From the Series Forgotton Peoples. By Veljo Tormis. (SATB DV A Cappella). Boose...(+)
From the Series Forgotton
Peoples. By Veljo Tormis.
(SATB DV A Cappella).
Boosey and Hawkes Large
Choral. Size 8.25x11.75
inches. 64 pages.
Published by Boosey &
Hawkes.
Improve Your Teaching -- Teaching Beginners. (A new approach for instrumental an...(+)
Improve Your Teaching --
Teaching Beginners. (A
new approach for
instrumental and singing
teachers). By Paul
Harris. Book; Reference
Textbooks; Textbook -
General. Faber Edition:
Improve Your Teaching.
Published by Faber Music
Urtext der Lasso-Gesamtausgabe. By Orlande De Lassus. Edited by Siegfried Hermel...(+)
Urtext der
Lasso-Gesamtausgabe. By
Orlande De Lassus. Edited
by Siegfried Hermelink.
For Mixed Choir (2)-SATB
SATB. Chor-Archiv.
Singing Score; Urtext
Edition. Published by
Baerenreiter-Ausgaben
(German import).
Composed by Michael Culloton. Advanced/Collegiate. Year B Advent2. Advent, 21st...(+)
Composed by Michael
Culloton.
Advanced/Collegiate. Year
B Advent2. Advent, 21st
Century, Hope/Assurance.
Octavo. Published by
Galaxy Music Corporation
(EC.1.3489).
Chamber Music bass trombone SKU: PR.114418410 Composed by Stacy Garrop. S...(+)
Chamber Music bass
trombone
SKU:
PR.114418410
Composed
by Stacy Garrop. Sws.
Performance Score. 8
pages. Duration 6:30.
Theodore Presser Company
#114-41841. Published by
Theodore Presser Company
(PR.114418410).
ISBN
9781491133644. UPC:
680160641932. 9 x 12
inches.
Stormy,
Husky, Brawling takes its
name from the 4th line of
the poem Chicago, written
by Carl Sandburg in 1916
when Chicago was the
heart of the meatpacking
and railroad industries.
When bass trombonist Sun
He commissioned Garrop,
he mentioned a deep love
for Chicago, adding,
“I remember the
first time I walked on
the street in Chicago, by
the corner of Michigan
and Roosevelt, and how I
felt the energy of this
city almost brought my
blood to a boil...â€
Those images inspired
Garrop to write a piece
that conveys the beating
pulse of the city, as
well as its
grandeur. Stormy,
Husky, Brawling takes its
name from the 4th line of
the poem Chicago, written
by the American poet Carl
Sandburg. Dating from
1916, the city of Chicago
at that time served as
the heart of the
meatpacking and railroad
industries. The
poem’s lines
mingle the dark
underbelly of the
city:And they tell me you
are brutal and my reply
is: On the faces of
women   Â
    Â
  and children I
have seen the marks of
wanton hunger.with
immense pride felt by its
inhabitants:Â Â
  Come and show
me another city with
lifted head singing so
proud to be aliveÂ
    and
course and strong and
cunning.As a Chicagoan
myself, I find much of
Sandburg’s
unabashed view of the
city very appealing and
still relevant over a
hundred years later.When
bass trombonist Sun He
commissioned me for a
solo trombone piece, he
mentioned his deep love
for Chicago. He wrote to
me in an email:“I
remember the first time I
walked on the street in
Chicago, by the corner of
Michigan and Roosevelt,
and how I felt the energy
of this city almost
brought my blood to a
boil...â€His words
inspired me to write a
piece that conveys the
beating pulse of the
city, as well as its
grandeur. Carl
Sandburg’s poem
became the perfect
inspiration to tell the
story of the pride Sun He
and I have for
Chicago.Sun He has
dedicated Stormy, Husky,
Brawling to Jane Addams
and the Hull House of
Chicago. Ms. Addams
(1860-1935) was a
distinguished
sociologist, social
worker, philosopher, and
author, who opened the
Hull House in 1889. She
provided many services to
immigrant families at the
Hull House, including
kindergarten, day care,
an employment bureau, and
classes in English,
citizenship, music,
theater, and the
arts.
(Motette Nr. 17 aus Israelsbrunnlein . Urtext der Neuen Schein-Ausgabe). By Joh...(+)
(Motette Nr. 17 aus
Israelsbrunnlein . Urtext
der Neuen
Schein-Ausgabe). By
Johann Hermann Schein
(1586-1630). Edited by
Adam Adrio. For Mixed
Choir-SSATB, Basso
Continuo. Sacred. Singing
Score, Playing Score
By Jay Althouse. For Choir. (TTBB, a cappella). Choral Octavo. Choral Designs. ...(+)
By Jay Althouse. For
Choir. (TTBB, a
cappella). Choral Octavo.
Choral Designs.
Spiritual, Christmas.
Choral Octavo. 12 pages.
Published by Alfred
Publishing. Level:
Level 3 (grade L3).
A Cappella 101 Chorale [Partition + Accès audio] Hal Leonard
Book/Audio Online Choral A Beginner's Guide to Contemporary A Cappella Singing...(+)
Book/Audio Online Choral
A Beginner's Guide to
Contemporary A Cappella
Singing. Choral. A
Cappella,
Resource, Vocal Jazz.
Softcover Audio Online.
186
pages. Published by Hal
Leonard
Mixed choir-SATB, singing
voice, piano (Mixed choir
(SATB), Vocal, Piano)
SKU: BA.BA07236
Szene für Chor,
stellenweise geteilt und
singenden Klavierspieler
nach eigenen Texten.
Composed by Diether De La
Motte. Stapled. Choral
score. Composed 1991.
Duration 20 minutes.
Baerenreiter Verlag
#BA07236_00. Published by
Baerenreiter Verlag
(BA.BA07236).
Composed by Peter J. Wilhousky, Mykola D. Leontovich. Arranged by Steve Kupfersc...(+)
Composed by Peter J.
Wilhousky, Mykola D.
Leontovich. Arranged by
Steve Kupferschmid. For
2-part choir. Octavo. 8
pages. Duration 1 minute,
50 seconds. Published by
BriLee Music
Two
Singspiels (D 190, D 220)
each in one act.
Composed by Franz
Schubert. Edited by Han
Theill. This edition:
complete edition, urtext
edition. Linen. New
Schubert Edition (Neue
Ausgabe samtlicher Werke)
Series II, Volume 2.
Complete edition, Score,
anthology. Composed 1815.
Baerenreiter Verlag
#BA05533_00. Published by
Baerenreiter Verlag
(BA.BA05533).
ISBN
9790006472437. 33.1 x
26.1 cm inches. Language:
German. Text: Theodor
Korner/ Albert
Stadler.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
SKU: GI.G-CD-590 Catholic Christmas Classics. Composed by Richard ...(+)
SKU: GI.G-CD-590
Catholic Christmas
Classics. Composed by
Richard Proulx. Catholic
Classics. Sacred. CD. GIA
Publications #590.
Published by GIA
Publications
(GI.G-CD-590).
The songs
contained in the volumes
of the Catholic Classics
series have stood test of
time. These are
definitive Catholic
songs—the one's
that are always popular,
that everyone sings,
knows by heart, and wants
to hear over and over
again. Perhaps, best of
all Catholic Classics is
not for Catholics only.
Catholics are joined by
Christians across the
other denominations in
singing these wonderful
and beloved hymns. Take a
look at the titles on
Catholic Christmas
Classics. What would
Christmas Eve or
Christmas Day be without
these songs? You simply
must have this incredible
recording filled with
all of the most beloved
Catholic Christmas
repertoire! Relish in O
Holy Night as only the
Cathedral Singers can
perform it. Gesu Bambino
will evoke memories of
Christmases gone by. For
Unto Us from Handel's
Messiah is a masterpiece.
Add in all your favorite
carols, and you've got
the perfect Christmas
recording! Oh, the gift
this will make!
Hymn of Faith Ensemble de cuivres - Intermédiaire De Haske Publications
Brass Band - Grade 3 SKU: BT.DHP-1064014-030 St. Michael. Composed...(+)
Brass Band - Grade 3
SKU:
BT.DHP-1064014-030
St. Michael.
Composed by Louis
Bourgeois. Arranged by
John Blanken. Musica
Sacra. Hymns & Chorals.
Set (Score & Parts).
Composed 2006. De Haske
Publications #DHP
1064014-030. Published by
De Haske Publications
(BT.DHP-1064014-030).
9x12 inches.
English-German-Dutch.
The French composer
Louis Bourgeois lived
from c.1510 to 1560.
Bourgeois was cantor in
Geneva and, commissioned
by John Calvin, he
composed melodies for
metrical (rhyming)
versions of the psalms.
After completing about a
hundred one-part psalms,
he made some four-part
arrangements, which were
denounced and even
resulted in his
imprisonment for a day.
Later, Bourgeois
published a number of
psalm collections, and
judging from his book Le
droict chemin de musique
he was also an excellent
educator. The melodies
Bourgeois composed, are
(contrary to Gregorian
chants) particularly
suitable for community
singing. This applies to
his hymn tune Saint
Michael, which is why
this melody hasbeen used
for various texts,
written for many
occasions. John Blanken
made this arrangement for
a wedding ceremony: an
occasion in which faith
and trust play a large -
if not the largest -
role. Hence the title
Hymn of Faith. The
arrangement contains four
verses of the hymn. After
a majestic opening the
hymn follows twice, the
second verse being
embellished in the tenor
register. After a short
interlude verse three
follows, played by a
quartet. The majestic
opening is then repeated
as a modulation into the
fourth verse, which
concludes the work in a
brilliant tutti.
Der Komponist,
Kantor und Pädagoge
Louis Bourgeois lebte im
16. Jahrhundert in Genf
und komponierte Psalm-
und Kirchenliedmelodien,
die sich besonders gut
für den Gemeindegesang
eigneten. Die vorliegende
Bearbeitung einer seiner
Melodien schrieb John
Blanken für eine
Hochzeitszeremonie - ein
Anlass, bei dem Glaube
und Vertrauen eine
große Rolle spielen:
Daher der Titel Hymn
of Faith. Ein
wunderbares Stück
ernste“ Musik, das
zu vielen Gelegenheiten
passt.
High voice, piano SKU: BA.BA11081 Eleven Lieder on texts by Friedrich ...(+)
High voice, piano
SKU:
BA.BA11081
Eleven
Lieder on texts by
Friedrich Schlegel for
high voice and piano.
Composed by Manfred
Trojahn. Stapled. Singing
Score. Composed 2012. 28
pages. Duration 12 hours.
Baerenreiter Verlag
#BA11081_00. Published by
Baerenreiter Verlag
(BA.BA11081).
ISBN
9790006563678. 29.8 x
20.8 cm inches. Language:
German. Text: Schlegel,
Friedrich.
With
their very accessible
style and expressive
interpretation of the
words, these contemporary
works continue in the
tradition of classical
and romantic song cycles
and will form a form a
welcome addition to every
song recital.
Abendröte is a cycle
that brooks comparison
with the songs Schubert
wrote on the same set of
Schlegel poems: Trojahn
has composed the poems
Schubert chose not to
set.
5 Voices or SATB a Cappella SKU: BT.EMBZ5272 By Miklos Forrai. Hymns & Ch...(+)
5 Voices or SATB a
Cappella
SKU:
BT.EMBZ5272
By Miklos
Forrai. Hymns & Chorals.
Book Only. Composed 1977.
380 pages. Editio Musica
Budapest #EMBZ5272.
Published by Editio
Musica Budapest
(BT.EMBZ5272).
Hungarian.
'This
collection which
comprises 143 choral
works in 13 languages has
been brought forth by the
need of the Hungarian
choirs for such
publications. It leaves
no doubt that it is but a
drop in the sea even if
it covers a period of two
and a half millenia,
works from an ode of the
Hellenic Pyndar to
present day compositions.
The pleasure in singing
together must reach back
to older times yet,
perhaps to the beginning
of human existence. The
earliest traces of
polyphony can be come
upon in the 9-10th
centuries. The present
compendium that
concentrates on the
golden age of choir
music, the Renaissance
derives its title from
this period...' Miklós
Forrai.
SKU: GI.G-008321 Composed by Kevin Keil. This edition: Vocal edition. Chr...(+)
SKU: GI.G-008321
Composed by Kevin Keil.
This edition: Vocal
edition. Christmastide,
Children. Sacred. GIA
Publications #008321.
Published by GIA
Publications
(GI.G-008321).
A charming
children’s
musical, designed for a
children’s singing
group of any size. Ideal
for a children’s
choir, a classroom, or an
entire grade level to
perform during Advent and
Christmas. Requiring only
simple props and a small
cast of speaking parts,
this 30-minute
performance tells the
story of a
children’s choir
preparing for their
annual Christmas concert.
The coveted
“soloâ€
assigned to the
choir’s newest
member helps all the
children to realize the
true meaning and message
of Christmas. The simple
but profound script and
five original songs will
bring delight to everyone
in your community!
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1115108-140 All Glory Be...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1115108-140
All Glory Be to God on
High. Arranged by
Jacob De Haan. Musica
Sacra. Festive and Solemn
Music. Score Only.
Composed 2011. 16 pages.
De Haske Publications
#DHP 1115108-140.
Published by De Haske
Publications
(BT.DHP-1115108-140).
9x12
inches.
Jacob de
Haan begins his
arrangement of the
well-known hymn Allein
Gott in der
Höh’ sei
Ehr (All Glory Be to
God on High) with a
quotation from his own
Missa Katharina, a
mass for choir, soprano,
and band. To this melody
he sets the Latin text
from the last part of the
Gloria. The chorale is
then heard after an
interlude and can, at the
director’s
discretion, be
accompanied by the choir
singing in either German
or English. A perfect
work for church
concerts.
De
bewerking van het bekende
koraal Allein Gott in
der Höh’ sei
Ehr van Jacob de Haan
begint met een citaat uit
zijn eigen Missa
Katharina, een mis
voor koor, sopraan en
blaasorkest. Daarin
maakte de componist de
melodiebij de Latijnse
tekst uit het laatste
deel van Gloria. Na een
tussenspel klinkt er een
koraal dat net zoals bij
het Latijnse deel door
het koor kan worden
meegezongen. U ontvangt
zowel een Duitse als een
Engelse
tekst.
Jacob de
Haans Bearbeitung des
bekannten Chorals
Allein Gott in der
Höh’ sei
Ehr beginnt mit einem
Zitat aus der Missa
Katharina von Jacob
de Haan, einer Messe
für Chor, Sopran
und Blasorchester. Darin
setzte der Komponist die
Melodie zum lateinischen
Text aus dem letzten Teil
des Gloria. Nach einem
Zwischenspiel erklingt
der Choral, der genau wie
der lateinische Teil nach
Belieben vom Chor
mitgesungen werden kann.
Das Chorset ist unter der
Bestellnummer DHP
1115108-050 separat
bestellbar.
Il corale
Allein Gott in der
Hoh’ sei Ehr
si compone di un cantico
di Pasqua del X secolo,
del canto gregoriano
Gloria in Excelsis e del
Sanctus in festis duplici
bus.
L’arrangiamento di
Jacob de Haan inizia su
di un estratto del Gloria
della Missa
Katharina (messa per
coro, soprano solo e
banda composta dallo
stesso de Haan). Dopo un
breve interludio,
l’orchestra
interpreta nuovamente il
corale al quale si potr
aggiungere il coro (le
versioni inglesi e
tedesche del testo del
corale sono incluse).
(A Singer's Resource for Competitive Sight-Singing). By Stan McGill and H. Morri...(+)
(A Singer's Resource for
Competitive
Sight-Singing). By Stan
McGill and H. Morriss
Stevens, Jr.. For Voice.
Choral, Sight-Reading,
Instructional. Exercise
Book and Rehearsal CD
SKU: GI.G-012549 Composed by Juliana Howard. Sacred. Book. GIA Publicatio...(+)
SKU: GI.G-012549
Composed by Juliana
Howard. Sacred. Book. GIA
Publications #012549.
Published by GIA
Publications
(GI.G-012549).
Spanish.
Twenty-
two psalm settings with
many options for use with
children, including
speaking, singing, bells,
piano, and gestures.
Language and musical
notation in this Spanish
edition of Sing for Joy
have been adjusted to
capture proper intonation
and expression.
Harpsichord; Organ; Early Music SKU: UT.HS-282 Composed by Alessandro Sca...(+)
Harpsichord; Organ; Early
Music
SKU:
UT.HS-282
Composed by
Alessandro Scarlatti.
Edited by Francesco
Tasini. Saddle stitching.
Classical. Ut Orpheus #HS
282. Published by Ut
Orpheus (UT.HS-282).
ISBN 9790215326446. 9
x 12 inches.
The
two-part composition has
always been an essential
stage in didactic
treatises for teaching
counterpoint; the Duo has
been of fundamental
importance, since the
early decades of the
sixteenth century, in the
teaching of singing and
in instrumental
practice. The
interpretation and
performance of
Scarlatti’s
Fughe a Due
require on the one hand a
correct and prompt
interpretation of the
chords which are the
basis of the movement and
the relationship between
the two parts, and on the
other an indispensable
invention of a third or
even a fourth part (to
ensure, above all, full
and significant
harmony). An
indication of this
practice of filling in is
offered by the same ms.
source containing
Scarlatti’s
Fughe a Due. In
Fugue II in D
minor, in the first
eleven bars, we find
indicated above the Bass
a series of numbers
showing the interval in
relation to the
respective upper line.
These indications should
not be confused with the
numerical marking typical
of the basso continuo and
of the partimento, for
they establish a clear
sign of the usual
practice exercised in the
teaching of counterpoint
in order to guide the
student visually to pass
safely and speedily from
two to three or more
parts; this type of
numbering is often found
in the counterpoint
methods of the time, in
particular in the section
illustrating the
Contrapunto semplice e
Diminuito. These
fifteen Fughe a
Due, unlike the many
Duos and Duets which
figure in the
counterpoint methods, are
not a simple display of
formulas, but they assert
themselves as a
calculated sample of
characterized styles and
genres, a series of
pieces conceived with an
exquisite sense of
form.
Beginner's Blues Guitar Guitare notes et tablatures [Partition + CD] - Débutant Grossman's Guitar Workshop
By Fred Sokolow. For Guitar (Fingerpicking). Methods. Grossman Audio. Blues. Lev...(+)
By Fred Sokolow. For
Guitar (Fingerpicking).
Methods. Grossman Audio.
Blues. Level: Beginning.
Book/CD Set. Size
8.75x11.75. 48 pages.
Published by Grossman's
Guitar Workshop.
SKU: WD.080689565236 Composed by Steve W. Mauldin. Choral. Sacred Anthem,...(+)
SKU:
WD.080689565236
Composed by Steve W.
Mauldin. Choral. Sacred
Anthem, Christmas.
Octavo. Word Music
#080689565236. Published
by Word Music
(WD.080689565236).
UPC:
080689565236.
A popular song
from the acclaimed
musical,
Christmas Is in
the Heart,
Oh, What a
Glorious
Night is as
foottappingly joyful as
the title sounds.
Experience choir and
congregation alike,
smiling in praise,
singing,“Good
News! Great joy! God with
us! A Baby Boy! Oh, what
a glorious
night!”