SKU: CA.1040248010000

ISBN 9790007311452. Key: F sharp minor. French. Text: Montesquiou, Robert de.

Gabriel Fauré’s Pavane is certainly one of his most popular compositions. You may, however, be surprised to learn that the premiere of this stylized dance in April 1888 was actually performed in a version for mixed choir rather than the now more familiar orchestral setting or other instrumental arrangement. The text, in the style of Verlaine, sketches the carefree society of the Belle Époque, in particular the various flirtations and dalliances of the dancers. Supplementing the new edition of the version for mixed choir (Carus 10.402/00), Carus has published this contemporary version for choir and two piano for four hands.- Fauré's famous melody for choir and piano four hands- Pronunciation aids available- 100th anniversary of the death of Gabriel Fauré in 2024.

SKU: OU.9780193517660

ISBN 9780193517660. 12 x 9 inches.

This is a fantastic collection of new pieces for exploring the art of duet playing. Suitable for students working at the 'easy' technical level, the book features a range of appealing and accessible styles and will help to develop good ensemble playing.

SKU: CA.1040210

ISBN 9790007301866. Key: F sharp minor. French. Text: Montesquiou, Robert de.

Gabriel Fauré’s Pavane is certainly one of his most popular compositions. You may, however, be surprised to learn that the premiere of this stylized dance in April 1888 was actually performed in a version for mixed choir rather than the now more familiar orchestral setting or other instrumental arrangement. The text, in the style of Verlaine, sketches the carefree society of the Belle Époque, in particular the various flirtations and dalliances of the dancers. Supplementing the new edition of the version for mixed choir (Carus 10.402/00), Carus is publishing this contemporary version for choir and two piano for four hands. Score available separately - see item CA.1040200.

SKU: HL.49047150

UPC: 196288134091.

The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works. It is the aim of the edition to reproduce authentic texts which – having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions – will approach as closely as is possible the intention of the originals. The critical edition will form the basis of accurate performance material for Robert Schumann's work.