| Maurice Ravel: Selected Short Masterpieces Piano seul [Partition] - Avancé Schirmer
Composed by Maurice Ravel (1875-1937). For piano. Schirmer Library Vol.2022. For...(+)
Composed by Maurice Ravel
(1875-1937). For piano.
Schirmer Library
Vol.2022. Format: piano
solo songbook.
Impressionistic. 84
pages. 9x12 inches.
Published by G. Schirmer,
Inc..
(5)$15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sleep, My Child [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2.5
SKU: CF.YAS186F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young String Orchestra
(YAS). Full score. With
Standard notation. 12
pages. Carl Fischer Music
#YAS186F. Published by
Carl Fischer Music
(CF.YAS186F). ISBN
9781491151884. UPC:
680160909384. 9 x 12
inches. A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by a
violin solo on the song.
It them develops through
a variety of different
harmonic presentation
before building to a nice
key change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also
guest-conducted his
Madison Middle School
Orchestra several times
over the past four years.
His musicianship,
teaching skills and love
for his students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song and I felt
the title reflected the
sentiment I was looking
to express, which is of
someone taking rest after
a long battle with
illness, so a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions.Â
Not in a far out way, but
in a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57 as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say, Everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sleep, My Child Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell Tree, Bells, Clarinet 1, Clarinet 2...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bell Tree,
Bells, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam, Timpani
and more. - Grade 2
SKU: CF.YPS208F
Shlof, Mayn Kind.
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #YPS208F.
Published by Carl Fischer
Music (CF.YPS208F).
ISBN 9781491152966.
UPC:
680160910465. A
stunning and
heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sleep, My Child Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Flute 2,
Horn, Mallet Percussion,
Oboe, Percussion 1,
Percussion 2, Snare Drum,
Timpani, Trombone,
Trumpet 1, Trumpet 2,
Tuba, alto Saxophone and
more. - Grade 2 SKU:
CF.YPS208 Shlof,
Mayn Kind. Composed
by Larry Clark. Young
Band (YPS). Set of Score
and Parts. With Standard
notation.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+1+1+2+6+12 pages.
Duration 4 minutes, 31
seconds. Carl Fischer
Music #YPS208. Published
by Carl Fischer Music
(CF.YPS208). ISBN
9781491152287. UPC:
680160909780. Key: D
minor. A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by
a clarinet solo on the
song. It then develops
through a variety of
different harmonic
presentation before
building to a nice key
change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also guest
conducted his Madison
Middle School Orchestra
several times over the
past four years. His
musicianship, teaching
skills and love for his
students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song, and I
felt the title reflected
the sentiment I was
looking to express, which
is of someone taking rest
after a long battle with
illness. Thus, a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions. Not
in a far out way, but in
a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57, as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say - everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sleep, My Child - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2.5
SKU: CF.YAS186
Shlof, Mayn Kind.
Composed by Larry Clark.
Young String Orchestra
(YAS). Set of Score and
Parts. With Standard
notation.
8+5+2+8+5+5+3+12 pages.
Duration 2018. Carl
Fischer Music #YAS186.
Published by Carl Fischer
Music (CF.YAS186).
ISBN 9781491151518.
UPC: 680160909018. 9 x 12
inches. Key: D
minor. A stunning
and heart-wrenching
composition based on the
Jewish folk son Shlof,
Mayn Kind. You can
hear the emotional
content pour out of this
piece written in memory
of an outstanding
orchestra director. The
piece beginnings with
original material to set
the tone, followed by a
violin solo on the song.
It them develops through
a variety of different
harmonic presentation
before building to a nice
key change and climatic
moment. The piece ends as
it began, but with a more
hopeful tone. An amazing
piece. Sleep, My Child
was commissioned by the
Madison Middle School
Band and Orchestra in
Tampa, Florida, and is
dedicated to the memory
of their Director of
Orchestras Kevin Frye.
Director of Bands Chris
Shultz championed the
commissioning of this
piece to honor Kevin
after he passed away in
December 2016. Mr. Frye
was a beloved member of
the staff at Madison
Middle as well as the
music community of Tampa
and the state of
Florida. I was a
personal friend of
Kevin’s. We were
in several musical groups
together when we were
young that were formative
to both of our musical
careers. I also
guest-conducted his
Madison Middle School
Orchestra several times
over the past four years.
His musicianship,
teaching skills and love
for his students were
exemplary.When taking on
the challenge of writing
a piece to honor
Kevin’s legacy,
Mr. Shultz and I decided
to try and include
several important aspects
of Kevin’s life
into the piece. Kevin was
proudly Jewish, a
fantastic trumpet player
and loved Jazz. With that
in mind, and after a lot
of research, a Jewish
folk song Shlof, Mayn
Kind was selected as the
basis for the piece, not
to be religious, but to
honor his faith and
heritage. Plus it is a
beautiful song and I felt
the title reflected the
sentiment I was looking
to express, which is of
someone taking rest after
a long battle with
illness, so a lullaby
seemed appropriate.I also
wanted to incorporate
Jazz into the piece, but
in a concert setting, so
you will hear as the
piece develops, the
harmonies of the folk
song expand into ones
found more commonly in
Jazz compositions.Â
Not in a far out way, but
in a subtle way to again
honor this part of his
life. For example the
climactic moment of the
piece at the fermata in
m. 57 is a Dbmaj9#11
chord. It appropriately
give the piece the angst
that I was looking for at
this moment in the piece,
while honoring the
importance of Jazz in
Kevin’s musical
life.The piece was also
conceived to include both
the Madison band and
orchestra in the
performance at the
premiere. I wanted the
pieces to work separately
by the band and
separately by the
orchestra, but I also
wanted them to be able to
play the piece together
to honor Kevin.The piece
begins with original
material designed to set
the mood of the piece
with a tempo/style
marking of pensive, but
also as material that I
used as connective
musical tissue between
statements of the folk
song. After this
introduction, the folk
song is presented by a
solo violin (or clarinet)
with orchestral
accompaniment in a simple
straight forward
presentation of the song.
This is followed by a
woodwind section
statement of the folk
song accompanied by muted
trumpets. During this
presentation the harmony
starts to expand with
more color notes in the
chords. The low brass are
added half way through
this statement to add
depth and lushness.The
introductory material
returns, but with some
angry hits in the lower
voices. This leads to a
full ensemble state of
new material that is used
to transition to the
climax of the piece, and
to build tension. After
the build, the piece
modulates to a shortened
statement of the folk
song with more advanced
harmonies and an active
counter line in the
violas, horns, saxes and
first clarinets to
further build the
tension. This tension
is released at the
fermata in m. 57 as
mentioned above. After a
thoughtful pause, the
piece concludes with a
completion of the folk
song again with a solo
violin (or clarinet)
followed by a return of
the introductory material
to tie the piece
together. The piece ends
hopeful, with a solo
trumpet (Kevin’s
instrument) that is
dissonant at first, but
then resolves as if to
say, Everything will be
OK! It has been my
distinct honor to have
been asked to write this
piece in Kevin’s
memory! I hope that in
some small way the piece
helps to bring comfort to
his family, students,
colleagues and to all
those that knew
him!–Larry
ClarkLakeland, FLÂ
2017.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Old Spanish Songs and Romances [Conducteur] Breitkopf & Härtel
Guitar and voice(s) SKU: BR.EB-8487 Composed by Siegfried Behrend. Edited...(+)
Guitar and voice(s)
SKU: BR.EB-8487
Composed by Siegfried
Behrend. Edited by
Siegfried Behrend. Solo
instruments; Softcover.
Edition Breitkopf. The
Spanish romance preserved
for hundreds of years the
memory of the
century-long religious
wars between Christians
and Moors. Siegfried
Behrend offers a
selection of charming
arrangements from this
period in three volumes.
Song; Baroque. Score. 8
pages. Breitkopf and
Haertel #EB 8487.
Published by Breitkopf
and Haertel (BR.EB-8487).
ISBN 9790004177815. 9
x 12 inches. The
Spanish romance preserved
for hundreds of years the
memory of the
century-long religious
wars between Christians
and Moors. Siegfried
Behrend offers a
selection of charming
arrangements from this
period in three
volumes. $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Old Spanish Songs and Romances [Conducteur] Breitkopf & Härtel
Guitar and voice(s) SKU: BR.EB-8488 Composed by Siegfried Behrend. Edited...(+)
Guitar and voice(s)
SKU: BR.EB-8488
Composed by Siegfried
Behrend. Edited by
Siegfried Behrend. Solo
instruments; Softcover.
Edition Breitkopf. The
Spanish romance preserved
for hundreds of years the
memory of the
century-long religious
wars between Christians
and Moors. Siegfried
Behrend offers a
selection of charming
arrangements from this
period in three volumes.
Song; Baroque. Score. 12
pages. Breitkopf and
Haertel #EB 8488.
Published by Breitkopf
and Haertel (BR.EB-8488).
ISBN 9790004177822. 9
x 12 inches. The
Spanish romance preserved
for hundreds of years the
memory of the
century-long religious
wars between Christians
and Moors. Siegfried
Behrend offers a
selection of charming
arrangements from this
period in three
volumes. $18.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Raider's Last Crusade - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euph...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Euphonium, Euphonium
T.C., Flute, Horn, Jingle
Bells, Mallet Percussion,
Marimba, Oboe, Percussion
1, Percussion 2,
Percussion 3, Snare Drum,
Suspended Cymbal,
Tambourine and more. -
Grade 2.5 SKU:
CF.YPS251 Composed by
Ed Kiefer. Yps. Set of
Score and Parts.
16+4+8+8+8+4+4+10+4+4+8+8
+8+8+6+6+6+4+6+2+2+4+4+1+
24 pages. Duration 3
minutes, 10 seconds. Carl
Fischer Music #YPS251.
Published by Carl Fischer
Music (CF.YPS251).
ISBN 9781491161340.
UPC:
680160919932. Commi
ssioned by the Midway
High School Band, NC
Joshua Tew and Jesse
Shelton, Directors
Commission funded by the
Simple Gifts Grant Fund
(Clinton, NC) In memory
of Deborah Tew, mother of
Joshua Tew This
composition is a great
concert opener or
festival selection for a
young band. Beginning
with a joyful motive and
lots of featured
percussion, it uses
sudden dynamic changes
and a dark middle section
to create plenty of
contrast and excitement.
The ending begins very
softly, building to a
tension filled climax
that eventually returns
to the joyful motive from
the beginning of the
piece. Lots of fun for
the musicians and the
audience! Be sure to keep
the tempo moving
throughout--don't let it
slow down or it will lose
energy, especially in the
soft sections. Keep
articulations crisp and
let the horns wail
(doubles in altos). Make
sure your percussionists
observe the marked
dynamics and do not cover
the winds. Otherwise,
this piece is very
accessible, with
reasonable ranges and
rhythmic challenges. It
may take a minute or two
to balance the dark
chords in the middle
section, but it will be
well worth it for the
contrast. Have
fun!. Commissioned by
the Midway High School
Band, NCJoshua Tew and
Jesse Shelton,
DirectorsCommission
funded by the Simple
Gifts Grant Fund
(Clinton, NC)In memory of
Deborah Tew, mother of
Joshua TewThis
composition is a great
concert opener or
festival selection for a
young band. Beginning
with a joyful motive and
lots of featured
percussion, it uses
sudden dynamic changes
and a dark middle section
to create plenty of
contrast and excitement.
The ending begins very
softly, building to a
tension filled climax
that eventually returns
to the joyful motive from
the beginning of the
piece. Lots of fun for
the musicians and the
audience!Be sure to keep
the tempo moving
throughout--don’t
let it slow down or it
will lose energy,
especially in the soft
sections. Keep
articulations crisp and
let the horns wail
(doubles in altos). Make
sure your percussionists
observe the marked
dynamics and do not cover
the winds. Otherwise,
this piece is very
accessible, with
reasonable ranges and
rhythmic challenges. It
may take a minute or two
to balance the dark
chords in the middle
section, but it will be
well worth it for the
contrast. Have fun! $65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Western Music Anne Fuzeau Productions
SKU: FZ.5491 From Gregorian Chant to Bela Bartok. Edited by Philip...(+)
SKU: FZ.5491
From Gregorian Chant
to Bela Bartok.
Edited by Philippe
Lescat, Jean
Saint-Arroman. Mnemosis:
The Memory of Music
Collection. Book and CD.
Published by Anne Fuzeau
Productions - France
(FZ.5491). ISBN
9782841690824. 17.00 x
22.00 cm
inches. Delve into
the memory of music with
the Mnemosis collection
from Anne Fuzeau
Classique. 108 plans. A
clever, useful and unique
volume. A perfect
vade-mecum, this book
proves a precious help
for students and teachers
alike. . . 108 charts
offer a chronological as
well as synoptic view of
Western music. a few
essential landmarks lay
out historical, social,
technical and cultural
background of each
selected topic. $26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Homenaje a Segovia. An Anthology of Contemporary Music for Guitar (Anzaghi, Cappelli, F. Luppi, G. Luppi, Reghezza, Spazzoli, Tagliamacco, Ugoletti) Guitare Ut Orpheus
Guitar SKU: UT.CH-191 Anzaghi, Cappelli, F. Luppi, G. Luppi, Reghezza,...(+)
Guitar SKU:
UT.CH-191 Anzaghi,
Cappelli, F. Luppi, G.
Luppi, Reghezza,
Spazzoli, Tagliamacco,
Ugoletti. Edited by
Piero Bonaguri. Saddle
stitching. Piero Bonaguri
Collection. Classical. Ut
Orpheus #CH 191.
Published by Ut Orpheus
(UT.CH-191). ISBN
9790215322295. 9 x 12
inches. Davide
Anzaghi:
Segoviana Andrea
Cappelli: Corpo e
anima Fabio
Luppi: Rondò
delle quarte Gian
Paolo Luppi:
Bagatelle per Andrés
Segovia Marco
Reghezza:
Fughetta sulle corde
vuote Alessand
ro Spazzoli:
Preludio Corale Roberto
Tagliamacco:
Homenaje a
Segovia Paolo
Ugoletti: Omaggio
a Segovia
One
outstanding feature of
Andrés Segoviaâ??s
artistic activity was the
systematic way in which
he commissioned new works
from leading composers
who were not guitarists.
This highly original
initiative proved to have
historic consequences for
the emancipation of the
guitar from the rather
provincial milieu of
aficionados in which it
was confined, enabling it
to emerge as a major
protagonist in its own
right on the
international music
scene. To mark the
25th anniversary of his
passing (1987-2012) I
asked some composers to
write a piece paying
tribute to Andrés
Segovia. Most responded
with enthusiasm and I was
able to perform their
tributes to Segovia in
the concerts honouring
the memory of the Maestro
I held in 2012 â?? in
venues including the
Ravenna Festival, the
Ateneo in Madrid, the
Royal Academy of Music,
London, and the Meeting
in Rimini, as well as
many others. In my turn I
dedicate this volume,
containing a selection of
these pieces, to the
memory of the
Maestro. The volume is
undoubtedly enhanced by
the inclusion of two
further tributes to
Segovia, both produced to
accompany concerts I gave
in 2012: a poem by Davide
Rondoni and a portrait of
Segovia by Roberto
Casadio. (Piero
Bonaguri). $18.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| 2003 WASBE Jonkoping, Sweden: Florida State University Wind Orchestra Mark Custom Music
By Florida State University Wind Orchestra. By Various. Mark Records. Classical....(+)
By Florida State
University Wind
Orchestra. By Various.
Mark Records. Classical.
2 Audio CDs. Duration
52:34. Published by Mark
Custom Music
(MK.4737-MCD).
$14.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Composers' Specials - Special Collector's Edition Video - Pas de partitions [DVD] Devine Entertainment Corporation
6-DVD Set. (DVD). Performance video. DVD . Published by Devine Entertainment Co...(+)
6-DVD Set. (DVD).
Performance video. DVD .
Published by Devine
Entertainment
Corporation.
$159.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Wedding Music for the Lever Harp Harpe [Partition + Accès audio] - Facile Mel Bay
Twenty-Three Classic, Traditional, and Ethnic Wedding Arrangements. Compo...(+)
Twenty-Three Classic,
Traditional, and Ethnic
Wedding Arrangements.
Composed by Beth A. Kolle
and Laurie Riley.
Squareback saddle stitch.
Book and online audio.
Published by Mel Bay
Publications, Inc
(MB.98748M).
$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| DL4 MKII Delay Pedal Line 6
SKU: HL.398631 Line 6 Effects. Guitar Pedal. Line 6 #99-040-3705. Publish...(+)
SKU: HL.398631
Line 6 Effects. Guitar
Pedal. Line 6
#99-040-3705. Published
by Line 6 (HL.398631).
UPC: 614252311656.
6.5x16.25x3.0
inches. The DL4
Delay Modeler has
remained one of the most
widely used delay pedals
in the world for more
than two decades -
embraced by everyone from
casual players to
superstars. The DL4 was
the first pedal to offer
a broad selection of
delay models based on
vintage tape echo devices
such as the Maestro®
EP-1 Echoplex and the
Roland® RE-101 Space
Echo, classic analog
delay stompboxes such as
the Electro-Harmonix®
Deluxe Memory Man, and
even the Binson Echorec
and studio staple TC
Electronic® 2290
Dynamic Digital Delay.
These were complemented
by several Line 6
originals, including the
exceptional Reverse delay
- and the DL4 also
boasted a highly
intuitive “14
Second Loop
Sampler†that is
still considered one of
most engaging loopers
ever made. The DL4 MkII
honors that legacy by
including every one of
those original sounds and
features, and retaining
the same knob and
footswitch layout, so
there's no need for DL4
users to learn any new
moves - but the DL4 MkII
also introduces many new
sounds and features that
bring it fully into the
21st century. The 15 MkII
delays were drawn from
our HX family of amp and
effects processors and
include Line 6 originals
such as Harmony Delay,
Pitch Echo, Euclidian
Delay, Glitch Delay and
ADT tape delay, as well
as 4-Switch and 1-Switch
loopers with up to 240
seconds of record time,
expandable to several
hours using an optional
microSD card. The DL4
MkII also features an XLR
dynamic microphone input
for vocal processing and
looping; MIDI
capabilities such as real
time parameter control
and preset selection (up
to 128) via its MIDI In
and Out/Thru DIN
connectors; four heavy
duty footswitches with
colored halo rings; and
switchable true,
buffered, or DSP bypass.
There's also a jack for
connecting an optional
expression pedal
(automatically assigned
to the Delay Time,
Repeat, Tweak, Tweez, or
Mix controls) or two
assignable external
footswitches.
•Identical knob and
footswitch layout as the
original DL4 •30
Delay options: 15 new
MkII plus 15 Legacy DL4
•2 Loopers -
mono/stereo and pre/post
signal path options
•Up to 240 seconds
of looping time, or
several hours with
optional microSD card
•XLR dynamic
microphone input for
vocal processing and
looping •MIDI In,
Out/Thru DIN
connectors-receives PC
and CC messages
•128 Presets via
MIDI, with footswitch
control of up to six
•Switchable true,
buffered, or DSP bypass
•Input for optional
expression pedal or two
additional
footswitches. $299.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 3e Symphonie en ut mineur, op. 78 - Avancé Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1,
Fl2 , Fl3(Fl-picc), 2 Ob,
EnglHn, 2 clarinet,
clarinet-B, 2 bassoon,
bassoon-Co, Hn1, Hn2 ,
Hn3(chrom.), Hn4(chrom.),
3Trp, 3trombone, timpani,
Tr-Gr, Tri, Be, Org,
piano-4ms, 2 Violin,
Viola, Cello, Double
Bass) - Level 5 SKU:
BA.BA10303-01
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann. The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$566.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Soundtrack 823 Orchestre d'harmonie [Conducteur] - Intermédiaire Belwin
Concert Band - Grade 3.5 SKU: AP.50936S Zoey's Theme. Composed by ...(+)
Concert Band - Grade 3.5
SKU: AP.50936S
Zoey's Theme.
Composed by Patrick
Roszell. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Concert Band -
PerformancePlus+. Score.
Duration 5:30. Belwin
Music #00-50936S.
Published by Belwin Music
(AP.50936S). ISBN
9781470669195. UPC:
038081588018.
English. Fast-paced
and energetic, Soundtrack
823 honors the memory of
the composer's beloved
pet, Zoey. It is full of
energetic melodies,
modern harmonies, and
lyricism that will be an
exciting addition to your
concert program. (5:30)
The
PerformancePlus+ series
is an innovative addition
to the ever-expanding
MakeMusic Cloud
interactive library.
These engaging selections
are presented with
educational resources
designed to enrich the
rehearsal process and
create outstanding
performances.
Including: - Assignm
ent, recording, and
assessment tools within
MakeMusic
Cloud
- Piece-speci
fic exercises focused on
skills and
techniques
- Printa
ble sheet music (with a
standard MakeMusic Cloud
subscription)
- Edu
cational tips and
suggestions to support
learning
Avai
lable in print and
digital formats. $12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Soundtrack 823 Orchestre d'harmonie - Intermédiaire Belwin
Concert Band - Grade 3.5 SKU: AP.50936 Zoey's Theme. Composed by P...(+)
Concert Band - Grade 3.5
SKU: AP.50936
Zoey's Theme.
Composed by Patrick
Roszell. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Concert Band -
PerformancePlus+. Score
and Part(s). Duration
5:30. Belwin Music
#00-50936. Published by
Belwin Music (AP.50936).
ISBN 9781470669188.
UPC: 038081588001.
English. Fast-paced
and energetic, Soundtrack
823 honors the memory of
the composer's beloved
pet, Zoey. It is full of
energetic melodies,
modern harmonies, and
lyricism that will be an
exciting addition to your
concert program. (5:30)
The
PerformancePlus+ series
is an innovative addition
to the ever-expanding
MakeMusic Cloud
interactive library.
These engaging selections
are presented with
educational resources
designed to enrich the
rehearsal process and
create outstanding
performances.
Including: - Assignm
ent, recording, and
assessment tools within
MakeMusic
Cloud
- Piece-speci
fic exercises focused on
skills and
techniques
- Printa
ble sheet music (with a
standard MakeMusic Cloud
subscription)
- Edu
cational tips and
suggestions to support
learning
Avai
lable in print and
digital formats. $85.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Airborne Heroes Orchestre à Cordes Highland/Etling
Composed by Steven J. Campbell. Score; SmartMusic; String Orchestra. Highland/Et...(+)
Composed by Steven J.
Campbell. Score;
SmartMusic; String
Orchestra.
Highland/Etling String
Orchestra. 4th of July;
Patriotic; Summer. 8
pages. Published by
Highland/Etling
(AP.41254S).
$9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| More Than the Music Chorale SATB SATB, Piano Heritage Music Press
SATB choir, piano SKU: LO.15-3914H Composed by Ruth Elaine Schram. Choral...(+)
SATB choir, piano SKU:
LO.15-3914H Composed
by Ruth Elaine Schram.
Choral. Concert,
Graduation. Octavo.
Heritage Music Press
#15/3914H. Published by
Heritage Music Press
(LO.15-3914H). ISBN
9780787777197. Writ
ten in honor and memory
of beloved chorus
teacher, the words,
inspired by thoughts from
her students. pay homage
to the impact she had on
countless students and
honor all teachers and
the positive personal
influence they have on
their students' lives
beyond classroom subject
matter. This piece is a
beautiful selection that
can be programmed in
honor of a teacher
retirement or
graduation. $2.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rainbow in a Cloud Orchestre d'harmonie [Conducteur] - Facile Belwin
Concert Band - Grade 2 SKU: AP.47403S A Fanfare. Composed by Micha...(+)
Concert Band - Grade 2
SKU: AP.47403S
A Fanfare.
Composed by Michael
Kamuf. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Young Band. Form:
Overture; Chorale. Score.
16 pages. Duration 3:15.
Belwin Music #00-47403S.
Published by Belwin Music
(AP.47403S). UPC:
038081548852.
English. Soaring
melodies and rich
harmonies come together
is this expressive and
powerful work for your
young band, making the
piece the perfect choice
for a lyrical festival
selection. Written in
memory of an
extraordinary parent
volunteer, the piece is
dedicated to all music
parents everywhere for
giving their time and
resources to help enrich
the lives of their own
children. (3:15). $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| First Book of Trombone Solos Trombone et Piano - Facile Faber Music Limited
Edited by Peter Goodwin and Leslie Pearson. For Trombone and Piano. Book; Brass ...(+)
Edited by Peter Goodwin
and Leslie Pearson. For
Trombone and Piano. Book;
Brass - Trombone and
Baritone Method or
Collection;
Method/Instruction. Faber
Edition. Elementary;
Intermediate. Published
by Faber Music
$15.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On Silver Wings Orchestre d'harmonie [Conducteur] - Intermédiaire RWS Music Company
Grade 4 SKU: CL.RWS-1824-01 Composed by Connor. Concert Band. RWS Symphon...(+)
Grade 4 SKU:
CL.RWS-1824-01
Composed by Connor.
Concert Band. RWS
Symphony Band Series.
Extra full score.
Composed 2018. Duration 5
minutes, 11 seconds. RWS
Music Company
#RWS-1824-01. Published
by RWS Music Company
(CL.RWS-1824-01).
On Silver Wings
is a moving tribute
written in memory of a
childhood. Featuring
long, lyrical phrases and
numerous independent
contrapuntal voices, this
beautifully reflective
work will be an
emotionally powerful
selection for both
festival and concert. $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rainbow in a Cloud Orchestre d'harmonie - Facile Belwin
Concert Band - Grade 2 SKU: AP.47403 A Fanfare. Composed by Michae...(+)
Concert Band - Grade 2
SKU: AP.47403 A
Fanfare. Composed by
Michael Kamuf. Concert
Band; Performance Music
Ensemble; Single Titles.
Belwin Young Band. Form:
Overture; Chorale. Score
and Part(s). 128 pages.
Duration 3:15. Belwin
Music #00-47403.
Published by Belwin Music
(AP.47403). UPC:
038081548845.
English. Soaring
melodies and rich
harmonies come together
is this expressive and
powerful work for your
young band, making the
piece the perfect choice
for a lyrical festival
selection. Written in
memory of an
extraordinary parent
volunteer, the piece is
dedicated to all music
parents everywhere for
giving their time and
resources to help enrich
the lives of their own
children. (3:15). $57.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Acoustic Guitar Exam Pieces 2020-2023: Initial-Grade 2 Guitare Guitare classique - Facile Trinity College London
Fingerstyle and Plectrum Pieces for Trinity College London Exams 2020-2023. Cl...(+)
Fingerstyle and Plectrum
Pieces
for Trinity College
London
Exams 2020-2023.
Classical.
Textbook. Trinity College
London #TCL019936.
Published
by Trinity College London
$18.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Honor, Laud and Rejoice Orchestre - Intermédiaire Alfred Publishing
By Jack Bullock. By Jack Bullock. For Full Orchestra. Full Orchestra. Belwin Con...(+)
By Jack Bullock. By Jack
Bullock. For Full
Orchestra. Full
Orchestra. Belwin Concert
Full Orchestra. Level: 4
(grade 4). Conductor
Score and Parts.
Published by Alfred
Publishing.
$69.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Beauteous Spirit Orchestre [Conducteur] - Débutant Alfred Publishing
Orchestra - Grade 1.5 SKU: AP.45861S Composed by Michael Kamuf. Performan...(+)
Orchestra - Grade 1.5
SKU: AP.45861S
Composed by Michael
Kamuf. Performance Music
Ensemble; Single Titles;
String Orchestra. Sound
Innovations for String
Orchestra. Score. 8
pages. Duration 2:15.
Alfred Music #00-45861S.
Published by Alfred Music
(AP.45861S). UPC:
038081523682.
English. A stunning
lyrical work, this is the
perfect selection to
introduce expressive
playing to your beginning
string students. All
students have an
opportunity to play
melodic material in this
harmonically rich
composition by composer
and educator Michael
Kamuf. This piece is
dedicated to the memory
of Bebe, a gentle and
sweet rabbit, who spent
several years in a
shelter before being
rescued by the composer's
family. To learn more
about Bebe's story,
please visit the
composer's website at
www.mikekamuf.com.
(2:15). $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Teaching Music through Performance in Jazz - Volume 2 GIA Publications
SKU: GI.G-CD-1001 Resource Recordings (3-CD set). Composed by Brya...(+)
SKU: GI.G-CD-1001
Resource Recordings
(3-CD set). Composed
by Bryan Carter. Teaching
Music Through
Performance. Music
Education. CD. GIA
Publications #1001.
Published by GIA
Publications
(GI.G-CD-1001). UPC:
785147100126. Teach
ing Music through
Performance in Jazz,
Volume 2 is a major
contribution for jazz
educators and leaders.
This much anticipated
successor to the
acclaimed first book in
this series provides
insights of today's top
jazz educators and
performers as well as
invaluable analyses of
the best repertoire
published for jazz
ensembles, from
developing to advanced
levels. This companion
3-CD set contains premier
recordings of 31 of the
most significant works
for developing,
intermediate, and
advanced jazz band that
were ever composed. For
more information about
each piece, as well as
conducting insights,
refer to the book
Teaching Music through
Performance in Jazz,
Volume 2 (GIA
Publications, Inc.,
G-9031), compiled and
edited by Richard Miles,
selections by Ronald
Carter, with additional
contributions from Randy
Brecker, Robert Knatt,
Thara Memory, and Rodney
Whitaker. $39.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| When We All Get to Heaven - Brass and Rhythm Score and Parts [Conducteur et Parties séparées] Lorenz Publishing Company
Brass, rhythm SKU: LO.30-3108L Composed by Mary McDonald. Choral. Sacred ...(+)
Brass, rhythm SKU:
LO.30-3108L Composed
by Mary McDonald. Choral.
Sacred Anthem. Score and
parts. Lorenz Publishing
Company #30/3108L.
Published by Lorenz
Publishing Company
(LO.30-3108L). UPC:
000308137590. This
soulful anthem was
commissioned in memory of
an individual whose life
sang the grace of Christ,
and Mary McDonald's
arrangement does just
that! This piece that
reminds us of Christ's
promise to prepare for us
a place is the perfect
selection to celebrate a
life with a gospel swing.
(2 Tpt, 2 Tbn, Pno, Elec
Gtr, Elec Bass, Drums,
B3). $39.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gualtiero Dazzi: L'Enclos Chester
Narrator, Children's Choir and Ensemble SKU: HL.14008459 Composed by Gual...(+)
Narrator, Children's
Choir and Ensemble
SKU: HL.14008459
Composed by Gualtiero
Dazzi. Music Sales
America. Children. Book
[Softcover]. Composed
2002. 36 pages. Chester
Music #CH61664. Published
by Chester Music
(HL.14008459). ISBN
9780711986725. Melo
drama for Narrator,
Children's Choir and Ten
Instruments. Gualtierro
Dazzi: The texts
underlying these
fragments are passages
from a long poem by
Armand Gatti entitled
L'Enclos. Through
memories, this long
poetic narrative recounts
the course of a
generation that strove to
resist against the rise
of fascism in the 1930s
Europe. This resistance
often led them to the
concentration camps and,
for most of them, to
death.Thanks to the great
emotional intensity of
his poetic writing,
Armand Gatti makes us
share his grief for the
loss of some dear friends
who were barely 20 years
old.The fragments
selected for the
children's choir are
moments where poetry
becomes more distant, as
if lost and suspended in
its own beauty. The white
voices embody those
terrible memories by
vanishing into an angelic
sphere. The work is a
melodrama for narrator,
children's choir and
small instrumental
ensemble. Thus, the poem
is to be read,
accompanied by the
instrumental music and
placed in between the
choral parts.This project
is dedicated to the
memory of Jean Moulin,
prefect of Eure-et-Loir,
leader of the Resistance
movement, for his
antifascist struggle. $39.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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