Par OSBORNE TONY. A taste of the twenties, a sentimental ballad, a jazz waltz and some funk-rock are brought together in a suite which explores the lighter side of string playing.Drawing on a variety of poplular styles, some less familiar rhythms and bowing patterns, and a fresh harmonic framework, it offers plenty of new challenges for the string ensemble of moderate ability without overstretching the players technically. Exciting new musical experiences await! This set of parts contains: Violin 1 x2, Violin 2 x2, Violin 3 x2, Viola x1 Cello x2 Bass x1./ Répertoire / Set de Cordes

Composer : Croft, William Instrumentation : Trp,Str,Bc Edition : Set of parts Editor : Sanders, Carolyn I.

Par HUWS JONES EDWARD. This suite is made up of five pieces each derived from a single line of melody. The music originates from the medieval period spanning approximately four centuries. The pieces are varied in style ranging from a ballad to an instrumental dance. They are designed to encourage confidence in ensemble playing and improve technique./ Répertoire / Set de Cordes

The set of parts for the original version of Miranda's Lament . Composed in 1997, the piece is part of 'The Tempest Songbook' and was dedicated as a birthday present for Paavo Heininen. The score for this edition is available with catalogue number CH61440. The score and parts for Saariaho's 2000 edition are also available using catalogue numbers CH69938 and CH69938-01 respectively. / Soprano, Clarinette, Harpe, Violon Et Contrebasse

Op. 89. Par BRAHMS JOHANNES. The Three Fates or Parcae were the goddesses of fate in Greek-Roman mythology and sang on themes of curse and fate. The Parzenlied in Goethe’s verse drama “Iphigenie auf Tauris” is concerned with these themes and became the model for Johannes Brahms’s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling eruptive sounds the fight to overcome the mythical curse through the purity of truthful noble actions and the power of hope.With a duration of around 12 minutes the work can be combined with Brahms’s “German Requiem” in concert. / Date parution : 2023-03-11/ Répertoire / SAATBB et Orchestre

Par LEGG PAT. This is a collection of dances arranged for string ensemble. The pieces explore various dance styles from around the world, and include a Russian dance and a German dance. The pieces are fun to play and are in flexible arrangements so that young players at all levels can be involved./ Répertoire / Set de Cordes

Arrangeur: Andrew Seigel. Par VIVALDI ANTONIO. One of Antonio Vivaldi's most oft-performed works, the Concerto, RV 537, originally for two trumpets and strings has been adapted here for two E-flat clarinets and piano. To better suit the range of the clarinets, the whole work has been transposed to the key of E-flat Major. Included in the set of parts are two different versions of the solo parts: Solo parts without alterations, and solo parts including ornaments and embellishments from the arranger. One of Antonio Vivaldi's most oft-performed works, the Concerto, RV 537, originally for two trumpets and strings has been adapted here for two E-flat clarinets and piano. To better suit the range of the clarinets, the whole work has been transposed to the key of E-flat Major. Included in the set of parts are two different versions of the solo parts: Solo parts without alterations, and solo parts including ornaments and embellishments from the arranger./ Répertoire / 2 Clarinettes en Sib et Piano

Set of Parts for Kevin Volans 'White Man Sleeps' for string quartet. (Violin I, Violin II, Viola, Cello). Written for the Kronos Quartet in 1986. Duration 24 minutes. Score available: CH61123 / Quatuor A Cordes

Par PURCELL HENRY. This is the incidental music for Strings to the tragic play Abdelazer (or The Moor's Revenge) as composed by Henry Purcell (1659-1695). This set of parts comprises the following: 5 x Violin I - 5 x Violin II - 4 x Voila - 6 x Bass, and - 1 x Continuo. / Niveau : Intermédiaire / Répertoire / Ensemble à Cordes

Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Mahler’s best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver’s model. It is therefore all the more regrettable that he was neither able to perform his “Symphony in Songs” himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Füssl, many questions remained unanswered, while other were answered in a dubious way. The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner – in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler’s conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/E b clarinet, bass clarinet/3rd clarinet in places where the latter plays E b clarinet) to allow performances with only four clarinets. The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler’s piano autograph and the piano reduction by Wöss, which was commissioned by the composer himself, served as an inspiration for this. / Date parution : 2022-07-23/ Répertoire / Soli [AT] et Orchestre