| Si, Mi chiamano Mimy Orchestre d'harmonie, Chorale-Voix [Conducteur] - Intermédiaire Baton Music
(from the Opera La Boheme). By Giacomo Puccini (1858-1924). Arranged by Jos van ...(+)
(from the Opera La
Boheme). By Giacomo
Puccini (1858-1924).
Arranged by Jos van de
Braak. For Soprano and
Concert Band. Grade 4.
Score. Duration 5:00.
Published by Baton Music
$29.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Achnaton Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000712-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.GOB-000712-140
Composed by Jan Bosveld.
Score Only. 40 pages.
Gobelin Music
Publications #GOB
000712-140. Published by
Gobelin Music
Publications
(BT.GOB-000712-140).
The Egyptian
pharaoh Amenhotep IV,
better known as Achnaton,
was the second son and
successor of Amenhotep
III. He reigned the
New Kingdom from 1353
until 1336 BC.
Achnatons lack of
interest in the economic
well-being of Egypt
ushered ina revolutionary
period in Egyptian
history. His harsh
reign induced much
suffering under the
population. During
this period when it was
customary for a pharaoh
to have many wives, he
had taken his cousin
Nefertete to reign as
queen at hisside. An
elegant and very
beautiful woman, she used
her influence to ease the
turmoil caused by
Achnaton. Combined
with her grace, her
presence at public
functions led to a
greater popularity among
her subjects than the
pharaoh
enjoyedhimself. Being
mostly preoccupied with
religious questions, he
declared that all the
other gods did not exist.
There was only one god,
the Aten, and it was the
sun itself. It was
now necessary to change
his name: ‘Amenhotep’
meaning ‘the god Amun
is satisfied’, because
he didnt want to be
associated with Amun or
any of the other
deities. He renamed
himself ‘Achnaton’
which means ‘servant of
the Aten’ -- a much
more appropriate
title! In the sixth
year of his reignAchnaton
also moved the capital to
a brand new city called
Achet-Aton (‘the
Horizon of the Aten’)
which was where Tel
el-Amarna stands today.
He did this to further
isolate himself from the
‘old’ religion, since
the previous capital
Thebes was thecentre of
worship of Amun. This
new religion created an
up rise among the
population and high
priests. In spite of
Nefertetes influence, the
falling economy and
religious conflict
resulted in the decline
of the Egyptian
empire. Hoping
toforget it ever
happened, people later
tried to eradicate all
traces of Achnaton and
his successors rule by
smashing their statues,
mutilating their mummies,
and ruining their relief
carvings. From that
moment on he was
remembered as
the‘heretic
king’.
This
composition was partially
funded by the ‘Prins
Bernhard
Cultuurfonds’.
D
e Egyptische farao
Achnaton was de zoon en
opvolger van Amenhotep
III en besteeg de troon
als Amenhotep IV. Hij
regeerde van 1353 tot
1336 voor Christus.
Achnaton was nauwelijks
ge?nteresseerd in
politiek en handel
waardoorhet Egyptische
rijk onder zijn bewind in
economisch verval raakte.
Hij regeerde per decreet
waaronder de bevolking
zwaar te leiden had.
In die tijd was het
gebruikelijk dat de
farao’s meerdere
vrouwen hadden waarvan
hij eréén tot zijn
hoofdvrouw koos waarmee
hij zijn rijk regeerde.
Nefertete was de
uitverkorene. Een zeer
mooie, elegante vrouw,
die met haar invloed op
het harde beleid van
Achnaton nog voor enige
verlichting zorgde. Dit
en haar aanwezigheidbij
openbare presentaties
leidde ertoe dat zij bij
de bevolking een veel
grotere populariteit
genoot dan de farao zelf.
Achnaton hield zich
vooral bezig met
religieuze vraagstukken.
Hij brak met het idee dat
er meergoden zouden
bestaan. Volgens hem was
er slechts één god,
namelijk de zon. Deze
zonnegod noemde hij
Aton. Nadat deze
gedachte zich bij hem had
geopenbaard veranderde
hij zijn naam van
Amenhotep in Achnaton,
hetgeen in het
Egyptisch“Aton
welgevallig”
betekent. In zijn
zesde regeringsjaar
stichtte Achnaton de
nieuwe regeringszetel
“Achet-Aton”, ver van
de bewoonde wereld in de
woestijn. Deze stad,
het huidige Tell
el-Amarna in
Midden-Egypte,stond
geheel in het teken van
de zonnegod. Deze nieuwe
godsdienst stuitte op
veel weerstand bij de
bevolking en de
priesters. De
godsdienststrijd die
hierdoor ontstond
gekoppeld aan het
economische verval
zorgde, ondanks de
invloedvan Nefertete,
voor de ineenstorting van
het Egyptische rijk als
grote mogendheid. Na
de dood van Achnaton werd
de regeringszetel
“Achet-Aton” gebruikt
als steengroeve. Zijn
naam werd verwijderd van
de alle bouwwerken en
herinneringszuilen. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Achnaton Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000712-010 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.GOB-000712-010
Composed by Jan Bosveld.
Set (Score & Parts). 38
pages. Gobelin Music
Publications #GOB
000712-010. Published by
Gobelin Music
Publications
(BT.GOB-000712-010).
The Egyptian
pharaoh Amenhotep IV,
better known as Achnaton,
was the second son and
successor of Amenhotep
III. He reigned the
New Kingdom from 1353
until 1336 BC.
Achnatons lack of
interest in the economic
well-being of Egypt
ushered ina revolutionary
period in Egyptian
history. His harsh
reign induced much
suffering under the
population. During
this period when it was
customary for a pharaoh
to have many wives, he
had taken his cousin
Nefertete to reign as
queen at hisside. An
elegant and very
beautiful woman, she used
her influence to ease the
turmoil caused by
Achnaton. Combined
with her grace, her
presence at public
functions led to a
greater popularity among
her subjects than the
pharaoh
enjoyedhimself. Being
mostly preoccupied with
religious questions, he
declared that all the
other gods did not exist.
There was only one god,
the Aten, and it was the
sun itself. It was
now necessary to change
his name: ‘Amenhotep’
meaning ‘the god Amun
is satisfied’, because
he didnt want to be
associated with Amun or
any of the other
deities. He renamed
himself ‘Achnaton’
which means ‘servant of
the Aten’ -- a much
more appropriate
title! In the sixth
year of his reignAchnaton
also moved the capital to
a brand new city called
Achet-Aton (‘the
Horizon of the Aten’)
which was where Tel
el-Amarna stands today.
He did this to further
isolate himself from the
‘old’ religion, since
the previous capital
Thebes was thecentre of
worship of Amun. This
new religion created an
up rise among the
population and high
priests. In spite of
Nefertetes influence, the
falling economy and
religious conflict
resulted in the decline
of the Egyptian
empire. Hoping
toforget it ever
happened, people later
tried to eradicate all
traces of Achnaton and
his successors rule by
smashing their statues,
mutilating their mummies,
and ruining their relief
carvings. From that
moment on he was
remembered as
the‘heretic
king’.
This
composition was partially
funded by the ‘Prins
Bernhard
Cultuurfonds’.
D
e Egyptische farao
Achnaton was de zoon en
opvolger van Amenhotep
III en besteeg de troon
als Amenhotep IV. Hij
regeerde van 1353 tot
1336 voor Christus.
Achnaton was nauwelijks
ge?nteresseerd in
politiek en handel
waardoorhet Egyptische
rijk onder zijn bewind in
economisch verval raakte.
Hij regeerde per decreet
waaronder de bevolking
zwaar te leiden had.
In die tijd was het
gebruikelijk dat de
farao’s meerdere
vrouwen hadden waarvan
hij eréén tot zijn
hoofdvrouw koos waarmee
hij zijn rijk regeerde.
Nefertete was de
uitverkorene. Een zeer
mooie, elegante vrouw,
die met haar invloed op
het harde beleid van
Achnaton nog voor enige
verlichting zorgde. Dit
en haar aanwezigheidbij
openbare presentaties
leidde ertoe dat zij bij
de bevolking een veel
grotere populariteit
genoot dan de farao zelf.
Achnaton hield zich
vooral bezig met
religieuze vraagstukken.
Hij brak met het idee dat
er meergoden zouden
bestaan. Volgens hem was
er slechts één god,
namelijk de zon. Deze
zonnegod noemde hij
Aton. Nadat deze
gedachte zich bij hem had
geopenbaard veranderde
hij zijn naam van
Amenhotep in Achnaton,
hetgeen in het
Egyptisch“Aton
welgevallig”
betekent. In zijn
zesde regeringsjaar
stichtte Achnaton de
nieuwe regeringszetel
“Achet-Aton”, ver van
de bewoonde wereld in de
woestijn. Deze stad,
het huidige Tell
el-Amarna in
Midden-Egypte,stond
geheel in het teken van
de zonnegod. Deze nieuwe
godsdienst stuitte op
veel weerstand bij de
bevolking en de
priesters. De
godsdienststrijd die
hierdoor ontstond
gekoppeld aan het
economische verval
zorgde, ondanks de
invloedvan Nefertete,
voor de ineenstorting van
het Egyptische rijk als
grote mogendheid. Na
de dood van Achnaton werd
de regeringszetel
“Achet-Aton” gebruikt
als steengroeve. Zijn
naam werd verwijderd van
de alle bouwwerken en
herinneringszuilen. $205.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Family Hymn Book [Partition] - Intermédiaire Mel Bay
By Pamela Cooper Bye. For piano/vocal. SongBook. Sacred. Book. 148 pages. Publis...(+)
By Pamela Cooper Bye. For
piano/vocal. SongBook.
Sacred. Book. 148 pages.
Published by Mel Bay
Publications, Inc.
Level: Intermediate.
(2)$24.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Stopping Along the Way - Leader Edition GIA Publications
Cantor, keyboard accompaniment SKU: GI.G-008241 Composed by John Shea. Th...(+)
Cantor, keyboard
accompaniment SKU:
GI.G-008241 Composed
by John Shea. This
edition: Leader edition.
Children. Sacred. GIA
Publications #008241.
Published by GIA
Publications
(GI.G-008241).
English. This
contemporary Stations of
the Cross, written by
theologian and
storyteller John Shea, is
designed for a leader and
congregation. While in
keeping with the
traditional devotion, it
also contains aspects of
liturgical drama. At each
station a character
presents a monologue that
connects the passion of
Christ with contemporary
forms of suffering,
followed by a brief
reflection by the leader,
a period of silence, and
a short sung
response—a
total time of forty-five
to fifty-five minutes for
the whole service.
Through their
participation in the
fourteen stations, the
leader, speakers, and
assembly enter more
deeply into the passion
of Christ and into the
mystery of their own
suffering. The 8.5 x 11
leader/accompaniment
edition is three-hole
punched to fit in a
ceremonial binder, and
contains the complete
text of the service as
well as accompaniment
versions of Steve
Warner‚ ‚Crux
Fidelis‚ and Kevin
Keil and Alan
Hommerding‚
‚Stations of the
Cross.‚ The
coordinating people's
edition (WLP# 008240)
contains the reflection
responses and assembly
versions of these same
pieces. $7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Smiths Complete Chord Songbook Music Sales
| | |
| Live On Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cabasa, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2 SKU: CF.YPS212F
Composed by Larry Clark.
Young Band (YPS). Full
score. With Standard
notation. 20 pages. Carl
Fischer Music #YPS212F.
Published by Carl Fischer
Music (CF.YPS212F).
ISBN 9781491152997.
UPC:
680160910496. Takin
g its title from a poem
about grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Live On Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cabasa, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani and more. - Grade
2.5 SKU: CF.YPS212
Composed by Larry Clark.
Young Band (YPS). Set of
Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+6+6+2+2+4+10+20+4
pages. Duration 3
minutes, 39 seconds. Carl
Fischer Music #YPS212.
Published by Carl Fischer
Music (CF.YPS212).
ISBN 9781491152317.
UPC: 680160909810. Key: C
minor. Taking its
title from a poem about
grief and loss by
Chrissie Pinney, Live
On honors the life of
band director Linda Mann,
to whom the piece is
dedicated. The piece
begins with a pensive
intro before shifting to
a whimsical theme that
brings about happy
thoughts of a life
well-lived. After a
return to the poignant
opening material, the
music surges to a
triumphant conclusion
based on an augmented
version of the whimsical
theme. Live On was
commissioned by Diplomat
Middle School's staff,
faculty and students, in
Cape Coral, Florida, and
is dedicated to the
memory of their Director
of Bands, Linda Mann.
Director of Orchestras,
Roland Forti, championed
the commissioning of this
piece to honor the life
of Linda after her
untimely passing in
February of
2017. Linda
Mann’s impact on
the field of music
education was profound
and wide-reaching. She
was a beloved member of
the staff at Diplomat
Middle School, as well as
the music community of
Cape Coral and the state
of Florida. Linda was
highly respected
throughout the state,
serving as recent
past-president of the
Florida Bandmasters
Association.In discussing
the type of piece the
school wanted to honor
Ms. Mann, they indicated
the piece should
“depict
Linda’s
personality: dynamic,
sassy, yet thoughtful and
almost
mentor-like.†They
wanted a piece that was
upbeat, yet still had
moments that were
thoughtful, portraying
the grief that the
Diplomat Middle School
community has suffered
from the sudden loss of
such a beloved
teacher.After
contemplating their
thoughts, I did some
research to find
inspiration for the
piece. This led me to
poetry about grief and
loss. In time, I stumbled
upon a short, yet
poignant poem that I felt
perfectly depicted the
sentiment that I wanted
the piece to convey.Â
That poem is entitled
Live On by Chrissie
Pinney.Live OnNow as I
live onWithout youI hope
to keepThe pieces of
youThat I loved so
dearlyYour mannerismsAnd
compassionate
characterAnd smiles
through struggleSo that
youMay live on
too -Chrissie PinneyI
reached out to Ms.
Pinney, and she
graciously agreed to
allow me to quote her
powerful poem in these
notes. She expressed
that she was deeply
touched that her work
would inspire me to write
a piece in honor of Linda
Mann.The piece begins
with a poignant, pensive
opening section. The use
of the musical interval
of a tritone between the
first two openly voiced
chords are used to
represent the sadness we
all feel from this type
of loss. When I sat in
front of my piano and
started to work on this
piece, my hands seemed to
naturally and immediately
play these first two
chords, which set the
process in motion of
composing the piece.After
the somber opening, the
piece shifts to a
whimsical theme that I
hope brings about happy
thoughts of Linda and her
personality. It was also
my intent, however, to
include some musical
dissonance in the theme
that still reflected the
bittersweet loss at the
same time. The piece
develops into a secondary
theme that is a quasi
inversion of the main
fast theme. This
section is followed by a
return of the opening
material, with snippets
of the fast theme
intertwined, before the
piece builds to a
triumphant, augmented
presentation of the main
theme in a lush form to
complete the work.It is
my hope that in some
small way, this piece
will bring comfort to
those affected by the
loss of Linda Mann, and
that the music will allow
her memory to Live
On.–Larry
ClarkLakeland, FL
2017. $75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Johann Sebastian Bach: 371 Harmonized Chorales And 69 Chorale Melodies W/Figured Bass
Piano seul [Partition] Schirmer
Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For pi...(+)
Composed by Johann
Sebastian Bach
(1685-1750), edited by
Riemenschneider. For
piano. Format: piano solo
book. With piano
reduction, introductory
text, instructional text,
lyrics and performance
notes. Baroque. 184
pages. 9x12 inches.
Published by Schirmer
(3)$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| We Wish You a Merry Christmasamba Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba Advance Music
2 Trumpets, Horn in F/Flugelhorn, Trombone, Tuba SKU: AP.1-ADV20003 Fo...(+)
2 Trumpets, Horn in
F/Flugelhorn, Trombone,
Tuba SKU:
AP.1-ADV20003 For
Brass Quintet.
Arranged by Edgar Herzog.
5 or More; Brass Ensemble
- Quintet; Solo Small
Ensembles. Advance Music:
Holiday Celebration
Series. Christmas;
Holiday Pops; Latin;
Secular; Traditional;
Winter. Score and
Part(s). Advance Music
#01-ADV20003. Published
by Advance Music
(AP.1-ADV20003). UPC:
805095200034. English.
Traditional. This
arrangement of We Wish
You a Merry Christmas by
Edgar Herzog has a
soothing effect on
everybody suffering from
Christmas stress. Saint
Nicholas wishes for a
relaxed and swinging
Christmas season with
Rudolph swaying his
antlers to the rhythm of
the samba. Arranged for
two trumpets, horn in F /
flugelhorn, trombone, and
tuba. $21.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| We Wish You a Merry Christmasamba Advance Music
5 Saxophones AATTBar SKU: AP.1-ADV7526 For AATTBar Saxophone Quintet(+)
5 Saxophones AATTBar
SKU: AP.1-ADV7526
For AATTBar Saxophone
Quintet. Arranged by
Edgar Herzog. 5 or More;
Solo Small Ensembles;
Woodwind - Saxophone
Quintet. Advance Music:
Holiday Celebration
Series. Christmas;
Holiday Pops; Latin;
Secular; Traditional;
Winter. Score and
Part(s). Advance Music
#01-ADV7526. Published by
Advance Music
(AP.1-ADV7526). UPC:
805095075267. English.
Traditional. This
arrangement of We Wish
You a Merry Christmas has
a soothing effect on
everybody suffering from
Xmas stress. Saint
Nicolas wishes for a
relaxed and swinging
Christmas season with
Rudolph swaying his
antlers to the rhythm of
the samba. Arranged for
saxophone quintet
(AATTBar). $21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| We Wish You a Merry Christmasamba Advance Music
Flute, Oboe, Clarinet, Horn in F/Clarinet, Bassoon/Bass Clarinet SKU: AP.1-AD...(+)
Flute, Oboe, Clarinet,
Horn in F/Clarinet,
Bassoon/Bass Clarinet
SKU: AP.1-ADV8424
For Woodwind
Quintet. Arranged by
Edgar Herzog. 5 or More;
Solo Small Ensembles;
Woodwind Ensemble -
Quintet. Advance Music:
Holiday Celebration
Series. Christmas;
Holiday Pops; Secular;
Traditional; Winter.
Score and Part(s).
Advance Music
#01-ADV8424. Published by
Advance Music
(AP.1-ADV8424). UPC:
805095084245. English.
Traditional. This
arrangement, We Wish You
a Merry Christmasamba,
has an immediate soothing
effect on everybody
suffering from Christmas
stress. Saint Nicholas
wishes for such a relaxed
and swinging Christmas
season with Rudolph, his
reindeer, swaying his
antlers to the rhythm of
the samba. Arranged for
woodwind quintet by Edgar
Herzog: flute, oboe,
clarinet, horn in F /
clarinet, bassoon / bass
clarinet. $21.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Under the Arching Heavens: A Requiem - Mixed choir Chorale SATB Fennica Gehrman
Mixed choir SKU: FG.55011-743-3 By Aleksis Kivi, Edith Södergran, Sieg...(+)
Mixed choir SKU:
FG.55011-743-3 By
Aleksis Kivi, Edith
Södergran, Siegfried
Sassoon, Viljo Kajava,
and Walt Whitman. By Alex
Freeman. Classical,
contemporary. Book.
Fennica Gehrman
#55011-743-3. Published
by Fennica Gehrman
(FG.55011-743-3). ISBN
9790550117433. Alex
Freeman’s Under
the arching heavens: A
Requiem (2018) was
commissioned by Nils
Schweckendiek and the
Helsinki Chamber Choir to
commemorate the 100th
anniversary of the 1918
Finnish civil war.
Structured around the
Latin liturgy of the mass
for the dead, the work
has a duration of more
than an hour and also
incorporates poems in
Finnish, Swedish and
English, reflecting both
the specific reason for
the commission and the
universality of human
suffering caused by war.
In the non-liturgical
texts chosen by Freeman,
birds are a recurring
image, as is that of a
mother and child. The
work ends with lines by
Walt Whitman from a poem
written in the aftermath
of the American Civil
War; lines described by
the composer as
‘some of the most
comforting poetry in the
English language.’
Also included on the disc
is A Wilderness of Sea,
another recent choral
piece which draws on
works by Shakespeare, and
the poet’s images
of the sea, and of
mankind’s
relationship with it.
Contents: I.
Sydämeni laulu
(Aleksis Kivi) II.
Requiem aeternam III.
Sequentia Dies irae
Thrushes (Siegfried
Sassoon) (Rex
tremendae) Fientliga
stjärnor (Edith
Södergran) (Inter
oves) IV. Sanctus
V. Mikä lienee se
lintu ollut? (Viljo
Kajava) VI. Agnus Dei
VII. O Years and
Graves! (Walt Whitman)
Duration: c.
67’. $38.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Road Warrior Theodore Presser Co.
Chamber Music Organ, Trumpet SKU: PR.114419810 Composed by Stacy Garrop. ...(+)
Chamber Music Organ,
Trumpet SKU:
PR.114419810 Composed
by Stacy Garrop. Set of
Score and Parts. 33+12
pages. Duration 21
minutes. Theodore Presser
Company #114-41981.
Published by Theodore
Presser Company
(PR.114419810). ISBN
9781491136638. UPC:
680160681921. Stacy
Garrop’s ROAD
WARRIOR is music of
real-life tragedy,
expressed through the
power of a trumpet/organ
duo. Drawing inspiration
from Neil Peart’s
autobiographical book,
“Ghost Rider:
Travels on the Healing
Road,â€
Garrop’s work
grieves the loss of a
friend’s young son
and the journey to
healing. ROAD
WARRIOR’s
evocative movement titles
are drawn from passages
in Peart’s book:1.
I Am the Ghost Rider2. My
Little Baby Soul3. Are
You With Me
Here?. When Clarion
members Keith Benjamin
(trumpet), Melody Steed
(organ), and I initially
discussed possible topics
for a new piece, Keith
brought up his son
Cameron, who had passed
away at the age of seven
from leukemia. While
Cameron’s life
ended too soon, he left
an indelible and lasting
mark on his those
surrounding him. Keith
asked if I could
commemorate Cameron
musically.In talking over
possible ways to do this,
Keith mentioned the book
Ghost Rider: Travels on
the Healing Road. The
book was written by Neil
Peart, who is well-known
as the longtime drummer
and lyricist of the band
Rush. Peart suffered the
heartbreaking loss of his
daughter in 1997,
followed by his wife 10
months later. In an
effort to work through
the grieving process,
Peart did what his wife
suggested before she
passed: he got onto his
motorcycle and hit the
open road. Ghost Rider
chronicles a year of
Peart’s life in
which he drove for 55,000
miles, zigzagging his way
across Canada, the
western portion of the
United States, Mexico,
and Belize.
Peart’s powerful
story illustrates how he
coped with immense loss
and eventually emerged on
the other side to once
again embrace life. Keith
had found Peart’s
book helpful in dealing
with Cameron’s
death; moreover, Mr.
Peart sent Cameron a
signed cymbal while he
was in the hospital
undergoing treatment.
This unexpected gesture
of compassion and
generosity meant the
world to both Cameron and
Keith.I chose three
phrases from
Peart’s book to
serve as the inspiration
for the movements in Road
Warrior. In the first
movement, I am the ghost
rider, I imagined the
performers to be howling
phantoms that are
haunting drivers on a
nearly deserted highway.
Peart often mentioned
that he felt haunted by
ghosts from the past
while on his journey, and
sometimes felt like a
ghost himself, moving
through an immaterial
world as he rode from
town to town. The second
movement, My little baby
soul, references
Peart’s wording to
define his own inner
essence that he was
trying to protect and
nurture while on his
journey. In this gentle
movement, I capture the
innocence and simplicity
of a newborn soul. The
piece concludes with Are
you with me here? In this
movement, I depict the
performers as they search
to find connections to
those they have lost, and
to those still
living.Over the course of
his travels, Peart kept
up a steady letter
correspondence with his
close friend Brutus. In
one of his first letters,
he repeatedly asks Brutus
if he is with him in
spirit. I found it to be
very poignant that while
in his self-imposed
exile, Peart discovered
that he still needed
connections to humanity.I
wish to thank Mr. Peart
for granting me
permission to use his
phrases as the movement
titles, and for serving
as the inspiration for
Road Warrior. Rarely do
any of us make it through
our lives without being
touched by the loss of
someone dear to us. I
found Peart’s
insights into his
grieving and recovery
process to be insightful,
eloquent, and
surprisingly comforting.
His journey is a touching
reminder that with enough
fortitude and time, we
can work through what
fate deals us and
continue down our own
road of life. $29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hymns of Hope and Healing Chorale SATB Stainer and Bell
Mixed choir SKU: ST.B954 Composed by Andrew Pratt and Jan Berry. Edited b...(+)
Mixed choir SKU:
ST.B954 Composed by
Andrew Pratt and Jan
Berry. Edited by Andrew
Pratt. Hymns & Relgious
Drama. Words and music to
refresh the church's
ministry of healing. .
Edited by Jan Berry and
Andrew Pratt with Janet
Eldred and Anne Sardeson.
Pages: 152. Format:
Paperback. Choral Score.
Stainer & Bell Ltd.
#B954. Published by
Stainer & Bell Ltd.
(ST.B954). ISBN
9780852499542. The
outcome of a fruitful
collaboration of
theologians, writers and
musicians working at the
retreat and therapeutic
centre of Holy Rood House
in Yorkshire, this new
collection articulates
the needs of a
contemporary ministry of
healing through the
agency of hymns, the
church's most resonant
and expressive form of
worship.
Acknowledging the impact
of medical science in
vastly expanding the
range of the possible in
every aspect of our
living and dying,
eighty-three texts tackle
a rich diversity of
themes: infant death,
illness and suffering,
ageing and dementia, the
genome, mortality and
bereavement, grief and
lament, pain and despair
- including pain and
despair from the failure
of healing - but also
wisdom and resilience,
healing as part of a
spiritual holism of mind
and body, and as a
metaphor for social and
political justice and
care for the environment.
The wealth of music
includes new tunes and
familiar ones, and the
anthology concludes with
a section of twelve short
or repetitive texts to be
used in conjunction with
prayer.
Hymns of Hope and
Healing is the
product of many voices,
from those of widely
experienced authors to
others taking their
promising early steps in
the form. It will provide
a vehicle for worship and
reflection for those
involved in chaplaincy,
in therapies and
counselling, and all in
the wider church with an
interest in this ancient
ministry. Witnessed
through the life, death
and resurrection of
Christ, it is refreshed
and re-imagined here for
a time both of
breathtaking scientific
advance, and of an urgent
need to affirm our
wholeness and faith while
embracing the momentous
challenges to our
traditional understanding
of health and
healing. $19.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, oboe, clarinet, horn, bassoon, tim...(+)
Orchestra SATB vocal
soli, SATB choir, flute,
oboe, clarinet, horn,
bassoon, timpani, 2
violins, viola, cello,
contrabass SKU:
CA.2729305 Version
for chamber
orchestra. Composed
by Antonin Dvorak. Edited
by Joachim Linckelmann.
Arranged by Joachim
Linckelmann. Carus sheet
music series: Great
choral works in small
scorings. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Choral
Score. Composed
1876/1877. Op. 58. 36
pages. Duration 90
minutes. Carus Verlag #CV
27.293/05. Published by
Carus Verlag
(CA.2729305). ISBN
9790007181086. Text
language:
Latin. Antonin
Dvorak's impressive
Stabat Mater for
soloists, chorus and
orchestra is probably the
best-known of the
composer's sacred works.
Some painful experiences
- in 1875 his first
daughter died, and in
1877 he lost two other
children in quick
succession - may have led
to Dvorak's preoccupation
with the suffering of the
Mother of God, who stands
weeping beneath the cross
of her son. The music
enters into the different
moods of the liturgical
texts with great
sensitivity. Nine
movements in slow to
moderate tempi serve as a
kind of Passion
meditation, before the
ecstasy of a vision of
the resurrection wins the
upper hand at the end of
the tenth movement. With
our newly-published
arrangement for chamber
orchestra (flute, oboe,
clarinet, horn, bassoon,
timpani, and strings),
smaller choirs now have
the opportunity of
performing this work
without the choir being
drowned out by a
large-scale symphony
orchestra. The symphonic
character of the work is
nevertheless preserved.
This scoring offers an
optimal balance between
transparency and
orchestral sound. All
vocal parts (soloists and
chorus) are identical
with the original
version. Vocal score and
choral score can be used
also together with the
original version, which
is in preparation. $11.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stabat mater Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Orchestra SATB vocal soli, SATB choir, flute, oboe, clarinet, horn, bassoon, tim...(+)
Orchestra SATB vocal
soli, SATB choir, flute,
oboe, clarinet, horn,
bassoon, timpani, 2
violins, viola, cello,
contrabass SKU:
CA.2729303 Version
for chamber
orchestra. Composed
by Antonin Dvorak. Edited
by Joachim Linckelmann.
Arranged by Joachim
Linckelmann. Carus sheet
music series: Great
choral works in small
scorings. Sacred vocal
music, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Vocal score.
Composed 1876/1877. Op.
58. 120 pages. Duration
90 minutes. Carus Verlag
#CV 27.293/03. Published
by Carus Verlag
(CA.2729303). ISBN
9790007171797. Text
language:
Latin. Antonin
Dvorak's impressive
Stabat Mater for
soloists, chorus and
orchestra is probably the
best-known of the
composer's sacred works.
Some painful experiences
- in 1875 his first
daughter died, and in
1877 he lost two other
children in quick
succession - may have led
to Dvorak's preoccupation
with the suffering of the
Mother of God, who stands
weeping beneath the cross
of her son. The music
enters into the different
moods of the liturgical
texts with great
sensitivity. Nine
movements in slow to
moderate tempi serve as a
kind of Passion
meditation, before the
ecstasy of a vision of
the resurrection wins the
upper hand at the end of
the tenth movement. With
our newly-published
arrangement for chamber
orchestra (flute, oboe,
clarinet, horn, bassoon,
timpani, and strings),
smaller choirs now have
the opportunity of
performing this work
without the choir being
drowned out by a
large-scale symphony
orchestra. The symphonic
character of the work is
nevertheless preserved.
This scoring offers an
optimal balance between
transparency and
orchestral sound. All
vocal parts (soloists and
chorus) are identical
with the original
version. Vocal score and
choral score can be used
also together with the
original version, which
is in preparation. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Orgelsinfonie No. 9 (organ Symphony) Organ Solo Orgue - Avancé Schott
Organ - advanced SKU: HL.49018084 Pathetique. Composed by Enjott S...(+)
Organ - advanced SKU:
HL.49018084
Pathetique.
Composed by Enjott
Schneider. This edition:
Saddle stitching. Sheet
music. Organ Collection.
Naturlich denkt man beim
Titel Orgelsinfonie Nr. 9
Pathetique von Enjott
Schneider an ein anderes
Werk mit diesem Beinamen:
an Tschaikowskys Sinfonie
Nr. 6. Und das ist kein
Zufall: Der Komponist
sieht sein Orgelwerk als
Hommage an diese grosse
Schwester. Composed 2009.
52 pages. Schott Music
#ED20670. Published by
Schott Music
(HL.49018084). ISBN
9790001168687. UPC:
884088531089.
9.0x12.0x0.218
inches. One of the
first things that comes
to one's mind when
reading the title of
Organ Symphony No. 9
'Pathetique' by Enjott
Schneider is another work
with this epithet:
Tchaikovsky's Symphony
No. 6. And that is no
coincidence: The composer
regards his organ work as
an homage to this 'elder
sister'. While
Tchaikovsky, in a secret
programme, made out his
own life to be a struggle
and long ordeal to the
point of his suspected
suicide, Enjott Schneider
presents those hours as
the ultimate tale of woe
in which Jesus had well
and truly become human,
fatefully bearing the
pain and misery of all
people. 'Gethsemane',
'Geiselung: Ecce homo',
'Golgatha' and
'Grablegung': Maria
Magdalena' are the names
of the stages and
movements. The Greek word
'pathos' means 'strong
emotion, feeling, passion
or suffering' - in
Schneider's Organ
Symphony No. 9, this
comes true, musically, in
his inner conflict,
struggle, wrestling with
his fate, cruelty of the
crucifixion and deathly
silence. $28.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lamentations of Jeremiah Chorale SATB SATB, Piano [Octavo] Alliance Music Publications
By Stroope. For SATB choir, piano. Choral octavo. Published by Alliance Music Pu...(+)
By Stroope. For SATB
choir, piano. Choral
octavo. Published by
Alliance Music
Publications. (AMP 0356)
(1)$2.40 $2.28 (- 5%) Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hans Werner Henze: Scorribanda Sinfonica Orchestre Chester
Orchestra SKU: HL.14014802 Composed by Hans Werner Henze. Music Sales Ame...(+)
Orchestra SKU:
HL.14014802 Composed
by Hans Werner Henze.
Music Sales America. 20th
Century. Book
[Softcover]. Composed
2002. 80 pages. Chester
Music #CH63228. Published
by Chester Music
(HL.14014802). ISBN
9780711992764.
9.75x13.75x0.285
inches. Composer's
Notes: This piece,
written during the winter
months of 2000-2001,
consists of one movement,
Allegro con fuoco, in
which an old score is
revisited, raided and
ravished by its composer.
The earlier music had
been written in the
mid-fifties for a stage
work Maratona di Danza
and for its maker, the
director Luchino
Visconti. Elements from
the older piece reappear
on and off like shadows
under the surface of new
ones, like more or less
vague memories, images of
young people suffering
pain and despair in their
struggle for survival in
a barbaric, pitiless
modern world. My new
composition is a kind of
concerto for very large
symphony orchestra, an
etude on constant and
often rapid musical
changes of mood and
colours, built on a
variety of rhythmic
figures, incessantly and
brutally pushing the
music ahead. Sometimes,
it is as though voices
are weeping, sometimes
crying out loud with
pain, with anxiety, under
the cold hearted pressure
of an overwhelming
violence. Hans Werner
Henze Commissioned on the
occasion of the 50th
anniversary of das neue
werk, Hamburg. Premiered
on 29th June 2001.
Duration 15 minutes. $49.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Song of Hope Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115227-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1115227-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Hymns & Chorals. Score
Only. Composed 2012. 20
pages. De Haske
Publications #DHP
1115227-140. Published by
De Haske Publications
(BT.DHP-1115227-140).
9x12 inches.
English-German-French-Dut
ch. 2011 was a
disastrous year for
Japan: on March 11 the
northeast of the country
suffered a violent
earthquake, which
triggered a huge tsunami
and caused massive damage
to people and the
environment. The ensuing
problems with the nuclear
reactor at Fukushima only
increased the misery: a
black day in the
country’s
history…One almost
inevitable consequence of
such dramatic
circumstances is the
particular damage
suffered by the cultural
arts. And so it was in
Japan: various high
school wind orchestras in
the effected areas lost
their practice rooms
and/or instruments. It
will take a long time
before the damage
suffered is
repaired—and it
will take great effort to
overcome thepsychological
effects, too. Focusing on
the latter, Yutada
Nishida (director of The
Bandwagon radio program)
asked a few composers for
a simple work that could
be played by many
orchestras. It just so
happened that the Osakan
Philharmonic Winds (with
whom Jan Van der Roost
had conducted a concert
exclusively of his own
works on September 25th)
had had a similar idea.
This concert saw the
baptism of Song of Hope.
This piece immediately
struck a chord with
musicians and audience
alike: it begins bleakly
in the low register and
evolves to a more open,
optimistic close. There
really is hope for better
times!
2011 was
een rampzalig jaar voor
Japan: op 11 maart
teisterde een hevige
aardbeving het
noordoosten van het land,
bracht een enorme tsunami
teweeg en veroorzaakte
zeer grote schade aan
mens en natuur. De
daaruit voortvloeiende
problemenmet de
kernreactor van Fukushima
maakten de ellende nog
groter: een zwarte pagina
in het bestaan van het
land ... Dat in
dergelijke dramatische
omstandigheden ook (en
vooral) het culturele
bestel een flinke knauw
krijgt, ishelaas een
haast onvermijdelijke
consequentie. Zo ook in
Japan: verschillende high
school bands in de
getroffen regio verloren
hun repetitieruimte en/of
instrumenten: het zal
lang duren voordat de
geleden schade is
hersteld - enhet zal ook
moeite kosten om er
mentaal weer bovenop te
geraken. Met het oog op
dat laatste aspect
verzocht Yutaka Nishida
(samensteller van het
radioprogramma The
Bandwagon) een paar
componisten om een
eenvoudig werkje te
schrijvendat speelbaar is
door een groot aantal
orkesten. Als bij toeval
kwam een dergelijk
verzoek eveneens van de
kant van de OSAKAN
Philharmonic Winds,
waarmee Jan Van der Roost
op 25 september een
concert dirigeerde,
uitsluitend gewijdaan
eigen werken. Daar werd
Song of Hope dan ook ten
doop gehouden en het
werkje sloeg meteen aan
bij uitvoerders en
publiek: na een tamelijk
donkere start in het lage
register evolueert het
tot een optimistischer en
opener slot.Er is
inderdaad hoop op betere
tijden!
Am 11.
März 2011 löste ein
heftiges Erdbeben in
Japan einen riesigen
Tsunami mit
desaströsen Folgen
für Mensch, Natur auch
das kulturelle Leben.
Yutaka Nishida vom
Radioprogramm The
Bandwagon bat daher
einige Komponisten,
darunter Jan Van der
Roost, ein einfaches,
für viele Orchester
spielbares Werk zu
schreiben. Song of
Hope beginnt
düster im tiefen
Register, um sich dann zu
einem optimistischeren
Schluss hin zu
entwickeln. Es gibt sie,
die Hoffnung auf bessere
Zeiten... !
2011
fut une année tragique
pour le Japon : le 11
mars, le nord-est du pays
connut un violent
tremblement de terre qui
entraîna un
gigantesque tsunami,
occasionnant de
nombreuses pertes
humaines et de gros
dég ts
environnementaux. La
catastrophe du
réacteur nucléaire
de Fukushima ajouta
encore ces malheurs : une
période bien sombre de
l’histoire du
pays…Des
événements aussi
dramatiques ont souvent
un impact négatif sur
les arts culturels. Ce
fut le cas au Japon :
plusieurs orchestres
d’harmonie des
collèges des
régions affectées
perdirent leurs locaux de
répétition et/ou
leurs instruments. Il
faudra beaucoup de temps
pour que les choses
reviennent la normale -
et pour estomperles
cicatrices
psychologiques.
S’intéressant
particulièrement
celles-ci, Yutada Nishida
(directeur du programme
radiophonique The
Bandwagon) demanda
quelques compositeurs
d’écrire une
œuvre simple pouvant
être interprétée
par de nombreux
orchestres.Il se trouva
que l’Harmonie
Philharmonique
d’Osaka (que Jan
Van der Roost avait
dirigée lors
d’un concert
exclusivement composé
de ses œuvres, le 25
septembre) avait eu la
même idée. Ce
concert vit la
création mondiale de
Song of Hope, qui
interpella
immédiatement les
musiciens et
l’auditoire. Cette
pièce débute
sombrement dans le
registre grave avant
d’évoluer vers
une conclusion plus
pétillante, plus
optimiste. Il est
assurément permis
d’espérer des
temps meilleurs !
Il 2011 è
stato un anno tragico per
il Giappone; al
devastante terremoto e al
non meno catastrofico
tsunami dell’11
marzo, sono seguiti i
gravi problemi al
reattore nucleare di
Fukushima. Il settore
della cultura in
generale, e quello della
musica in particolare
hanno sofferto
immensamente a causa di
questi nefasti eventi
naturali. Song of
Hope è un brano
che ha profondamente
commosso esecutori e
pubblico.Song of
Hope inizia nel
registro acuto con suoni
oscuri e melanconici, ma
si sviluppa in un clima
di ottimismo, come a
voler simboleggiare un
futuro più sereno. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Song of Hope Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115227-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1115227-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Hymns & Chorals. Set
(Score & Parts). Composed
2012. De Haske
Publications #DHP
1115227-010. Published by
De Haske Publications
(BT.DHP-1115227-010).
9x12 inches.
English-German-French-Dut
ch. 2011 was a
disastrous year for
Japan: on March 11 the
northeast of the country
suffered a violent
earthquake, which
triggered a huge tsunami
and caused massive damage
to people and the
environment. The ensuing
problems with the nuclear
reactor atFukushima only
increased the misery: a
black day in the
country's
history... One almost
inevitable consequence of
such dramatic
circumstances is the
particular damage
suffered by the cultural
arts. And so it was in
Japan: various high
school wind orchestras in
the effected areas lost
their practice rooms
and/or instruments.It
will take a long time
before the damage
suffered is repaired -
and it will take great
effort to overcome the
psychological effects,
too. Focusing on the
latter, Yutada Nishida
(director of The
Bandwagon radio program)
asked a few composers
fora simple work that
could be played by many
orchestras. It just so
happened that the Osakan
Philharmonic Winds (with
whom Jan Van der Roost
had conducted a concert
exclusively of his own
works on September 25th)
had had a similar idea.
This concert saw the
baptism of Song of
Hope. This
pieceimmediately struck a
chord with musicians and
audience alike: it begins
bleakly in the low
register and evolves to a
more open, optimistic
close. There really is
hope for better
times!
2011 was
een rampzalig jaar voor
Japan: op 11 maart
teisterde een hevige
aardbeving het
noordoosten van het land,
bracht een enorme tsunami
teweeg en veroorzaakte
zeer grote schade aan
mens en natuur. De
daaruit voortvloeiende
problemenmet
dekernreactor van
Fukushima maakten de
ellende nog groter: een
zwarte pagina in het
bestaan van het land ...
Dat in dergelijke
dramatische
omstandigheden ook (en
vooral) het culturele
bestel een flinke knauw
krijgt, ishelaas een
haastonvermijdelijke
consequentie. Zo ook in
Japan: verschillende high
school bands in de
getroffen regio verloren
hun repetitieruimte en/of
instrumenten: het zal
lang duren voordat de
geleden schade is
hersteld - enhet zal ook
moeite kosten om er
mentaalweer bovenop te
geraken. Met het oog op
dat laatste aspect
verzocht Yutaka Nishida
(samensteller van het
radioprogramma The
Bandwagon) een paar
componisten om een
eenvoudig werkje te
schrijvendat speelbaar is
door een groot aantal
orkesten. Alsbij
toeval kwam een dergelijk
verzoek eveneens van de
kant van de OSAKAN
Philharmonic Winds,
waarmee Jan Van der Roost
op 25 september een
concert dirigeerde,
uitsluitend gewijdaan
eigen werken. Daar werd
Song of Hope dan
ook ten doop gehoudenen
het werkje sloeg meteen
aan bij uitvoerders en
publiek: na een tamelijk
donkere start in het lage
register evolueert het
tot een optimistischer en
opener slot.Er is
inderdaad hoop op betere
tijden!
Am 11.
März 2011 löste ein
heftiges Erdbeben in
Japan einen riesigen
Tsunami mit
desaströsen Folgen
für Mensch, Natur auch
das kulturelle Leben.
Yutaka Nishida vom
Radioprogramm The
Bandwagon bat daher
einige Komponisten,
darunter Jan Van
derRoost, ein einfaches,
für viele Orchester
spielbares Werk zu
schreiben. Song of
Hope beginnt
düster im tiefen
Register, um sich dann zu
einem optimistischeren
Schluss hin zu
entwickeln. Es gibt sie,
die Hoffnung auf bessere
Zeiten... !
Le 11
mars 2011, un violent
tremblement de terre
secoua le Japon et
déclencha un tsunami
gigantesque, avec des
conséquences
désastreuses pour la
population et
l’environnement.
Yutaka Nishida, animateur
radio de lémission,
The Bandwagon a
doncdemandé plusieurs
compositeurs, y compris
Jan Van der Roost,
d’écrire des
pièces faciles
interpréter, pour les
orchestres locaux.
Song of Hope
(Chant de lespoir)
s’ouvre par une
ligne mélodique dans
le registre grave, qui
évoluera tout aulong
de la pièce afin
d’aboutir une
conclusion pétillante
d’optimisme. Des
jours meilleurs se
profilent
l’horizon !
Il 2011 é
stato un anno tragico per
il Giappone, al
devastante terremoto e al
non meno catastrofico
tsunami dell'11 marzo,
sono seguiti i gravi
problemi al reattore
nucleare di Fukushima. Il
settore della cultura in
generale, e quellodella
musica in particolare
hanno sofferto
immensamente a causa di
questi nefasti eventi
naturali. Song of
Hope é un brano
che ha profondamente
commosso esecutori e
pubblico. Song of
Hope inizia nel
registro acuto con suoni
oscuri e melanconici, ma
si sviluppa in un clima
di ottimismo, come a
voler simboleggiare un
futuro pié sereno. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Historia di Jephte - Facile Carus Verlag
Solo voices or mixed chorus, basso continuo - Grade 3 SKU: CA.1004305 ...(+)
Solo voices or mixed
chorus, basso continuo -
Grade 3 SKU:
CA.1004305
Oratorio. Composed
by Giacomo Carissimi.
Edited by Wolfgang
Hochstein. Choral Score.
Composed 1640 (ca.).
Duration 23 minutes.
Carus Verlag #1004305.
Published by Carus Verlag
(CA.1004305). ISBN
9790007294809.
Latin. The
harrowing Old Testament
story of the army
commander Jephthah, bound
by a sacred vow to kill
his daughter, inspired
the Roman composer
Giacomo Carissimi to
create this intense and
moving setting. Written
in the 1640s, Historia di
Jephte is not only one of
the earliest oratorios,
but also one of its
greatest.Scored
for just six solo voices
in diverse combinations
accompanied by basso
continuo, Carissimi
presents the Latin
biblical text in the
recitative style of the
early Baroque. He
nonetheless repeatedly
abandons this style to
highlight the plot's
tragic events, employing
all expressive Affekts he
had available to him. The
chromatic voice-leading
and thrilling
harmonization of the
lamentations and
Jephthah’s
dialogue with his doomed
daughter create an
intense and anguished
atmosphere.While
scholars believe that the
choir originally
consisted of six solo
parts, the work does not
suffer when performed by
a larger ensemble. To
commemorate the 350th
anniversary of the
composer’s death,
Carus is publishing this
new critical edition
based on the copy made by
Carissimi’s pupil,
Marc-Antoine Charpentier.
A continuo realization is
included in the
score. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Historia di Jephte - Facile Carus Verlag
Solo voices or mixed chorus, basso continuo - Grade 3 SKU: CA.1004349 ...(+)
Solo voices or mixed
chorus, basso continuo -
Grade 3 SKU:
CA.1004349
Oratorio. Composed
by Giacomo Carissimi.
Edited by Wolfgang
Hochstein. Composed 1640
(ca.). Duration 23
minutes. Carus Verlag
#1004349. Published by
Carus Verlag
(CA.1004349). ISBN
9790007310929.
Latin. The
harrowing Old Testament
story of the army
commander Jephthah, bound
by a sacred vow to kill
his daughter, inspired
the Roman composer
Giacomo Carissimi to
create this intense and
moving setting. Written
in the 1640s, Historia di
Jephte is not only one of
the earliest oratorios,
but also one of its
greatest.Scored
for just six solo voices
in diverse combinations
accompanied by basso
continuo, Carissimi
presents the Latin
biblical text in the
recitative style of the
early Baroque. He
nonetheless repeatedly
abandons this style to
highlight the plot's
tragic events, employing
all expressive Affekts he
had available to him. The
chromatic voice-leading
and thrilling
harmonization of the
lamentations and
Jephthah’s
dialogue with his doomed
daughter create an
intense and anguished
atmosphere.While
scholars believe that the
choir originally
consisted of six solo
parts, the work does not
suffer when performed by
a larger ensemble. To
commemorate the 350th
anniversary of the
composer’s death,
Carus is publishing this
new critical edition
based on the copy made by
Carissimi’s pupil,
Marc-Antoine Charpentier.
A continuo realization is
included in the
score. $16.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Historia di Jephte [Conducteur] - Facile Carus Verlag
Solo voices or mixed chorus, basso continuo - Grade 3 SKU: CA.1004300 ...(+)
Solo voices or mixed
chorus, basso continuo -
Grade 3 SKU:
CA.1004300
Oratorio. Composed
by Giacomo Carissimi.
Edited by Wolfgang
Hochstein. Carus digital:
Extra digital products.
Full Score. Composed 1640
(ca.). Duration 23
minutes. Carus Verlag
#1004300. Published by
Carus Verlag
(CA.1004300). ISBN
9790007294793.
Latin. The
harrowing Old Testament
story of the army
commander Jephthah, bound
by a sacred vow to kill
his daughter, inspired
the Roman composer
Giacomo Carissimi to
create this intense and
moving setting. Written
in the 1640s, Historia di
Jephte is not only one of
the earliest oratorios,
but also one of its
greatest.Scored
for just six solo voices
in diverse combinations
accompanied by basso
continuo, Carissimi
presents the Latin
biblical text in the
recitative style of the
early Baroque. He
nonetheless repeatedly
abandons this style to
highlight the plot's
tragic events, employing
all expressive Affekts he
had available to him. The
chromatic voice-leading
and thrilling
harmonization of the
lamentations and
Jephthah’s
dialogue with his doomed
daughter create an
intense and anguished
atmosphere.While
scholars believe that the
choir originally
consisted of six solo
parts, the work does not
suffer when performed by
a larger ensemble. To
commemorate the 350th
anniversary of the
composer’s death,
Carus is publishing this
new critical edition
based on the copy made by
Carissimi’s pupil,
Marc-Antoine Charpentier.
A continuo realization is
included in the
score. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Historia di Jephte - Facile Carus Verlag
Solo voices or mixed chorus, basso continuo - Grade 3 SKU: CA.1004311 ...(+)
Solo voices or mixed
chorus, basso continuo -
Grade 3 SKU:
CA.1004311
Oratorio. Composed
by Giacomo Carissimi.
Edited by Wolfgang
Hochstein. Single Part,
basso continuo. Composed
1640 (ca.). Duration 23
minutes. Carus Verlag
#1004311. Published by
Carus Verlag
(CA.1004311). ISBN
9790007310912.
Latin. The
harrowing Old Testament
story of the army
commander Jephthah, bound
by a sacred vow to kill
his daughter, inspired
the Roman composer
Giacomo Carissimi to
create this intense and
moving setting. Written
in the 1640s, Historia di
Jephte is not only one of
the earliest oratorios,
but also one of its
greatest.Scored
for just six solo voices
in diverse combinations
accompanied by basso
continuo, Carissimi
presents the Latin
biblical text in the
recitative style of the
early Baroque. He
nonetheless repeatedly
abandons this style to
highlight the plot's
tragic events, employing
all expressive Affekts he
had available to him. The
chromatic voice-leading
and thrilling
harmonization of the
lamentations and
Jephthah’s
dialogue with his doomed
daughter create an
intense and anguished
atmosphere.While
scholars believe that the
choir originally
consisted of six solo
parts, the work does not
suffer when performed by
a larger ensemble. To
commemorate the 350th
anniversary of the
composer’s death,
Carus is publishing this
new critical edition
based on the copy made by
Carissimi’s pupil,
Marc-Antoine Charpentier.
A continuo realization is
included in the
score. $13.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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