| The Peaceable Kingdom Chorale SSAATTBB SSAATTBB A Cappella Schirmer
By Randall Thompson. Choral. For SSAATTBB choir. General. Published by E.C. Schi...(+)
By Randall Thompson.
Choral. For SSAATTBB
choir. General. Published
by E.C. Schirmer
Publishing.
(6)$12.10 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Habits of a Successful Middle School Musician - Bassoon Basson GIA Publications
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by M...(+)
A Comprehensive Method
Book for Years Two,
Three, and Beyond.
Edited by Marguerite
Wilder. Habits of a
Successful Musician.
Music Education. Method
book. 72 pages. Published
by GIA Publications
(GI.G-9144).
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Habits of a Successful Middle School Musician - Flute Flûte traversière GIA Publications
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by M...(+)
A Comprehensive Method
Book for Years Two,
Three, and Beyond.
Edited by Marguerite
Wilder. Habits of a
Successful Musician.
Music Education. Method
book. 72 pages. Published
by GIA Publications
(GI.G-9142).
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Habits of a Successful Middle School Musician - Clarinet Clarinette GIA Publications
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by M...(+)
A Comprehensive Method
Book for Years Two,
Three, and Beyond.
Edited by Marguerite
Wilder. Habits of a
Successful Musician.
Music Education. Method
book. 72 pages. Published
by GIA Publications
(GI.G-9145).
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Habits of a Successful Middle School Musician - Oboe Hautbois GIA Publications
A Comprehensive Method Book for Years Two, Three, and Beyond. Edited by M...(+)
A Comprehensive Method
Book for Years Two,
Three, and Beyond.
Edited by Marguerite
Wilder. Habits of a
Successful Musician.
Music Education. Method
book. 72 pages. Published
by GIA Publications
(GI.G-9143).
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Bach to the Future - Intermédiaire Wilhelm Hansen
Score Orchestra; Percussion - Grade 4 SKU: HL.14003062 Percussion and ...(+)
Score Orchestra;
Percussion - Grade 4
SKU: HL.14003062
Percussion and
Orchestra Score.
Composed by Per Nø,
Per Norgard, rd, and
rgå. Music Sales
America. Classical. Set.
134 pages. Duration 1200
seconds. Edition Wilhelm
Hansen #KP00615.
Published by Edition
Wilhelm Hansen
(HL.14003062). ISBN
9788759870075.
12.0x16.5x0.7 inches.
Danish. Per Norgard
BACH TO THE FUTUREFor
many years I have been
specially fascinated by
three of the preludes of
Bach's Well-tempered
Piano, and I wish with
this concerto-version for
percussion-duo and
orchestra to highlight
some of the structural
aspects of these pieces:
It is my belief that
there is a tradition in
the music history, that
makes it possible to let
certain germs in an
earlier period unfold
into new, but not
heterogenious, dimensions
of a perhaps several
hundred years later phase
of the tradition.This
concerto is a result of
several years
collaboration with Uffe
Savery and Morten Friis
(Safri-Duo), as well in
original compositions -
(Resonances,
Repercussion, Resume in
EchoZone I-III) as in
arrangements of the 3
Bach preludes, preparing
for the enormous
stylistic challenges of
this work.A few
introductory comments to
each movement:I Movement:
The archetypal sequence
of broken chords within
C-major has established
itself as almost a
cultural code, allowing
the composer of 1996 to
tell his tale-in-tones
only by stressing and
colouring the tones in
the original piece
without changing the
pitches or (relative)
durations as a
'palimpsest' containing
as well the old as the
new musical tale
simultaneously. Later in
the movement, this
singleline is multiplied
by the, till then
discrete, but permanently
pervading, proportion -
throughout the piece -
very close to the 'Golden
Section'(= 3:5:8.t.i:8
before repetition, 5
before starting anew from
the deepest tone, 3 as
the rest etc. unchanged).
The 3 tonal levels as
well as the 3 relative
speeds are treated
according to these
proportions for certain
passages, but even in
those the main focal
point is directed at the
freely invented melody
(by me) incarnating
itself solely by the
unpermutad sequels of the
original prelude.II
Movement: One feature of
the F sharp-prelude
pervades all the six
minutes-long second
movement: A 4 times
identical rhythmic
pattern = 6:4:3:2:3:4:6 -
as an hourglass-shaped
timeshape - inspired me
by the closeness of this
pattern to a shape within
the infinity-drumming of
my invention, called
Wide-Fan and Narrow-Fan ,
referring to pattern
consisting of
8:4:2:1:2:4:8, the
familiarity with the
above - quoted one being
obvious. New and old
elaborations of this
pattern-pair permeates
the movement, especially
since the Safri-Duo by
their performance of my
Repercussion had
augmented my appetite for
including this idiom in a
wider context:III
Movement: Without the
existence of the
d-minor-prelude I doubt
that I would have dared
to write a work like
this, since it is the
inexhaustible, rare
quality and pecularity of
this piece, which has
stimulated my feeling of
wonder and 'modernity'
(or: eternity!) of this
piece, of which I know of
no equal in its special
respect: the perpetual
ambiguity of melodic
foothold in the rhythmic
ostinato of a broken
descending triad, co. $82.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Tanzsuite mit Deutschlandlied Breitkopf & Härtel
(solos: 2vl.va.vc - 4(4picc.A-fl).3.3.B-clar. 3.dble bsn - 4.3.3.1 - perc(4) - h...(+)
(solos: 2vl.va.vc -
4(4picc.A-fl).3.3.B-clar.
3.dble bsn - 4.3.3.1 -
perc(4) - hp - pno - str:
10.10.8.8.6) SKU:
BR.PB-5714 Music
for Orchestra with String
Quartet. Composed by
Helmut Lachenmann.
Softcover.
Partitur-Bibliothek
(Score Library). Solo
concerto; Dances/marches;
Music post-1945. Sheet
Music. Composed 1979/80.
176 pages. Duration 36'.
Breitkopf and Haertel #PB
5714. Published by
Breitkopf and Haertel
(BR.PB-5714). ISBN
9790004216514. 10.5 x 14
inches. More than
my earlier works, this
one is interspersed with
metrically bound rhythms
and musicianly characters
that constantly
recrystallize and drift
towards or away from
familiar situations.The
familiar: These are
dance-like figures and
music-making formulas,
but also songs and, in
two cases fragments of
Bach's music - playfully
collected memories of
impressions in which -
consciously and
unconsciously - I am
embodied with that
collective comfort in
whose protection
bourgeois thinking and
feeling, magically
protected, grow up and
emerge apart.(It is well
known that such security
has its fetishes from the
childlike to the adult
stage: Home, religious
bond, holidays,
tradition, longing for
childhood - the
superficiality may have
little idea of the depth
that opens up underneath.
There is also no question
that we are still marked
by such security even
when the contradictions
and alienation of
existence force us to
step out of their
protection, to recognize
and act upon reality, and
to oppose the domination
of such inner bonds where
their original truth has
become the fatal untruth
of comfortable illusion,
stubbornly and fearfully
conjured idyll and
reactionary
narrow-mindedness.My
music feeds on figures in
which such memories are
encapsulated. It deals
with them not much
differently than in other
pieces with the elements
of the traditional
musical concept of
material, having already
always reflected
compositionally as a
product of sociality and
anticipation of musical
expression, i.e. it moved
into a structurally
expanded context and
expressively redefined
from there.Such an
approach aims at
overcoming lack of
freedom: grasping as part
of conceiving, i.e. not
philosophical reflection,
but rather an
artistically gripping
reflex by intervening in
the physical immediacy of
such predetermined
elements. These penetrate
and infect the structural
events, inducing a
musicianship that cannot
be relied upon; the music
jumps onto rhythms like
onto moving vehicles,
allows for being carried
by them until they deform
or disintegrate. This
creates an incline of
rhythmically shaped
situations: sequence and
interweaving of dances
and structures.The role
of the solo string
quartet is versatile,
obbligato and
concertante, leading and
accompanying in a
changing sense. Set as a
chamber music apparatus
in an orchestral
landscape, it repeatedly
forces its own sound
dimensions onto the
orchestra, it must accept
being drowned out at
times, it nests in the
holes of tutti fields, it
acts as a louse in the
fur, forcing one to
listen in and out.The
Tanzsuite with
Deutschlandlied is
structured as follows:I.
Section. 1. Introduction
- 2. Waltz - 3. March -
4. Bridge -II. Section.
5. Siciliano - 6.
Capriccio - 7. Valse
lente -III. Section. 8.
Bridge - 9. Gigue - 10.
Tarantelle - 11. Bridge
-IV. Section. 12 Aria I -
13 Polka - 14 Aria IIV.
Section. 15. Introduction
- 16 Gallop - 17 Coda
(Aria III)All 17 parts
merge into one
another.(Helmut
Lachenmann,
1980)CDs/LP/DVD:Arditti-Q
uartett, Deutsches
Symphonie-Orchester
Berlin, cond. Olaf
HenzoldCD Montaigne
Auvidis MO 782019Berner
Streichquartett,
Sinfonieorchester des
SWF, cond. Sylvain
Cambreling (Excerpt)CD
BMG/RCA 74321 73510 2
(Musik in Deutschland
1950-2000)Berner
Streichquartett,
Sinfonieorchester des
SWF, cond. Sylvain
CambrelingLP DMR
1028-30Arditti Quartet,
SWR Sinfonieorchester
Baden-Baden und Freiburg,
cond. Hans Zender Excerpt
on CD ,,Auswahl von zehn
Urauffuhrungen aus 70
Jahren, SWR
Sinfonieorchester
Baden-Baden und Freiburg
Arditti Quartet,
Staatsorchester
Stuttgart, cond. Sylvain
Cambreling DVD
,,Lachenmann-Perspektiven
6 (Breitkopf & Hartel,
BHM 7816)
Bibliography:Cavalotti,
Pietro: Differenzen.
Poststrukturalistische
Aspekte in der Musik der
1980er Jahre am Beispiel
von Helmut Lachenmann,
Brian Ferneyhough und
Gerard Grisey (= Sonus.
Schriften zur Musik,
hrsg. von Andreas
Ballsteadt, Band 8),
Schliengen: Argus 2006,
pp. 79-128.Das sind doch
alles Deutschlandlieder!
Helmut Lachenmann im
Gesprach mit Michael
Rebhahn, in: Der
Taktgeber. Das Magazin
der Jungen Deutschen
Philharmonie, Heft 40
(Sommer 2019), S.
6f.Stawowy, Milena:
Fluchtversuche in die
Hohle des Lowen. Helmut
Lachenmanns Tanzsuite mit
Deutschlandlied, in:
MusikTexte 67/68 (1997),
pp. 77-90.Toop, Richard:
Concept and Context: A
Historiographic
Consideration of
Lachenmanns Orchestral
Works, in: Helmut
Lachenmann Inward Beauty,
hrsg. von Dan Albertson,
Contemporary Music Review
23 (2004), Heft 3/4, pp.
125-144.
World
premiere: Donaueschingen
(Donaueschinger
Musiktage), October 18,
1980. $160.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Classics for Students -- Bach, Mozart and Beethoven, Book 2 Piano seul - Intermédiaire Alfred Publishing
(Standard Repertoire for the Developing Pianist). Edited by Jane Magrath. For Pi...(+)
(Standard Repertoire for
the Developing Pianist).
Edited by Jane Magrath.
For Piano. Book; Graded
Standard Repertoire;
Masterworks; Piano
Collection. Classics for
Students. Masterwork;
Recital. Intermediate. 40
pages. Published by
Alfred Music
$9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hommage À Daniel Libeskind, Volume 2 Sikorski
Chamber Ensemble (Study Score) SKU: HL.50602296 For Six Players Study ...(+)
Chamber Ensemble (Study
Score) SKU:
HL.50602296 For
Six Players Study
Score. Composed by
Claus-Steffen Mahnkopf.
Study Score. Classical.
Softcover. 43 pages.
Sikorski #SIK8696.
Published by Sikorski
(HL.50602296). ISBN
9781540082107. UPC:
888680992705. â€
œHommage à Daniel
Libeskind†consists
of three books (Vol. I,
Vol. II, Vol. III) that
can be performed
separately or in sequence
(asa single work). Vol.
II was commissioned by
the “Ensemble
SurPlus†with
support by the Ernst von
Siemens Musikstiftung and
premieredin Freiburg on 8
December 2012 by
“Ensemble
SurPlusâ€. The work
uses construction plans
for the Jewish Museum in
Berlin by Daniel
Libeskind. It can
therefore also be
considered a homage to
that work of
architecture. The work
consists of miniatures
with constantly changing
instrumental combinations
from solo to full sextet
(quintet in Vol. II).
These miniatures (18-22)
overlap or follow each
another without
interruption
(“attaccaâ€).
The basis idea is that of
sustained notes without
any expression or
parametric change
(“dinamica
staticaâ€). These
notes can, so to speak,
be “upgradedâ€
(through expression) or
“devalued†by
eliminating the pitch
component in favour of
unpitched noise. $33.00 - Voir plus => Acheter | | |
| Arpalinea Guitare Gehrmans Musikforlag
Guitar solo SKU: GH.GE-11464 Composed by Benjamin Staern. Duration 15 min...(+)
Guitar solo SKU:
GH.GE-11464 Composed
by Benjamin Staern.
Duration 15 minutes.
Gehrmans Musikforlag #GE
11464. Published by
Gehrmans Musikforlag
(GH.GE-11464). ISBN
979-0-070-11464-6. A4
inches. Work note
by the composer:
When I received the news
of this commission, I had
no idea what it would
lead to. Writing for
guitar solo is not the
same as composing for
orchestra where you have
forty voices where you
can easily mask an entire
section. Here you are
very naked to the
bone. The starting
point for this work was
from J.S. Bach's Chaconne
in D-minor that Johannes
had performed in concert,
originally written for
violin but there is a
version transcribed for
guitar and piano made by
Ferruccio Busoni. When I
went to Cortona (in
Tuscany, Italy) completed
the southern mentality of
this work.
Arpalineais
actually a merged word in
Italian language.
Arpa means
harp, however in a
musical context it's more
or less resembled with
the word arpeggio,
which means broken
chords. Lineameans
line. The
work is divided in three
parts. I. Arpeggio:
It starts with an opening
chaconne-like sequence
and is marked with a
certain depth in which
the chords starts to
separate from the organum
note in the bass and it
culminates into a section
called with rhythmical
focus. These sections
alternates, variates
which each other. The
middle section has a
playful and childish
atmosphere where the
guitarist knocks on the
body of the guitar
resembling a Spanish folk
instrument cajon. This is
leading to a section
which tends more to a
very aggressive
fusion-like riff that
loses control and reaches
its climax at the
end. II. Linea:
The static rhytmical
pulse is now
disintegrated and it
forms more or less sort
of a free,
improvisational state in
a rubatolike tempo. The
character is described as
a very hot day with
temperatures rising above
37! C (or 100! F) where
you can hardly do
anything just sitting
dozed off and pespiring
because of the extreme
heat watching a huge fog
coming up in the evening
that spreads around the
Tuscan atmosphere.
III. Finale: It
starts off with fast
one-note ostinati then
more and more notes pop
up like a gradual rain
storm with thunder
strikes! And eventually
it leads to that is a
large flood through the
streets of an medieval
Southern town. The work
ends with a short circuit
slapped strings along
with extremely fast
tremolos that reaches
higher and louder as
possible!
Benjamin
Staern $26.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Move It! 2 Eveil Musical [DVD] GIA Publications
By John Feierabend and Peggy Lyman. Music Education. DVD. Published by GIA Publi...(+)
By John Feierabend and
Peggy Lyman. Music
Education. DVD. Published
by GIA Publications
$44.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| John Coltrane: The Music Of John Coltrane Instruments en Do [Fake Book] Hal Leonard
Composed by John Coltrane. For C instrument. Format: fakebook (spiral bound). Wi...(+)
Composed by John
Coltrane. For C
instrument. Format:
fakebook (spiral bound).
With lead melody, chord
names and introductory
text. Jazz. 125 pages.
9x12 inches. Published by
Hal Leonard.
(1)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 3 Dances - Intermédiaire Editions BIM
2 solo tubas and big band (4 trumpets, horn, 3 tenor trombones, bass trombone, 2...(+)
2 solo tubas and big band
(4 trumpets, horn, 3
tenor trombones, bass
trombone, 2 alto
saxophones, tenor
saxophone, baritone
saxophone, piano,
marimba, vibraphone
(xylophone), bass guitar
and drum set) - Grade 5-6
SKU: ET.TU132D
Composed by Roland
Szentpali. Jazz. Study
score and solo part(s).
Editions BIM #TU132D.
Published by Editions BIM
(ET.TU132D). ISBN
9790207020833. 3
Dances is a Suite in
three movements for 2
solo tubas and big band
(2 alto saxophones, tenor
saxophone, bariton
saxophone, 4 trumpets,
horn in F, 3 trombones,
bass trombone, xylophone,
vibraphone, marimba,
piano, bass guitar, drum
set) written in 3
movements. It is a
typical example of the
versatile composing
talent of Roland
Szentpali. His approach
to jazz is well
structured, with subtle
fast or slow groovy
sequences of the
different instrumental
and rhythm sections,
stimulating (and how !)
the two solo tubas
interacting with each
other. I. Blow On
Fire starts with a free
cadenza that is an
introduction merging into
fast elements which
appear all along this
movement. The two tubas
start to play once the
melodic elements burn,
and from then develop
their own dynamic
shifts. II. Oriental
Flavors is another kind
of groove (as the
movement title suggests),
beginning with a short
opening of the trombone
section falling into
secco rhythm that beats
in contrasts with the
stimulating lyrical
intervention by the two
tubists. III. Cinder
Dance has a specific
introduction that leads
the musicians and the
audience on the path of
various trances over
several uneven time
signatures. At a certain
point, the 2 tubas fly
through cadencial
sequences just over the
rhythm section, before
ending on a long
collective and steamy
final progression.
World premiere and
recording premiere: May
13-14, 2017 in the L.
Austin Weeks Center for
Recording and Performance
at the Frost School of
Music, University of
Miami - Coral Gables,
Florida, USA with the
award winning Frost
Concert Jazz Band
conducted by John
Daversa, and soloists
Aaron Tindall and Roland
Szentpali on tuba. $38.69 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| 3 Dances [Set de Parties séparées] - Intermédiaire Editions BIM
2 solo tubas and big band (2 alto saxophones, tenor saxophone, baritone saxophon...(+)
2 solo tubas and big band
(2 alto saxophones, tenor
saxophone, baritone
saxophone, 4 trumpets,
horn, 3 tenor trombones,
bass trombone, xylophone,
vibraphone, marimba,
piano, bass guitar, drum
set) - Grade 5-6 SKU:
ET.TU132C Composed by
Roland Szentpali. Jazz.
Parts. Editions BIM
#TU132C. Published by
Editions BIM (ET.TU132C).
ISBN
9790207020826. 3
Dances is a Suite in
three movements for 2
solo tubas and big band
(2 alto saxophones, tenor
saxophone, bariton
saxophone, 4 trumpets,
horn in F, 3 trombones,
bass trombone, xylophone,
vibraphone, marimba,
piano, bass guitar, drum
set) written in 3
movements. It is a
typical example of the
versatile composing
talent of Roland
Szentpali. His approach
to jazz is well
structured, with subtle
fast or slow groovy
sequences of the
different instrumental
and rhythm sections,
stimulating (and how !)
the two solo tubas
interacting with each
other. I. Blow On
Fire starts with a free
cadenza that is an
introduction merging into
fast elements which
appear all along this
movement. The two tubas
start to play once the
melodic elements burn,
and from then develop
their own dynamic
shifts. II. Oriental
Flavors is another kind
of groove (as the
movement title suggests),
beginning with a short
opening of the trombone
section falling into
secco rhythm that beats
in contrasts with the
stimulating lyrical
intervention by the two
tubists. III. Cinder
Dance has a specific
introduction that leads
the musicians and the
audience on the path of
various trances over
several uneven time
signatures. At a certain
point, the 2 tubas fly
through cadencial
sequences just over the
rhythm section, before
ending on a long
collective and steamy
final progression.
World premiere and
recording premiere: May
13-14, 2017 in the L.
Austin Weeks Center for
Recording and Performance
at the Frost School of
Music, University of
Miami - Coral Gables,
Florida, USA with the
award winning Frost
Concert Jazz Band
conducted by John
Daversa, and soloists
Aaron Tindall and Roland
Szentpali on tuba. $156.19 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Atomic Variations Potenza Music
Bass clarinet, guitar, percussion, piano SKU: P2.30085 Composed by Ethan ...(+)
Bass clarinet, guitar,
percussion, piano SKU:
P2.30085 Composed by
Ethan Wickman. Chamber
music, 20th century.
Published by Potenza
Music (P2.30085).
Set in five
continuous variation
movements, Atomic
Variations explores some
of the basic science,
romance and popular
mythology of the atomic
bomb. Sometimes
chillingly calculated,
sometimes warm and
humanized, the work makes
an epic love story of the
physics and forces that
comprise the bomb. In its
occasional lyricism, the
work is never far from a
sense of foreboding
inevitability - the
consequences of which,
though the result of
natural, even predictable
processes, possess the
most unthinkable known to
humanity. The five
movements of Atomic
Variations are titled: I.
Inertia, II. Pas de Deux,
III. Separation Anxiety,
IV. Murder by Numbers and
V. None Shall Sleep
(after Giacomo
Puccini). $44.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Briefwechsel in drei Banden 1876-1890 Schott
(Book) SKU: HL.49046464 Book 1 Hardcover. Edited by Thomas Kohlhas...(+)
(Book) SKU:
HL.49046464 Book 1
Hardcover. Edited by
Thomas Kohlhase.
Classical, German
Edition. Hardcover. 752
pages. Schott Music
#ED22750-10. Published by
Schott Music
(HL.49046464). UPC:
840126930801. This
complete edition, which
is the first outside
Russia, of the almost
fourteen-year
correspondence between P.
I. Tchaikovsky and the
music-loving patron (and
wealthy widow of a Baltic
railway entrepreneur) N.
F. von Meck represents
for German-speaking
readers and music
historians an
indispensable primary
source on the life and
work of the greatest
Russian composer as well
as on his environment,
while, at the same time,
reflecting the political,
cultural and social
situation of the Russian
Empire from the
perspective of two
privileged, educated and
regime-loving subjects.
The life of the large
families
Tchaikovsky-Davydov and
von Meck, the unpleasant
consequences of the
composer's unhappy
marriage, faith and
religion, literature,
philosophy, the reception
of earlier and
contemporary Russian and
European music, fine
arts, foreigntravel,
political, economic and
social conditions - even
farming (in Brailov and
Kamenka/Verbovka, the
Ukrainian estates of the
von Meck and Davydov
families) and many more
are the topics of this
correspondence between
two related and yet so
different personalities
who, as agreed, never met
in personal conversation
and yet talked to each
other in lively, often
confessional speech. The
texts of the letters in
the present edition
(whose planning dates
back to the 1950s), with
the added contrasting
excerpts from letters of
Tchaikovsky to other
persons, such as his
trusted brothers Anatoly
and Modest, have been
revised according to the
new Russian Complete
Edition by Polina Vajdman
(Celjabinsk 2007 ff.).
Various introductions,
accompanying texts and
overviews as well
ascomprehensive indices
(one of them
systematically by
subjects), together with
numerous explanations and
notes at the bottom of
the pages, make it easier
for the reader to find
his/her way through the
more than 1,200 documents
(281 of which are in
Volume I). Volume II of
the edition, which is
also available for
subscription, is
scheduled for publication
in autumn 2021 and Volume
III one year later. $105.00 - Voir plus => Acheter | | |
| The Well-Tempered Clavier I-II Piano seul - Intermédiaire EMB (Editio Musica Budapest)
Piano - intermediate SKU: BT.EMBZ15079 The Bartók Performing Editio...(+)
Piano - intermediate
SKU: BT.EMBZ15079
The Bartók
Performing
Editions-Instruktive
Ausgaben von Béla
Bártok. Composed
by Johann Sebastian Bach.
EMB Music of Bela Bartok.
Tuition. Book Only.
Composed 2019. 148 pages.
Editio Musica Budapest
#EMBZ15079. Published by
Editio Musica Budapest
(BT.EMBZ15079).
English-German.
Bach's Wohltemperiertes
Klavier was Bartók's
first instructional
publication, divided into
four books. Bartók
became a professor of
piano at the Budapest
Music Academy in 1907,
and it was probably in
this capacity that he was
entrusted with preparing
a Hungarian edition of
the set of pieces. His
basic idea was that
students learning
independently without
adequate guidance should
receive sufficient
directions from the music
to perform the works. As
a consequence Bartók's
score is deliberately
over-detailed.For
pedagogical reasons the
composer ignored the
original order of pieces,
and compiled the material
according to grades of
difficulty, dividing it
into four books.
Thepresent edition
presents the Bartók
Wohltemperiertes Klavier
in two volumes, each
containing two books. One
interesting feature of
the Bartók edition is
that two of the fugues in
both book III and book IV
are written out in full
score, to accustom the
pupil to score-reading.
For some pieces he
deliberately refrained
from providing
performance indications,
to give pianists an
opportunity to exercise
their creativity.The
current edition is not a
reprint: errors we know
of have been corrected,
and the layout of the
score has been
re-arranged keeping in
mind the need to turn
pages. This edition which
includes Bartók's
detailed comments is
complemented by
facsimiles of Bach's
manuscript and an
afterword by László
Somfai. $43.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Atomic Variations Potenza Music
Saxophone, guitar, percussion, piano SKU: P2.50003 Composed by Ethan Wick...(+)
Saxophone, guitar,
percussion, piano SKU:
P2.50003 Composed by
Ethan Wickman. Chamber
music, 20th century.
Published by Potenza
Music (P2.50003).
Set in five
continuous variation
movements, Atomic
Variations explores some
of the basic science,
romance and popular
mythology of the atomic
bomb. Sometimes
chillingly calculated,
sometimes warm and
humanized, the work makes
an epic love story of the
physics and forces that
comprise the bomb. In its
occasional lyricism, the
work is never far from a
sense of foreboding
inevitability - the
consequences of which,
though the result of
natural, even predictable
processes, possess the
most unthinkable known to
humanity. The five
movements of Atomic
Variations are titled: I.
Inertia, II. Pas de Deux,
III. Separation Anxiety,
IV. Murder by Numbers and
V. None Shall Sleep
(after Giacomo
Puccini). $44.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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