SKU: CA.602100

Composed by Georg Philipp Telemann, Hermann Stern, and Jacobus Clemens non Papa. German title: Sanctus (Kanon) (3). Sacred vocal music, Mass sections, Psalms, German, Praise and thanks. Full score. Carus Verlag #CV 06.021/00. Published by Carus Verlag (CA.602100).

ISBN 9790007009779.

Score Only Concert Band (Score) - Grade 4

SKU: HL.48024048

Composed by Ola Gjeilo. Arranged by J. Eric Wilson. Windependence Master Level. Softcover. 8 pages. Boosey & Hawkes #M051663705. Published by Boosey & Hawkes (HL.48024048).

UPC: 888680678173. 9.0x12.0x0.046 inches.

Ola Gjeilo, born in 1978 in Norway, moved to the United States when he was 23 years old to study composition at the Julliard School. He composed this dense and richly textured setting of the Sanctus for the Uranienborg Vokalensemble shortly after he graduated in 2006. Eric Wilson has skillfully captured the magic of the original choral work in this transcription for winds. Ola Gjeilo stated the following regarding Sanctus: “It's one piece of mine that remains closest to my heart.” Dur: 4:20 (Recorded by the Baylor Wind Ensemble, J. Eric Wilson, conductor).

SKU: CA.7002330

Composed by Albert Becker. German title: Ehre Sei Dem Vater Und Sanctus (2). Sacred vocal music, Mass sections, Advent. Full score. 4 pages. Carus Verlag #CV 70.023/30. Published by Carus Verlag (CA.7002330).

ISBN 9790007082338.

3-Part Mixed Choral (3PT MIXED)

SKU: HL.252333

Discovery Level 2. Composed by Ruth Morris Gray. Discovery Choral. Concert, Festival. Octavo. Duration 112 seconds. Published by Hal Leonard (HL.252333).

UPC: 888680717087. 9.0x12.0x0.029 inches.

Using the traditional Latin “Sanctus” text along with homophonic choral writing, this new original work provides developing singers the opportunity to experience techniques used in more advanced classical choral music.

Choral (VoiceTrax CD)

SKU: HL.252334

Discovery Level 2. Composed by Ruth Morris Gray. Discovery Choral. Concert, Festival. CD. Duration 112 seconds. Published by Hal Leonard (HL.252334).

UPC: 888680717094. 5.0x5.0x0.15 inches.

Using the traditional Latin Sanctus text along with homophonic choral writing, this new original work provides developing singers the opportunity to experience techniques used in more advanced classical choral music.

Choral (SATB)

SKU: HL.578081

Composed by Rollo Dilworth. Choral. Concert. Octavo. 12 pages. Published by Hal Leonard (HL.578081).

UPC: 196288076735. 6.75x10.5x0.029 inches.

The Sanctus and Benedictus as it lives in the Latin Mass is a joyful celebration and acclamation. Here, as it stands alone, it is all that and more. The powerful and inspirational piano accompaniment that we expect from Rollo Dilworth is here, and the music does not disappoint.

Sanctus (from German Mass) by Franz Schubert (1797-1828). Arranged by James Curnow. Score & Parts. Easy Music For Strings. Grade 2. Published by Hal Leonard

Unison voices, keyboard - Intermediate

SKU: MN.80-779

Composed by Wayne L Wold. 21st Century. Octavo. MorningStar Music Publishers #80-779. Published by MorningStar Music Publishers (MN.80-779).

UPC: 688670807794.

Full English text of canticle interspersed with Latin wordsSanctus andBenedictus. Useful independently or in combination with composer's similar settings of Ordinary of the Liturgy. See Kyrie (80-303), Gloria (80-101), and Agnus Dei (80-830).

Concert Band and Mixed Choir - Grade 3

SKU: BT.DHP-1145564-050

Composed by Jacob De Haan. Musica Sacra. Set of Parts. Composed 2014. De Haske Publications #DHP 1145564-050. Published by De Haske Publications (BT.DHP-1145564-050).

English-German-French- Dutch.

The Gospel Mass—a mass for mixed choir, combo and concert band—is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan.
The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues—a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.

The Gospel Mass – een mis voor gemengd koor, combo en blaasorkest – is gebaseerd op de gospelmuziek zoals die zich sinds haar ontstaan in Amerika overal in de wereld heeft verspreid en ontwikkeld. Het werk is na Missa Brevisen Missa Katharina de derde mis van componist Jacob de Haan.
De ordinariumdelenzoals we die kennen van een mis, zijn hier gecomponeerd in diverse popstijlen die hun oorsprong vinden in de gospelmuziek. Zo horen we niet alleen deklassiekeAmerikaanse gospelstijl (inclusief hand-clapping en swing), maar ook de vrijere gospelstijlen die zich in de loop der tijd hebben ontwikkeld. Het Credo is bijvoorbeeld gecomponeerd als een ballad, terwijl in andere delen rock- en funkinvloeden zijnverwerkt. Het Agnus Dei klinkt in een slow blues, een genre dat nauw verbonden is met de gospelmuziek. De unieke factor is de combinatie van al deze pop- en gospelelementen met de Latijnse misteksten van het Kyrie, Gloria, Credo, Sanctus, Benedictusen Agnus Dei – daarmee ontstaat een fraai, samenhangend geheel. Voor zover bekend is The Gospel Mass de enige echte gospelmis.

The Gospel Mass eine Messe für gemischten Chor, Combo und Blasorchester basiert auf der Gospelmusik, wie sie sich seit ihrer Entstehung in Amerika überall auf der Welt verbreitet hat. Das Werk ist nach Missa Brevis und MissaKatharina die dritte Messe aus der Feder von Jacob de Haan.
Die Ordinariumsteile, wie man sie aus einer Messe kennt, sind hier in diversen Popstilen komponiert, die ihren Ursprung in der Gospelmusik haben. So hören wir nicht nur den klassischen amerikanischen Gospelstil (inklusive Händeklatschen und Swing),sondern auch freiere Gospelstile, die sich im Laufe der Zeit entwickelt haben. Das Credo ist beispielsweise eine Ballade, in der Rock- und Funk-Einflüsse verarbeitet wurden. Das Agnus Dei erklingt als langsamer Blues ein Genre, daseng mit der Gospelmusik verknüpft ist. Der einzigartige Faktor dieses Werkes besteht natürlich in der Kombination all dieser Pop- und Gospelelemente mit den lateinischen Messetexten der Ordinariumsteile Kyrie, Gloria, Sanctus, Benedictusund Agnus Dei, die ein schönes, zusammenhängendes Ganzes ergibt. Soweit bekannt, ist The Gospel Mass die einzige echte Gospelmesse.

Th e Gospel Mass messe pour chœur mixte, combo et orchestre d’harmonie, fut composée partir du style gospel, qui, depuis ses origines en Amérique, s’est peu peu étendu dans le monde entier. Après Missa Brevis et MissaKatharina, voici la troisième messe signée par le compositeur Jacob de Haan.
Les différents mouvements de la composition de Jacob de Haan s’articulent selon le déroulement d’une célébration liturgique ordinaire. La Gospel Mass comporte divers styles pop qui trouvent leur origine dans la musique gospel. Nous entendonsalors, non seulement le style classique américain des gospels songs (y compris les applaudissements caractéristiques et rythmes swinguant), mais aussi une plus grande liberté d’usage des styles de gospel qui se sont développés au fil du temps. LeCredo, par exemple, est une ballade aux influences rock et funk. LAgnus Dei résonne comme un slow blues - un genre lent étroitement lié la musique gospel. La particularité de cette œuvre réside dans une belle et cohérente combinaisonde tous ces éléments pop et gospel avec le Kyrie, Gloria, Sanctus, Benedictus et Agnus Dei de la liturgie latine. Pour autant que nous sachions, The Gospel Mass est la seule véritable messe gospel.

The Gospel Mass-a mass for mixed choir, combo and concert band-is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan.
The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues-a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.

SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3350200

Composed by Carl Philipp Emanuel Bach. Edited by Jurgen Neubacher. This edition: Paperbound. German title: Sanctus in Es. Sacred vocal music, Mass sections. Full score. BR-CPEB E 2 (Wq 219). 24 pages. Duration 4 minutes. Carus Verlag #CV 33.502/00. Published by Carus Verlag (CA.3350200).

ISBN 9790007015237. Key: E flat major. Language: Latin.

Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev.

Voice (unison choir), 4 violins, basso continuo

SKU: CA.2708703

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Mass sections. Vocal score. 4 pages. Duration 3 minutes. Carus Verlag #CV 27.087/03. Published by Carus Verlag (CA.2708703).

ISBN 9790007166021. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score available separately - see item CA.2708700.

SATB choir, basso continuo

SKU: CA.2708800

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Mass sections. Full score. 8 pages. Duration 2 minutes. Carus Verlag #CV 27.088/00. Published by Carus Verlag (CA.2708800).

ISBN 9790007165987. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the first Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal.

SSAATTBB choir, piano reduction - Late intermediate

SKU: GI.G-7204

Composed by Jan Michael Joncas. Palm Sunday, Palm Sunday B. Choral. Sacred. Octavo. 8 pages. GIA Publications #7204. Published by GIA Publications (GI.G-7204).

Latin. Text source: From the Eucharistic Liturgy of the Roman Rite. Scripture: Isaiah 6:3, Psalm 118:26, Matthew 21:9, Revelation 4:8.

An a cappella polyphonic setting based on the Sanctus chant of Mass XVIII. Though not particularly complex, the extensive divisi requires fairly sizeable forces, and the harmonic texture requires careful attention to intonation. The end result creates a powerfully rich sonority.

An a cappella polyphonic setting based on the Sanctus chant of Mass XVIII.

SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3350249

Composed by Carl Philipp Emanuel Bach. Edited by Jurgen Neubacher. Organ. Sacred vocal music, Mass sections. Single Part, Organ. BR-CPEB E 2 (Wq 219). 4 pages. Duration 4 minutes. Carus Verlag #CV 33.502/49. Published by Carus Verlag (CA.3350249).

ISBN 9790007212421. Key: E flat major. Language: Latin.

Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score and part available separately - see item CA.3350200.

SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3350203

Composed by Carl Philipp Emanuel Bach. Edited by Jurgen Neubacher. Sacred vocal music, Mass sections. Vocal score. BR-CPEB E 2 (Wq 219). 8 pages. Duration 4 minutes. Carus Verlag #CV 33.502/03. Published by Carus Verlag (CA.3350203).

ISBN 9790007022211. Key: E flat major. Language: Latin.

Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score available separately - see item CA.3350200.

Unison choir, 4 violins, basso continuo

SKU: CA.2708700

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Mass sections. Full score. 8 pages. Duration 3 minutes. Carus Verlag #CV 27.087/00. Published by Carus Verlag (CA.2708700).

ISBN 9790007166014. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal.

SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3350212

Composed by Carl Philipp Emanuel Bach. Edited by Jurgen Neubacher. Violin 2. Sacred vocal music, Mass sections. Single Part, Violin 2. BR-CPEB E 2 (Wq 219). 4 pages. Duration 4 minutes. Carus Verlag #CV 33.502/12. Published by Carus Verlag (CA.3350212).

ISBN 9790007212391. Key: E flat major. Language: Latin.

Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score and part available separately - see item CA.3350200.

SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3350211

Composed by Carl Philipp Emanuel Bach. Edited by Jurgen Neubacher. Violin 1. Sacred vocal music, Mass sections. Single Part, Violin 1. BR-CPEB E 2 (Wq 219). 2 pages. Duration 4 minutes. Carus Verlag #CV 33.502/11. Published by Carus Verlag (CA.3350211).

ISBN 9790007212384. Key: E flat major. Language: Latin.

Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score and part available separately - see item CA.3350200.

By Randall Johnson. For SATB choir, piano (with optional timpani). Randy and Rachel Stenson Choral Series. Concert. Octavo. 19 pages. Duration 3 minutes 35 seconds. Published by Santa Barbara Music Publishing

Voice (unison choir), 4 violins, basso continuo

SKU: CA.2708719

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Complete orchestral parts. Sacred vocal music, Mass sections. Set of Orchestra Parts. Duration 3 minutes. Carus Verlag #CV 27.087/19. Published by Carus Verlag (CA.2708719).

ISBN 9790007166274. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score and parts available separately - see item CA.2708700.

By Richard Proulx. For SATB Chorus, Unison and piano reduction. Other. Sacred. 8 pages

SATB choir, basso continuo

SKU: CA.2708805

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. Arranged by Angelika Tasler. This edition: urtext. Stuttgart Urtext Edition. Sacred vocal music, Mass sections. Choral Score. 4 pages. Duration 2 minutes. Carus Verlag #CV 27.088/05. Published by Carus Verlag (CA.2708805).

ISBN 9790007200213. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the first Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score available separately - see item CA.2708800.

By Randall Johnson. For TTBB choir, piano (with optional timpani). Randy and Rachel Stenson Choral Series. Concert. Octavo. 19 pages. Duration 3 minutes 30 seconds. Published by Santa Barbara Music Publishing

SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3350209

Composed by Carl Philipp Emanuel Bach. Edited by Jurgen Neubacher. 1x 33.502/21 oboe 1, 1x 33.502/22 oboe 2, 4x 33.502/31 trumpet/timpani. Harmony parts. Sacred vocal music, Mass sections. Set of Orchestra Parts. BR-CPEB E 2 (Wq 219). 12 pages. Duration 4 minutes. Carus Verlag #CV 33.502/09. Published by Carus Verlag (CA.3350209).

ISBN 9790007212377. Key: E flat major. Language: Latin.

Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score and parts available separately - see item CA.3350200.

SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3350214

Composed by Carl Philipp Emanuel Bach. Edited by Jurgen Neubacher. Violoncello/double bass. Sacred vocal music, Mass sections. Single Part, Cello/Double Bass. BR-CPEB E 2 (Wq 219). 2 pages. Duration 4 minutes. Carus Verlag #CV 33.502/14. Published by Carus Verlag (CA.3350214).

ISBN 9790007212414. Key: E flat major. Language: Latin.

Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score and part available separately - see item CA.3350200.

Voice (unison choir), 4 violins, basso continuo

SKU: CA.2708714

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Basso continuo. Sacred vocal music, Mass sections. Single Part, basso continuo. 4 pages. Duration 3 minutes. Carus Verlag #CV 27.087/14. Published by Carus Verlag (CA.2708714).

ISBN 9790007200206. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score and part available separately - see item CA.2708700.

Voice (unison choir), 4 violins, basso continuo

SKU: CA.2708713

Composed by Johann Christoph Altnickol. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Viola. Sacred vocal music, Mass sections. Single Part, Viola. 4 pages. Duration 3 minutes. Carus Verlag #CV 27.087/13. Published by Carus Verlag (CA.2708713).

ISBN 9790007200190. Key: F major. Text language: Latin.

Ultimately, he is a pupil for whom I need not feel embarrassed, wrote J. S. Bach, summarizing the qualities of his son-in-law to be, J. C: Altnickol. Altnickol's two settings of the Sanctus, based on a Gregorian cantus firmus, are among his few works which have survived. While in the second of these compositions he chose to write a polyphonic choral setting, in the present Sanctus he allows all four voices of the choir to sing unisono, accompanied by a polyphonically treated string ensemble. In both compositions, however, he proves himself to be a contrapuntalist fully worthy of Bach's appraisal. Score and part available separately - see item CA.2708700.

SKU: CA.7009080

Composed by Gioachino Rossini. Edited by Guido Johannes Joerg. German title: Christe Eleison (2). Sacred vocal music, Mass sections, Prayer. Full score. 4 pages. Carus Verlag #CV 70.090/80. Published by Carus Verlag (CA.7009080).

ISBN 9790007083533.

Scor e available separately - see item CA.7009000.

SATB choir, 2 oboes, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3350219

Composed by Carl Philipp Emanuel Bach. Edited by Jurgen Neubacher. Complete orchestral parts. Sacred vocal music, Mass sections. Set of Orchestra Parts. BR-CPEB E 2 (Wq 219). Duration 4 minutes. Carus Verlag #CV 33.502/19. Published by Carus Verlag (CA.3350219).

ISBN 9790007144470. Key: E flat major. Language: Latin.

Carl Philipp Emanuel Bach composed his (Latin) Sanctus in E flat from 1768-1778, when he was the director of music for the churches of Hamburg. This short and solemn work for choir and orchestra was intended for the liturgy of Communion at Christmas, Easter and Pentecost. The present edition is based on a copy of the manuscript which is preserved in the music archives of the Sing-Akademie zu Berlin. It was believed to have been lost following the second world war, but was recently discovered by Professor Christoph Wolff in Kiev. Score and parts available separately - see item CA.3350200.