By Cindy McTee. For 2 flutes (2nd is optional) and piano. Chamber Music. Score and parts. Duration 4.5 minutes. Published by Bill Holab Music

By Susan Levitin, flute; Gerald Rizzer, piano. By Various. For flute solo. Mark Records. Audio CD. Published by Mark Custom Music

By Don Besig and Nancy Price. For Opt. Flute. (SATB). Choral Octavo. Folk Song. Level: Level 4 (grade L4). Choral Octavo. 12 pages. Published by Alfred Publishing.

By Don Besig and Nancy Price. For Opt. Flute. (SSA). Choral Octavo. Folk Song. Level: Level 3 (grade L3). Choral Octavo. 12 pages. Published by Alfred Publishing.

By Jessica Walsh. By Jessica Walsh. For flute solo. Folk, Instructional . Beginner to Intermediate. Book and CD. Saddle-stitched binding. 38 pages. Duration 65 minutes

Flute & Piano + CD Play Back / Play Along - Grade 1, Grade 2

SKU: MA.EMR-13769

Composed by Ted Barclay. Flute & CD Playback (Play Along) (+ Play Back / Play Along CD optional). Score and parts. Duration 14'39. Editions Marc Reift #EMR 13769. Published by Editions Marc Reift (MA.EMR-13769).

Little Brown Jug / Clementine / Swing Low / Shenandoah / Home On The Range.

Master Text II. By Various. Piano Collection. 432 pages. Published by G. Schirmer, Inc.

Flute and Piano

SKU: IS.FP7297EM

Composed by Peter Benoit. Woodwinds - Flute. Metropolis Music Publishers #FP7297EM. Published by Metropolis Music Publishers (IS.FP7297EM).

ISBN 9790365072972.

Pete r Benoit, one of the great Flemish Romantic composers and often considered the origin of the Flemish School, was better known for his piano and choral music than for his wind music. Nevertheless, his one entry into the flute repertoire - the Concerto - is an exemplary piece of high Romanticism that combines symphonic writing with idiomatic, virtuosic flute technique. Composed as part of a ‘legendary triptych’ - the Stories and Ballads for Piano, the Symphonic Tale for Piano and orchestra, and the Flute Concerto - the three movements show the Concerto for the tone poem it is at heart. The first Preludium (Will-o’-the-Wisps ) begins with a fiery orchestral fanfare, with an equally grand entrance by the soloist that introduces the first theme and launches the movement into the formidable back-and-forth between soloist and orchestral forces. The second, Melancholia, somewhat resembles the Molique Andante in its construction - a clear, wistful theme is embellished and carefully expanded into a full musical showpiece for flute. The Finale (Dance of the Wisps) then immediately launches into a display of the flutist’s agility, moving through various permutations of the theme before coming to an exuberant, grateful landing.

Flute; Piano Accompaniment

SKU: HL.50600830

For Flute and Piano. Composed by Dejan Lazic. Woodwind Solo. Classical. Softcover. 32 pages. Sikorski #SIK1684. Published by Sikorski (HL.50600830).

8.25x11.75x0.097 inches.

“The original ideal for the 'Variations on Hava Nagila' occurred to me in 1998. Since I had until then only occupied myself with European musical folklore, the idea of conducting research into the folklore of the Near (and somewhat later also the Far) East initially seemed to be something completely new and exotic. This very well-known Hebraic folksong has been retained in its original form here. Each of the variations of my piece for flute and piano, arranged in the classical sequential manner, presents the flutist with a new challenge (staccato, legato, Intervallic leaps, ascending and descending runs, broken chords, etc.). Although the piano has important tasks to perform in the overall structure of the piece, the piano part serves the function of an accompaniment for the most part.” (Dejan Lazic).

For Flute And Piano. Composed by Spiritual. Arranged by Evelyn Simpson- Curenton, Marietta Simpson. Contemporary. Solo Part with Piano. With Standard Notation. 20 pages. Theodore Presser Company #114-41753. Published by Theodore Presser Company

Chamber Music flute, piano

SKU: PR.114413090

For Flute and Piano. Composed by Gary Schocker. Classical. Set of Score and Parts. With Standard notation. Composed March 29 2006. Duration 5 minutes. Theodore Presser Company #114-41309. Published by Theodore Presser Company (PR.114413090).

ISBN 9781598061147. UPC: 680160564071. 9 x 12 inches.

Commissione d by the Strathmore Hall Foundation, Schocker has constructed a concert work resembling an extended etude. From a deceptively simple opening melody, he introduces runs, trills, broken chords, and chromatic passages all seamlessly integrated into this 5-minute, somewhat challenging showpiece.

Arranged by Rich Heffler. For solo flute with piano accompaniment. Christmas. Level: Advanced. Set of parts. Published by Rich Heffler Music.

Composed by David Gillingham. Arranged by Dennis Wright. Score only. Duration 9:30. Published by C. Alan Publications (CN.06191).

By Don Besig and Nancy Price. For Opt. Flute. (2-Part). Choral Octavo. Folk Song. Level: Level 2 (grade L2). Choral Octavo. 12 pages. Published by Alfred Publishing.

By Don Besig and Nancy Price. For Opt. Flute. (TBB). Choral Octavo. Folk Song. Level: Level 3 (grade L3). Choral Octavo. 12 pages. Published by Alfred Publishing.

By Don Besig and Nancy Price. For Opt. Flute. (3-Part Mixed). Choral Octavo. Folk Song. Level: Level 3 (grade L3). Choral Octavo. 12 pages. Published by Alfred Publishing.

By Kevin R Riehle. For Men's Choir, Flute, Oboe, Bassoon, Piano. Published by Oxford University Press.

By Kevin Riehle. For Upper voices, flute, oboe, piano. Upper Voices. Secular Choral Leaflet. Vocal score. Duration 3.5'

The Best Step-by-Step Guide to Start Playing. Do It Yourself. Instruction, Method. Softcover Media Online. 128 pages. Published by Hal Leonard

By 16th C. English Folk Melody. Arranged by Robert J. Batastini. For Voices: SAB, assembly. Instruments: Flute (instruments required). Keyboard accompaniment. Christmas Sacred. Level: easy. 7 pages. Published by GIA Publications.

Chamber Music Flute, Piano, Viola

SKU: PR.11440719S

Composed by Nathan Currier. Set of Score and Parts. With Standard notation. 44 pages. Duration 11 minutes, 30 seconds. Theodore Presser Company #114-40719S. Published by Theodore Presser Company (PR.11440719S).

UPC: 680160011087. 8.5 x 11 inches.

Sambuca, which most people know today as a licorice-flavored liqueur, was the name the Greeks gave to a kind of sharp, shrill-sounding harp, of Eastern, possibly Jewish origin. The Greeks then gave this same name to a wooden flute made from the elder bush, and in the middle ages it was also associated with the viol, at least to the extent that the Hurdy-gurdy, an instrument shaped like a viol and played by means of a rotating wheel, was sometimes called a Sambuca rotata. Thus, the word Sambuca is tied up with the ancestors - in each case, ancestors of ow birth, as it were - of the modern harp, flute, and viola. Somehow, the present-day association with alcohol seems very meet, in that a certain objectionable quality seems to have gone with the name - in 1545 one George Ascham wrote, This I am sure... all maner of pypes, barbitons, sambukes... be condemned of Aristotle. The word Sambucistria - for a female Sambuca player - was used by Plutarch and others to evoke a feeling of foreign-inspired decadence [Grove's Dictionary of Musical Instruments, 1984]. Currier's work is truly a Sambuca sonata. Written for the three Sambuca instruments, Currier has first of all seemingly endeavoured to make the harp part particularly Sambuca-like (i.e., sharp and shrill) with its many nail and xylophonic effects, but more importantly, has used musical material that corresponds to the low-brow, somewhat Dionysian, indeed, today even Bacchanalian implication of the name - thus, rock music seems to inspire a great deal Currier's work [the Samba, an appropriately Bacchanalian Brazilian Carnival dance, in duple meter with syncopations, while apparently having no etymological connection to Sambuca, might seem to be musically involved, too]. The Sambuca which lies behind this rather drunken piece is probably the only musical instrument which became a model for an instrument of war; one Craxton wrote in 1489 that Sambuce is an engyn whiche is made in manere of a harpe able to perce a walle. But whether talking of the modern liqueur or the ancient instrument condemned of Aristotle and mentioned four times in the Book of Daniel, it is a shame that Debussy - inspired by the Dionysian side of classical culture (as in Prelude a l'apres-midi d'un faune) - seems to have remained ignorant Sambuca, a word which to some extent must lie behind all works for this wonderful instrumentation which he invented, and which I might seem to have striven unconsciously, equally ignorant, to make the sole basis of Currier's work - until, having completed this piece, written for harpist Marie-Pierre Langlamet, and rummaging around for a title, I chanced upon it in an old dictionary.

By Liam Lawton. Arranged by John; Flute: Daigle Mccann. For Voices: SATB, cantor, assembly. Instruments: C instrument, string quartet (2 violins, viola, cello) (instruments optional). Keyboard accompaniment. Celebration Series Sacred. Level: easy. 4 pages. Published by GIA Publications.

Chamber Music Flute, Horn, Piano

SKU: PR.114424380

Composed by Eric Ewazen. Sws. Score and parts. Theodore Presser Company #114-42438. Published by Theodore Presser Company (PR.114424380).

ISBN 9781491138076. UPC: 680160693467. 18 x 12 inches.

If you love playing Eric Ewazen’s flute sonatas or horn chamber music, or if you are fan of Brahms’s chamber music, then this exhilarating work is for you! Among Ewazen’s most performed works, the TRIO, inspired by the Brahms horn trio and originally for Violin, Horn, and Piano, has been adapted by the composer for Flute, Horn, and Piano. With a rollicking scherzo and beautiful melodic movements, this 21-minute work is a joy to play and to listen to.
I’ve always been fascinated and inspired by chamber works offering several instrumental versions of the same piece, resulting in a new feel and color. One famous example is the great Franck Sonata, originally for violin and piano, and beautifully arranged for flute and piano by Jean-PIerre Rampal. Subsequently other versions of the piece were created for an array of instruments: cello, oboe, clarinet, saxophone, and even tuba!  Creating this flute version of my TRIO (flute replacing the original violin part), considered the range, allowing the flute to sometimes sing in a bright, higher register than the original violin part; passages where there were double stops in the violin now have arpeggiated figurations. The original scoring for Horn, Violin, and Piano was commissioned by and gratefully dedicated to Chamberosity, representing an homage to one of my favorite chamber pieces of all time, the Trio for Horn, Violin, and Piano by Brahms. Having both performed (on piano) and analyzed that work, I so loved Brahms’ wonderful weaving of the colors of the instruments, creating an almost orchestral color palette. For years I wanted to write a trio for the same combination, and when my friends in Chamberosity were enthusiastic about me writing that piece for them, I was delighted. The four movements are modeled after the Brahms, with a slow-fast-slow-fast scheme to the entire work. A gentle, somewhat mysterious first movement accumulates depth and momentum as it proceeds, only to return to the gentle world of the opening. The second movement is a rip-roaring scherzo, a true energetic dance with melodies tossed back and forth from the violin to the horn, while the piano provides a resonant accompaniment, inserting its own lively melodies as counterpoint to the violin and horn. The third movement is filled with melancholy, with long lyric melodies appearing sometimes as solos, sometimes as duets, and sometimes as a chorale with all three instruments singing their soulful songs. The final movement, following an austere, dramatic introduction, turns into a grand fugue, with a jumping fugue theme full of life and excitement, culminating in the themes heard in augmentation, strong and bold.

2-part children's choir and instruments (flute, oboe, clarinet, harp, percussion, cello/contrabass ad lib., piano [organ]) - Level 2

SKU: CA.1223805

Christmas cantata. Composed by Wolfram Graf. Children's music and musicals. German title: Il Est Ne, Le Divin Enfant. Sacred vocal music, Cantatas, Cantatas and Singspiele for children, Christmas. Choral Score. 2 pages. Duration 5 minutes. Carus Verlag #CV 12.238/05. Published by Carus Verlag (CA.1223805).

ISBN 9790007098865. Language: German/French.

The cantata is original and interesting. While it is very easy for the choir, it is somewhat more demanding on the orchestra. Highly recommended to enrich the Christmas season. (Singen und Musizieren im Gottesdienst 5/2000). Score available separately - see item CA.1223800.

Flute, bassoon and piano

SKU: P2.10007

Composed by Thomas Dempster. Chamber music, 20th century. Published by Potenza Music (P2.10007).

Composer Thomas Dempster says, In differential calculus, an inflection point is a point on a curve at which the curvature changes sign - between positive and negative curvature. I construe the entirety of the piece as a somewhat long arc; the inflection point of the entire piece happens somewhere during the second movement. The first movement ('Quirky Rays and Charming Segments') takes the idea of a stationary point as a tonal center as more literally sees a line, or a curve, or pitches and motives passed around between the ensemble.This movement juggles a number of ideas and verily proffers some short-lived, rhythmically unstable and tonally ambiguous lines and arcs that return later on. The second movement ('Distant Planes and Objects') contains a fair amount of parallel motion, open and sparse figures, and static textures. Motion in pitch space extends outward in both directions from Ab and eventually returns, retracing the points. The final movement ('Jiggly Dots and Origins') is a mildly psychotic gigue that melds together the ideas of the previous two movements..

2-part children's choir and instruments (flute, oboe, clarinet, harp, percussion, cello/contrabass ad lib., piano [organ]) - Level 2

SKU: CA.1223809

Christmas cantata. Composed by Wolfram Graf. Children's music and musicals. German title: Il Est Ne, Le Divin Enfant. Sacred vocal music, Cantatas, Cantatas and Singspiele for children, Christmas. Set of Orchestra Parts. 16 pages. Duration 5 minutes. Carus Verlag #CV 12.238/09. Published by Carus Verlag (CA.1223809).

ISBN 9790007191986. Language: German/French.

The cantata is original and interesting. While it is very easy for the choir, it is somewhat more demanding on the orchestra. Highly recommended to enrich the Christmas season. (Singen und Musizieren im Gottesdienst 5/2000). Score and parts available separately - see item CA.1223800.