SKU: PR.UE038023

UPC: 803452072836.

Somet hing quite a bit different from the usual Christmas program fare, Bartok's collection of Romanian Christmas Carols springs from his lifelong fascination with folk music of the region. Bartok arranged several of these folk songs for the Christmas season into his original piano solos (UE005890), and van Zoelen has faithfully transcribed this into saxophone quartet. Series II presents ten folks tunes performed as a seamless whole. (Series I is available as UE037115.).

SKU: HP.2866

UPC: 763628128661.

Medle y of a hymn tune and traditional spiritual
This traditional spiritual is inspiringly paired with the hymn tune, OLIVET. Reflecting on the words, my faith looks up to thee, thou Lamb of Calvary, this poignant ballad is useful throughout the Lenten season.

SKU: GI.G-1109

SKU: GI.G-1051

UPC: 785147005124.

This superb selection of Advent and Christmas favorites contains many favorite carols and songs that will help cheer your heart and home during the Christmas season. In addition to the brilliant reverberations of handbells, some tracks also contain handchimes, woodwinds, strings, organ, and piano. CONTENTS: People Look East, G-8545 • O Come, O Come Emmanuel, G-9120 • Joyful Angels Song, G-7929 • Stil, Still, Still, G-8949 • Wexford Carol, G-8074 • I Wonder As I Wander, G-9450 • Sing We Now of Christmas, G-9303 • Sussex Carol, G-8743 • A Christmastide Gigue, G-8897 • Bring A Torch, Jeanette, Isabella, G-8735 • Carol of the Bells, G-8732 • O Come, All Ye Faithful, G-9207 • Born Is the King of Israel, G-7089 • Personent Hodie, G-9110 • Tidings of Comfort and Joy, G-7930 • Cherry Tree Carol, G-8174 • Pat-A-Pan, G-9210 • Do You Hear What I Hear, G-7827 • Psallite, G-6341 • Addoration of the Wise Men, G-7624 • In the Bleak Midwinter, G-7289 •’Twas in the Moon of Wintertime, G-8420.

SKU: PR.415411560

UPC: 680160642946. 9 x 12 inches.

The Mythology Suite consists of three movements of my Mythology Symphony, which I arranged for large wind ensemble. The arrangements of The Lovely Sirens and Penelope Waits were commissioned by James Ripley and Carthage College for the Carthage Wind Orchestra's 2017 Japan tour. I added Pandora Undone to complete the set; Stephen Squires and the Chicago College of Performing Arts gave the premiere of the entire Suite in February 2017. Movement 1: The Lovely Sirens The Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens' beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors' peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots--represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise. Movement 2: Penelope Waits This quiet movement represents Queen Penelope, the faithful wife of Odysseus, as she patiently waits twenty years for her husband's return from fighting the Trojan Wars. Penelope herself is represented as an oboe. She is accompanied by the ensemble as she keeps at bay the suitors who wish to marry her and inherit her riches. Movement 3: Pandora Undone This movement is, in turns, both lighthearted and serious. The music depicts a young, naive Pandora who, while dancing around her house, spies a mysterious box. She tries to resist opening it, but her curiosity ultimately gets the best of her. When she cracks the lid open and looks inside, all evils escape into the world. Dismayed by what she has done, she looks inside the box once more. She discovers hope still in the box and releases it to temper the escaped evils and assuage mankind's new burden.
The Mytholo gy Suite consists of three movements of my Mythology Symphony, which I arranged for large wind ensemble. The arrangements of The Lovely Sirens and Penelope Waits were commissioned by James Ripley and Carthage College for the Carthage Wind Orchestra’s 2017 Japan tour. I added Pandora Undone to complete the set; Stephen Squires and the Chicago College of Performing Arts gave the premiere of the entire Suite in February 2017.Movement 1: The Lovely SirensThe Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens’ beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors’ peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots—represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise.Movement 2: Penelope WaitsThis quiet movement represents Queen Penelope, the faithful wife of Odysseus, as she patiently waits twenty years for her husband's return from fighting the Trojan Wars. Penelope herself is represented as an oboe. She is accompanied by the ensemble as she keeps at bay the suitors who wish to marry her and inherit her riches.Movement 3: Pandora UndoneThis movement is, in turns, both lighthearted and serious. The music depicts a young, naïve Pandora who, while dancing around her house, spies a mysterious box. She tries to resist opening it, but her curiosity ultimately gets the best of her. When she cracks the lid open and looks inside, all evils escape into the world. Dismayed by what she has done, she looks inside the box once more. She discovers hope still in the box and releases it to temper the escaped evils and assuage mankind's new burden.

SKU: PR.41541156L

UPC: 680160642953. 11 x 17 inches.

The Mythology Suite consists of three movements of my Mythology Symphony, which I arranged for large wind ensemble. The arrangements of The Lovely Sirens and Penelope Waits were commissioned by James Ripley and Carthage College for the Carthage Wind Orchestra's 2017 Japan tour. I added Pandora Undone to complete the set; Stephen Squires and the Chicago College of Performing Arts gave the premiere of the entire Suite in February 2017. Movement 1: The Lovely Sirens The Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens' beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors' peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots--represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise. Movement 2: Penelope Waits This quiet movement represents Queen Penelope, the faithful wife of Odysseus, as she patiently waits twenty years for her husband's return from fighting the Trojan Wars. Penelope herself is represented as an oboe. She is accompanied by the ensemble as she keeps at bay the suitors who wish to marry her and inherit her riches. Movement 3: Pandora Undone This movement is, in turns, both lighthearted and serious. The music depicts a young, naive Pandora who, while dancing around her house, spies a mysterious box. She tries to resist opening it, but her curiosity ultimately gets the best of her. When she cracks the lid open and looks inside, all evils escape into the world. Dismayed by what she has done, she looks inside the box once more. She discovers hope still in the box and releases it to temper the escaped evils and assuage mankind's new burden.
The Mytholo gy Suite consists of three movements of my Mythology Symphony, which I arranged for large wind ensemble. The arrangements of The Lovely Sirens and Penelope Waits were commissioned by James Ripley and Carthage College for the Carthage Wind Orchestra’s 2017 Japan tour. I added Pandora Undone to complete the set; Stephen Squires and the Chicago College of Performing Arts gave the premiere of the entire Suite in February 2017.Movement 1: The Lovely SirensThe Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens’ beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors’ peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots—represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise.Movement 2: Penelope WaitsThis quiet movement represents Queen Penelope, the faithful wife of Odysseus, as she patiently waits twenty years for her husband's return from fighting the Trojan Wars. Penelope herself is represented as an oboe. She is accompanied by the ensemble as she keeps at bay the suitors who wish to marry her and inherit her riches.Movement 3: Pandora UndoneThis movement is, in turns, both lighthearted and serious. The music depicts a young, naïve Pandora who, while dancing around her house, spies a mysterious box. She tries to resist opening it, but her curiosity ultimately gets the best of her. When she cracks the lid open and looks inside, all evils escape into the world. Dismayed by what she has done, she looks inside the box once more. She discovers hope still in the box and releases it to temper the escaped evils and assuage mankind's new burden.

SKU: BT.MUSAM971531

ISBN 9780711989900.

E verybody's favourite Christmas carols and songs in one wonderfully practical and convenient edition creates The Best Christmas Songbook Ever (A5 Format), featuring 49 songs arranged for Piano, VoiceandGuitar. 

Every member of the family is catered for, young and old, with a selection of favourites covering the traditional classics that make the season special like Away In A Manger, We Three Kings OfOrientAre and O Come, All Ye Faithful. Not only this, but more recent pop tunes are represented such as I Wish It Could Be Christmas Every Day, Last Christmas and Santa ClausIsComing To Town. The generous selection of songs from old carols to new tunes makes this the perfect book for you this Christmas, so you can begin Christmas Eve with the classic carols and bring in Christmas Day with thefuncontemporary pop. 

The accessible arrangements of lyrics, melody, Piano and Guitar chords mean that you don't have to spend too much time practising before family and friends can gather around the Piano for aChristmassing-along. Because this songbook has everything, you can keep it as part of your music collection and dig it out every year for those times when the family can gather around and sing the songs that get you into thespirit of theseason. 

For the best and most varied collection of Christmas songs ever compiled, from old to new, classic to contemporary, pick up The Best Christmas Songbook Ever, and put a Yuletidesmile on theface of everyone with these universally loved tunes.

You can also purchase this book in its larger, standardsize for abumper-sized Yuletide.

SKU: HL.2050315

UPC: 797242409196. 6.75x10.5x0.439 inches.

“We celebrate that He has come. And if He came once, He will come again! These are the promises!”This four-part journey through the Advent season breathes new life into the ancient practice of the lighting of the candles on the Advent wreath. From the opening welcome which includes the wonderful classic worship chorus,Come, Messiah King to the final faith-filled prayer of “Let it be to me” this project beautifully expresses our longing for Messiah.Each week's Advent reading (scripted for 2 narrators) highlights the themes of hope, faith, joy, and peace.All you need: 1 scripture reader, 2 narrators, and your choir. There's something for each of the 4 Advent Sundays before Christmas.Book includes: Scripture readings Advent Readings 1 Classic Worship Chorus 4 SATB choir anthems Closing Prayers Production notes.

SKU: CA.3104915

ISBN 9790007206222. Language: German/English.

The beginning of Cantata no. 49 (I go and search for thee with yearning) may also be the most well-known part of this work: in the introductory sinfonia for organ and orchestra Bach refers back to the final movement of a lost concerto with concertante melody instrument which he later reworked into the Harpsichord Concerto in E major BWV 1053. The cantata, conceived as a composition in dialogue between the faithful soul (soprano) and Jesus (bass), is characterized by the expressiveness of the love poetry from the biblical Song of Songs, which finds its lyrical expression especially in the virtuosity and charm of its instrumentation - a masterpiece in the Bachian art of characterization. (Alfred Durr). Score and part available separately - see item CA.3104900.

SKU: ST.W226

ISBN 9790220223235.

Incl uded in the Oxford Book of Ballads and ascribed to an anonymous 15th-century author, the tale of Joly Joly Wat the shepherd who offers the infant Christ his 'pipe, skirt, tarbox and scripe' is among the best-loved of traditional Christmas verses. Its musical reference offers an obvious attraction to composers, and in Bryan Kelly's new setting a sprightly ritornello embellished with trills is the musical counterpart to the young herdsman's musical instrument on which 'he made such joy.'

Written for Simon Williams and the Harrow Choral Society, Joly Joly Wat brings a fresh and lively note to seasonal choral concerts. The vocal writing is clear and straightforward, with occasional division of the sopranos, and an incisive and syncopated style that matches the shepherd-boy's haste to leave his flock and his faithful dog keeping his 'shepe fro ye corn' in order to visit the new-born Jesus.

SKU: AP.74-1592407347

ISBN 9781592407347. English. [Mick Jagger] By Mark Spitz.

A culturally astute, often funny, and painstakingly researched read, Jagger offers a far richer portrait than biographies published previously. The book reveals much about his relationships (with Marianne Faithfull and ex-wives Bianca Jagger and Jerry Hall); his complex, creative partnership with Keith Richards; his friends like John Lennon and David Bowie; and enemies like Hells Angels leader Sonny Barger. Spitz goes even deeper, exploring Jagger's many roles: an authentic soul man; powerful social commentator; sexual liberator; would-be movie star; and yes, sometimes, a shrewd businessman with an enthusiasm for much younger women. The myth of Mick is examined and rebooted for the twenty-first century.

SKU: HL.1413916

ISBN 9798350120042. UPC: 196288196815. 6.75x10.5 inches. Matthew 2:9-10.

This hopeful anthem will be a welcome addition to your winter repertoire. Brimming with joy, the writing is instantly appealing, with lively rhythms and luscious harmonies. The message is timeless, encouraging seekers to follow the light of grace as they walk the journey of faith.

SKU: PR.14440686S

UPC: 680160639366. 9 x 12 inches.

Flute and guitar duo, along with string quartet, perform three movements based on Sephardic folk songs. The common theme is love just out of reach: the sad hope of finding love, the unrequited love for an older woman, the spurned love of the unfaithful (Searching, rejection, and loss, as Leisner says). The relevant folk songs are stated within each of the pieces - at the beginning of the first, in the middle of the second, at the end of the third, and are used as the base for Leisner's stream-of-conciousness meditations..

SKU: LO.99-2897L