For Mallet Percussion. By Various. Instrumental Folio. Pop. Softcover. 72 pages. Published by Hal Leonard

Arranged by Victor Lopez. For Mallet Percussion (Bells/Xylophone). Marching Band Collection. Book. 12 pages. Published by Alfred Publishing.

By Dave Black. For Drum Set. Percussion - Drum Set Method or Collection. Book. 80 pages. Published by Alfred Music Publishing

(Anthems and Teaching Activities for the Church Year). By Mark Patterson. For unison/2-part choir, piano (with optional handbells 2 (hand chimes 2), small percussion, glockenspiel). Sacred, Choral. Choral collection. Published by Chorister's Guild

By Boyd Bacon. For SATB Choir (SATB). Shawnee Press. Choral, Bass/Percussion, Tracks, Palm Sunday, Youth Choirs and Sacred. 12 pages. Shawnee Press #A7175. Published by Shawnee Press

Trumpet 1 in C, trumpet 2 in C, trumpet 3 in C, horn in f, trombone 1, trombone 2, percussion, violin 1, violin 2, viola, cello, bass

SKU: GI.G-1624STR

Composed by C. Alexander Peloquin. This edition: String edition. Sacred. Instrumental part(s). GIA Publications #1624STR. Published by GIA Publications (GI.G-1624STR).

SSATBB choir with tenor voice (soprano voice) solo, brass, timpani, percussion and organ - Medium Difficult

SKU: PL.0315

Composed by Raymond Weidner. Cathedral. Choral, Ascension, Festival, General. Octavo. Paraclete Press #0315. Published by Paraclete Press (PL.0315).

This festival anthem uses similar forces as the famous Vaughan Williams setting of this text. Raymond Weidner gives an American sound to this setting with its quick modulations and energetic writing for brass. The central section opens with the choir in four parts which is then followed by a solo tenor intoning the text, recitative-style. The workconcludes with the exciting music from the opening as well as an Alleluia for all forces. Weidner's experience as an organist shows in the expertly written accompaniment. This work would also be a festive offering for Ascension Day.

Arranged by Victor Lopez. For Auxiliary Percussion. Marching Band Collection. Book. 12 pages. Published by Alfred Publishing.

Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, Clarinet 1, Clarinet 2, Congas, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mark Tree, Oboe, Percussion 1, Percussion 2, Percussion 3, Tam-tam, Tambourine, Timpani, Trombone 1, Trombone 2 and more. - Grade 2.5

SKU: CF.YPS240F

Composed by Kelly Dugger. Full score. 24 pages. Carl Fischer Music #YPS240F. Published by Carl Fischer Music (CF.YPS240F).

ISBN 9781491159644. UPC: 680160918232.

An Ankh is an ancient Egyptian hieroglyphic representing the word Life. The Ankh of Eternity depicts an epic journey through ancient lands to find the mythical Ankh of Eternity amulet promising eternal life. The piece journeys through the desert in a caravan, with a stop for a Kaff celebration, an Arabic hand-clapping folk art. The discovery of the tomb is spine chilling and eerie with special percussion effects. After the Ankh is discovered, swarms of locusts descend and our travelers run for their lives. They may have found eternal life, but will they be forever cursed? The Ankh of Eternity uses an Arabic or double harmonic-major scale. Performers have multiple soloing and improvising opportunities. Complex but repeating rhythms offer players a chance to practice getting in the groove. Players and audiences alike will be invigorated by the many celebratory moments and thrilled at the eerie and downright scary moments! The Ankh of Eternity offers cultural and historical inclusion opportunities, improvisation, unique scales, rhythmic challenges, and a thrilling story. Conductor Notes: Measures 45-61: Kaff is the ancient Arabic art of hand clapping over improvised poetry. The Kaff Celebration section represents this art form. The improvising soloists should be designated by the conductor and should each be four measures long . Alternatively, soloists may copy the phrase in the second ending as a solo. The AYE! should be shouted joyously. The repeat may be omitted for performance time concerns, or, of course, repeated multiple times for more solos. Measures 64-73: Experiment with different cymbal noises, such as scrapes with a nail or coin, taps with triangle beaters, bowed cymbals, etc. Water-cymbal techniques should also be used. Fill a storage tub with water, and with the suspended cymbal still on the stand, hit the cymbal a couple times with a soft mallet, and lower the cymbal into the water for a glissando effect. The overall effect should be creepy cave-like echoes bending around corners.
An Ankh is an ancient Egyptian hieroglyphic representing the word Life. The Ankh of Eternity depicts an epic journey through ancient lands to find the mythical Ankh of Eternity amulet promising eternal life. The piece journeys through the desert in a caravan, with a stop for a Kaff celebration, an Arabic hand-clapping folk art. The discovery of the tomb is spine chilling and eerie with special percussion effects. After the Ankh is discovered, swarms of locusts descend and our travelers run for their lives. They may have found eternal life, but will they be forever cursed?The Ankh of Eternity uses an Arabic or double harmonic-major scale. Performers have multiple soloing and improvising opportunities. Complex but repeating rhythms offer players a chance to practice getting in the groove. Players and audiences alike will be invigorated by the many celebratory moments and thrilled at the eerie and downright scary moments! The Ankh of Eternity offers cultural and historical inclusion opportunities, improvisation, unique scales, rhythmic challenges, and a thrilling story.Conductor Notes: Measures 45–61: Kaff is the ancient Arabic art of hand clapping over improvised poetry. The Kaff Celebration section represents this art form. The improvising soloists should be designated by the conductor and should each be four measures long . Alternatively, soloists may copy the phrase in the second ending as a solo. The AYE! should be shouted joyously. The repeat may be omitted for performance time concerns, or, of course, repeated multiple times for more solos. Measures 64–73: Experiment with different cymbal noises, such as scrapes with a nail or coin, taps with triangle beaters, bowed cymbals, etc. Water-cymbal techniques should also be used. Fill a storage tub with water, and with the suspended cymbal still on the stand, hit the cymbal a couple times with a soft mallet, and lower the cymbal into the water for a glissando effect. The overall effect should be creepy cave-like echoes bending around corners.

Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, Clarinet 1, Clarinet 2, Congas, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mark Tree, Oboe, Percussion 1, Percussion 2, Percussion 3, Tam-tam, Tambourine, Trombone 1, Trombone 2, Trumpet 1 and more. - Grade 2.5

SKU: CF.YPS240

Composed by Kelly Dugger. Set of Score and Parts. 24+8+8+4+8+8+4+4+6+4+4+4+ 8+8+8+6+6+6+4+6+2+4+6 pages. Duration 5 minutes, 20 seconds. Carl Fischer Music #YPS240. Published by Carl Fischer Music (CF.YPS240).

ISBN 9781491159637. UPC: 680160918225.

An Ankh is an ancient Egyptian hieroglyphic representing the word Life. The Ankh of Eternity depicts an epic journey through ancient lands to find the mythical Ankh of Eternity amulet promising eternal life. The piece journeys through the desert in a caravan, with a stop for a Kaff celebration, an Arabic hand-clapping folk art. The discovery of the tomb is spine chilling and eerie with special percussion effects. After the Ankh is discovered, swarms of locusts descend and our travelers run for their lives. They may have found eternal life, but will they be forever cursed? The Ankh of Eternity uses an Arabic or double harmonic-major scale. Performers have multiple soloing and improvising opportunities. Complex but repeating rhythms offer players a chance to practice getting in the groove. Players and audiences alike will be invigorated by the many celebratory moments and thrilled at the eerie and downright scary moments! The Ankh of Eternity offers cultural and historical inclusion opportunities, improvisation, unique scales, rhythmic challenges, and a thrilling story. Conductor Notes: Measures 45-61: Kaff is the ancient Arabic art of hand clapping over improvised poetry. The Kaff Celebration section represents this art form. The improvising soloists should be designated by the conductor and should each be four measures long . Alternatively, soloists may copy the phrase in the second ending as a solo. The AYE! should be shouted joyously. The repeat may be omitted for performance time concerns, or, of course, repeated multiple times for more solos. Measures 64-73: Experiment with different cymbal noises, such as scrapes with a nail or coin, taps with triangle beaters, bowed cymbals, etc. Water-cymbal techniques should also be used. Fill a storage tub with water, and with the suspended cymbal still on the stand, hit the cymbal a couple times with a soft mallet, and lower the cymbal into the water for a glissando effect. The overall effect should be creepy cave-like echoes bending around corners.
An Ankh is an ancient Egyptian hieroglyphic representing the word Life. The Ankh of Eternity depicts an epic journey through ancient lands to find the mythical Ankh of Eternity amulet promising eternal life. The piece journeys through the desert in a caravan, with a stop for a Kaff celebration, an Arabic hand-clapping folk art. The discovery of the tomb is spine chilling and eerie with special percussion effects. After the Ankh is discovered, swarms of locusts descend and our travelers run for their lives. They may have found eternal life, but will they be forever cursed?The Ankh of Eternity uses an Arabic or double harmonic-major scale. Performers have multiple soloing and improvising opportunities. Complex but repeating rhythms offer players a chance to practice getting in the groove. Players and audiences alike will be invigorated by the many celebratory moments and thrilled at the eerie and downright scary moments! The Ankh of Eternity offers cultural and historical inclusion opportunities, improvisation, unique scales, rhythmic challenges, and a thrilling story.Conductor Notes: Measures 45–61: Kaff is the ancient Arabic art of hand clapping over improvised poetry. The Kaff Celebration section represents this art form. The improvising soloists should be designated by the conductor and should each be four measures long . Alternatively, soloists may copy the phrase in the second ending as a solo. The AYE! should be shouted joyously. The repeat may be omitted for performance time concerns, or, of course, repeated multiple times for more solos. Measures 64–73: Experiment with different cymbal noises, such as scrapes with a nail or coin, taps with triangle beaters, bowed cymbals, etc. Water-cymbal techniques should also be used. Fill a storage tub with water, and with the suspended cymbal still on the stand, hit the cymbal a couple times with a soft mallet, and lower the cymbal into the water for a glissando effect. The overall effect should be creepy cave-like echoes bending around corners.

Vocal, Duet choir; flute; handbell; percussion

SKU: HP.8728

Composed by Jester Hairston. Arranged by Joel Raney. Piano with Optional Flute, Guitar, Handbells, Percussion. Christmas, Devotion, Sacred. Vocal score. 12 pages. Hope Publishing Company #8728. Published by Hope Publishing Company (HP.8728).

UPC: 763628187286. Key: Key of g. By Jester Hairston. Luke 2:8, Luke 2:9, Luke 2:10, Luke 2:11, Luke 2:12, Luke 2:13, Luke 2:14.

Calypso Lullaby by Jester Hairston By combining the lively Jester Hairston classic, Mary's Little Boy Child with additional new text and a beautiful lullaby setting, Joel Raney has crafted a spirited Christmas celebration for both SATB and Two-Part choirs. The calypso rhythms provide a joyful expression of the angels' song, Alleluia, shout for joy, alongside an original cradlesong, Sleep little one, rest your head. The addition of the optional flute, percussion, bass guitar, and handbells brings this stunning setting to life - a perfect Christmas selection for churches and schools. The Instrumental packet includes a Conductor's Score and parts for Flute, Bass Guitar, Percussion, and 3-Oct. Handbell.

Vocal ensemble choir; flute; handbell; percussion

SKU: HP.8929

Composed by Jester Hairston. Arranged by Joel Raney. Piano with Optional Flute, Guitar, Handbells, Percussion. Christmas, Devotion. Vocal Score. Hope Publishing Company #8929. Published by Hope Publishing Company (HP.8929).

By Jester Hairston.

Calypso Lullaby by Jester Hairston By combining the lively Jester Hairston classic, Mary's Little Boy Child with additional new text and a beautiful lullaby setting, Joel Raney has crafted a spirited Christmas celebration for both SATB and Two-Part choirs. The calypso rhythms provide a joyful expression of the angels' song, Alleluia, shout for joy, alongside an original cradlesong, Sleep little one, rest your head. The addition of the optional flute, percussion, bass guitar, and handbells brings this stunning setting to life - a perfect Christmas selection for churches and schools. The Instrumental packet includes a Conductor's Score and parts for Flute, Bass Guitar, Percussion, and 3-Oct. Handbell.

Arranged by Les Taylor. For concert band. Grade 4. Duration 2 minutes, 31 seconds. Published by BRS Music

Percussion [Duet], 2 Voices

SKU: HL.14024975

Composed by Andy Pape. Music Sales America. Classical. Score. 12 pages. Music Sales #KP00345. Published by Music Sales (HL.14024975).

ISBN 9788759854297. English.

A delightful and quirky composition by Andy Pape composed in 1992. Talking Drums II is played using two African Talking Drums, where the drum is held under one arm which squeezes the strings attached to the skin and thereby changes the pitch of the drum. With spoken/shouted parts for each drummer, this is a high energy conversation between two percussionists!

Arranged by Paul Baker. Jazz Ensemble. Jazz Ensemble; Part(s); Score. Young Jazz Ensemble. Christmas; Jazz; Novelty; Sacred; Winter. Grade 2. 94 pages. Published by Alfred Music Publishing

By Jester Hairston. Arranged by Joel Raney. For SATB choir. Scripture Reference: Luke 2:8-14. Christmas, Devotion, Sacred. Choral octavo. 12 pages

Arranged by Paul Baker. Jazz Ensemble. Jazz Ensemble; Score. Young Jazz Ensemble. Christmas; Fall; Jazz. Grade 2. 20 pages. Published by Alfred Music Publishing

By Jester Hairston. Arranged by Joel Raney. For 2-part choir. Scripture Reference: Luke 2:8-14. Christmas, Devotion, Sacred. Choral octavo. 12 pages

SATB choir, cantor, assembly, keyboard accompaniment, flute, oboe, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, trombone 1, trombone 2, violin 1, violin 2, cello, percussion, guitar - Early intermediate

SKU: GI.G-10745

Come, Holy Spirit / Ven, Espíritu Santo / Halina, Espiritu. Composed by Peter M. Kolar. Pentecost. Celebration Series. Sacred. Octavo. With guitar chord names. 24 pages. GIA Publications #10745. Published by GIA Publications (GI.G-10745).

English, Filipino, Italian, Latin, Spanish. Text Source: Verses based on the Pentecost Sequence and Laudato Sí

Peter Kolar’s “Veni, Sancte Spiritus” is an exhilarating processional anthem for Pentecost or confirmation liturgies. It features driving orchestral percussion, an exuberant shout chorus, and a recurring woodwind theme inspired by the soundtrack to The Mission. In the spirit of Pentecost, the piece is multilingual and multi-stylistic, with lyrics in English, Spanish, Filipino and Latin. The piece even offers an optional call-and-response refrain for assembles to learn its multilingual text. “Veni, Sancte Spiritus” was composed for and premiered at the National Association of Pastoral Musicians (NPM) 2022 National Convention. Hearts will surely be enflamed with the Spirit upon experiencing this powerful work! .

By Jester Hairston. Arranged by Joel Raney. For SAB choir or 3-part choir. Choral music. Christmas, Devotion, Sacred. Choral octavo. 12 pages. Published by Hope Publishing Company

SATB choir and orchestra (flute 1 & 2, oboe, clarinet 1 & 2, horn 1 & 2, horn 3 & 4, trumpet 1 & 2, trombone 1 & 2, trombone 3, harp, percussion 1 & 2, rhythm, violin 1, violin 2, viola, cello/bassoon, string bass)

SKU: LP.765762182509

Arranged by Wayne Haun. Anthems. Southern Gospel and Sacred. Orchestration on CD-ROM. Published by Lillenas Publishing Company (LP.765762182509).

UPC: 765762182509.

Don't be surprised if your congregation jumps to their feet shouting Amen! when the choir cuts loose with this Southern Gospel powerhouse. No one can sit still for long when presented with this foot-tappin' hand-clappin' arrangement by Wayne Haun of this traditional favorite.

Concert Band; Orchestra - Grade 1.5

SKU: AP.49120

Composed by Scott Watson. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Quartet; Single Titles; Solo Small Ensembles. Challenger Band Series. Light Concert; Rock. Score and Part(s). 149 pages. Duration 4:00. Alfred Music #00-49120. Published by Alfred Music (AP.49120).

UPC: 038081563510. English.

This version of Rock Solid by Scott Watson is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

Scott Watson's original composition features a moderate rock feel and gritty, dissonant harmonies that combine to portray the sound of industry---work gangs laboring with machinery whirring, clanging, grinding, and banging, along with several vocal shouts from the band and a factory whistle! (4:00)

Percussion Accompaniment Track Downloads:
with click.
without click.

This title is available in MakeMusic Cloud.

Concert Band; Orchestra - Grade 1.5

SKU: AP.49120S

Composed by Scott Watson. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Quartet; Single Titles; Solo Small Ensembles. Challenger Band Series. Light Concert; Rock. Score. 20 pages. Duration 4:00. Alfred Music #00-49120S. Published by Alfred Music (AP.49120S).

UPC: 038081563527. English.

This version of Rock Solid by Scott Watson is part of our Alfred FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

Scott Watson's original composition features a moderate rock feel and gritty, dissonant harmonies that combine to portray the sound of industry---work gangs laboring with machinery whirring, clanging, grinding, and banging, along with several vocal shouts from the band and a factory whistle! (4:00)

Percussion Accompaniment Track Downloads:
with click.
without click.

This title is available in MakeMusic Cloud.

By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Level: Grade 6. Conductor Full Score. Duration 21:00. Published by Manhattan Beach Music.

Jazz Ensemble standard jazz ensemble - Grade 3

SKU: KN.61330

Composed by Tom Kubis. Jazz Journey. Samba. Kendor Music Inc #61330. Published by Kendor Music Inc (KN.61330).

UPC: 822795613308.

This exciting, uptempo samba for advancing groups is a great way to spotlight a fabulous trombone section on the familiar In A Mellow Tone or Rose Room chord changes. Trombones not only play the melody, but also the shout chorus, and each player in the section has changes for soloing. In his score notes, the composer suggests adding two or more Latin percussionists to the standard personnel when possible. A guitar chord chart by Jim Greeson is included in each set. Duration 5:25.

Jazz Ensemble - Grade 3

SKU: KN.61330S

Composed by Tom Kubis. Jazz Journey. Kendor Music Inc #61330S. Published by Kendor Music Inc (KN.61330S).

UPC: 822795613308.

This exciting, uptempo samba for advancing groups is a great way to spotlight a fabulous trombone section on the familiar In A Mellow Tone or Rose Room chord changes. Trombones not only play the melody, but also the shout chorus, and each player in the section has changes for soloing. In his score notes, the composer suggests adding two or more Latin percussionists to the standard personnel when possible. A guitar chord chart by Jim Greeson is included in each set. Duration 5:25.

Arranged by Stan Pethel. Score. Chorister's Guild #CGIN12. Published by Chorister's Guild (CG.CGIN12). 0.49