Orchestra SATB choir, 3 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 3 trumpets, 4 trombones, timpani, bass drum, harp, 2 violins, viola, cello, contrabass

SKU: CA.2729412

Composed by Giuseppe Verdi. Edited by Albrecht Gaub. Arranged by Christiane Hulsmann. Violin 2. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 2. Composed 1896/97. 4 pages. Carus Verlag #CV 27.294/12. Published by Carus Verlag (CA.2729412).

ISBN 9790007201173. Language: Latin.

The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2729400.

Orchestra SATB choir, 3 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 3 trumpets, 4 trombones, timpani, bass drum, harp, 2 violins, viola, cello, contrabass

SKU: CA.2729415

Composed by Giuseppe Verdi. Edited by Albrecht Gaub. Arranged by Christiane Hulsmann. Double bass. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Double Bass. Composed 1896/97. 4 pages. Carus Verlag #CV 27.294/15. Published by Carus Verlag (CA.2729415).

ISBN 9790007201203. Language: Latin.

The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2729400.

Orchestra SATB choir, 3 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 3 trumpets, 4 trombones, timpani, bass drum, harp, 2 violins, viola, cello, contrabass

SKU: CA.2729411

Composed by Giuseppe Verdi. Edited by Albrecht Gaub. Arranged by Christiane Hulsmann. Violin 1. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Violin 1. Composed 1896/97. 4 pages. Carus Verlag #CV 27.294/11. Published by Carus Verlag (CA.2729411).

ISBN 9790007201166. Language: Latin.

The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2729400.

Orchestra SATB choir, 3 flutes, 2 oboes, 2 clarinets, 4 bassoon, 4 horns, 3 trumpets, 4 trombones, timpani, bass drum, harp, 2 violins, viola, cello, contrabass

SKU: CA.2729413

Composed by Giuseppe Verdi. Edited by Albrecht Gaub. Arranged by Christiane Hulsmann. Viola. Sacred vocal music, Lent and Passiontide, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Single Part, Viola. Composed 1896/97. 4 pages. Carus Verlag #CV 27.294/13. Published by Carus Verlag (CA.2729413).

ISBN 9790007201180. Language: Latin.

The Stabat Mater is the last work composed by Giuseppe Verdi. He completed it in 1897 at the age of 84. One year later it was published with the somewhat earlier Te Deum as part of the Quattro pezzi sacri. Verdi set Mary's meditation in the face of her crucified son, a classic of Medieval Latin poetry, in an operatically expressive style for choir and large orchestra. Verdi's Stabat Mater is now published for the first time in a critical edition. Also available in the series Choir & organ. Score and part available separately - see item CA.2729400.

Trumpet with 7 Solo-Instruments (Clarinet in B flat, BassClarinet in B flat, Bassoon, Contrabassoon, French Horn in F, Trumpet in C, Tuba) (TRP/7SOLOI) - difficult

SKU: HL.49013142

Composed by Hartmann. This edition: Saddle stitching. Sheet music. La Tromba (Trumpet Library). Classical. Piano Reduction with Solo Part. Composed 1933. 48 pages. Duration 19'. Schott Music #TR 21. Published by Schott Music (HL.49013142).

ISBN 9790001133395. 9.0x12.0x0.137 inches.

This piece, previously considered lost since its first performance, was described thus in reviews of that concert: ... The composition is modern and the humour appears to be that of the composer himself. Michel Nicolay, who has extraordinary technical skill and fabulous breathing control, leads this difficult work by the Munich composer Hartmann and is supported by the accompaniment of seven wind instruments. The bassoon provides rather a humorous bass line in the first section, with the whole work tending somewhat towards the burlesque. The second section contains some really astonishing passages..

Mixed Ensembles Alto Saxophone, Bass Guitar, Bassoon, Cello, Clarinet, Double Bass, Eb Horn, Euphonium, Flute, French Horn, Guitar, Oboe, Tenor Saxophone, Trombone, Trumpet, Tuba, Violin

SKU: PR.UE037106

Oh when the Saints Swing low, Sweet Chariot The Camptown Races for flexible ensemble arranged by James Rae. Arranged by James Rae. Score. With Standard notation. Universal Edition #UE037106. Published by Universal Edition (PR.UE037106).

ISBN 9783702474195. UPC: 803452071303.

Just about any ensemble can play James Rae's jazz arrangements of the very familiar tunes - Oh when the Saints; Swing low, Sweet Chariot; The Camptown Races. Solo parts are written out, but also include chord symbols for improvisers. The instrumental parts vary somewhat in difficulty, although not overly demanding for a music classroom or dedicated amateurs. The score includes five parts of variable instrumentation, along with piano and drums. Parts are available as download.

Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Bassoon 3, Celesta, Clarinet 1, Clarinet 2, Contrabass, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Piano, Piccolo and more.

SKU: PR.11642166L

Composed by Carter Pann. Large Score. Duration 22 minutes. Theodore Presser Company #116-42166L. Published by Theodore Presser Company (PR.11642166L).

UPC: 680160691975.

Dream s I Must Not Speak emerged from a cathartic attempt to realize, in music, three dreams I experience during sleep with noticeable regularity.  These are not nightmares nor are they pleasant images, but rather odd and somewhat psychedelic scenes that have remained distinct in my awakened conscience over the years.  These three tableaux are presented here without pause.  It does not make sense for me to deem this an autobiographical work like a memoir or entries in a diary.  These are more like etchings on the shadowy wall of one’s private existence.  ~CP.

Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Bassoon 3, Celesta, Clarinet 1, Clarinet 2, Contrabass, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Piano, Piccolo and more.

SKU: PR.11642166S

Composed by Carter Pann. Study Score. Duration 22 minutes. Theodore Presser Company #116-42166S. Published by Theodore Presser Company (PR.11642166S).

UPC: 680160691968.

Dream s I Must Not Speak emerged from a cathartic attempt to realize, in music, three dreams I experience during sleep with noticeable regularity.  These are not nightmares nor are they pleasant images, but rather odd and somewhat psychedelic scenes that have remained distinct in my awakened conscience over the years.  These three tableaux are presented here without pause.  It does not make sense for me to deem this an autobiographical work like a memoir or entries in a diary.  These are more like etchings on the shadowy wall of one’s private existence.  ~CP.