in the
church as inspiration for
this work, which marks
the opening of Rosh
Hashana. The variety of
trumpets and tubas on
this organ also play a
substantial part in the
variety of sounds. An
exciting fanfare and
Allegro is followed by a
beautiful chant-like
section as contrast. A
brilliant toccata on the
opening material follows,
bringing the work to a
thunderous conclusion.
This is a thrilling
concert piece for a
festive occasion. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Nothing Is Enough A Cappella Chorale SATB SATB Associated
| | |
| Sonata (horn And Piano) Cor et Piano Leduc, Alphonse
(HORN/PIANO) SKU: HL.48185210 Composed by Samuel Adler. Robert King. Clas...(+)
(HORN/PIANO) SKU:
HL.48185210 Composed
by Samuel Adler. Robert
King. Classical.
Softcover. 16 pages.
Alphonse Leduc #AL28570.
Published by Alphonse
Leduc (HL.48185210).
UPC: 888680850586.
8.5x11.0x0.14
inches. Samuel
Adler: Sonata (Horn and
Piano). $23.75 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Supplication and Celebration [Conducteur] Paraclete Press
Organ Duet SKU: PL.PPM02158M Composed by Samuel Adler. Score. Paraclete P...(+)
Organ Duet SKU:
PL.PPM02158M Composed
by Samuel Adler. Score.
Paraclete Press
#PPM02158M. Published by
Paraclete Press
(PL.PPM02158M).
This large new
work, composed by Samuel
Adler, exploits both the
lyrical and rhythmic
qualities of the organ.
Written for organ duet
(two players at one
console), this allows for
a large, fascinating
variety of textures and
timbres. A meditative
supplication, with much
imitation and flowing
eighth notes is followed
by a jazzy, multi-metered
celebration. Seemingly
endless variations of
rhythm create tremendous
excitement and a piece
that will be loved by
performers and audiences
alike. $35.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Quintet Piano Quintette: piano, 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
Chamber Music Violin 1, Violin 2, Viola, Cello, Piano SKU: PR.11441123S C...(+)
Chamber Music Violin 1,
Violin 2, Viola, Cello,
Piano SKU:
PR.11441123S Composed
by Samuel Adler. Score.
With Standard notation.
Theodore Presser Company
#114-41123S. Published by
Theodore Presser Company
(PR.11441123S). UPC:
680160016303. 8.5 x 11
inches. The Quintet
for Piano and String
Quartet was written for
the American String
Quartet in the summer of
2000. It is in one
movement but has two
distinct parts. The first
is a slow movement
characterized by dotted
rhythms. It is a fantasy
with some long flowing
lines interrupted by
short fragments usually
in the piano. After a
rather agitated section
in 6/8 time, this section
comes to a quiet close on
a G-sharp major chord.
The second section of
this thirteen-minute work
is marked Fast and
Energetic. It begins with
chords that recur
throughout the movement
and after two measures a
long main theme is
introduced which is
developed and altered
during the rest of the
fast portion of the work.
One could call this
second part a sort of
rondo form since this
long lyrical theme
returns always after
contrasts. When it does
return, it is treated
often by means of
imitation, but at the
climax returns played in
unison by the strings
while the piano renders
an energetic sixteenth
note background. The work
ends on an E-flat major
chord though the piece is
certainly not in any one
key, but rather features
quick modulations. One
might call this non-tonal
music which nevertheless
always feels like it has
a tonal center. --Samuel
Adler. $27.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 10 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
Chamber Music String Quartet SKU: PR.11441626S Composed by Samuel Adler. ...(+)
Chamber Music String
Quartet SKU:
PR.11441626S Composed
by Samuel Adler.
Contemporary. Full score.
With Standard notation.
Composed August 19 2013.
36 pages. Duration 15
minutes. Theodore Presser
Company #114-41626S.
Published by Theodore
Presser Company
(PR.11441626S). UPC:
680160620067. 9 x 12
inches. The String
Quartet No. 10 was
written in 2013 for the
50th anniversary of the
Bowdoin International
Summer Music Festival and
is dedicated to the
Cassatt Quartet who
premiered the work during
the 50th anniversary
celebration in July 2014.
 The work was written
with a generous grant
from the Fromm Music
Foundation.The 10th
String Quartet is in one
continuous movement but
divided into four
sections. Â The first
section is a slow
introduction which
presents the basic
harmonic material of the
entire work. Â This is
suddenly interrupted by a
very agitated movement
forming a great contrast
to the calm of the
beginning. Â This
rhythmic drive comes to a
stop and is relieved by
the third section which
is a variation of the
beginning, but is a bit
longer and more
developed. Â This is
followed by the final
section which again
captures the agitation of
the second section and
brings the work to a wild
and most aggressive
end.—Samuel
Adler. $31.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Brahmsiana Theodore Presser Co.
Chamber Music Horn octet SKU: PR.114409150 A Celebration for 8 Horns i...(+)
Chamber Music Horn octet
SKU: PR.114409150
A Celebration for 8
Horns in F. Composed
by Samuel Adler. Set of
Score and Parts. With
Standard notation.
Composed 1996.
19+2+2+2+2+2+2+2+2 pages.
Duration 1:30. Theodore
Presser Company
#114-40915. Published by
Theodore Presser Company
(PR.114409150). UPC:
680160013876. 8.5 x 11
inches. Composed
for the Eastman Horn
Choir, which commissioned
the work as a fanfare to
premiere at the 25th
Annual Convention of the
International Horn
Society. A slow, stately
opening leads to a joyous
second section based on
the famous tune of
Brahms’ horn
trio. “Brahmsian
a†is dedicated to
the Eastman Horn Choir
and its director Peter
Kurau, who commissioned
it as a fanfare for the
start of the 25th annual
convention of the
International Horn
Society. It was
written in February 1997
and premiered at the
convention that June.Â
A slow, stately opening
reminiscent of a French
Overture (because of its
dotted rhythms) leads to
a joyous second section
based on the famous tune
of the Brahms Horn
Trio. This tune is
exploited until it has
played itself out, and
giving way to a shortened
version of the opening,
which is combined with
one of the contrapuntal
themes stemming from the
main body of the
work. —Samuel
Adler. $46.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Diary of A Journey Theodore Presser Co.
Chamber Music Bassoon, Flute, Violoncello SKU: PR.114408750 Composed by S...(+)
Chamber Music Bassoon,
Flute, Violoncello
SKU: PR.114408750
Composed by Samuel Adler.
Set of Score and Parts.
With Standard notation.
Composed 1995.
40+14+15+15 pages.
Duration 20 minutes.
Theodore Presser Company
#114-40875. Published by
Theodore Presser Company
(PR.114408750). UPC:
680160013289. 8.5 x 11
inches. This work
was commissioned by the
Friends of the Phoenix
Public Library for the
dedication of the new
Music Room and made
possible in part through
the funds from the
Arizona Commission on the
Arts, and Meet the
Composer-Arizona. Diary
of a Journey was composed
between July and
September 1995 for the
group Arpeggio. During
the early summer of 1995,
my wife and I took a
vacation to Prague and
Budapest. It was the
first trip for both of us
to these former Iron
Curtain capitals. The
train ride through the
beautiful country-side,
the dilapidated small
villages and towns, the
magnificent architecture
and the feeling of
grandeur in the two major
cities left an indelible
impression on me. I
longed to write some kind
of an essay about it.
Diary of a Journey is the
result of some of these
thoughts, which were
sketched (musically) as
we visited each place.
There are four
'snapshots' or movements
which do not portray a
specific scene, but
rather try to capture the
impressions I gathered
from the people we
observed and met, and the
many awe-inspiring
experiences we had.
Throughout the journey, I
felt that people were
clinging to a tenacious
hope for a better future,
no matter how long it
will take to realize it.
In the first movement
each player portrays a
struggle against all
odds, and with great
energy and even wit tries
to overcome the
obstacles, ending on one
serene high note as a
resting point after all
the conflict. The second
'snapshot' tries to
capture the deep faith of
a newly regained
religiosity. It is
chant-like, and uses as
its basic melodic
material a famous Czech
hymn, penned by the great
religious reformer John
Huss. This movement is
played very freely,
without bar-lines and
with the hymn shining
through the fervent
chanting. The third
movement is a kind of
'demonic' scherzo. Fast
and furious, the three
instruments vie with one
another in a true
perpetual motion frenzy,
which is at times
relieved by short, more
pastoral melodic
fragments. A rather wild
ending should leave
everyone breathless.
Finally, in the fourth
'snapshot' the
instruments play a bit
more as a team, meaning
that is that there is
more melody with
accompaniment, and more
imitative music giving
the impression of a group
effort. The energy is
still at a high level but
long lyrical lines
abound, accompanied and
interrupted at times by
undulating fast notes
still depicting the
struggle against the
blight which any visitor
notices all around these
countries, yet also
showing the determination
of the people to conquer
adversity. --Samuel
Adler. $75.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ports of Call Theodore Presser Co.
Chamber Music Guitar, Violin 1, Violin 2 SKU: PR.114407260 A Mediterra...(+)
Chamber Music Guitar,
Violin 1, Violin 2
SKU: PR.114407260
A Mediterranean
Suite. Composed by
Samuel Adler. Set of
Score and Parts. With
Standard notation.
24+16+16+12 pages.
Duration 14 minutes.
Theodore Presser Company
#114-40726. Published by
Theodore Presser Company
(PR.114407260). UPC:
680160011209. Ports
of Call, a suite of five
movements for two violins
and guitar was written
for the Trio Triento for
their New York debut.
Composed in the Summer of
1992, it was premiered in
April 1993. 1992 was the
500th anniversary of the
1492 expulsion of the
Jews from Spain and, of
course, Columbus' trip to
America. To commemorate
these important events, I
was commissioned by
organizations in 20 major
cities to write an
oratorio. The result was
Ever Since Babylon. The
musical material was
greatly influenced by
tunes from around the
Mediterranean region.
These Sephardic melodies
took on treat meaning for
me, and I took five of
them and expanded them
into these five pieces
which are actually
dances. I felt that the
combination of two
violins and guitar lent
itself well as a vehicle
for this music. The names
of the cities are used
because the tunes
originated in these
particular locations.
Marseille, a typical
provencale dance with
naturally changing meters
and a light, airy, touch.
Alexandria, much more
mysterious and languid,
reflecting the heat and
inertia of that glorious
city in slow though
sometimes steady
movement. Salonika, a
wild dance in typical
Greek fashion celebrating
a holiday with abandon.
The whirling movement
goes relentlessly from
beginning to end. Haifa
is represented by two
beautiful chant-like
pastoral tunes which
introduce the beauty and
luminous quality of this,
one of the most beautiful
parts in the Eastern
Mediterranean. Valencia,
the last, a tribute to
medieval Spain. The music
is a culmination of the
influences of the three
great cultures, Moslem,
Christian, and Jewish,
which flourished there
for hundreds of years. It
is an uplifting dance
with just a tinge of
sadness in the center,
since the Golden Age of
which the tune was a
part, had come to a
tragic end in 1492.
--Samuel Adler. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sonata For Harpsichord Harpe Theodore Presser Co.
Chamber Music harp SKU: PR.110406720 Composed by Samuel Adler. Classical....(+)
Chamber Music harp
SKU: PR.110406720
Composed by Samuel Adler.
Classical. Softcover.
With Standard notation.
Duration 14 minutes.
Theodore Presser Company
#110-40672. Published by
Theodore Presser Company
(PR.110406720). UPC:
680160001316. I
have always been fond of
writing works for
specific people or
organizations. It has
been my good fortune
during most of my
creative career to be
asked to compose for many
extraordinary performers.
The Sonata for
Harpsichord Solo is such
a case in point: it was
written in 1982 for
Barbara Harbach, a superb
performer, close friend,
and collaborator on many
musical projects. The
Sonata was premiered on
March 2, 1984, in a
recital given by Dr.
Harbach at Nazareth
College in Rochester, New
York. During my formative
years as a composer, one
seldom heard of the
harpsichord as a modern
instrument, though while
I attended undergraduate
school at Boston
University, some of us
banded together to
construct a small
harpsichord from one of
the first do-it-yourself
kits which began to
appear in the late '40s.
It was also during this
time that I heard the
Sonatina for Violin and
Harpsichord by my teacher
Walter Piston and
consequently specified
that the accompanying
instrument for my second
violin sonata could
either be a piano or a
harpsichord. It was not
until recently, however,
that my interest in the
harpsichord as a solo
instrument for new music
was aroused. This was
because of the emergence
of so many young
virtuosi, such as Barbara
Harbach, who are
interested in the
performance of new music
besides the great
harpsichord music of the
Classical, Baroque, and
pre-Baroque eras. The
keyboard music of
Domenico Scarlatti has
always intrigued and
fascinated me. The
brevity, excitement, and
clarity of this sparkling
music is charming as well
as exhilarating. It is
this type of Baroque
sonata that inspired the
conception and form of my
harpsichord sonata. The
entire work is loosely
based on the musical
translation of Barabara
Harbach's name,
especially the conflict
of the B (B-flat) and H
(B-natural in German
notation). This secondo
rub or dissonance
especially pervades the
first movement, which is
in a modified sonata
form, pitting jagged and
tense melodic elements
against most lyrical and
smooth lines. This second
movement is a song-like
melody accompanied by
rolled chords which may
be played on the lute
stop of the instrument if
this sonata is performed
on a two-manual
harpsichord. The final
movement is an
ever-driving joyous
toccata which brings the
work to an exciting close
with a coda made up of
accelerating repeated
chords. --Samuel
Adler. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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