Par BACH JOHANN SEBASTIAN. Kantaten. Urtext Der Neuen Bach-Ausgabe/ Répertoire / Solistes (SATB), Choeur Mixte (SATB) et Orchestre

Par SCHUMANN ROBERT. SSAAB Soli - SATB - 2. 2. 2. 2 0. 2. 3. 0 T - Str/Hp -/ Répertoire / Travaux Pour Choeurs

Par BACH JOHANN SEBASTIAN. Kantaten. Urtext Der Neuen Bach-Ausgabe/ Répertoire / Solistes (SATB, Soprano Aussi Chorale), Choeur Mix

Par BACH JOHANN SEBASTIAN. Kantaten. Urtext Der Neuen Bach-Ausgabe/ Répertoire / Solistes (STB), Choeur Mixte (SATB) et Orchestre

Par BACH JOHANN SEBASTIAN. Kantaten. Urtext Der Neuen Bach-Ausgabe/ Répertoire / Solistes (ATB), Choeur Mixte (SATB) et Orchestre

Zusammenstellung Aus Sätzen Bachscher Kantaten. Par BACH JOHANN SEBASTIAN. Oratorio that lasts the whole evening, made up of particularly valuable movements from the lesser known of Bach's cantatas, put together by Hans Grischkat for the 1950 Bach Festival. / Oratorio / Répertoire / Solistes SAB, Choeur SATB, 3 Flûtes à Bec F1, 2 Fl

Requiem de Verdi, dans une édition mise à jour par Michael Pilkington. A marqué pour soprano, mezzo-soprano, ténor et basse soli, choeur SATB et orchestre. Partition vocale avec accompagnement au piano. Introduction en anglais, français, allemand et italien. Texte latin. Seul chef-d'oeuvre Verdi qui n'était pas destiné à la scène. / Chant Et Piano / 224 pages / Partition

Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A 9Mendelssohn’s first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible.This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath.Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.- Informative Foreword in the score (Ger/Eng)- Text underlay in two languages (Lat/Ger)- Piano reduction by the composer- Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale

Par ROSSINI GIOACHINO. Rossini's Petite Messe Solennelle for SATB and Piano. / Urtext / Répertoire / Travaux Pour Choeurs

Passio secundum Joannem. Traditionelle Fassung (1739/1749). Par BACH JOHANN SEBASTIAN. Bach's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach’s lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion, using the partial autograph score, is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns. J. S. Bach's Johannespassion BWV 245 for SATB and Piano. Bach's St. John Passion is among the greatest settings of the Passion in the history of music. The St. John Passion underwent several fundamental changes during Bach’s lifetime. Carus offers all of these surviving versions for sale. The traditional version of the St. John Passion, using the partial autograph score, is still most often performed. Carus now offers singers a new vocal score for performance which includes the well-known texts in the established sequence without requiring any additional page turns./ Répertoire / Choeur Mixte et Instrument Divers

Charpentier composed ?In Nativitatem Domini Canticum? during his period as maître de musique at the church of St Louis in Paris (around 1690). It is in the tradition of the oratorios of Carissimi and his contemporaries but is more easily described as a ?Grand Motet? or ?Histoire sacrée? a genre in which Charpentier excelled. The work was probably intended for performance during mass on Christmas Day and thus had a liturgical function as was customary during the period of Louis XIV in Paris.The text presents the Christmas story in three sections: the chorus of the faithful the actual story of the birth of Jesus and the adoration ofthe shepherds in the fields. The music reveals a subtle mixture of French and Italian styles with dramatic elements.For the first time this work prepared by the acknowledged Charpentier expert Joel Schwindt is presented in a scholarly-critical edition where all sources have been consulted.A detailed foreword and critical commentary provide detailed information which fulfil all the criteria of an Urtext edition.- First Urtext edition of this work.- An important addition to the repertoire for Christmas.- Straightforward clear Piano reduction.- Foreword (Ger/Eng) and critical commentary (Eng).- Full score performance material (BA7673) & Vocal score (BA7673-90) available for sale.

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Ensemble A Vent

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Orchestre

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Violon I