| Up-Grade! Clarinet Clarinette et Piano - Facile Faber Music Limited
Up-Grade! Clarinet. (Grade 2-3). By Pam Wedgwood. For Clarinet and Piano. Book; ...(+)
Up-Grade! Clarinet.
(Grade 2-3). By Pam
Wedgwood. For Clarinet
and Piano. Book; Woodwind
- Clarinet Method or
Collection. Faber
Edition. Elementary. 16
pages. Published by Faber
Music
$11.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Kevin Kaisershot: Tableau Royale 3 Clarinettes (trio) - Intermédiaire Alfred Publishing
By Kevin Kaisershot. For 3 Clarinets. Mixed Instruments - Flexible Instrumentati...(+)
By Kevin Kaisershot. For
3 Clarinets. Mixed
Instruments - Flexible
Instrumentation. Level:
Medium. Published by
Alfred Publishing.
$10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dave Tarras-The King of Klezmer Clarinette [Livre] Or-Tav Music Publications
By Yale Strom. For clarinet, violin. Klezmer. Book. Published by OR-TAV Music Pu...(+)
By Yale Strom. For
clarinet, violin.
Klezmer. Book. Published
by OR-TAV Music
Publications
$33.69 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Pop and Country Instrumental Solos Clarinet Clarinette [Partition + CD] - Facile Alfred Publishing
Arranged by various, ed. Bill Galliford. Instrumental Series; Play-Along. Ins...(+)
Arranged by various, ed.
Bill Galliford.
Instrumental
Series; Play-Along.
Instrumental Solos
Series.
Country; Pop; Radio.
Book;
CD. 24 pages. Alfred
Music
#00-47330. Published by
Alfred Music
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| FLASH! Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clari...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabassoon, Euphonium,
Flute 1, Flute 2, Horn 1,
Horn 2, Horn 3, Horn 4,
Oboe 1, Oboe 2,
Percussion 1, Percussion
2, Percussion 3, Piccolo
and more. SKU:
PR.115402040 For
Piccolo and Band.
Composed by Daniel Dorff.
This edition: Band.
Premiere: Walfrid Kujala
piccolo, Mitchell Fennell
conducting the California
State University -
Fullerton wind ensemble,
at 2010 NFA convention.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 8-Oct.
60+12+12+4+4+4+16+16+16+4
+3+3+3+8+8+8+4+6+6+6+3+3+
3+3+6+6+6+6+3+27+3+8
pages. Duration 6:30.
Theodore Presser Company
#115-40204. Published by
Theodore Presser Company
(PR.115402040). UPC:
680160591220. 9.5 x 13
inches. Key: G
major. Already a
popular recital work for
piccolo and piano, and
winner of the 2009
International Piccolo
Symposium biennial
composition competition,
Flash! is now available
for solo piccolo with
band accompaniment -
fresh from the NFA
premiere, featuring
piccolo legend Walfrid
Kujala. The East Coast
premiere is scheduled for
11/18/10, featuring
Boston Symphony
piccoloist Linda Toote
with the Boston
University wind
ensemble. By 2008,
Sonatine de Giverny was
being performed so
frequently that I decided
to write another piccolo
piece as soon as an
opportunity arose. Since
Giverny is a study in
French style, I knew the
new piece must be in my
own authentic American
voice. That summer,
Giverny was performed six
times at the NFA
convention as a mandatory
competition piece, and I
returned from the August
2008 convention all
charged up to write
something different for
piccolo. In September,
Kate Prestia-Schaub wrote
to tell me about the
International Piccolo
Symposium's new composer
competition. She proposed
that if I write a new
piccolo/piano piece, she
would record a demo for
me to submit to the
competition, and she
would submit applications
to perform it at the 2009
IPS convention and NFA
convention. What amazing
timing! I set out to
compose a flashy
showpiece with a jazzy
snap, lots of idiomatic
scales and arpeggios, and
a scary middle section,
and by mid-October FLASH!
was complete. Kate
followed suit and all 3
wishes came true - FLASH!
won first prize in the
IPS composer competition,
and she performed it both
there and at NFA. In the
meantime many other
piccoloists have added
the work to their
repertoire, Cynthia Ellis
wrote an article about it
for Flute Talk magazine,
and Walfrid Kujala
commissioned a band
accompaniment to premiere
at NFA in 2010. More
recently, Sarah Jackson
has commissioned an
orchestra version,
premiered at the 2014 NFA
convention. By
2008, Sonatine de
Giverny was being
performed so frequently
that I decided to write
another piccolo piece as
soon as an opportunity
arose.
Since Giverny is a
study in French style, I
knew the new piece must
be in my own authentic
American voice. That
summer, Giverny was
performed six times at
the NFA convention as a
mandatory competition
piece, and I returned
from the August 2008
convention all charged up
to write something
different for piccolo.In
September, Kate
Prestia-Schaub wrote to
tell me about the
International Piccolo
Symposium's new composer
competition. She proposed
that if I write a new
piccolo/piano piece, she
would record a demo for
me to submit to the
competition, and she
would submit applications
to perform it at the 2009
IPS convention and NFA
convention. What amazing
timing! I set out to
compose a flashy
showpiece with a jazzy
snap, lots of idiomatic
scales and arpeggios, and
a scary middle section,
and by mid-October FLASH!
was complete.Kate
followed suit and all 3
wishes came true - FLASH!
won first prize in the
IPS composer competition,
and she performed it both
there and at NFA. In the
meantime many other
piccoloists have added
the work to their
repertoire, Cynthia Ellis
wrote an article about it
for Flute Talk magazine,
and Walfrid Kujala
commissioned a band
accompaniment to premiere
at NFA in 2010.More
recently, Sarah Jackson
has commissioned an
orchestra version,
premiered at the 2014 NFA
convention. $180.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Journey of the Spanish Buccaneers Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Castanets, Chimes, Clarinet 1, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Castanets,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Claves, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3 SKU:
CF.CPS222 Composed by
Ed Kiefer. Concert Band
(CPS). Set of Score and
Parts. With Standard
notation.
8+8+4+8+16+16+4+4+4+4+4+4
+8+8+8+4+4+6+6+6+8+2+2+1+
12+2+1+36+4 pages.
Duration 5 minutes, 19
seconds. Carl Fischer
Music #CPS222. Published
by Carl Fischer Music
(CF.CPS222). ISBN
9781491152485. UPC:
680160909988. From
the call of the open seas
to the wistful dance
section, this piece will
open the imagination of
your students and
audiences. Â Very
playable by young bands,
the piece features a
short opening ostinato
that develops into a tone
cluster and leads to
the ominous sounds of the
brass and percussion,
which depict the slow
lumbering ship on the
dangerous, open waters.
The piece continues
through a more lyrical
second section before a
dramatic return of the
opening material to close
out this contest/festival
style piece. From the
call of the open seas to
the wistful dance
section, this piece will
open the imagination of
your students and
audiences. Very playable
by young bands, the piece
features a short opening
ostinato that develops
into a tone cluster. This
leads to the ominous
sounds of the brass and
percussion, which depict
the slow lumbering ship
on the dangerous, open
waters. After a quickly
paced melody in the low
register for the
clarinets, the piece
gives way to an exciting
tutti section that
features horns and saxes
on an answering
countermelody.The second
section is a dance that
starts with low reeds and
a flute solo, but
develops into a full band
Spanish-sounding dance,
with melody in many
different places. The
recap is a reverse of the
beginning section and
again loosely represents
the danger of life on the
high seas.The short
ostinato that is used at
the beginning and in some
transitional moments is
based on the beginning
notes of Irish Tune from
County Derry, a favorite
of J. C. Sykes, who this
piece honors. Mr. Sykes
gave a lifetime to
teaching music to band
students in North
Carolina. The first four
notes in clarinet 1, the
first four in flute 1 and
the first four in
clarinet 2 make up the
first phrase from that
beautiful melody. Just
something to get students
thinking about
composition in a new
way. $95.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Journey of the Spanish Buccaneers Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Castanets, Chimes, Clarinet 1, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Castanets,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Claves, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Oboe, Percussion 1,
Percussion 2 and more. -
Grade 3 SKU:
CF.CPS222F Composed
by Ed Kiefer. Concert
Band (CPS). Full score.
With Standard notation.
36 pages. Carl Fischer
Music #CPS222F. Published
by Carl Fischer Music
(CF.CPS222F). ISBN
9781491153161. UPC:
680160910663. From
the call of the open seas
to the wistful dance
section, this piece will
open the imagination of
your students and
audiences. Â Very
playable by young bands,
the piece features a
short opening ostinato
that develops into a tone
cluster and leads to
the ominous sounds of the
brass and percussion,
which depict the slow
lumbering ship on the
dangerous, open waters.
The piece continues
through a more lyrical
second section before a
dramatic return of the
opening material to close
out this contest/festival
style piece. From the
call of the open seas to
the wistful dance
section, this piece will
open the imagination of
your students and
audiences. Very playable
by young bands, the piece
features a short opening
ostinato that develops
into a tone cluster. This
leads to the ominous
sounds of the brass and
percussion, which depict
the slow lumbering ship
on the dangerous, open
waters. After a quickly
paced melody in the low
register for the
clarinets, the piece
gives way to an exciting
tutti section that
features horns and saxes
on an answering
countermelody.The second
section is a dance that
starts with low reeds and
a flute solo, but
develops into a full band
Spanish-sounding dance,
with melody in many
different places. The
recap is a reverse of the
beginning section and
again loosely represents
the danger of life on the
high seas.The short
ostinato that is used at
the beginning and in some
transitional moments is
based on the beginning
notes of Irish Tune from
County Derry, a favorite
of J. C. Sykes, who this
piece honors. Mr. Sykes
gave a lifetime to
teaching music to band
students in North
Carolina. The first four
notes in clarinet 1, the
first four in flute 1 and
the first four in
clarinet 2 make up the
first phrase from that
beautiful melody. Just
something to get students
thinking about
composition in a new
way. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Joy Has Dawned Chorale SATB Hope Publishing Company
SATB choir SKU: HP.8973 Composed by Lloyd Larson. Arranged by Lloyd Larso...(+)
SATB choir SKU:
HP.8973 Composed by
Lloyd Larson. Arranged by
Lloyd Larson.
Accompaniment CD. Hope
Publishing Company #8973.
Published by Hope
Publishing Company
(HP.8973). UPC:
763628189730. Chris
tmas Musical The message
of Christmas is a message
of joy - and becomes the
central theme that is
woven throughout this
37-minute musical by
Lloyd Larson. Easily
learned, this work
contains eight selections
of both new and familiar
carols and spirituals,
including Keith Getty's
powerful song, 'Joy Has
Dawned. ' The work is
dynamically arranged for
SATB choirs and
orchestra, and is filled
with the joy of the
season, which
congregations will find
appealing, as the message
embraces the hope that we
have in both the good
days and the bad - that
joy has dawned upon the
world - giving us
something to
celebrate!
A
Christmas musical
composed & arranged by
Lloyd Larson,
orchestrated by Ed Hogan.
Included parts:
Conductor's Score, 2
Flutes, Oboe (or Soprano
Sax or Clarinet)*, 2
Clarinets, Bassoon (or
Bass Clarinet)*, 3 Horns
(or Alto Sax or
Clarinet)*, 3 Trumpets
(or Alto Sax)*, 2
Trombones (or Tenor Sax
or Baritone T.C.)*, Tuba,
Percussion, Harp, Piano,
2 Violins, Viola (or
Clarinet)*, Cello, Double
Bass/Electric Bass,
String Reduction,
*Alternate Parts on
CD-ROM. $89.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Joy Has Dawned Hope Publishing Company
SKU: HP.8976 Composed by Lloyd Larson. Arranged by Lloyd Larson. Set of 1...(+)
SKU: HP.8976
Composed by Lloyd Larson.
Arranged by Lloyd Larson.
Set of 10 CDs. Hope
Publishing Company #8976.
Published by Hope
Publishing Company
(HP.8976). UPC:
763628189761. Chris
tmas Musical The message
of Christmas is a message
of joy - and becomes the
central theme that is
woven throughout this
37-minute musical by
Lloyd Larson. Easily
learned, this work
contains eight selections
of both new and familiar
carols and spirituals,
including Keith Getty's
powerful song, 'Joy Has
Dawned. ' The work is
dynamically arranged for
SATB choirs and
orchestra, and is filled
with the joy of the
season, which
congregations will find
appealing, as the message
embraces the hope that we
have in both the good
days and the bad - that
joy has dawned upon the
world - giving us
something to
celebrate!
A
Christmas musical
composed & arranged by
Lloyd Larson,
orchestrated by Ed Hogan.
Included parts:
Conductor's Score, 2
Flutes, Oboe (or Soprano
Sax or Clarinet)*, 2
Clarinets, Bassoon (or
Bass Clarinet)*, 3 Horns
(or Alto Sax or
Clarinet)*, 3 Trumpets
(or Alto Sax)*, 2
Trombones (or Tenor Sax
or Baritone T.C.)*, Tuba,
Percussion, Harp, Piano,
2 Violins, Viola (or
Clarinet)*, Cello, Double
Bass/Electric Bass,
String Reduction,
*Alternate Parts on
CD-ROM. $79.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Joy Has Dawned CD Chorale Hope Publishing Company
Voice-Dominant (Reproducible) SKU: HP.8978 Composed by Lloyd Larson. Arra...(+)
Voice-Dominant
(Reproducible) SKU:
HP.8978 Composed by
Lloyd Larson. Arranged by
Lloyd Larson. Listening
CD. Hope Publishing
Company #8978. Published
by Hope Publishing
Company (HP.8978).
UPC:
763628189785. Chris
tmas Musical The message
of Christmas is a message
of joy - and becomes the
central theme that is
woven throughout this
37-minute musical by
Lloyd Larson. Easily
learned, this work
contains eight selections
of both new and familiar
carols and spirituals,
including Keith Getty's
powerful song, 'Joy Has
Dawned. ' The work is
dynamically arranged for
SATB choirs and
orchestra, and is filled
with the joy of the
season, which
congregations will find
appealing, as the message
embraces the hope that we
have in both the good
days and the bad - that
joy has dawned upon the
world - giving us
something to
celebrate!
A
Christmas musical
composed & arranged by
Lloyd Larson,
orchestrated by Ed Hogan.
Included parts:
Conductor's Score, 2
Flutes, Oboe (or Soprano
Sax or Clarinet)*, 2
Clarinets, Bassoon (or
Bass Clarinet)*, 3 Horns
(or Alto Sax or
Clarinet)*, 3 Trumpets
(or Alto Sax)*, 2
Trombones (or Tenor Sax
or Baritone T.C.)*, Tuba,
Percussion, Harp, Piano,
2 Violins, Viola (or
Clarinet)*, Cello, Double
Bass/Electric Bass,
String Reduction,
*Alternate Parts on
CD-ROM. $59.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Joy Has Dawned Hope Publishing Company
SKU: HP.8975 Composed by Lloyd Larson. Arranged by Lloyd Larson. Orchestr...(+)
SKU: HP.8975
Composed by Lloyd Larson.
Arranged by Lloyd Larson.
Orchestration.
Instrumental parts. Hope
Publishing Company #8975.
Published by Hope
Publishing Company
(HP.8975). UPC:
763628189754. Chris
tmas Musical The message
of Christmas is a message
of joy - and becomes the
central theme that is
woven throughout this
37-minute musical by
Lloyd Larson. Easily
learned, this work
contains eight selections
of both new and familiar
carols and spirituals,
including Keith Getty's
powerful song, 'Joy Has
Dawned. ' The work is
dynamically arranged for
SATB choirs and
orchestra, and is filled
with the joy of the
season, which
congregations will find
appealing, as the message
embraces the hope that we
have in both the good
days and the bad - that
joy has dawned upon the
world - giving us
something to
celebrate!
A
Christmas musical
composed & arranged by
Lloyd Larson,
orchestrated by Ed Hogan.
Included parts:
Conductor's Score, 2
Flutes, Oboe (or Soprano
Sax or Clarinet)*, 2
Clarinets, Bassoon (or
Bass Clarinet)*, 3 Horns
(or Alto Sax or
Clarinet)*, 3 Trumpets
(or Alto Sax)*, 2
Trombones (or Tenor Sax
or Baritone T.C.)*, Tuba,
Percussion, Harp, Piano,
2 Violins, Viola (or
Clarinet)*, Cello, Double
Bass/Electric Bass,
String Reduction,
*Alternate Parts on
CD-ROM. $399.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Joy Has Dawned Chorale SATB Hope Publishing Company
SATB choir SKU: HP.8972 Composed by Lloyd Larson. Arranged by Lloyd Larso...(+)
SATB choir SKU:
HP.8972 Composed by
Lloyd Larson. Arranged by
Lloyd Larson. Listening
CD. Hope Publishing
Company #8972. Published
by Hope Publishing
Company (HP.8972).
UPC:
763628189723. Chris
tmas Musical The message
of Christmas is a message
of joy - and becomes the
central theme that is
woven throughout this
37-minute musical by
Lloyd Larson. Easily
learned, this work
contains eight selections
of both new and familiar
carols and spirituals,
including Keith Getty's
powerful song, 'Joy Has
Dawned. ' The work is
dynamically arranged for
SATB choirs and
orchestra, and is filled
with the joy of the
season, which
congregations will find
appealing, as the message
embraces the hope that we
have in both the good
days and the bad - that
joy has dawned upon the
world - giving us
something to
celebrate!
A
Christmas musical
composed & arranged by
Lloyd Larson,
orchestrated by Ed Hogan.
Included parts:
Conductor's Score, 2
Flutes, Oboe (or Soprano
Sax or Clarinet)*, 2
Clarinets, Bassoon (or
Bass Clarinet)*, 3 Horns
(or Alto Sax or
Clarinet)*, 3 Trumpets
(or Alto Sax)*, 2
Trombones (or Tenor Sax
or Baritone T.C.)*, Tuba,
Percussion, Harp, Piano,
2 Violins, Viola (or
Clarinet)*, Cello, Double
Bass/Electric Bass,
String Reduction,
*Alternate Parts on
CD-ROM. $17.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Joy Has Dawned Hope Publishing Company
SKU: HP.8977 Preview Pack. Composed by Lloyd Larson. Arranged by L...(+)
SKU: HP.8977
Preview Pack.
Composed by Lloyd Larson.
Arranged by Lloyd Larson.
Collection. Book & CD. 96
pages. Hope Publishing
Company #8977. Published
by Hope Publishing
Company (HP.8977).
UPC:
763628189778. Chris
tmas Musical The message
of Christmas is a message
of joy - and becomes the
central theme that is
woven throughout this
37-minute musical by
Lloyd Larson. Easily
learned, this work
contains eight selections
of both new and familiar
carols and spirituals,
including Keith Getty's
powerful song, 'Joy Has
Dawned. ' The work is
dynamically arranged for
SATB choirs and
orchestra, and is filled
with the joy of the
season, which
congregations will find
appealing, as the message
embraces the hope that we
have in both the good
days and the bad - that
joy has dawned upon the
world - giving us
something to
celebrate!
A
Christmas musical
composed & arranged by
Lloyd Larson,
orchestrated by Ed Hogan.
Included parts:
Conductor's Score, 2
Flutes, Oboe (or Soprano
Sax or Clarinet)*, 2
Clarinets, Bassoon (or
Bass Clarinet)*, 3 Horns
(or Alto Sax or
Clarinet)*, 3 Trumpets
(or Alto Sax)*, 2
Trombones (or Tenor Sax
or Baritone T.C.)*, Tuba,
Percussion, Harp, Piano,
2 Violins, Viola (or
Clarinet)*, Cello, Double
Bass/Electric Bass,
String Reduction,
*Alternate Parts on
CD-ROM. $17.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Joy Has Dawned Chorale SATB Hope Publishing Company
SATB choir SKU: HP.8974 Composed by Lloyd Larson. Arranged by Lloyd Larso...(+)
SATB choir SKU:
HP.8974 Composed by
Lloyd Larson. Arranged by
Lloyd Larson.
Accompaniment CD. Hope
Publishing Company #8974.
Published by Hope
Publishing Company
(HP.8974). UPC:
763628189747. Chris
tmas Musical The message
of Christmas is a message
of joy - and becomes the
central theme that is
woven throughout this
37-minute musical by
Lloyd Larson. Easily
learned, this work
contains eight selections
of both new and familiar
carols and spirituals,
including Keith Getty's
powerful song, 'Joy Has
Dawned. ' The work is
dynamically arranged for
SATB choirs and
orchestra, and is filled
with the joy of the
season, which
congregations will find
appealing, as the message
embraces the hope that we
have in both the good
days and the bad - that
joy has dawned upon the
world - giving us
something to
celebrate!
A
Christmas musical
composed & arranged by
Lloyd Larson,
orchestrated by Ed Hogan.
Included parts:
Conductor's Score, 2
Flutes, Oboe (or Soprano
Sax or Clarinet)*, 2
Clarinets, Bassoon (or
Bass Clarinet)*, 3 Horns
(or Alto Sax or
Clarinet)*, 3 Trumpets
(or Alto Sax)*, 2
Trombones (or Tenor Sax
or Baritone T.C.)*, Tuba,
Percussion, Harp, Piano,
2 Violins, Viola (or
Clarinet)*, Cello, Double
Bass/Electric Bass,
String Reduction,
*Alternate Parts on
CD-ROM. $94.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Resilience - Intermédiaire/avancé Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2, Percussion 3 and more.
- Grade 4 SKU:
CF.SPS93F For
Those Who Continue to
Rise. Composed by
Travis Weller. Full
score. 30 pages. Carl
Fischer Music #SPS93F.
Published by Carl Fischer
Music (CF.SPS93F).
ISBN 9781491159781.
UPC:
680160918379. Adver
sity, in any form at any
point of our lives, can
be absolutely
debilitating mentally,
physically, emotionally
and spiritually. In the
midst of hard times, it
is difficult to imagine
what our lives will look
like on the other side of
the adversity we are
facing. Yet so many of us
carry on, move forward,
and rise above determined
to never be defined by
our circumstances. For
some their personal
faith, support from
family, or relationship
to friends provides the
necessary fuel for the
resilience they need to
rise above adversity. It
is amazing when a group
of people are able to
come together to overcome
a common obstacle. With
this in mind, I put to
music that spirit of
rising above for the
Liberty High School Band
and their director
Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn't know, or
perhaps challenged us to
grow in a way we didn't
think possible. Either
way, it does not happen
unless we possess
resilience. I thank you
in advance for your
support of this music and
wish you and your group
the very best moving
forward with
Resilience. Adversity,
in any form at any point
of our lives, can be
absolutely debilitating
mentally, physically,
emotionally and
spiritually. In the midst
of hard times, it is
difficult to imagine what
our lives will look like
on the other side of the
adversity we are facing.
Yet so many of us carry
on, move forward, and
rise above determined to
never be defined by our
circumstances.For some
their personal faith,
support from family, or
relationship to friends
provides the necessary
fuel for the resilience
they need to rise above
adversity. It is amazing
when a group of people
are able to come together
to overcome a common
obstacle. With this in
mind, I put to music that
spirit of rising above
for the Liberty High
School Band and their
director Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn’t know, or
perhaps challenged us to
grow in a way we
didn’t think
possible. Either way, it
does not happen unless we
possess resilience.I
thank you in advance for
your support of this
music and wish you and
your group the very best
moving forward with
Resilience. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Resilience - Intermédiaire/avancé Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, ...(+)
Band Bass Clarinet,
Bassoon, Bells, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion 1, Mallet
Percussion 2, Oboe,
Percussion 1, Percussion
2, Percussion 3, Piano,
Piccolo, Timpani and
more. - Grade 4 SKU:
CF.SPS93 For Those
Who Continue to Rise.
Composed by Travis
Weller. Set of Score and
Parts.
30+2+12+12+4+12+12+12+4+4
+4+4+4+4+6+6+6+8+9+9+6+9+
6+6+4+2+2+9+4+12+4 pages.
Duration 6 minutes, 10
seconds. Carl Fischer
Music #SPS93. Published
by Carl Fischer Music
(CF.SPS93). ISBN
9781491159774. UPC:
680160918362. Adver
sity, in any form at any
point of our lives, can
be absolutely
debilitating mentally,
physically, emotionally
and spiritually. In the
midst of hard times, it
is difficult to imagine
what our lives will look
like on the other side of
the adversity we are
facing. Yet so many of us
carry on, move forward,
and rise above determined
to never be defined by
our circumstances. For
some their personal
faith, support from
family, or relationship
to friends provides the
necessary fuel for the
resilience they need to
rise above adversity. It
is amazing when a group
of people are able to
come together to overcome
a common obstacle. With
this in mind, I put to
music that spirit of
rising above for the
Liberty High School Band
and their director
Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn't know, or
perhaps challenged us to
grow in a way we didn't
think possible. Either
way, it does not happen
unless we possess
resilience. I thank you
in advance for your
support of this music and
wish you and your group
the very best moving
forward with
Resilience. Adversity,
in any form at any point
of our lives, can be
absolutely debilitating
mentally, physically,
emotionally and
spiritually. In the midst
of hard times, it is
difficult to imagine what
our lives will look like
on the other side of the
adversity we are facing.
Yet so many of us carry
on, move forward, and
rise above determined to
never be defined by our
circumstances.For some
their personal faith,
support from family, or
relationship to friends
provides the necessary
fuel for the resilience
they need to rise above
adversity. It is amazing
when a group of people
are able to come together
to overcome a common
obstacle. With this in
mind, I put to music that
spirit of rising above
for the Liberty High
School Band and their
director Michael Summers.
Northeast Ohio has seen
its share of prosperity
and significant times of
hardship along many
different fronts. I still
see resilient leaders,
community members, and
educators like Mike who
continue to fight for
what is best and what is
right. The debut of this
work, like so many other
things, was interrupted
in the spring of 2020.
Now on the precipice of a
new beginning for many
band programs across the
country, all of us in
instrumental music
education must summon
resilience to ensure our
groups recover, grow and
flourish. The rising
major second represents
us all taking the first
step forward in good and
difficult times. The
adversity (tension)
arrives in various ways
harmonically throughout
the work. Tension can
make us lose sense of
where we are on our
journey and rob us of our
ability to imagine
getting through our
current situation. But I
am reminded that not all
tension is bad. Given
enough time and enough
resolution, we can often
make sense of the
adversity. We can
recognize that the
adversity taught us
something about ourselves
we didn’t know, or
perhaps challenged us to
grow in a way we
didn’t think
possible. Either way, it
does not happen unless we
possess resilience.I
thank you in advance for
your support of this
music and wish you and
your group the very best
moving forward with
Resilience. $125.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Legacy of Honor Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Chimes, Clarinet 1, Clari...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cabasa, Chimes, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum and more. -
Grade 3.5 SKU:
CF.CPS148 Composed by
Larry Clark. Concert
Band. Set of Score and
Parts. With Standard
notation.
12+12+6+8+12+12+4+4+4+4+4
+4+8+8+8+4+4+6+6+6+4+8+8+
2+4+8+32 pages. Duration
3 minutes, 33 seconds.
Carl Fischer Music
#CPS148. Published by
Carl Fischer Music
(CF.CPS148). ISBN
9780825895791. UPC:
798408095796. 9 x 12
inches. This piece
drives from the start
with bold trumpet
flourishes and
interjections from the
rest of the band. After
the exciting first
section, a lyrical second
theme departs to
something beautiful and
lush in harmonic
structure. The
development section is
based on the opening
theme, eventually leading
the piece back, followed
by a dynamic brass
flourish in the coda. A
solid choice by a known
composer for contests and
festivals. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| It Came Upon A Coventry Carol Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Mark
Tree, Oboe, Percussion 1,
Percussion 2, Snare Drum
and more. - Grade 3
SKU: CF.CPS124F
Composed by Bill Calhoun.
SWS. Carl Fischer Concert
Performance Series. Full
score. With Standard
notation. 24 pages.
Duration 3 minutes, 44
seconds. Carl Fischer
Music #CPS124F. Published
by Carl Fischer Music
(CF.CPS124F). ISBN
9780825888168. UPC:
798408088163. 9x12
inches. Composer
Bill Calhoun combines two
popular Christmas carols
into one sophisticated
concert-style piece. It
is bold and serious,
containing shifting
modalities and moves
effortlessly from major
to minor, and back again,
many times throughout
this effective setting.
If you want to play
something stunning and
unexpected for your next
holiday concert, then
this is one that deserves
serious
consideration. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Legacy of Honor Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Chimes, Clarinet 1, Clari...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Cabasa, Chimes, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum and more. -
Grade 3.5 SKU:
CF.CPS148F Composed
by Larry Clark. Concert
Band. Full score. 32
pages. Duration 3
minutes, 33 seconds. Carl
Fischer Music #CPS148F.
Published by Carl Fischer
Music (CF.CPS148F).
ISBN 9780825896415.
UPC: 798408096410. 9 x 12
inches. This piece
drives from the start
with bold trumpet
flourishes and
interjections from the
rest of the band. After
the exciting first
section, a lyrical second
theme departs to
something beautiful and
lush in harmonic
structure. The
development section is
based on the opening
theme, eventually leading
the piece back, followed
by a dynamic brass
flourish in the coda. A
solid choice by a known
composer for contests and
festivals. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| With Visions of Tomorrow - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Bongos, Cabasa, Chimes, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Bongos, Cabasa, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Marimba, Oboe and more. -
Grade 3.5 SKU:
CF.CPS145F Composed
by Brant Karrick. Concert
Performcnace Series. Full
score. With Standard
notation. 44 pages. Carl
Fischer Music #CPS145F.
Published by Carl Fischer
Music (CF.CPS145F).
ISBN 9780825892950.
UPC: 798408092955. 9 x 12
inches. With
Visions of Tomorrow is
homage to the human
spirit and its desire to
learn, achieve more, and
work towards improving
our societies. It also
symbolizes hope for a
prosperous and peaceful
future. Each day mankind
realizes amazing
technological
breakthroughs and new
wonders of science, arts
and industry. With this
in mind, the piece
contains something for
everyone; an eclectic
barrage of musical ideas
and style woven together
with the hope for the
future, and finishing, as
it began, with a lively
fanfare. $18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| With Visions of Tomorrow - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Bongos, Cabasa, Chimes, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Bongos, Cabasa, Chimes,
Clarinet 1, Clarinet 2,
Clarinet 3, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion 1,
Mallet Percussion 2,
Marimba, Oboe and more. -
Grade 3.5 SKU:
CF.CPS145 Composed by
Brant Karrick. Concert
Performcnace Series. Set
of Score and Parts. With
Standard notation.
12+12+6+12+12+12+6+6+6+6+
6+6+12+8+8+6+6+9+9+9+4+6+
8+6+6+2+4+6+10+44 pages.
Duration 7 minutes, 2
seconds. Carl Fischer
Music #CPS145. Published
by Carl Fischer Music
(CF.CPS145). ISBN
9780825892943. UPC:
798408092948. 9 x 12
inches. With
Visions of Tomorrow is
homage to the human
spirit and its desire to
learn, achieve more, and
work towards improving
our societies. It also
symbolizes hope for a
prosperous and peaceful
future. Each day mankind
realizes amazing
technological
breakthroughs and new
wonders of science, arts
and industry. With this
in mind, the piece
contains something for
everyone; an eclectic
barrage of musical ideas
and style woven together
with the hope for the
future, and finishing, as
it began, with a lively
fanfare. $95.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Pelican Dance - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bells, Clarinet 1, Clarinet...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bells, Clarinet 1,
Clarinet 2, Clarinet 3,
Claves, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Hand Drum, Horn
1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Shaker, Snare Drum and
more. - Grade 3 SKU:
CF.CPS272 Composed by
Steve Dunn. Set of Score
and Parts. Carl Fischer
Music #CPS272. Published
by Carl Fischer Music
(CF.CPS272). ISBN
9781491163719. UPC:
680160922505. Pelic
an Dance was composed in
2022 as part of my annual
commitment to create a
piece to be premiered by
our University of Mobile
High School Honor Band. I
had a beginning concept
for a “danceâ€
piece and was leaning
toward something which
was a little quirky, fun
and not too serious. One
day, during my regular
commute across Mobile
Bay, I noticed the
pelicans, elegant birds
in the air and water but
awkward on land. I tried
to imagine a pelican
dancing and decided I had
my mascot and theme.The
opening motif, played in
octaves by the whole
ensemble in the first
measure, is fundamental
for the entire work. It
is stated in some form at
the beginning of each
section, is the basis for
the first theme and is
even used as the bass
line later in the piece.
It should be clearly
stated each time it
appears.Performance
considerations: Although
there are contrasting
moments in the work, the
tempo should never
waiver. It should remain
brisk and consistent from
section to
section.Dynamic contrast
is an important aspect of
the compositional design
and stylistic makeup of
the piece. The subito
dynamics, fp, etc., need
to be almost
startling.Percussion
drives the energy of this
composition to a strong
degree, and it is
probably the most fun
section in the band for
this piece. Covering
those parts effectively
is critically
important. $85.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Star Spangled Banner Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Clarinet
3, Crash Cymbals,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Glockenspiel, Horn 1,
Horn 2, Horn 3, Horn 4,
Mallet Percussion, Oboe,
Percussion 1, Percussion
2, Piccolo and more. -
Grade 4 SKU:
CF.SPS73F Composed by
John Stafford Smith.
Arranged by Sean
O'Loughlin. SWS. Carl
Fischer Symphonic
Performance Series. Full
score. With Standard
notation. 12 pages.
Duration 1 minute, 48
seconds. Carl Fischer
Music #SPS73F. Published
by Carl Fischer Music
(CF.SPS73F). ISBN
9781491148389. UPC:
680160905881. 9 x 12
inches. Composer/ar
ranger Sean O'Loughlin
has provided a refreshing
new setting of our
National Anthem. It was
originally written for
orchestral brass and
percussion and has been
performed at both MLB and
NBA events. The
arrangement begins with a
bold fanfare to set the
tone, but also to provide
the motive glue to hold
the arrangement together
and create something
unique. Creative harmonic
usage and colorful
orchestration really make
this version stand out
from the rest. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Pelican Dance Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bells, Clarinet 1, Clarinet...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bells, Clarinet 1,
Clarinet 2, Clarinet 3,
Claves, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Hand Drum, Horn
1, Horn 2, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Shaker, Snare Drum and
more. SKU:
CF.CPS272F Composed
by Steve Dunn. Full
score. 24 pages. Carl
Fischer Music #CPS272F.
Published by Carl Fischer
Music (CF.CPS272F).
ISBN 9781491164112.
UPC:
680160922901. Pelic
an Dance was composed in
2022 as part of my annual
commitment to create a
piece to be premiered by
our University of Mobile
High School Honor Band. I
had a beginning concept
for a “danceâ€
piece and was leaning
toward something which
was a little quirky, fun
and not too serious. One
day, during my regular
commute across Mobile
Bay, I noticed the
pelicans, elegant birds
in the air and water but
awkward on land. I tried
to imagine a pelican
dancing and decided I had
my mascot and theme.The
opening motif, played in
octaves by the whole
ensemble in the first
measure, is fundamental
for the entire work. It
is stated in some form at
the beginning of each
section, is the basis for
the first theme and is
even used as the bass
line later in the piece.
It should be clearly
stated each time it
appears.Performance
considerations: Although
there are contrasting
moments in the work, the
tempo should never
waiver. It should remain
brisk and consistent from
section to
section.Dynamic contrast
is an important aspect of
the compositional design
and stylistic makeup of
the piece. The subito
dynamics, fp, etc., need
to be almost
startling.Percussion
drives the energy of this
composition to a strong
degree, and it is
probably the most fun
section in the band for
this piece. Covering
those parts effectively
is critically
important. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Stormbreak Ensemble de Percussions - Facile Tapspace Publications
(For Percussion Octet (and optional wind ensemble)). By Jim Casella. For Glocken...(+)
(For Percussion Octet
(and optional wind
ensemble)). By Jim
Casella. For
Glockenspiel, xylophone,
chimes, 4 timpani,
bongos, congas,
rainstick, vibra slap,
suspended cymbal,
woodblock, finger cymbal,
snare drum, brake drum,
hihat, ocean drum, 4
concert toms, cowbell,
shaker, splash cymbal,
china cymbal, tambourine,
triangle, b (8 percussion
players). This edition:
Percussion ensemble and
optional wind ensemble.
Concert Percussion
Ensembles. Optional Wind
Ensemble Parts Included
(divisi if applicable):
Flute, oboe, clarinet,
bass clarinet, contrabass
clarinet (E-flat),
bassoon, alto saxophone,
tenor saxophone, baritone
saxophone, trumpet,
french horn, trombone,
baritone, tuba.
Medium-Easy. Folio
parts on CD-Rom. 32
pages. Duration 3:30.
Published by Tapspace
Publications
$55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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