| Best R&B Songs Ever Piano, Voix et Guitare [Partition] Hal Leonard
Songbook for voice, piano and guitar chords. 304 pages. Published by Hal Leonard...(+)
Songbook for voice, piano
and guitar chords. 304
pages. Published by Hal
Leonard.
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Billy Joel: Billy Joel's Biggest Hits
Saxophone Alto [Partition] - Intermédiaire Hal Leonard
Performed by Billy Joel. For alto saxophone. Format: instrument solo songbook. W...(+)
Performed by Billy Joel.
For alto saxophone.
Format: instrument solo
songbook. With solo
melody. Soft rock and pop
rock. 32 pages. 9x12
inches.
(4)$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Suite Violon et Piano Boosey and Hawkes
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025445 For Violin...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025445
For Violin and
Piano. Composed by
Hans Winterberg. Boosey
and Hawkes Chamber Music.
Classical. Softcover.
Duration 420 seconds.
Boosey and Hawkes
#M202538852. Published by
Boosey and Hawkes
(HL.48025445). ISBN
9783793145820. UPC:
196288216438. Hans
Winterberg's
extraordinary life was
written in two chapters,
one Czech and one German,
split right down the
middle by the experience
of the Shoah, which
Winterberg, unlike his
colleagues Ullmann,
Krása, Haas and Klein,
miraculously survived. In
1947, the Prague-born
composer moved to Munich,
where he worked for the
Bavarian Broadcasting
Corporation. As a student
of Alexander Zemlinsky
and Alois Hába, he
belongs both to the Czech
tradition following
Janácek and to the
circle of the Second
Viennese School. He saw
himself as a bridge
builder between Western
and Eastern culture. The
circumstances under which
Winterberg was able to
compose during the war
years are still unclear.
Although his “mixed
marriage” initially
saved him from
deportation, he had to
perform forced labour and
was eventually sent to
the Terezin ghetto in
January 1945. The Suite
for Violin and Piano was
composed in 1942, the
year in which both
Winterberg's mother and
his piano professor
Thérèse Wallerstein
were murdered by the
Nazis. Compared to the
violin sonata from 1936,
the Suite is much more
condensed, lasting less
than seven minutes. A
melody dominated by
chromatic turns and
expressionist harmony
lend the work its
melancholy character,
which gives way, however,
to an almost
irrepressible defiance in
the rhythmically
percussive last
movement. $26.99 - Voir plus => Acheter | | |
| Desert Voices Orchestre d'harmonie [Conducteur] - Facile FJH
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1371S Score Only. C...(+)
Concert Band Concert Band
- Grade 2.5 SKU:
FJ.B1371S Score
Only. Composed by
Roland Barrett. Concert
Band. FJH Young Band.
Score. Duration 3:15. The
FJH Music Company Inc
#98-B1371S. Published by
The FJH Music Company Inc
(FJ.B1371S).
English. Depicti
ng life in the desert,
this captivating work
begins with the haunting
sounds of a baron desert
as relentless heat hits
it by day. At night,
exotic plants and animals
spring to life, portrayed
with rhythmic vitality
and bold musical
statements. The work ends
as softly as it began,
with the relentless sun
once again beating down
on the parched desert.
Intense and
captivating!
About FJH
Young
Band Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5 $5.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The 1960s Paroles Seulement [Partition] Hal Leonard
Paperback Lyrics. By Various. Paperback Lyrics. Softcover. Size 4.25x6.75 inches...(+)
Paperback Lyrics. By
Various. Paperback
Lyrics. Softcover. Size
4.25x6.75 inches. 256
pages. Published by Hal
Leonard.
(1)$7.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Motown 50th Anniversary Songbook Piano, Voix et Guitare [Partition] Hal Leonard
| | |
| 100 Love Songs Music Sales
| | |
| Desert Voices Orchestre d'harmonie - Facile FJH
Concert Band Concert Band - Grade 2.5 SKU: FJ.B1371 Composed by Roland Ba...(+)
Concert Band Concert Band
- Grade 2.5 SKU:
FJ.B1371 Composed by
Roland Barrett. Concert
Band. FJH Young Band.
Score and Part(s).
Duration 3:15. The FJH
Music Company Inc
#98-B1371. Published by
The FJH Music Company Inc
(FJ.B1371). UPC:
674398223558.
English. Depicting
life in the desert, this
captivating work begins
with the haunting sounds
of a baron desert as
relentless heat hits it
by day. At night, exotic
plants and animals spring
to life, portrayed with
rhythmic vitality and
bold musical statements.
The work ends as softly
as it began, with the
relentless sun once again
beating down on the
parched desert. Intense
and captivating!
About FJH
Young
Band Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5 $50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Organ Works Orgue [Conducteur] Breitkopf & Härtel
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU:
BR.EB-9306 Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches. This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles. $45.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Organ Works Orgue [Conducteur] Breitkopf & Härtel
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU:
BR.EB-9415 Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches. This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles. $90.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Organ Works Orgue [Conducteur] Breitkopf & Härtel
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU:
BR.EB-9305 Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches. This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2. $50.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Organ Works Orgue [Conducteur] Breitkopf & Härtel
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU:
BR.EB-9304 Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches. This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305). $50.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Live On Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cabasa, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2.5 SKU: CF.YPS212
Composed by Larry Clark.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+2+2+4+10+20+4
pages. Duration 3
minutes, 39 seconds. Carl
Fischer Music #YPS212.
Published by Carl Fischer
Music (CF.YPS212).
ISBN 9781491152317.
UPC: 680160909810. Key: C
minor. Taking its
title from a poem about
grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017. $75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Charles Tomlinson Griffes: Roman Sketches, Op. 7 Piano seul - Intermédiaire/avancé Alfred Publishing
Composed by Charles Tomlinson Griffes (1884-1920). Edited by Albert Mendoza. ...(+)
Composed by Charles
Tomlinson
Griffes (1884-1920).
Edited
by Albert Mendoza.
Masterworks; Piano Solo.
Alfred Masterwork
Edition.
Form: Suite. 20th
Century;
Masterwork; Recital.
Book. 52
pages. Alfred Music #00-
46906. Published by
Alfred
Music
$10.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Surface from Immersion Orchestre d'harmonie [Conducteur] - Intermédiaire Hal Leonard
Composed by Alex Shapiro (1962-). Activist Music. Concert, Contest. Softcove...(+)
Composed by Alex Shapiro
(1962-). Activist Music.
Concert, Contest.
Softcover.
40 pages. Published by
Hal
Leonard
$25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Surface from Immersion Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Composed by Alex Shapiro (1962-). Activist Music. Concert, Contest. Softcover....(+)
Composed by Alex Shapiro
(1962-). Activist Music.
Concert, Contest.
Softcover.
Published by Hal Leonard
$150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Spark of Light Carl Fischer
Choral SAB choir, piano SKU: CF.CM9730 Composed by Andrew Steffen. 16 pag...(+)
Choral SAB choir, piano
SKU: CF.CM9730
Composed by Andrew
Steffen. 16 pages.
Duration 2 minutes, 48
seconds. Carl Fischer
Music #CM9730. Published
by Carl Fischer Music
(CF.CM9730). ISBN
9781491161098. UPC:
680160919697. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845). About
Jonas Halgrimsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him. The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
illicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven.... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.
https://digicoll.library.
wisc.edu/Jonas/Alheim/Alh
eim.html A good friend
asked if I would write a
song for her ensemble.
The parameters were that
it had to be three-part
with a limited range in
the Bass part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson's writings.
There is such a need for
three-part music that is
both exciting,
accessible, and
challenging. Director's
Note Truly consider how
the work can come to
'life' off the page. Rise
and fall with phrase and
sometimes each note. The
magic exists beyond the
ink on the page!
Consideration to range,
tessitura, and content
was all considered as
part of this process in
creating music that is
accessible to all
programs and ensembles
Accompaniment Note The
accompaniment can look
intimidating, but please
feel free to alter the
pulsing eighth notes in
the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. AboutJónas
HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
illicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven.... Â The pure
and almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.  Â
https://digicoll.library.
wisc.edu/Jonas/Alheim/Alh
eim.htmlA good friend
asked if I would write a
song for her
ensemble. The
parameters were that it
had to be three-part with
a limited range in the
Bass part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings.  There
is such a need for
three-part music that is
both exciting,
accessible, and
challenging. Director
€™s NoteTruly
consider how the work can
come to
‘life’ off
the page. Rise and
fall with phrase and
sometimes each note.Â
The magic exists beyond
the ink on the
page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensemblesAccompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I Carry Your Song in My Heart Carl Fischer
Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2 SKU: CF.CM9628 ...(+)
Choral Cello, Piano, alto
1, alto 2, soprano 1,
soprano 2 SKU:
CF.CM9628 Composed by
Evan Ramos. Sws.
Performance Score. 16
pages. Duration 3
minutes, 20 seconds. Carl
Fischer Music #CM9628.
Published by Carl Fischer
Music (CF.CM9628).
ISBN 9781491157008.
UPC: 680160915569. 6.875
x 10.5 inches. Key: E
minor. English, English.
Original, Sarah Ramos &
Robert
Draper. Ramos has
written a memorable
tribute to a beloved
teacher in I Carry Your
Song in My Heart. For the
advanced treble ensemble,
the lush and captivating
harmonies are sure to
engage both singer and
audience. With a
wonderful it factor, it
is a great find for
concert or festival. A
great music teacher's
legacy is not measured by
the festivals and
conventions at which
their students performed.
It is not measured by the
number of all-state
performers or
professional musicians
their program generated.
Nor is it measured by
Teacher-of-the-Year
awards or accolades. A
great music teacher's
legacy is found in the
memories, the music, the
life lessons, and the
truths still resonating
in the hearts of their
students. I Carry Your
Song in My Heart was
created to celebrate the
legacy of Cheryl Wilson,
a great choir director,
and the 'song' she
imparted to her students.
Robert Draper, her former
assistant, wrote the
first draft of the text
which was further
developed into its
present form by Evan and
Sarah Ramos. Performance
Notes: Mm. 9-16: Be
careful not to take this
section too quickly. The
section 'rhythms dance,
phrases spin' is
difficult to enunciate at
too fast a tempo. Work
with your singers to find
a tempo that allows mm.
13-16 to 'dance' without
feeling rushed. Mm. 37,
61: Keep the dotted
eighth notes in these
measures as legato as
possible. M. 47: If you
would like, accenting the
dotted eighth notes is
appropriate here. If you
choose to perform this
piece with Cello, feel
free to adjust dynamics
as needed for balance in
the overall sound. A
great music
teacher’s legacy
is not measured by the
festivals and conventions
at which their students
performed. It is not
measured by the number of
all-state performers or
professional musicians
their program generated.
Nor is it measured by
Teacher-of-the-Year
awards or accolades.A
great music
teacher’s legacy
is found in the memories,
the music, the life
lessons, and the truths
still resonating in the
hearts of their
students.I Carry Your
Song in My Heart was
created to celebrate the
legacy of Cheryl Wilson,
a great choir director,
and the
‘song’ she
imparted to her students.
Robert Draper, her former
assistant, wrote the
first draft of the text
which was further
developed into its
present form by Evan and
Sarah Ramos.Performance
Notes:Mm. 9-16: Be
careful not to take this
section too quickly. The
section ‘rhythms
dance, phrases
spin’ is difficult
to enunciate at too fast
a tempo. Work with your
singers to find a tempo
that allows mm. 13-16 to
‘dance’
without feeling
rushed.Mm. 37, 61: Keep
the dotted eighth notes
in these measures as
legato as possible.M. 47:
If you would like,
accenting the dotted
eighth notes is
appropriate here.If you
choose to perform this
piece with Cello, feel
free to adjust dynamics
as needed for balance in
the overall sound. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fantasy-Variations Merion Music
Chamber Music Cello, Piano, Violin SKU: PR.144402290 Composed by James Pr...(+)
Chamber Music Cello,
Piano, Violin SKU:
PR.144402290 Composed
by James Primosch. Set of
Score and Parts. With
Standard notation. 17+9+9
pages. Duration 16
minutes, 30 seconds.
Merion Music #144-40229.
Published by Merion Music
(PR.144402290). UPC:
680160027316. The
theme that opens my
Fantasy-Variations
permeates the harmonic
and melodic life of the
24 short episodes and
coda that follow.
However, in a few
sections the
relationships with the
theme are more hidden
than explicit; the
fanciful connections
between these portions
and the opening theme
suggested the work's
hybrid title. Yet even in
these more wide-ranging
variations the opening
theme is usually still
hovering nearby, often as
a quiet presence
contrasting with more
animated gestures. The
piece may be understood
as a kind of dream
journal: a chain of brief
entries that seem to vary
greatly, yet rotate about
a fixed constellation of
types and obsessions,
speaking a language of
images at once logical
and impossible, familiar
and mysterious. I wrote
the Fantasy-Variations
for the Leonardo trio in
1991 with the support of
a National Endowment for
the Arts Fellowship in
composition. The theme
that opens my
Fantasy-Variations
permeates the harmonic
and melodic life of the
24 short episodes and
coda that follow.Â
However, in a few
sections the
relationships with the
theme are more hidden
than explicit; the
fanciful connections
between these portions
and the opening theme
suggested the
work’s hybrid
title. Yet even in
these more wide-ranging
variations the opening
theme is usually still
hovering nearby, often as
a quiet presence
contrasting with more
animated gestures.The
piece may be understood
as a kind of dream
journal: a chain of brief
entries that seem to vary
greatly, yet rotate about
a fixed constellation of
types and obsessions,
speaking a language of
images at once logical
and impossible, familiar
and mysterious.I wrote
the Fantasy-Variations
for the Leonardo trio in
1991 with the support of
a National Endowment for
the Arts Fellowship in
composition. $63.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fantasy-Variations [Conducteur] Merion Music
Chamber Music Cello, Piano, Violin SKU: PR.14440229S Composed by James Pr...(+)
Chamber Music Cello,
Piano, Violin SKU:
PR.14440229S Composed
by James Primosch. Full
score. With Standard
notation. Duration 16
minutes, 30 seconds.
Merion Music #144-40229S.
Published by Merion Music
(PR.14440229S). UPC:
680160027330. The
theme that opens my
Fantasy-Variations
permeates the harmonic
and melodic life of the
24 short episodes and
coda that follow.
However, in a few
sections the
relationships with the
theme are more hidden
than explicit; the
fanciful connections
between these portions
and the opening theme
suggested the work's
hybrid title. Yet even in
these more wide-ranging
variations the opening
theme is usually still
hovering nearby, often as
a quiet presence
contrasting with more
animated gestures. The
piece may be understood
as a kind of dream
journal: a chain of brief
entries that seem to vary
greatly, yet rotate about
a fixed constellation of
types and obsessions,
speaking a language of
images at once logical
and impossible, familiar
and mysterious. I wrote
the Fantasy-Variations
for the Leonardo trio in
1991 with the support of
a National Endowment for
the Arts Fellowship in
composition. The theme
that opens my
Fantasy-Variations
permeates the harmonic
and melodic life of the
24 short episodes and
coda that follow.Â
However, in a few
sections the
relationships with the
theme are more hidden
than explicit; the
fanciful connections
between these portions
and the opening theme
suggested the
work’s hybrid
title. Yet even in
these more wide-ranging
variations the opening
theme is usually still
hovering nearby, often as
a quiet presence
contrasting with more
animated gestures.The
piece may be understood
as a kind of dream
journal: a chain of brief
entries that seem to vary
greatly, yet rotate about
a fixed constellation of
types and obsessions,
speaking a language of
images at once logical
and impossible, familiar
and mysterious.I wrote
the Fantasy-Variations
for the Leonardo trio in
1991 with the support of
a National Endowment for
the Arts Fellowship in
composition. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Songs of the 1920s Piano Facile - Facile Hal Leonard
The New Decade Series. Composed by Various. Easy Piano Songbook. Standards. S...(+)
The New Decade Series.
Composed by Various. Easy
Piano Songbook.
Standards.
Softcover. 360 pages.
Published by Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Toomai des elephants Piano seul [Conducteur] - Intermédiaire Musik Fabrik
Piano - Grade 4 SKU: FA.MFCD011PN Composed by Claude Debussy and Robert O...(+)
Piano - Grade 4 SKU:
FA.MFCD011PN Composed
by Claude Debussy and
Robert Orledge.
Rediscoverd Debussy.
Classical,
Impressionistic. Score.
Musik Fabrik #MFCD011PN.
Published by Musik Fabrik
(FA.MFCD011PN). 8.27 x
11.69 inches. In
January 1913, Debussy
struggled to complete
Toomai des elephants as
the 11th prelude in
Book2, finally replacing
it by a rather
Stravinskian study Les
Tierces alternees.
However, his daughter
Chouchou was fascinated
by elephants and in the
summer of 1913, Debussy
wrote her a 'Toybox
Ballet' (La Boite a
joujoux) which contains a
'Pas de l'elephant' and
an 'old Hindu chant which
is still used to train
elephants [in India]. It
is constructed on the
scale of 5 o'clock in the
morning,which means it
must be in 5/4 time.' My
reconstruction of this
lost prelude is based
around this material and
it evokes a day in the
life of Toomai, the young
mahout, and his faithful
elephant Kala Nag from
one dawn to the next,
incorporating the
legendary 'Elephants'
Dance' from Rudyard Kip
ling's First Jungle Book
(1894) which only Toomai
was ever privileged to
witness. The version
presented here is the
revised second version of
this prelude which
contains an effect of
piano harmonics as the
dawn returns towards the
end. $12.94 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Songs of the 1920s - The New Decade Series Hal Leonard
E-Z Play(r) Today Volume 362. Composed by Various. E-Z Play Today. Standa...(+)
E-Z Play(r) Today
Volume 362. Composed
by Various. E-Z Play
Today. Standards.
Softcover. 224 pages.
Published by Hal Leonard
(HL.159568).
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| March Wunderbar Orchestre d'harmonie [Conducteur] - Facile FJH
Concert Band - Grade 2 SKU: FJ.B1880S Composed by Randall Standridge. Con...(+)
Concert Band - Grade 2
SKU: FJ.B1880S
Composed by Randall
Standridge. Concert Band.
FJH Young Band. Form:
March; March.
Multicultural. Score. The
FJH Music Company Inc
#98-B1880S. Published by
The FJH Music Company Inc
(FJ.B1880S).
English. Guten
Tag! This charming march
takes inspiration from
the polka music and fall
festivals of Germany. The
folk-like melodies and
boisterous dynamic
changes bring life to the
traditional march form. A
great choice for your
next concert or festival
that is sure to make your
audience say
wunderbar!.
About FJH
Young
Band Appro
priate for middle school
and smaller high school
groups. Second clarinets
usually stay below the
break. Parts are written
with more independence,
and instrumentation
increases slightly. There
is still adequate
doubling in the lower
voices. Grades 2 -
2.5 $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jason Robert Brown Collection - Volume 2 Piano, Voix et Guitare Hal Leonard
24 Selections from Shows and Albums. Composed by Jason Robert Brown. P/V/G Com...(+)
24 Selections from Shows
and
Albums. Composed by Jason
Robert Brown. P/V/G
Composer
Collection. Broadway,
Musicals. Softcover.
Published by Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 2. Un bal Orchestre d'harmonie [Conducteur et Parties séparées] Baton Music
(Symphonie Fantastique). By Hector Berlioz (1803-1869). Arranged by Christiaan J...(+)
(Symphonie Fantastique).
By Hector Berlioz
(1803-1869). Arranged by
Christiaan Janssen. For
Concert Band. Grade 5.
Full score and set of
parts. Duration 6:30.
Published by Baton Music
$173.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| E-Z Play Today #155 - The Best of Billy Joel Piano, Voix et Guitare [Partition] - Facile Hal Leonard
Music by Billy Joel. For voice and keyboard. Format: keyboard/vocal/chords songb...(+)
Music by Billy Joel. For
voice and keyboard.
Format:
keyboard/vocal/chords
songbook. With lyrics,
chord names, big note
notation and registration
guide. Soft Rock and Pop
Rock. Series: Hal Leonard
E-Z Play Today. 112
pages. 9x12 inches.
Published by Hal Leonard.
(4)$18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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