| Stravinsky, Bartok and More - Vol. 8 (Viola) Alto seul [CD Sheet Music] Hal Leonard
The Orchestra Musician's CD-ROM Library - Viola. By Bela Bartok, Igor Stravinsky...(+)
The Orchestra Musician's
CD-ROM Library - Viola.
By Bela Bartok, Igor
Stravinsky. CD Sheet
Music. 8 pages. Published
by Hal Leonard.
(1)$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Stravinsky, Bartok and More - Vol. 8 (Harp / Keyboard) Clavier [CD Sheet Music] Hal Leonard
The Orchestra Musician's CD-ROM Library - Harp, Keyboard and Others. By Bela Bar...(+)
The Orchestra Musician's
CD-ROM Library - Harp,
Keyboard and Others. By
Bela Bartok, Igor
Stravinsky. CD Sheet
Music. 8 pages. Published
by Hal Leonard.
$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Russian and Eastern European Piano Music Pt. 2 (Version 2.0)
Piano seul [CD Sheet Music] Subito Music
By russian. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on C...(+)
By russian. For Piano.
(Piano Solo). CD Sheet
Music (Version 2.0). PDF
file on CD. 2000 pages.
Published by Subito
Music.
(1)$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Clarinet Orchestral Excerpts Clarinette - Intermédiaire The Frederick Harris Music Company
Clarinet - Late Intermediate to Advanced SKU: FH.WCE1 Clarinet Series,...(+)
Clarinet - Late
Intermediate to Advanced
SKU: FH.WCE1
Clarinet Series, 2013
Edition. Composed by
The Royal Conservatory.
Clarinet Series, 2013
Edition. Book. 48 pages.
The Frederick Harris
Music Company #WCE1.
Published by The
Frederick Harris Music
Company (FH.WCE1).
ISBN
978-1-55440-588-6.
This new series offers a
sequenced approach to the
study of clarinet from
the beginner to advanced
levels. With a
progressive collection of
Repertoire, Etudes,
Recordings, Orchestral
Excerpts, and Technique,
the Clarinet Series, 2014
Edition provides complete
support for teachers and
students at every level
of study. Nine
progressive volumes of
Repertoire expose
students to a wealth of
music from the earliest
works for clarinet to
accompanied and
unaccompanied
contemporary
compositions. Students
will explore some of the
most definitive solo
pieces written for
clarinet, along with
popular folk tunes,
Klezmer melodies,
Classical solos, and
contemporary compositions
that incorporate
traditional and extended
techniques. Level
7: De Hebriden, op.
26: Overture - Felix
Mendelssohn Symphony
No. 39, K 543: II, III,
IV - Wolfgang Amadeus
Mozart Symphony No. 5,
op. 64: I, II - Pyotr
Il'yich
Tchaikovsky Symphony
No. 2, op. 36: II -
Ludwig van
Beethoven Piano
Concerto No. 2, op. 18:
II - Sergei
Rachmaninoff Symphony
No. 6 (Pastoral), op. 68:
I - Ludwig van
Beethoven Level
8: Prince Igor:
Polovtsian Dance No. 8,
Polovtsian Dance No. 17 -
Aleksandr Borodin Il
barbiere di Siviglia:
Overture - Gioachino
Rossini Symphony No. 4
(Italian), op. 90: IV -
Felix
Mendelssohn Symphony
No. 4, op. 98: II -
Johannes
Brahms Ouverture zu
Offenbach's Orpheus in
der Unterwelt - Carl
Binder Symphony No. 8
(Unfinished), D 759: II -
Franz
Schubert Symphonie
fantastique: III - Hector
Berlioz Level
9: Symphony No. 6
(Pastoral), op. 68 : I,
II, III - Ludwig van
Beethoven Symphony No.
3, op. 90: I, II -
Johannes
Brahms Symphony No. 4,
op. 60: II - Ludwig van
Beethoven Semiramide:
Overture - Gioachino
Rossini Symphony No. 3
(Scottish), op. 56: II -
Felix
Mendelssohn Prelude a
l'apres midi d'un faune -
Claude
Debussy Symphony no.
9, op. 125: II - Ludwig
van Beethoven Level
10: Symphony No. 2,
op. 27: III - Sergei
Rachmaninoff Violin
Concerto, op. 61: II -
Ludwig van
Beethoven Incidental
Music to A Midsummer
Night's Dream, op. 61:
Scherzo - Felix
Mendelssohn Symphony
No. 1, op. 39: I, III -
Jean
Sibelius Variations on
a Theme by Haydn, op.
56a: Variation II,
Variation IV, Variation V
- Johannes
Brahms Symphony No. 8,
op. 93: III - Ludwig van
Beethoven Sheherazade,
op. 35: II, III, IV -
Nicolai
Rimsky-Korsakov Associ
ate: B_, A, C
Clarinet: Capriccio
espagnole, op. 34: I,
III, IV - Nicolai
Rimsky-Korsakov Dances
of Galanta - Zoltan
Kodaly Pini di Roma:
III - Ottorino
Respighi Suite de
l'oiseau de feu:
Variation de l'oiseau de
feu - Igor
Stravinsky Symphony
No. 6 (Pathetique), op.
74: I - Pyotr Il'yich
Tchaikovsky Symphony
No. 9, op. 70: II, III -
Dmitri
Shostakovich Don Juan,
op. 20 - Richard
Strauss Symphonie
fantastique: V - Hector
Berlioz Peter and the
Wolf, op. 67: Nervoso -
Sergei
Prokofiev Prince Igor:
Polovtsian Dance No. 17 -
Aleksandr
Borodin Associate: E_
Clarinet: Symphony no.
5, op 100: IV - Sergei
Prokofiev Till
Eulenspiegels lustige
Streiche, op. 28 -
Richard
Strauss Symphony no.
5, op. 47: II - Dmitri
Shostakovich Symphonie
fantastique: V - Hector
Berlioz Bolero -
Maurice
Ravel Associate: Bass
Clarinet: Les
Huguenots: Trio from act
5 - Giacomo
Meyerbeer Violin
Concerto no. 1, op. 77:
II - Dmitri
Shostakovich Grand
Canyon Suite: III - Ferde
Grofe Don Quixote, op.
35: Sancho Panza,
Variation X - Richard
Strauss. $36.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Clarinet Repertoire 7 Clarinette - Intermédiaire The Frederick Harris Music Company
Clarinet - Late Intermediate SKU: FH.WC7 Clarinet Series, 2013 Edition...(+)
Clarinet - Late
Intermediate SKU:
FH.WC7 Clarinet
Series, 2013 Edition.
Composed by The Royal
Conservatory. Clarinet
Series, 2013 Edition.
Book/CD. 88/36 pages. The
Frederick Harris Music
Company #WC7. Published
by The Frederick Harris
Music Company (FH.WC7).
ISBN
978-1-55440-583-1.
This new series offers a
sequenced approach to the
study of clarinet from
the beginner to advanced
levels. With a
progressive collection of
Repertoire, Etudes,
Recordings, Orchestral
Excerpts, and Technique,
the Clarinet Series, 2014
Edition provides complete
support for teachers and
students at every level
of study. Nine
progressive volumes of
Repertoire expose
students to a wealth of
music from the earliest
works for clarinet to
accompanied and
unaccompanied
contemporary
compositions. Students
will explore some of the
most definitive solo
pieces written for
clarinet, along with
popular folk tunes,
Klezmer melodies,
Classical solos, and
contemporary compositions
that incorporate
traditional and extended
techniques. Level
7: De Hebriden, op.
26: Overture - Felix
Mendelssohn Symphony
No. 39, K 543: II, III,
IV - Wolfgang Amadeus
Mozart Symphony No. 5,
op. 64: I, II - Pyotr
Il'yich
Tchaikovsky Symphony
No. 2, op. 36: II -
Ludwig van
Beethoven Piano
Concerto No. 2, op. 18:
II - Sergei
Rachmaninoff Symphony
No. 6 (Pastoral), op. 68:
I - Ludwig van
Beethoven Level
8: Prince Igor:
Polovtsian Dance No. 8,
Polovtsian Dance No. 17 -
Aleksandr Borodin Il
barbiere di Siviglia:
Overture - Gioachino
Rossini Symphony No. 4
(Italian), op. 90: IV -
Felix
Mendelssohn Symphony
No. 4, op. 98: II -
Johannes
Brahms Ouverture zu
Offenbach's Orpheus in
der Unterwelt - Carl
Binder Symphony No. 8
(Unfinished), D 759: II -
Franz
Schubert Symphonie
fantastique: III - Hector
Berlioz Level
9: Symphony No. 6
(Pastoral), op. 68 : I,
II, III - Ludwig van
Beethoven Symphony No.
3, op. 90: I, II -
Johannes
Brahms Symphony No. 4,
op. 60: II - Ludwig van
Beethoven Semiramide:
Overture - Gioachino
Rossini Symphony No. 3
(Scottish), op. 56: II -
Felix
Mendelssohn Prelude a
l'apres midi d'un faune -
Claude
Debussy Symphony no.
9, op. 125: II - Ludwig
van Beethoven Level
10: Symphony No. 2,
op. 27: III - Sergei
Rachmaninoff Violin
Concerto, op. 61: II -
Ludwig van
Beethoven Incidental
Music to A Midsummer
Night's Dream, op. 61:
Scherzo - Felix
Mendelssohn Symphony
No. 1, op. 39: I, III -
Jean
Sibelius Variations on
a Theme by Haydn, op.
56a: Variation II,
Variation IV, Variation V
- Johannes
Brahms Symphony No. 8,
op. 93: III - Ludwig van
Beethoven Sheherazade,
op. 35: II, III, IV -
Nicolai
Rimsky-Korsakov Associ
ate: B_, A, C
Clarinet: Capriccio
espagnole, op. 34: I,
III, IV - Nicolai
Rimsky-Korsakov Dances
of Galanta - Zoltan
Kodaly Pini di Roma:
III - Ottorino
Respighi Suite de
l'oiseau de feu:
Variation de l'oiseau de
feu - Igor
Stravinsky Symphony
No. 6 (Pathetique), op.
74: I - Pyotr Il'yich
Tchaikovsky Symphony
No. 9, op. 70: II, III -
Dmitri
Shostakovich Don Juan,
op. 20 - Richard
Strauss Symphonie
fantastique: V - Hector
Berlioz Peter and the
Wolf, op. 67: Nervoso -
Sergei
Prokofiev Prince Igor:
Polovtsian Dance No. 17 -
Aleksandr
Borodin Associate: E_
Clarinet: Symphony no.
5, op 100: IV - Sergei
Prokofiev Till
Eulenspiegels lustige
Streiche, op. 28 -
Richard
Strauss Symphony no.
5, op. 47: II - Dmitri
Shostakovich Symphonie
fantastique: V - Hector
Berlioz Bolero -
Maurice
Ravel Associate: Bass
Clarinet: Les
Huguenots: Trio from act
5 - Giacomo
Meyerbeer Violin
Concerto no. 1, op. 77:
II - Dmitri
Shostakovich Grand
Canyon Suite: III - Ferde
Grofe Don Quixote, op.
35: Sancho Panza,
Variation X - Richard
Strauss. $47.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Flute Orchestral Excerpts Flûte traversière - Avancé The Frederick Harris Music Company
Flute - Beginner - Advanced SKU: FH.FLE01 2010 Edition. Composed b...(+)
Flute - Beginner -
Advanced SKU:
FH.FLE01 2010
Edition. Composed by
The Royal Conservatory.
Overtones: A
Comprehensive Flute
Series. Book. The
Frederick Harris Music
Company #FLE01. Published
by The Frederick Harris
Music Company (FH.FLE01).
ISBN
978-1-55440-300-4.
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
repertoire and supporting
materials such as
Studies, Compact Discs,
Orchestral Excerpts, and
Technique. The richness
of music carefully
selected for this
compilation will resonate
with teachers and
students at every level
of study.This compilation
of standard orchestral
passages for flute is an
indispensable resource
for the developing years
and beyond. Teachers and
students will find this
unrivalled volume
essential for examination
or audition
preparation.
Slavo
nic Dances, op. 46, no. 1
Antonin Dvorak
Symphony No. 100 in G
Major (Military): II
Franz Joseph Haydn Le
carnaval des animaux:
Aquarium Camille
Saint-Saens HMS
Pinafore: I'm Called
Little Buttercup Arthur
Sullivan La forza del
destino: Overture
Giuseppe Verdi Serse
(Xerxes), HWV 40: Va
godendo vezzoso e bello
George Frideric Handel
Symphony No. 100 in G
Major (Military): III
Franz Joseph Haydn Ma
Vlast: II Bedrich Smetana
HMS Pinafore: When I
Was a Lad Arthur Sullivan
Nutcracker Suite:
Overture Pyotr Il'yich
Tchaikovsky Symphony
No. 6 (Pastoral): III
Ludwig van Beethoven
Symphony No. 9 in E
Minor, op. 95 (New
World): I Antonin Dvorak
Faust: Soldier's
Chorus Charles Gounod
Peer Gynt Suite No.
1, op. 46: I Edvard Grieg
Symphony No. 102 in B
flat Major: I Franz
Joseph Haydn
Brandenburg Concerto
No. 4, BWV 1049: III
Johann Sebastian Bach
Carmen: La garde
montante Georges Bizet
Petite suite: Ballet
IV Claude Debussy
Symphony No. 100 in G
Major (Military): IV
Franz Joseph Haydn
Symphony No. 40 in G
Minor, K 550: III
Wolfgang Amadeus Mozart
Symphony No. 5: IV
Ludwig van Beethoven
Carmen: Act 1,
Prelude Georges Bizet
Faust Ballet Music:
Danse antique Charles
Gounod Symphony No.
102 in B flat Major: IV
Franz Joseph Haydn
Scheherazade, op. 35:
IV Nicolai
Rimsky-Korsakov
Symphony No. 6
(Pastoral): I, II Ludwig
van Beethoven
Symphonie
fantastique: V Hector
Berlioz Die
Zauberfloete: Wie stark
ist nicht dein Zauberton
Wolfgang Amadeus Mozart
Bolero Maurice Ravel
Scheherazade, op. 35:
I Nicolai Rimsky-Korsakov
Brandenburg Concerto
No. 4, BWV 1049: I Johann
Sebastian Bach
Symphonie
fantastique: I Hector
Berlioz Carmen:
Entr'acte (Prelude)
Georges Bizet
Symphony No. 1 in C
Minor: IV Johannes Brahms
Die Zauberfloete:
Overture Wolfgang Amadeus
Mozart Symphony No. 8
in G Major: IV Antonin
Dvorak Leonore
Overture No. 3, op. 72a
Ludwig van
Beethoven Symphony No.
4 in E Minor: IV Johannes
Brahms La mer: I, II,
III Claude
Debussy Symphony No. 4
(Italian): IV Felix
Mendelssohn Symphony
No. 1 (Classical): II
Sergei Prokofiev
Symphony No. 3 in E
flat Major (Eroica): IV
Ludwig van Beethoven
Prelude a
l'apres-midi d'un faune
Claude Debussy
Sinfonie Mathis der
Maler: I, II Paul
Hindemith Incidental
Music to A Midsummer
Night's Dream, op. 61:
Scherzo Felix Mendelssohn
Petroushka (1947
revision): Part 1 Igor
Stravinsky Symphony
No. 4 in F Minor: III
Pyotr Il'yich Tchaikovsky
Capriccio espagnol,
op. 34: IV Nicolai
Rimsky-Korsakov Sympho
ny No. 1 (Classical): IV
Sergei Prokofiev
Concerto for
Orchestra: I, II, III,
IV, V Bela Bartok
Symphonic
Metamorphosis after
Themes by Carl Maria von
Weber: II, III Paul
Hindemith Das Lied
von der Erde: VI Gustav
Mahler Peter and the
Wolf, op. 67 Sergei
Prokofiev Le carnaval
des animaux: 10. Voliere
Camille Saint-Saens
Daphnis et Chloe:
Troisieme partie Maurice
Ravel Guillaume Tell:
Overture Gioachino
Rossini Till
Eulenspiegel's Merry
Pranks Richard Strauss
Firebird Suite (1919
version) Igor Stravinsky
Symphony No. 9: IV
Ludwig van Beethoven
Concerto for
Orchestra: III Bela
Bartok Scheherezade,
op. 35: IV Nicolai
Rimsky-Korsakov
Semiramide: Overture
Gioachino Rossini
Symphony No. 5, op.
47: I, II Dmitri
Shostakovich.
About
Overtones
Unparalleled in scope,
Overtones offers all the
music flutists want in
one complete series! This
progressive collection
includes fundamental
Repertoire and supporting
materials such as Etudes,
Compact Discs, Orchestral
Excerpts, and Technique.
The richness of music
carefully selected for
this compilation will
resonate with teachers
and students at every
level of study and is the
official series for those
using The Royal
Conservatory Music
Development program. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Symphony Piano seul [Partition] Hal Leonard
For solo piano. Format: piano solo book. Classical period and romantic period. S...(+)
For solo piano. Format:
piano solo book.
Classical period and
romantic period. Series:
The World's Great
Classical Music. 232
pages. 9x12 inches.
Published by Hal Leonard.
(1)$18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Piccolo and Alto Flute Audition Piccolo Universal Edition
Composed by Various. Collection - Full. Universal Edition #UE038080. Publish...(+)
Composed by Various.
Collection - Full.
Universal
Edition #UE038080.
Published
by Universal Edition
$32.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony Themes for Flute and Piano Flûte traversière et Piano [Partition] - Intermédiaire Mel Bay
Arranged by Costel Puscoiu. For Flute. Solos. Classic. Level: Intermediate. Book...(+)
Arranged by Costel
Puscoiu. For Flute.
Solos. Classic. Level:
Intermediate. Book. Size
8.5x11. 56 pages.
Published by Mel Bay
Publications, Inc.
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Library Of Flute Classics Flûte traversière et Piano [Set de Parties séparées] Music Sales
Edited by Amy Appleby. Music Sales America. Baroque and Classical Period. Set of...(+)
Edited by Amy Appleby.
Music Sales America.
Baroque and Classical
Period. Set of
performance parts
(includes separate
pull-out violin part,
softcover). With solo
part and piano
accompaniment (spiral
bound). 237 pages. Music
Sales #AM948882.
Published by Music Sales
(4)$27.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Vade Mecum of the Oboist Hautbois Southern Music Ltd
(230 Selected Technical and Orchestral Studies for Oboe and English horn). Edite...(+)
(230 Selected Technical
and Orchestral Studies
for Oboe and English
horn). Edited by Albert
Andraud. For Oboe.
Woodwind Solos and
Ensembles - Oboe
Method/Studies. Southern
Music. Instructional,
Studies and Classical.
Collection. 200 pages.
Southern Music Company
#B412. Published by
Southern Music Company
$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 3e Symphonie en ut mineur, op. 78 - Avancé Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1,
Fl2 , Fl3(Fl-picc), 2 Ob,
EnglHn, 2 clarinet,
clarinet-B, 2 bassoon,
bassoon-Co, Hn1, Hn2 ,
Hn3(chrom.), Hn4(chrom.),
3Trp, 3trombone, timpani,
Tr-Gr, Tri, Be, Org,
piano-4ms, 2 Violin,
Viola, Cello, Double
Bass) - Level 5 SKU:
BA.BA10303-01
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann. The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$566.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Double Bass Solo Techniques Contre Basse [Partition] Oxford University Press
(A book of orchestral excerpts). By Keith Hartley. For Double bass technique boo...(+)
(A book of orchestral
excerpts). By Keith
Hartley. For Double bass
technique book. Double
Bass. Double Bass Solo.
Double bass solos. Method
book. 32 pages
$30.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lyric Interlude- A Study In Pastoral Style Op.110 Leduc, Alphonse
(Chamber Ensemble) SKU: HL.48186484 Composed by Nicolas Bacri. Leduc. 68 ...(+)
(Chamber Ensemble)
SKU: HL.48186484
Composed by Nicolas
Bacri. Leduc. 68 pages.
Alphonse Leduc #AL30751.
Published by Alphonse
Leduc (HL.48186484).
UPC: 888680828844.
9x12
inches. “Engl
ish Horn (or flute or
clarinet or alto), Violin
& Cello Rarely has a
musical work been better
characterized by its
subtitle than Nicolas
Bacri's Lyric Interlude:
'A Study in Pastoral
Style'. When, in 2008,
the composer received the
commission for a piece
with English horn from
Cecilia Benner, patron of
the Chamber Music Society
of Detroit, he
immediately thought of
the duo between this
instrument and the oboe
that Berlioz, in the
Symphonie fantastique,
placed at the beginning
of the 'Scène aux
champs', making suddenly
appear a nocturnal
country landscape where
two shepherds carry on a
dialogue on their pipes.
First performed in March
2009 at one of the Scarab
Club Concerts in Detroit,
the Lyric Interlude for
English horn, violin and
cello (Op.110a)
nonetheless proclaims
another tradition: that
of British pastoralism,
illustrated by the music
of Ralph Vaughan Williams
(1872-1958), the 50th
anniversary of his death
having just been
celebrated. This score
pays him homage of rare
sensitivity: set off by
refined counterpoint, the
undulating lament of the
beginning, rhythmically
supple, evokes the waving
wheat, as does Vaughan
Williams in the opening
undulation of his
Symphony No.3. The
lyrical effusion, briefly
interrupted by a scherzo
in 6/8, again pours out,
making the work evolve
towards a slow, ecstatic
atmosphere, close to the
last of the English
composer's Three Preludes
on Welsh Hymn Tunes. Far
from bucolic, postcard
clichés and
servile imitation, this
Lyric Interlude opens the
doors to a realm where
pure beauty reigns. The
composer also wrote
another version of this
work for English horn (or
flute, clarinet, or
viola) and piano, Op.110b
(AL 30 750)&rdquo. $20.55 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Essential Early Romantic Collection Piano seul [Partition] Chester
| | |
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