For 13 Wind Instruments. Par STRAUSS RICHARD. Durée: 23', Format: ETP small/ Répertoire / 2 Flûtes Traversières, 2 Hautbois, 2 Clarinettes,

Par BACH JOHANN SEBASTIAN. The suites are the very core of cello literature, with their timeless beauty accompanying cellists from their student years throughout the height of their professional careers. Considering the works’ significance, the great number of editions in existence is not surprising. However, the composer’s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing. This facsimile edition is the first to juxtapose all four autograph sources as well as the first print (along with Bach’s own arrangement of Suite No. V for lute). For the first time, readers can compare a specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources./ Répertoire / Violoncelle

Par TOMASI HENRI. Suite is a piece for three Bb or C Trumpets composed by Henri Tomasi in 1964. This unusual suite lasts approximately 8'30 minutes. It is divided into three main parts: 1. Havanaise at a Tempo di Habanera, 2. Lento egeen and 3. Danse Bolivienne. The Havanaise is made of a danse part and a more melodious one. Its dialogue in between the Trumpets creates a counterpoint. In the second part, the three instruments alternate the theme with small variations and the last part, ; 3. Danse Bolivienne, is a toccata. This book features score and parts for Bb and C Trumpets. HenriTomasi was a French composer, conductor and winner of the Grand Prix de Rome in 1927. He also composed a variety of concerti for Alto Saxophone and for Trombone, as well as some ballades./ Répertoire / 3 Trompettes en Sib ou Do

Par LAWES WILLIAM. William Lawes’ Suite for two guitars (transcribed by Julian Bream), has all the hallmarks of his enthusiasm for the classical period and galant style.  Made up of 3 small movements, this short suite explores Lawes’s mature and idiomatic writing, maintaining the regularity and balance expected from the time. / Instrumental Music / Répertoire / Guitare

INSTRUMENTATION : ORCHESTRA VERSION : STUDY SCORE DESCRIPTION : THE PREMIÈRE OF DAUDET'S PLAY, L'ARLÉSIENNE, WITH INCIDENTAL MUSIC BY BIZET, AT THE THÉÂTRE DU VAUDEVILLE ON 3 SEPTEMBER 1872, WAS A DEVASTATING EVENT FOR BOTH PLAYWRIGHT AND COMPOSER AND THE PRODUCTION WAS REMOVED FROM THE REPERTORY AFTER 19 PERFORMANCES. THE CRITIC JOHANNÈS WEBER, HOWEVER, WAS ALERT TO THE QUALITY OF BIZET'S SCORE AND SUGGESTED THAT THE COMPOSER SHOULD EXCERPT AND RESCORE SEVERAL PIECES FOR THE CONCERTS POPULAIRES WHERE 'THE LOVELY MUSIC WOULD BE BETTER APPRECIATED THAN AT THE VAUDEVILLE'. BIZET MUST HAVE MOVED RATHER QUICKLY TO FOLLOW WEBER'S SUGGESTION, FOR THE PREMIÈRE OF THE FIRST ARLÉSIENNE SUITE TOOK PLACE ONLY SIX WEEKS LATER AT THE CONCERTS POPULAIRES ON 1 NOVEMBER 1872 AND THE WORK IN ITS NEW ABRIDGED FORM WAS SOON TAKEN UP BY MANY OTHER ORCHESTRAS. THUS, BEFORE HIS DEATH IN JUNE 1875, BIZET HAD THE SATISFACTION THAT HIS SUITE FROM L'ARLÉSIENNE WAS PLAYED BY ALL THE MAJOR CONCERT SOCIETIES IN PARIS AND IT HAS REMAINED FIRMLY IN THE CONCERT AND RECORDED REPERTOIRE EVER SINCE. CONTENU : PREFACE - EDITORIAL NOTES - VORWORT - REVISIONSBERICHT - PRÉFACE - NOTES ÉDITORIALES - TEXTUAL NOTES - ORCHESTRATION/ORCHESTERBESETZUNG/INSTRUMENTATION - I. PRÉLUDE - II. MINUETTO - III. ADAGIETTO - IV. CARILLON NOMBRE DE PAGES : 100 COLLECTION : EULENBURG MINIATURE SCORES FORMAT : ETP SMALL

This ?Suite' is not one of my 'epic' instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom.Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family) - the string section in the Sarabande - in both chorales (extremely muted in the first and brutalist in the second), the brass etc. - and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously.This permits the flute to remain the provider of all impulses - it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights - acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann / Flûte Et Orchestre

La Suite pour petit orchestre #1 fut composée entre 1917 et 1925. Ce travail de miniatures, comprenant une introduction et trois danses nationales, est remarquable par ses rythmes éminents et riches coloris orchestral. Suite #2 est extrêmement drôle et rythmiquement variée. L'emploi de l'obligato piano, tuba et l'application colorée des instruments de percussion sont décrits comme des effets orchestrales particulièrement originales. / Scores

revised edition. Par SUZUKI SHINICHI. The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language, through repetitive listening. This listening is then followed up with 1) Individual Instruction with a trained Suzuki teacher 2) Group lessons on a bi-weekly / weekly basis 3)Parent Involvement 4) Encouragement. Students begin lessons as early as two years old and through repetition of small and enjoyable steps begin building a music vocabulary. This is the second book of Violin Parts to accompany the main method and contains the Violin pieces, points of study and tonalizationexercises. / Niveau : Débutant à Intermédiaire / Méthode en français / Méthode / Violon

Par SUZUKI SHINICHI. The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language, through repetitive listening. This listening is then followed up with 1) Individual Instruction with a trained Suzuki teacher 2) Group lessons on a bi-weekly / weekly basis 3) Parent Involvement 4) Encouragement. Students begin lessons as early as two years old and through repetition of small and enjoyable steps begin building a music vocabulary / Méthode en anglais / Méthode / Violon

La musique a toujours été au coeur du monde de Disney. Que ce soit la partition d'un film d'animation provenant de la télévision ou d'un parc a thème Disney, la musique ajoute une magie émotionnelle unique à chaque histoire et spectacle Disney. Le Illustrated Treasury of Disney Songs est un tour guide à travers les nombreuses années légendaire de la musique de Disney, de 'Minnie Yoo Hoo' de 1930 a 'Réflection' de Mulan. cette édition collector commence avec une histoire musicale des plus belles chansons de Disney. Vous trouverez ensuite les arrangements de piano/ vocal de 68 chansons classiques de Disney, une sélection complète des chansons de 1930 à nos jours. Plus de 100 illustrations en couleur accompagnent le texte et la musique, en faisant un souvenir à garder avec soin pour les années a venir.

12 Pieces for String Ensemble. Par SPECKERT GEORGE A.. In this edition George Speckert has depicted an entire menagerie of small animals in 12 movements. Framed by an overture and epilogue, ten animals/species make an appearance. These easy little character pieces can be played in any order by two violins, viola and cello, either one or more to a part. It is a fun-to-play collection especially suited for children and invites them to expand on these pieces by adding little tales, pictures or scenes. - Easy fun pieces on animals geared towards children - Suitable for smaller and larger recitals - Can be played by a variable number of string players - Score & 5 parts (Violin I, II, III; Viola [or Violin III]; Cello)/ Répertoire / Ensemble à Cordes

A SermonAbraham and IsaacAgonCanticum SancrumCapriccioChoral Variations on Von Himmel hochConcertinoConcerto for Piano and WindsConcerto for ViolinConcerto in Eb (Dumbarton Oaks)Danses ConcertantesDivetimentoEight Instrumental MiniaturesFour EtudesFour Norwegian MoodsJeu des CartesMassMavraMomentum pro GesualdoMovements for Piano and OrchestraNarrative and PrayerOctetOedipus RexOrpheusPersephonePetrouchkaPulcinellaRenardRequiem CanticlesScenes de BalletSeptetSong of the NightingaleSuites 1 & 2 for Small OrchestraSymphonies of Wind InstrumentsSymphony in CSymphony in Three MovementsSymphony of PsalmsThe Fariy's KissThe Firebird (Ballet and Suite)The FloodThe NightingaleThe Rake's ProgressThe Rite of SpringThe Soldier's TaleVariationsAldous Huxley in memoriam / Basson / Boosey & Hawkes