String Trio SKU: HL.50602316 For Violin, Viola and Cello Score. Co...(+)
String Trio
SKU:
HL.50602316
For
Violin, Viola and Cello
Score. Composed by
Asbjorn Schaathun.
Instrumental. Classical.
Softcover. Duration 1260
seconds. Edition Wilhelm
Hansen #WH32800.
Published by Edition
Wilhelm Hansen
(HL.50602316).
UPC:
840126906608.
In
2017, the Zebra Trio
premiered Schonberg...est
mort, a trio for Violin,
Viola and Cello by the
Norwegian compoer Asbjorn
Schaathun. The world
premiere was at the
Arnold Schonberg
Institute in Vienna.
String Trio SKU: HL.50602315 For Violin, Viola and Cello Set of Parts<...(+)
String Trio
SKU:
HL.50602315
For
Violin, Viola and Cello
Set of Parts.
Composed by Asbjorn
Schaathun. Instrumental.
Classical. Softcover. 38
pages. Edition Wilhelm
Hansen #WH32800A.
Published by Edition
Wilhelm Hansen
(HL.50602315).
UPC:
840126906592.
In
2017, the Zebra Trio
premiered Schonberg...est
mort, a trio for Violin,
Viola and Cello by the
Norwegian compoer Asbjorn
Schaathun. The world
premiere was at the
Arnold Schonberg
Institute in Vienna.
SKU: HL.14004422 Composed by Arnold Schonberg. Music Sales America. Class...(+)
SKU: HL.14004422
Composed by Arnold
Schonberg. Music Sales
America. Classical. Book
[Softcover]. Music Sales
#NOV110179. Published by
Music Sales
(HL.14004422).
ISBN
9780853601050.
Chri
stopher Small, Michael
Hurd. A major series of
titles containing clear
and concise accounts of
the lives and music of
some of the great
composers. Written by
leading authorities, they
give students a
background sufficient for
all but very specialist
study.
SKU: HL.49018122 Die Ambivalenz der Tonalitat in Werk und Lehre Arnold...(+)
SKU: HL.49018122
Die Ambivalenz der
Tonalitat in Werk und
Lehre Arnold
Schonbergs. Composed
by Gerhard Luchterhandt.
This edition:
Paperback/Soft Cover.
Book. Misc. 660 pages.
Schott Music #ED20393.
Published by Schott Music
(HL.49018122).
ISBN
9783795701796.
5.5x8.75x1.715 inches.
German.
1911
komponierte Schonberg
bereits atonal, verfasste
aber eine tonale
Harmonielehrer. Spater
schrieb er tonale Werke,
doch klangen sie anders
als fruher. Er selbst
sprach von ungenutzen
Moglichkeiten. Die
vorliegende Studie setzt
erstmals Schonbergs
Tonalitatsdenken mit
seiner kompositorischen
Ruckkehr zur Tonalitat in
Beziehung. Der
analytische Fokus liegt
dabei auf den
Orgelvariationen op. 40,
deren progressive
Tonalitat auf noch andere
ungenutzte Moglichkeiten
verweist: Die
Harmonielehrer als
bislang unerschlossenes
musiktheoretisches und
-padagogisches
Potenzial.
Chamber Music Double Bass, Vibraphone, Viola, Violin, Violoncello SKU: CF.MXE...(+)
Chamber Music Double
Bass, Vibraphone, Viola,
Violin, Violoncello
SKU: CF.MXE55
Composed by Paul Lansky.
Set of Score and Parts.
8+8+8+8+8+32 pages.
Duration 17:55. Carl
Fischer Music #MXE55.
Published by Carl Fischer
Music (CF.MXE55).
ISBN
9781491153864. UPC:
680160911363.
Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four frames
comment on the harmonies
of the movements that
they surround.
The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 187273;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008.
Paul Lansky
Frame 1
100
Minuetto
(Post-Classical, c. 1810)
352
Frame
2 125
Angst
(Post-Romantic, c. 1910)
353
Frame
3 122
Dance
(Post-Modern, c. 2010)
535
Frame
4 050
Total Duration
1755
.
Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
aframes.a aMinuettoa is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. aAngsta
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
aDancea is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
aframesaa comment on the
harmonies of the
movements that they
surround.
The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872a73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008.
aPaul Lansky
Frame 1
1a00a
Minuetto
(Post-Classical, c. 1810)
3a52a
Frame 2
1a25a
Angst
(Post-Romantic, c. 1910)
3a53a
Frame 3
1a22a
Dance
(Post-Modern, c. 2010)
5a35a
Frame 4
0a50a
Total Duration
17a55a
.
Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
aframes.a aMinuettoa is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. aAngsta
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
aDancea is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
aframesaa comment on the
harmonies of the
movements that they
surround.
The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872a73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008.
aPaul Lansky
Frame 1
1a00a
Minuetto
(Post-Classical, c. 1810)
3a52a
Frame 2
1a25a
Angst
(Post-Romantic, c. 1910)
3a53a
Frame 3
1a22a
Dance
(Post-Modern, c. 2010)
5a35a
Frame 4
0a50a
Total Duration
17a55a
.
Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames' comment on the
harmonies of the
movements that they
surround.
The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872-73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008.
--Paul
Lansky
Frame 1 1'00
Minuetto
(Post-Classical, c. 1810)
3'52
Frame 2 1'25
Angst
(Post-Romantic, c. 1910)
3'53
Frame 3 1'22
Dance
(Post-Modern, c. 2010)
5'35
Frame 4
0'50'
Total Duration
17'55
. Harmonic
Gallery, commissioned by
Network for New Music for
premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames' comment on the
harmonies of the
movements that they
surround. The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon Fort
Fisher, North Carolina,
by Xanthus Smith, ca.
1872-73; Three Wise Men
Greeting Entry into
Lagos, by Kehinda Wiley,
2008. --Paul Lansky Frame
1 1'00 Minuetto
(Post-Classical, c. 1810)
3'52 Frame 2 1'25 Angst
(Post-Romantic, c. 1910)
3'53 Frame 3 1'22 Dance
(Post-Modern, c. 2010)
5'35 Frame 4 0'50' Total
Duration
17'55. Harmonic
Gallery, commissioned by
Network for New Music for
premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames’ comment on
the harmonies of the
movements that they
surround.The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon Fort
Fisher, North Carolina,
by Xanthus Smith, ca.
1872–73; Three
Wise Men Greeting Entry
into Lagos, by Kehinda
Wiley, 2008.—Paul
LanskyFrame 1
1’00Minuetto
(Post-Classical, c. 1810)
3’52Frame 2
1’25Angst
(Post-Romantic, c. 1910)
3’53Frame 3
1’22Dance
(Post-Modern, c. 2010)
5’35Frame 4
0’50’Total
Duration
17’55.
Chamber Music Double Bass, Vibraphone, Viola, Violin, Violoncello SKU: CF.MXE...(+)
Chamber Music Double
Bass, Vibraphone, Viola,
Violin, Violoncello
SKU: CF.MXE55F
Composed by Paul Lansky.
Full score. 32 pages.
Duration 17:55. Carl
Fischer Music #MXE55F.
Published by Carl Fischer
Music (CF.MXE55F).
ISBN 9781491153895.
UPC:
680160911394.
Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four frames
comment on the harmonies
of the movements that
they surround.
The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 187273;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008.
Paul Lansky
Frame 1
100
Minuetto
(Post-Classical, c. 1810)
352
Frame
2 125
Angst
(Post-Romantic, c. 1910)
353
Frame
3 122
Dance
(Post-Modern, c. 2010)
535
Frame
4 050
Total Duration
1755
.
Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
aframes.a aMinuettoa is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. aAngsta
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
aDancea is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
aframesaa comment on the
harmonies of the
movements that they
surround.
The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872a73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008.
aPaul Lansky
Frame 1
1a00a
Minuetto
(Post-Classical, c. 1810)
3a52a
Frame 2
1a25a
Angst
(Post-Romantic, c. 1910)
3a53a
Frame 3
1a22a
Dance
(Post-Modern, c. 2010)
5a35a
Frame 4
0a50a
Total Duration
17a55a
.
Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
aframes.a aMinuettoa is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. aAngsta
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
aDancea is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
aframesaa comment on the
harmonies of the
movements that they
surround.
The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872a73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008.
aPaul Lansky
Frame 1
1a00a
Minuetto
(Post-Classical, c. 1810)
3a52a
Frame 2
1a25a
Angst
(Post-Romantic, c. 1910)
3a53a
Frame 3
1a22a
Dance
(Post-Modern, c. 2010)
5a35a
Frame 4
0a50a
Total Duration
17a55a
.
Harmonic
Gallery, commissioned
by Network for New Music
for premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames' comment on the
harmonies of the
movements that they
surround.
The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon
Fort Fisher, North
Carolina, by Xanthus
Smith, ca. 1872-73;
Three Wise Men
Greeting Entry into
Lagos, by Kehinda
Wiley, 2008.
--Paul
Lansky
Frame 1 1'00
Minuetto
(Post-Classical, c. 1810)
3'52
Frame 2 1'25
Angst
(Post-Romantic, c. 1910)
3'53
Frame 3 1'22
Dance
(Post-Modern, c. 2010)
5'35
Frame 4
0'50'
Total Duration
17'55
. Harmonic
Gallery, commissioned by
Network for New Music for
premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames' comment on the
harmonies of the
movements that they
surround. The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon Fort
Fisher, North Carolina,
by Xanthus Smith, ca.
1872-73; Three Wise Men
Greeting Entry into
Lagos, by Kehinda Wiley,
2008. --Paul Lansky Frame
1 1'00 Minuetto
(Post-Classical, c. 1810)
3'52 Frame 2 1'25 Angst
(Post-Romantic, c. 1910)
3'53 Frame 3 1'22 Dance
(Post-Modern, c. 2010)
5'35 Frame 4 0'50' Total
Duration
17'55. Harmonic
Gallery, commissioned by
Network for New Music for
premiere at the
Pennsylvania Academy of
Fine Arts, is a musical
analog of a museum
exhibition in which
paintings, sometimes
created hundreds of years
apart, are shown in close
proximity. There are
three movements,
surrounded by musical
frames. Minuetto is
reminiscent of the early
nineteenth century when
the minuet form started
to escape its rigid
formalities. Angst
recalls the early
twentieth century when
tonality supposedly
started to crumble. It is
based on famous harmonies
used by Richard Wagner
and Arnold Schoenberg.
Dance is unashamedly
post-minimal and
post-modern, and
celebrates repetition and
cadences. The four
frames’ comment on
the harmonies of the
movements that they
surround.The three
movements are very
loosely related to three
paintings in the
collection: The Gordon
Family, by Henry
Benbridge, ca. 1762;
Final Assault upon Fort
Fisher, North Carolina,
by Xanthus Smith, ca.
1872–73; Three
Wise Men Greeting Entry
into Lagos, by Kehinda
Wiley, 2008.—Paul
LanskyFrame 1
1’00Minuetto
(Post-Classical, c. 1810)
3’52Frame 2
1’25Angst
(Post-Romantic, c. 1910)
3’53Frame 3
1’22Dance
(Post-Modern, c. 2010)
5’35Frame 4
0’50’Total
Duration
17’55.
Violin, Viola and Cello SKU: BT.WH32800 Composed by Asbjørn Schaathun....(+)
Violin, Viola and Cello
SKU: BT.WH32800
Composed by Asbjørn
Schaathun. Set (Score &
Parts). Composed 2015.
Edition Wilhelm Hansen
#WH32800. Published by
Edition Wilhelm Hansen
(BT.WH32800).
ISBN
9788759837719.
In
2017, the Zebra Trio
premiered
Schönberg...est mort,
a trio for Violin, Viola
and Cello by the
Norwegian compoer
Asbjørn Schaathun. The
world premiere was at the
Arnold Schönberg
Institute in Vienna.
Parts available:
WH32800A.
Violin, Viola and Cello SKU: BT.WH32800A Composed by Asbjørn Schaathun...(+)
Violin, Viola and Cello
SKU: BT.WH32800A
Composed by Asbjørn
Schaathun. Contemporary
Music. Set of Parts.
Composed 2019. 38 pages.
Edition Wilhelm Hansen
#WH32800A. Published by
Edition Wilhelm Hansen
(BT.WH32800A).
ISBN
9788759892855.
In
2017, the Zebra Trio
premiered
Schönberg...est mort,
a trio for Violin, Viola
and Cello by the
Norwegian compoer
Asbjørn Schaathun. The
world premiere was at the
Arnold Schönberg
Institute in Vienna.
Score available:
WH32800.
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC7. Published
by The Frederick Harris
Music Company (FH.VC7).
ISBN
978-1-55440-543-5.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Level
7: Il barbiere di
Siviglia: Overture -
Rossini,
Gioachino Carmen:
Prelude to act 1 - Bizet,
Georges Coriolan
Overture, op. 62 -
Beethoven, Ludwig
van Symphony No. 94
(Surprise), Hob. I:94:
I,IV - Haydn, Franz
Joseph Ruslan and
Ludmilla: Overture -
Glinka, Mikhail Peer
Gynt Suite No. 1, op. 46:
I,III,IV - Grieg,
Edvard Level
8: Incidental Music to
A Midsummer Night's
Dream, op. 61: I -
Mendelssohn,
Felix Symphony No. 8,
op. 88: I,IV - Dvorak,
Antonin The
Nutcracker, op. 71:
Russian Dance, Waltz of
the Flowers, Pas de deux
- Tchaikovsky, Pyotr
Il'yich Symphony No. 8
(Unfinished), D 759: I,II
- Schubert, Franz Die
Zauberfloete, K 620:
Overture - Mozart,
Wolfgang
Amadeus Symphony No.
40, K 550: I,IV - Mozart,
Wolfgang Amadeus Level
9: Symphony No. 9, op.
125: II,IV - Beethoven,
Ludwig van Symphony
No. 8, op. 93: III -
Beethoven, Ludwig
van Serenade for
Strings, op. 22: III,IV,V
- Dvorak,
Antonin Piano Concerto
No. 2, op. 83: III -
Brahms,
Johannes Serenade for
Strings, op. 48:
I,II,III,IV -
Tchaikovsky, Pyotr
Il'yich Symphony No. 4
(Italian), op. 90: I,IV -
Mendelssohn,
Felix Symphony No. 3,
op. 90: III,IV - Brahms,
Johannes Symphony No.
35 (Haffner), K 385: I,IV
- Mozart, Wolfgang Le
nozze di Figaro, K 492:
Overture - Mozart,
Wolfgang Amadeus Level
10: Group
1: Variations on an
Original Theme (Enigma),
op. 36: Variation 12 -
Elgar, Edvard Dichter
und Bauer: Overture -
Suppe, Franz von Messa
da Requiem: III - Verdi,
Giuseppe Guillame
Tell: Overture - Rossini,
Gioachino Group
2: Symphonie
fantastique: II,III,V -
Berlioz,
Hector Symphony No. 4,
op. 36: I,II,IV -
Tchaikovsky, Pyotr
Il'yich Symphony No.
5, op. 67: I,II,III -
Beethoven, Ludwig
van Symphony No. 4,
op. 98: I,II,III,IV -
Brahms,
Johannes Symphony No.
6 (Pathetique), op. 74:
I,II - Tchaikovsky, Pyotr
Il'yich Symphony No.
2, op. 73: I,II,IV -
Brahms,
Johannes Associate: Group 1: Symphony No.
5, op. 100: I,II,III,IV -
Prokofiev, Sergei La
mer: I,II - Debussy,
Claude The Bartered
Bride: Overture -
Smetana,
Bed_ich Symphony No.
5, op. 47: I,II,III -
Shostakovich,
Dmitri Group
2: Matthaus-Passion,
BWV: Komm, suesses Kreutz
- Bach, Johann
Sebastian Don Juan,
op. 20 - Strauss,
Richard Ein
Heldenleben, op. 40 -
Strauss,
Richard Verklaerte
Nach1, op. 4 -
Schoenberg, Arnold.
Orchestra SKU: HL.14034960 Composed by Arnold Schonberg. Arranged by Hans...(+)
Orchestra
SKU:
HL.14034960
Composed
by Arnold Schonberg.
Arranged by Hans
Abrahamsen. Music Sales
America. Classical.
Score. 18 pages. Music
Sales #KP01194. Published
by Music Sales
(HL.14034960).
ISBN
9788759856253.
12.0x16.25x0.262 inches.
Danish.
SKU: HL.49007730 Analytische Untersuchungen und didaktische Empfehlung...(+)
SKU: HL.49007730
Analytische
Untersuchungen und
didaktische Empfehlungen
fur den Musikunterricht
in der Sekundarstufe.
Edited by Albrecht
Goebel. This edition:
Hardback/Hard Cover.
Book. Edition Schott.
Classical. 312 pages.
Schott Music #ED 8031.
Published by Schott Music
(HL.49007730).
ISBN
9783795702373.
German.
Will der
Schulmusiker seine
Schuler in Erfullung des
'Lehrplansolls' mit der
Gattung 'Programmusik'
bekannt machen, so wird
er bei der Materialsuche
in Lehrbuchern und
Fachliteratur immer
wieder auf Beschreibungen
derselben Kompositionen
stossen: Smetana's
'Moldau', R. Strauss'
'Till Eulenspiegel' usw.
Der Herausgeber hat sich
im Zusammenwirken mit den
in diesem Sammelband
vertretenen Autoren
deshalb auf die Suche
nach Werken hoher
Qualitat, aber teilweise
geringeren
Bekanntheitsgrades
begeben und prasentiert
fur den Musikunterricht
in der Sekundarstufe
analytische
Untersuchungen,
didaktische Empfehlungen
und historische
Hintergrundinformationen
zu 21 Werken des 17. bis
20. Jahrhunderts. Die
Spannweite reicht von
Vivaldi bis Beethoven,
von Berlioz bis Cesar
Franck, von C. M. von
Weber bis Max Reger, von
den grossen slawischen
Meistern bis hin zu
Honegger und Schonberg,
um nur einige zu nennen.
Eingeleitet wird das Buch
durch eine Einfuhrung in
die Asthetik der
Programmmusik im 19.
Jahrhundert von Albrecht
Riethmuller. Eine
Fundgrube fur die
Gestaltung eines
abwechslungsreichen und
damit interessanten
Unterrichts.
SKU: HL.49015487 Beitrage zur Formanalyse und Interpretation mehrstimm...(+)
SKU: HL.49015487
Beitrage zur
Formanalyse und
Interpretation
mehrstimmiger
Vokalmusik. Edited by
Heinrich Poos. This
edition: Paperback/Soft
Cover. Book. Edition
Schott. Classical. 471
pages. Schott Music #ED
8474. Published by Schott
Music (HL.49015487).
ISBN 9783795702991.
German.
Grundlage
der von namhaften
Musikwissenschaftlern
erarbeiteten 35
Werkdarstellungen von
Guillaume de Machaut uber
Orlando di Lasso, Bach,
Schubert und Brahms bis
Schonberg und Britten ist
die Interpretation der in
Wort und Ton fixierten
musikalischen Texte, die
Erorterung von deren
ideengeschichtlichem
Zusammenhang und
kunstgeschichtlichem
Wesen unter vielfaltigen
Gesichtspunkten. Mit der
Erschliessung der
Werkgehalte wird jedem
Ausfuhrenden und jedem
Horer - Chorleitern und
Sangern, Studenten,
Komponisten,
Wissenschaftlern und
Padagogen - der Weg zu
einer gleichermassen
geistigen und sinnlichen
Auffassung der Musik
gewiesen. In einem
separaten Band sind alle
im Text behandelten
Kompositionen vollstandig
wiedergegeben. Mit diesem
Sammelband wird die
erstmals 1983 erschienene
erfolgreiche Publikation
gleichen Titels
fortgesetzt und zu einem
Abriss der Geschichte der
unbegleiteten Chor- und
Ensemblemusik von der Ars
antiqua bis zur Gegenwart
erganzt, der
theoretischem
Analyseanspruch wie
musikpraktischen
Erfordernissen
gleichermassen gerecht
wird.
Peace on Earth Chorale SSAATTBB SSAATTBB A Cappella Carus Verlag
SSAATTBB chorus a cappella - 5 SKU: CA.7070100 Composed by Arnold Schonbe...(+)
SSAATTBB chorus a
cappella - 5
SKU:
CA.7070100
Composed
by Arnold Schonberg.
Edited by Iris Pfeiffer.
Carus digital: Extra
digital products. Choral
Score. Composed 1907. Op.
13. Duration 9 minutes.
Carus Verlag #7070100.
Published by Carus Verlag
(CA.7070100).
ISBN
9790007252267.
German/English. Text:
Meyer, Conrad
Ferdinand.
Friede
auf Erden op. 13 is
regarded as Arnold
Schoenberg's last tonal
composition and is one of
the few choral works of
the Second Viennese
School. On the same day
that he completed his op.
13, Schoenberg made the
first sketches for his
2nd String Quartet, a key
work in atonal music.
Although Schoenberg later
orchestrated Friede auf
Erden, he intended the
piece to be performed
unaccompanied.To help
rehearsing the work, this
choral score contains the
piano transcription made
by Anton Webern for use
in rehearsals for the
planned first
performance. The text for
op. 13 is a secular
Christmas poem by Conrad
Ferdinand Meyer. At the
time of its composition
(1907), Schoenberg
thought the vision of a
reine Harmonie unter
Menschen (pure harmony
amongst people) described
in the poem was
conceivable, but he later
distanced himself from
this idea. What remained
is a composition of great
artistic power and depth
- a real showpiece for
ambitious choirs!
SKU: HL.49006765 Eine kommentierte Bibliographie von Unterrichtsbeispi...(+)
SKU: HL.49006765
Eine kommentierte
Bibliographie von
Unterrichtsbeispielen und
Analysen. Composed by
Wolfgang Schmidt-Brunner.
This edition:
Paperback/Soft Cover.
Book. Edition Schott.
Classical. 120 pages.
Schott Music #ED 6885.
Published by Schott Music
(HL.49006765).
ISBN
9783795729530.
German.
Dieses
Repertoire, das Werke von
70 Komponisten: Josquin
des Pres bis John Cage
umfasst, soll dem
Schulmusiker die
Orientierung in der Fulle
der musikpadagogischen
Unterrichtsliteratur
erleichtern und ihm eine
Hilfe bei der
Unterrichtsvorbereitung
sein.Zugleich mag es dem
Studierenden erste
Anregungen bei der
Unterrichtsplanung
vermitteln und des
weiteren einer kunftigen
systematischen
Aufarbeitung der (von
Michael Alt) sogenannten
'Praktikerliteratur' als
bibliographische
Grundlage dienen. Die
Zusammenstellung enthalt
Hinweise auf im
allgemeinen leicht
erreichbare
Veroffentlichungen, in
denen Musikwerke unter
didaktischem Aspekt
analysiert bzw. daruber
hinaus in
Unterrichtssequenzen mit
methodischen Empfehlungen
versehen sind.
Peace on Earth Chorale SSAATTBB SSAATTBB A Cappella [Conducteur] - Intermédiaire Carus Verlag
SSAATTBB chorus a cappella - Grade 5 SKU: CA.7070110 Composed by Arnold S...(+)
SSAATTBB chorus a
cappella - Grade 5
SKU: CA.7070110
Composed by Arnold
Schönberg. Edited by
Iris Pfeiffer. Full
Score. Composed 1907. Op.
13. Duration 9 minutes.
Carus Verlag #7070110.
Published by Carus Verlag
(CA.7070110).
ISBN
9790007252274.
German/English. Text:
Meyer, Conrad
Ferdinand.
“F
riede auf Erdenâ€
op. 13 is regarded as
Arnold
Schoenberg’s last
tonal composition and is
one of the few choral
works of the Second
Viennese School. On the
same day that he
completed his op. 13,
Schoenberg made the first
sketches for his 2nd
String Quartet, a key
work in atonal music.
Although Schoenberg later
orchestrated
“Friede auf
Erdenâ€, he intended
the piece to be performed
unaccompanied. To help
rehearsing the work, this
choral score contains the
piano transcription made
by Anton Webern for use
in rehearsals for the
planned first
performance. The text for
op. 13 is a secular
Christmas poem by Conrad
Ferdinand Meyer. At the
time of its composition
(1907), Schoenberg
thought the vision of a
“reine Harmonie
unter Menschenâ€
(pure harmony amongst
people) described in the
poem was conceivable, but
he later distanced
himself from this idea.
What remained is a
composition of great
artistic power and depth
– a real showpiece
for ambitious
choirs!. Score
available separately -
see item CA.7070100.
Kritischer Bericht,
Skizzen, Fruhfassung des
V. Satzes, Entstehungs-
und Werkgeschichte,
Dokumente (Teil 1:
Serenade, op. 24).
Composed by Arnold
Schoenberg. Edited by
Ulrich Kraemer. This
edition: Full-cloth
binding. Sheet music.
Arnold Schoenberg -
Complete Works.
Hardcover. 480 pages.
Schott Music #AS 1023-21.
Published by Schott Music
(HL.49045029).
ISBN
9783795794705.
9.0x12.0x1.272
inches.
Arnold
Schonberg is the central
figure in the musical
world of this century.
His musical significance
was already apparent
during his life-time, but
his posthumous influence
has increased immensely.
His work paved the way
for ground-breaking
changes in musical
perception. This complete
edition aspires to be
equally indispensable for
research as well as for
performance. The edition
is published in two
series: series A in folio
format contains all
completed works, all
piano scores prepared by
the composer himself and
all unfinished works
suitable for performance;
also fragments (large
scores) which are better
suited to be printed in
such a format. Series B,
in quarto format,
contains early versions,
sketches, ideas and
fragments as well as
genesis and a Critical
Commentary.
Vocal soloists, choir and orchestra SKU: HL.49017759 History of the wo...(+)
Vocal soloists, choir and
orchestra
SKU:
HL.49017759
History of the work
and documents.
Composed by Arnold
Schoenberg. Edited by
Ulrich Kraemer. This
edition: Full-cloth
binding. Sheet music.
Arnold Schoenberg -
Complete Works. Complete
edition. 332 pages.
Schott Music #AS1016-23.
Published by Schott Music
(HL.49017759).
ISBN
9783795794187.
9.0x12.0x0.997 inches.
German.
This volume
contains the editorial
notes on the
'Gurre-Lieder' score
published in series A,
volume 16, 1. Apart from
a detailed description of
the sources and critical
notes, it provides a
tabular list of errata,
omissions and oversights
in the musical text of
the primary source. In
addition, it contains a
line-by-line comparison
of the different texts
and versions as well as a
comparison of the
subsequent amendments,
tracing back to
Schoenberg himself, to
the primary source and
all secondary sources
included in the revision
process.
SKU: HL.49045560 Schoenberg Complete Edition. Composed by Arnold S...(+)
SKU: HL.49045560
Schoenberg Complete
Edition. Composed by
Arnold Schoenberg. Edited
by Martina Sichardt and
Ulrich Kraemer. This
edition: Full-cloth
binding. Sheet music.
Edition Schott.
Classical. Hardcover. 494
pages. Schott Music
#AS1023-22. Published by
Schott Music
(HL.49045560).
ISBN
9783795794736.
9.0x12.25x1.452
inches.
Arnold
Schonberg is the central
figure in the musical
world of this century.
His musical significance
was already apparent
during his life-time, but
his posthumous influence
has increased immensely.
His work paved the way
for ground-breaking
changes in musical
perception. This complete
edition aspires to be
equally indispensable for
research as well as for
performance. The edition
is published in two
series: series A in folio
format contains all
completed works, all
piano scores prepared by
the composer himself and
all unfinished works
suitable for performance;
also fragments (large
scores) which are better
suited to be printed in
such a format. Series B,
in quarto format,
contains early versions,
sketches, ideas and
fragments as well as
genesis and a Critical
Commentary.
Choral; Orchestra (Score) SKU: HL.49045957 Schoenberg Complete Works -...(+)
Choral; Orchestra (Score)
SKU: HL.49045957
Schoenberg Complete
Works - Band 17 Oratorium
(Fragments) Score.
Composed by Arnold
Schoenberg. Edited by
Ulrich Krä and mer.
Edition Schott. 20Th
Century, Classical.
Hardcover. 128 pages.
Schott Music #AS101710.
Published by Schott Music
(HL.49045957).
Arnold
Schonberg is the central
figure in the musical
world of this century.
His musical significance
was already apparent
during his life-time, but
his posthumous influence
has increased immensely.
His work paved the way
for ground-breaking
changes in musical
perception. This complete
edition aspires to be
equally indispensable for
research as well as for
performance. The edition
is published in two
series: series A in folio
format contains all
completed works, all
piano scores prepared by
the composer himself and
all unfinished works
suitable for performance;
also fragments (large
scores) which are better
suited to be printed in
such a format. Series B,
in quarto format,
contains early versions,
sketches, ideas and
fragments as well as
genesis and a Critical
Commentary.
Orchestra SKU: HL.49018349 Kritischer Bericht zu Band 11, Teil 3, Ents...(+)
Orchestra
SKU:
HL.49018349
Kritischer Bericht zu
Band 11, Teil 3,
Entstehungs- und
Werkgeschichte,
Dokumente, Fragment fur
Kammerorchester
(1913). Composed by
Arnold Schoenberg. Edited
by Ulrich Kraemer. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 216
pages. Schott Music
#AS1011-24. Published by
Schott Music
(HL.49018349).
ISBN
9783795794033.
9.0x12.0x0.731
inches.
Arnold
Schonberg ist die
zentrale Erscheinung der
Musik dieses
Jahrhunderts. Seine
Bedeutung ist noch zu
seinen Lebzeiten offenbar
geworden, sein Einfluss
uber seinen Tod hinaus
machtig. Seine Werke
haben eine grundlegende
Wandlung des
musikalischen Weltbildes
eingeleitet.Die Ausgabe
samtlicher Werke von
Arnold Schonberg nimmt
fur sich in Anspruch, der
Forschung wie der
musikalischen Praxis
gleichermassen zu dienen.
Sie erscheint in zwei
Serien: Die Serie A in
Folioformat enthalt die
vollendeten Werke, die
vom Komponisten
gefertigten
Klavierauszuge und die
auffuhrbaren
unvollendeten Werke;
ferner Fragmente, die in
dieser Serie wegen des
Grossformats (grosse
Partituren) besser
unterzubringen sind. Die
Serie B in Quartformat
enthalt Fruhfassungen,
Skizzen, Entwurfe und
Fragmente sowie den
Kritischen Bericht und
die Genesis.
Kammersymphonie op. 9:
Bearbeitung fur
Orchester, 1914/Drei
Stucke fur
Kammerensemble, 1910
(unvollendet).
Composed by Arnold
Schoenberg. Edited by
Ulrich Kraemer. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
Complete Edition. 168
pages. Schott Music
#AS1011-23. Published by
Schott Music
(HL.49018348).
ISBN
9783795794026.
9.0x12.0x0.632
inches.
Arnold
Schonberg ist die
zentrale Erscheinung der
Musik dieses
Jahrhunderts. Seine
Bedeutung ist noch zu
seinen Lebzeiten offenbar
geworden, sein Einfluss
uber seinen Tod hinaus
machtig. Seine Werke
haben eine grundlegende
Wandlung des
musikalischen Weltbildes
eingeleitet.Die Ausgabe
samtlicher Werke von
Arnold Schonberg nimmt
fur sich in Anspruch, der
Forschung wie der
musikalischen Praxis
gleichermassen zu dienen.
Sie erscheint in zwei
Serien: Die Serie A in
Folioformat enthalt die
vollendeten Werke, die
vom Komponisten
gefertigten
Klavierauszuge und die
auffuhrbaren
unvollendeten Werke;
ferner Fragmente, die in
dieser Serie wegen des
Grossformats (grosse
Partituren) besser
unterzubringen sind. Die
Serie B in Quartformat
enthalt Fruhfassungen,
Skizzen, Entwurfe und
Fragmente sowie den
Kritischen Bericht und
die Genesis.
By Arnold Schoenberg. This edition: BOOK. 20th Century. Arnold Schoenberg Self-P...(+)
By Arnold Schoenberg.
This edition: BOOK. 20th
Century. Arnold
Schoenberg Self-Portrait:
A collection of articles,
program notes and letters
by the composer about his
own works. Book.
Published by Belmont
Music.
String Quartet (2vl,va,vc) SKU: BR.EB-9266 Composed by Marton Illes. Cham...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.EB-9266
Composed
by Marton Illes. Chamber
music. Edition Breitkopf.
World premiere:
Vienna, Arnold Schoenberg
Center, May 3, 2018
(Asasello-Quartet)
New music (post-2000);
Music post-1945. Set of
parts. Composed 2016/17.
Duration 10'. Breitkopf
and Haertel #EB 9266.
Published by Breitkopf
and Haertel (BR.EB-9266).
ISBN 9790004185667. 0
x 0 inches.
World
premiere: Vienna, Arnold
Schoenberg Center, May 3,
2018
(Asasello-Quartet).
Tuba or Bass Trombone and Piano - advanced SKU: CY.CC2666 Composed by Arn...(+)
Tuba or Bass Trombone and
Piano - advanced
SKU:
CY.CC2666
Composed by
Arnold Schoenberg.
Arranged by Ralph Sauer.
20th Century. Solo part
and Piano accompaniment.
Published by Cherry
Classics (CY.CC2666).
Arnold
Schoenberg's Six Little
Pieces, Opus 19,
originally for Piano,
were published in 1913 at
a time when the composer
was reacting to his
feelings of the excesses
of the Romantic Period.
They were composed
concurrently with his
gigantic work
Gurre-Lieder. The first
five pieces were written
in one day and the last
one shortly after the
death of Gustav Mahler as
a rumored tombeau or
memorial. Mr. Sauer has
deftly arranged these six
short pieces of around 5
minutes in length for
advanced performers.
By Monn, Arnold Schoenberg. Arranged by Arnold Schoenberg. For cello & orchestra...(+)
By Monn, Arnold
Schoenberg. Arranged by
Arnold Schoenberg. For
cello & orchestra. This
edition: SCORE. 20th
Century. Score. Published
by Belmont-Universal
Edition.