(Intermediate to Late Intermediate Piano Solos in All Major and Minor Sharp ...(+)
(Intermediate to Late
Intermediate Piano Solos
in
All Major and Minor Sharp
Keys). Composed by Melody
Bober. For Piano. Book;
Graded Standard
Repertoire;
Piano Collection; Piano
Supplemental. In All
Keys.
Recital. Intermediate;
Late
Intermediate. 52 pages.
Published by Alfred Music
I Will Share God's Love by Don Besig and Nancy Price. For SATB Choir (SATB). Har...(+)
I Will Share God's Love
by Don Besig and Nancy
Price. For SATB Choir
(SATB). Harold Flammer.
Choral. 12 pages. Shawnee
Press #A8601. Published
by Shawnee Press (
Concert Band - Grade 5 SKU: HL.4002918 Deluxe Score. Composed by J...(+)
Concert Band - Grade 5
SKU: HL.4002918
Deluxe Score.
Composed by John
Williams. Arranged by Jay
Bocook. John Williams
Signature Edition.
Movies. 24 pages.
Published by Hal Leonard
(HL.4002918).
UPC:
884088453671. 10.5x14
inches. John
Williams/trans. Jay
Bocook.
Referring
to the 1975 blockbuster
Jaws, director
Steven Spielberg states
that John Williams' music
“was clearly
responsible for half the
success of the
movie.” This suite
features two of the
signature musical
sequences. In “Out
to Sea,” the trio
of shark hunters led by
police chief Martin Brody
(played by Roy Scheider)
heads into open water to
find the menacing beast.
This is followed by the
“Shark Cage
Fugue,” a
classically inspired and
sophisticated
accompaniment to a tense
underwater scene in which
Hooper (portrayed by
Richard Dreyfuss) comes
face-to-face with the
great white in an
all-too-fragile suspended
cage.
Composed by
John A. Behnke. Shawnee
Sacred. Communion,
General Worship. Octavo.
12 pages. Duration 170
seconds. Published by
Shawnee Press
(HL.418081).
UPC:
196288059615.
6.75x10.5x0.029 inches. I
Thessalonians 5:11,
Matthew 5:16, Proverbs
19:17.
A joyful
worship song, this
engaging call to
faithfulness is an easy
sing, yet filled with
expressive choral
writing. Perfect as an
introit or anthem, your
choir can share this
message year round. An
easy-to-ring handbell
part is included.
10 Innovative Piano Solos Using Major and Minor Scales with 3 to 7 Sharps. By Mi...(+)
10 Innovative Piano Solos
Using Major and Minor
Scales with 3 to 7
Sharps. By Mike Springer.
For Piano. Piano
Collection. Level: Late
Intermediate (grade 4/5).
Book and CD. 32 pages.
Published by Alfred
Publishing.
With Optional
Household Percussion.
Composed by Tyler Arcari.
Da Capo. Score. Excelcia
Music Publishing
#DSO2303FS. Published by
Excelcia Music Publishing
(XC.DSO2303FS).
9 x 12
inches.
Make every
week sharp week with your
beginning string
students. Composer Tyler
Arcari gives us a fun
teaching piece to help
students remember their
sharps! Every sharp is
clearly indicated to
reinforce how accidentals
come before the note. The
key of b minor brings
intensity to the work and
adding the optional
household percussion only
enhances the
excitement.
With Optional
Household Percussion.
Composed by Tyler Arcari.
Da Capo. Set of parts.
Excelcia Music Publishing
#DSO2303. Published by
Excelcia Music Publishing
(XC.DSO2303).
9 x 12
inches.
Make every
week sharp week with your
beginning string
students. Composer Tyler
Arcari gives us a fun
teaching piece to help
students remember their
sharps! Every sharp is
clearly indicated to
reinforce how accidentals
come before the note. The
key of b minor brings
intensity to the work and
adding the optional
household percussion only
enhances the
excitement.
Concert Band - Grade 1 SKU: AP.47379 Composed by Douglas E. Wagner. Conce...(+)
Concert Band - Grade 1
SKU: AP.47379
Composed by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Novelty. Score and
Part(s). 136 pages.
Duration 2:00. Belwin
Music #00-47379.
Published by Belwin Music
(AP.47379).
UPC:
038081541891.
English.
A
charismatic,
easy-to-prepare piece for
your beginners becomes
pure entertainment for
your audience,
incorporating some
naughty yet prominent
guest soloists. Share our
recording with your
prospective sharpening
artists to build their
confidence. We can't wait
to see the performance
variations of this
delightfully entertaining
piece. A sure winner!
(2:00).
Concert Band - Grade 1 SKU: AP.47379S Composed by Douglas E. Wagner. Conc...(+)
Concert Band - Grade 1
SKU: AP.47379S
Composed by Douglas E.
Wagner. Concert Band;
Performance Music
Ensemble; Single Titles.
Belwin Beginning Band.
Novelty. Score. 20 pages.
Duration 2:00. Belwin
Music #00-47379S.
Published by Belwin Music
(AP.47379S).
UPC:
038081541914.
English.
A
charismatic,
easy-to-prepare piece for
your beginners becomes
pure entertainment for
your audience,
incorporating some
naughty yet prominent
guest soloists. Share our
recording with your
prospective sharpening
artists to build their
confidence. We can't wait
to see the performance
variations of this
delightfully entertaining
piece. A sure winner!
(2:00).
(for quartet on one marimba). Composed by Stephen Whibley. For marimba quartet (...(+)
(for quartet on one
marimba). Composed by
Stephen Whibley. For
marimba quartet (5-octave
marimba shared by four
players). Advanced. Folio
and parts on CD-ROM. 8
pages. Duration 1'45 .
Published by Tapspace
Publications
SKU: LO.30-1852H A Step-by-Step Journey from Unison to Two-Part Singin...(+)
SKU: LO.30-1852H
A Step-by-Step Journey
from Unison to Two-Part
Singing. Composed by
Phyllis Wolfe White.
Arranged by Karen Bodoin.
Text. Heritage Music
Press #30/1852H.
Published by Heritage
Music Press
(LO.30-1852H).
UPC:
000308091908.
Every
one has secrets that work
in the music classroom.
In this text, two
experienced master
teachers share six
footprints to success
that lay the foundation
for student-centered
music making. Each of the
six steps includes a
core-value statement,
suggested activities
(both physical and
intellectual), the secret
(the why), and
guaranteed-to-succeed
repertoire. Some of the
music is newly written;
all is instructive,
confidence-building, fun
to sing, and easy to use.
Permission to reproduce
many of the selections is
also included.
Composed by Don Besig.
Shawnee Sacred. General
Worship, Lent, Sacred.
Octavo. 16 pages.
Published by Shawnee
Press (HL.35032399).
UPC: 888680792800.
6.75x10.5 inches. Don
Besig/Nancy
Price.
A universal
message of sharing the
love of Christ in
adventurous obedience to
His guiding Spirit brings
purpose to this sermon in
song. The anthem begins
with a hymn-like opening
of dignity and reverence.
The tune soon begins to
flow, calling the child
of God to service:
“Help us be Your
hands in a world that
needs compassion. Help us
feed the hungry and
comfort those in
need.” A strong
challenge to the modern
church clothed in
memorable themes and
strong harmonies. A song
for our time!
In C-sharp minor, Op. 66. Composed by Frederic Chopin (1810-1849). Arranged by...(+)
In C-sharp minor, Op. 66.
Composed by Frederic
Chopin
(1810-1849). Arranged by
Alex
Stopa. Percussion Duets.
Arranged for marimba and
vibraphone duet by Alex
Stopa. Folio and Parts on
CD-
ROM. Tapspace
Publications
#TSPCD19-003. Published
by
Tapspace Publications
Clockwork Ensemble de Percussions [Partition + CD-ROM] - Facile Tapspace Publications
(for percussion ensemble and solo flute). Composed by Stuart P. O'Neil. Percussi...(+)
(for percussion ensemble
and solo flute). Composed
by Stuart P. O'Neil.
Percussion Ensembles. For
Flute (solo),
glockenspiel, xylophone
(shared), chimes, 3
timpani, cabasa, temple
blocks, ratchet
(mounted), triangle
(mounted), bass drum, and
tam tam (10 players).
Difficulty: Medium-Easy.
Folio and CD-ROM. 8
pages. Duration 2:20.
Published by Tapspace
Publications
By Carol Matz. For Piano/Organ. The FJH Piano Teaching Library. Contents include...(+)
By Carol Matz. For
Piano/Organ. The FJH
Piano Teaching Library.
Contents include: notes
on the staff, duration
names for notes and
rests; sharps, flats, and
naturals; grand staff
symbols including clef
signs and more. Book.
Published by The FJH
Music Company, Inc.
The Explorers Orchestre à Cordes [Conducteur et Parties séparées] - Facile Belwin
Composed by Keith Sharp. Orchestra. Part(s); Score; String Orchestra. Belwin Int...(+)
Composed by Keith Sharp.
Orchestra. Part(s);
Score; String Orchestra.
Belwin Intermediate
String Orchestra. Grade
2.5. 148 pages. Published
by Belwin Music
Change the World Chorale TTBB TTBB A Cappella Barbershop Harmony Society
By Eric Clapton. Arranged by David Wright, Deke Sharon. Barbershop Harmony Socie...(+)
By Eric Clapton. Arranged
by David Wright, Deke
Sharon. Barbershop
Harmony Society.
Barbershop, Pop. Octavo.
8 pages. Barbershop
Harmony Society #211164.
Published by Barbershop
Harmony Society
(HL.234449).
Composed by Sharon Sparrow. Contemporary. Book. With Standard notation. 64 pages...(+)
Composed by Sharon
Sparrow. Contemporary.
Book. With Standard
notation. 64 pages.
Theodore Presser Company
#417-41040. Published by
Theodore Presser Company
(PR.417410400).
By Eric Clapton. Arranged by David Wright and Deke Sharon. Barbershop Harmony ...(+)
By Eric Clapton. Arranged
by
David Wright and Deke
Sharon. Barbershop
Harmony
Society. A Cappella,
Barbershop, Pop. Octavo.
6
pages. Barbershop Harmony
Society #211443.
Published
by Barbershop Harmony
Society
Chamber Music String Quartet SKU: PR.11441345S Prelude to Contrapunctu...(+)
Chamber Music String
Quartet
SKU:
PR.11441345S
Prelude to
Contrapunctus X from the
Art of the Fugue.
Composed by Shulamit Ran.
Full score. With Standard
notation. Duration 4
minutes. Theodore Presser
Company #114-41345S.
Published by Theodore
Presser Company
(PR.11441345S).
UPC:
680160608829. 8.5 x 11
inches.
BACH-SHARDS
was commissioned by the
Brentano String Quartet
as part of their Art of
the Fugue companion-piece
project. Ran deliberately
stays within the realm of
Bach-like vocabulary,
altering syntax in ways
that add up to something
slightly different from
the anticipated sum of
the parts. The work
builds up to a climax
that makes the entry
point into Bach’s
Contrapunctus X seem
thoroughly
natural. While
composing Bach-Shards I
found myself gravitating,
intuitively and
gradually, toward a dual
goal. First, though
the tension and
dissonance inherent in
certain moments of
Bach’s own
maze-likeÂ
contrapuntal structures
could quite easily and
naturally lead one into a
pungent contemporary
terrain, I opted not to
stray outside the realm
of Bach-like materials
and harmonic
language. Instead, it
was my hope to alter
their relationships and
context in ways that add
up to a something
that’s slightly
different than the
anticipated sum of the
parts. A mildly
deconstructed Bach, if
you will. The other
important challenge I set
for myself was building
up the latter,
toccata-like portion of
Bach-Shards in a way that
would make the entry
point of the fugue which
it precedes,
Contrapunctus X, seem
thoroughly natural.Â
It was my intent to have
the first fugal entrance
feel like a huge and much
welcome release of the
energy created by my
Prelude’s
penultimate stretch, with
its bravura figurations
elaborating on an
insistent dominant pedal
point.
Trio Clarinette, Violoncelle, Piano (trio) [Conducteur et Parties séparées] Rosewood Publications
By Peter Wishart. For clarinet, cello and piano. Winds, Strings and Piano. First...(+)
By Peter Wishart. For
clarinet, cello and
piano. Winds, Strings and
Piano. First Edition.
20th Century. Score and
set of parts. Published
by Rosewood Publications
String Quartet No.
3. Composed by
Shulamit Ran. Sws.
Contemporary. Full score.
With Standard notation.
Composed March 9 2013. 32
pages. Duration 23
minutes. Theodore Presser
Company #114-41690S.
Published by Theodore
Presser Company
(PR.11441690S).
UPC:
680160626021. 9 x 12
inches.
Ran's third
string quartet was
written for the Pacifica
Quartet, who are
featuring it in numerous
performances from May
2014 through February
2016, across the country
and abroad. Their blog
page dedicated to the
work also features the
composer's notes, for
more indepth insight.
...impassioned solos
emerge from ominous
quiet, and high arpeggios
in the violins quiver
alongside the earthy
cello. Ms. Ran skillfully
deploys these extremes of
color, volume and pitch,
yet the overall somewhat
chilly impression is one
of poise. -- Zachary
Woolfe, The New York
Times. My third string
quartet was composed at
the invitation of the
Pacifica
Quartet, whose
music-making I have come
to know closely and
admire hugely as resident
artists at the University
of Chicago. Already
in our early
conversations Pacifica
proposed that this
quartet might, in some
manner, refer to the
visual arts as a point of
germination. Probing
further, I found out that
the quartet members had
special interest in art
created during the
earlier part of the 20th
century, perhaps between
the two world wars.Â
It was my good fortune to
have met, a short while
later, while in residence
at the American Academy
in Rome in the fall of
2011, art conservationist
Albert Albano who steered
me to the work of Felix
Nussbaum (1904-1944), a
German-Jewish painter
who, like so many others,
perished in the Holocaust
at a young age, and who
left some powerful,
deeply moving art that
spoke to the life that
was unraveling around
him. The title of my
string quartet takes its
inspiration from a major
exhibit devoted to art by
German artists of the
period of the Weimar
Republic (1919-1933)
titled “Glitter and
Doom: German Portraits
from the 1920sâ€,
first shown at New
York’s
Metropolitan Museum of
Art in 2006-07.Â
Nussbaum would have been
a bit too young to be
included in this
exhibit. His most
noteworthy art was
created in the last very
few years of his short
life. The
exhibit’s
evocative title, however,
suggested to me the idea
of “Glitter, Doom,
Shards, Memory†as
a way of framing a
possible musical
composition that would be
an homage to his life and
art, and to that of so
many others like him
during that era.
 Knowing that their
days were numbered, yet
intent on leaving a mark,
a legacy, a memory, their
art is triumph of the
human spirit over
annihilation. Parallel
to my wish to compose a
string quartet that,
typically for this genre,
would exist as
“pure musicâ€,
independent of a
narrative, was my desire
to effect an awareness in
my listener of matters
which are, to me, of
great human concern.
 To my mind there is
no contradiction between
the two goals. Â As in
several other works
composed since 1969, this
is my way of saying
‘do not
forget’, something
that, I believe, can be
done through music with
special power and
poignancy. Â Â The
individual titles of the
quartet’s four
movements give an
indication of some of the
emotional strands this
work explores. 1)
“That which
happened†(das was
geschah) – is how
the poet Paul Celan
referred to the Shoah
– the Holocaust.
 These simple words
served for me, in the
first movement, as a
metaphor for the way in
which an
“ordinaryâ€
life, with its daily flow
and its sense of sweet
normalcy, was shockingly,
inhumanely, inexplicably
shattered. 2)
“Menace†is a
shorter movement,
mimicking a Scherzo.
 It is also
machine-like, incessant,
with an occasional,
recurring, waltz-like
little tune –
perhaps the chilling
grimace we recognize from
the executioner’s
guillotine mask. Â Like
the death machine it
alludes to, it gathers
momentum as it goes, and
is
unstoppable. 3) â
If I must perish - do
not let my paintings
dieâ€; these words
are by Felix Nussbaum
who, knowing what was
ahead, nonetheless
continued painting till
his death in Auschwitz in
1944. Â If the heart of
the first movement is the
shuddering interruption
of life as we know it,
the third movement tries
to capture something of
what I can only imagine
to be the conflicting
states of mind that would
have made it possible,
and essential, to
continue to live and
practice one’s art
– bearing witness
to the events.
 Creating must have
been, for Nussbaum and
for so many others, a way
of maintaining sanity,
both a struggle and a
catharsis – an act
of defiance and salvation
all at the same
time. 4)
“Shards,
Memory†is a direct
reference to my
quartet’s title.
 Only shards are left.
 And memory.  The
memory is of things large
and small, of unspeakable
tragedy, but also of the
song and the dance, the
smile, the hopes. All
things human. Â As we
remember, in the face of
death’s silence,
we restore dignity to
those who are
gone.—Shulamit
Ran .