Composed by Alexandr Skrjabin. Edited by Christoph Flamm. For piano. This editio...(+)
Composed by Alexandr
Skrjabin. Edited by
Christoph Flamm. For
piano. This edition:
Urtext edition.
Paperback. Complete Piano
Sonatas, Volume 4. Level
5. Performance score,
anthology. Text Language:
German/English. Published
by Baerenreiter Verlag
For Violin and Basso Continuo (Violoncello ad lib.). By Antonio Vivaldi. Arrange...(+)
For Violin and Basso
Continuo (Violoncello ad
lib.). By Antonio
Vivaldi. Arranged by
Willi Hillemann. Schott.
Size 9x12 inches. 76
pages. Published by
Schott.
By Robert Kail (Editor). For Violin. Classical. 176 pages. Published by Music Sa...(+)
By Robert Kail (Editor).
For Violin. Classical.
176 pages. Published by
Music Sales. 14 sonatas
for violin and piano,
including works by
Paganini, Mozart, Handel,
Purcell, Bach, Weber,
Telemann, and Tartini.
Violin; Harpsichord SKU: UT.HS-281 Composed by Michel Corrette. Edited by...(+)
Violin; Harpsichord
SKU: UT.HS-281
Composed by Michel
Corrette. Edited by
Eloise Ameruoso. Saddle
stitching. Classical.
Score and Parts. Ut
Orpheus #HS 281.
Published by Ut Orpheus
(UT.HS-281).
Sonata (Vivaldi) Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba - Intermédiaire De Haske Publications
Brass Quintet - intermediate SKU: BT.DHP-1043507-070 Composed by Antonio ...(+)
Brass Quintet -
intermediate
SKU:
BT.DHP-1043507-070
Composed by Antonio
Vivaldi. Arranged by
Peter Knudsvig. Symphonic
Brass Ensemble Series
(Rekkenze Brass).
Educational Tool. Set
(Score and Parts) with
CD. Composed 2004. 20
pages. De Haske
Publications #DHP
1043507-070. Published by
De Haske Publications
(BT.DHP-1043507-070).
International.
V
ivaldi was hugely
successful as a composer
in his day and amassed a
fortune as many of his
works were published
during his lifetime. His
works remain popular
today and the three
movements in this suite,
Prelude, Allemande and
Corrente are taken from a
sonata for strings.
Die drei Sätze
dieser Suite stammen aus
einer Sonate für
Streicher des
italienischen Meisters
Antonio Vivaldi. Peter
Knudsvig machte diese
schöne Musik für
Blechbläserquintett
zugänglich.
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edit...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Clive Brown. This
edition:
urtext edition. Stapled.
Barenreiter Urtext.
Performance score,
Part(s)
(2). Opus 24.
Baerenreiter
Verlag #BA10937.
Published by
Baerenreiter Verlag
By Antonio Vivaldi (1678-1741). Edited by Bernhard Moosbauer. For Violin, Harpsi...(+)
By Antonio Vivaldi
(1678-1741). Edited by
Bernhard Moosbauer. For
Violin, Harpsichord (Or
Piano), Cello. Score and
parts. Op.2. 78 pages.
Published by Wiener
Urtext/Vienna Urtext
(HC) SKU: HL.49020804 Essays before a Sonata. Composed by Charles ...(+)
(HC)
SKU:
HL.49020804
Essays
before a Sonata.
Composed by Charles Ives.
Edited by Werner
Baertschi. This edition:
Hardback/Hard Cover.
Book. Edition Schott.
Charles Ives, der
radikale Neuerer, der in
seinen Kompositionen mit
den gangigen
musikalischen Formen
seiner Zeit brach, legt
hier seinen
philosophischen
Standpunkt, seine
Gedanken zu seinen
Kompositionen und zu
Fragen seiner Zeit dar.
286 pages. Schott Music
#ATL 6118. Published by
Schott Music
(HL.49020804).
ISBN
9783254001184.
German.
Obwohl
Charles Ives (1874-1954)
eine grundliche
musikalische Ausbildung
an der Yale University
genossen hatte, schlug er
sehr bald eine
erfolgreiche Laufbahn als
Versicherungskaufmann ein
und widmete sich seiner
musikalischen Arbeit nur
abends und an den
Wochenenden. In fast
volliger Isolation vom
Musikgeschehen der Zeit
schuf er ein
umfangreiches OEuvre,
dessen grosse Bedeutung
erst in den 60er Jahren
entdeckt wurde: Ives
entpuppt sich darin als
radikaler Neuerer, der
sowohl mit der damals
gangigen musikalischen
Syntax als auch den
auffuhrungspraktischen
Bedingungen seiner Zeit
weitgehend brach.
Allerdings ware es
verfehlt, ihn bloss zum
musikalischen Enfant
terrible abzustempeln,
das sich dank seiner
materiellen
Unabhangigkeit uber die
Grenzen des
Musikbetriebes
hinwegsetzen konnte.
Dafur war Ives ein viel
zu reflektierender,
verantwortungsbewusster
Mensch, der zudem fest in
der denkerischen
Tradition des
neuenglischen
Transzendentalismus
verwurzelt war. So
gesehen erstaunt es kaum,
dass Ives sich ausser der
Musik - und
gewissermassen parallel
dazu - noch eines andern
Mediums, des
literarisch-philosophisch
en Essays, bediente, um
seinen Uberzeugungen
Ausdruck zu
verschaffen.Dies gilt
insbesondere fur Ives'
tiefsinnigsten und
ausgereiftesten Text, die
Essays before a Sonata
(1920), der als
Begleitschrift zur
zweiten Klaviersonate
(Concord, Mass.,
1840-1860) des
Komponisten konzipiert
war. Allerdings sind die
Essays keineswegs ein
Werkkommentar im
traditionellen Sinne: Sie
gehen zwar von konkreten
musikasthetischen Fragen
(namlich der Problematik
der Programmmusik) aus,
weiten sich aber zu einer
sehr subjektiv gefarbten
Darstellung von vier
hochbedeutenden
amerikanischen
Schriftstellern des 19.
Jahrhunderts aus - die
Rede ist von Ralph Waldo
Emerson, Nathaniel
Hawthorne, Bronson Alcott
und Henry David Thoreau.
Die vier Hauptabschnitte
der Essays, die den vier
behandelten Autoren
entsprechen, geben in
ihrem innigen Konnex zu
den vier Satzen der
Concord-Sonata - er
erstreckt sich von vagen
inhaltlichen
Vorstellungen und Bildern
bis hin zu ganz konkreten
syntaktischen und
formalen Parallelen -
Aufschluss uber die
Kompositionsprinzipien
nicht nur der
Concord-Sonata, sondern
der Musik Ives' ganz
allgemein, so dass man
die Essays before a
Sonata als sehr gelungene
und in ihrer
Ausfuhrlichkeit wohl
einmalige Paraphrase von
Musik bezeichnen darf.Das
Nachwort zu den 114
Liedern (1922) ist mit
den Essays insofern
verwandt, als es zwei
langere Stellen aus ihnen
zitiert. Diese
Zitierpraxis - man
begegnet ihr auch in
Ives' Musik - ist
bezeichnend fur Ives'
Denkweise: Ives macht von
seinem Stoff sehr
flexiblen Gebrauch, er
setzt ihn in der Art von
Versatzstucken immer
wieder neu zusammen und
kommt so immer wieder zu
einem neuen, anders
gearteten Ganzen. So geht
Ives im Nachwort weniger
allgemein
kunstphilosphischen
Problemen als der ganz
individuellen Frage nach,
warum er die Musik nur
als Nebenberuf ausuben
wollte. Seine Antwort,
die er mit seinem
typischen Yankee-Humor
vortragt, macht
einerseits deutlich, wie
sehr Ives von einem
puritanischen
Verantwortungsgefuhl
gegenuber der
Gesellschaft gepragt war,
und zeigt andererseits
Ives' tiefen Glauben an
eine Musik, die fest im
Alltagsleben verwurzelt
und somit denkbar weit
von der europaischen
Tradition der art pour
l'art entfernt war.Die
Memos (ca. 1932-34)
schliesslich sind ein
Dokument ganz anderer
Art: Weder sollten sie,
wie die beiden andern
hier vorgelegten Texte,
ein bestimmtes
musikalisches Werk
begleiten, noch besitzen
sie den hohen
gedanklichen Ausspruch
der Essays und des
Nachworts. Es sind
autobiographische
Aufzeichnungen, die Ives
ursprunglich diktierte,
deren Manuskripte er aber
danach mehrmals durchsah
und korrigierte. Sie
gliedern sich in drei
lose aneinandergereihte
Teile: Im Anlass
betitelten Abschnitt
nimmt Ives auf teils
humoristische, teils
sarkastische Weise zu den
Anfeindungen Stellung,
die ihm die damals
sparlichen Auffuhrungen
seiner Werke bescherten.
Im Sammelalbum gibt er
einen chronologischen
Uberblick uber Entstehung
und Gehalt seiner
wichtigsten Werke. Und in
den Erinnerungen
verschafft Ives nochmals
den Grundpositionen
seiner idealistischen
Musikasthetik, seiner
Abneigung gegen jede Form
von Kommerz und Routine
und seiner Verachtung
aller musikalischen
Kleingeister Ausdruck.
Uberdies sind die Memos -
trotz ihrer defensiven
Grundhaltung - so
humorvoll, engagiert und
bildreich verfasst, dass
sie nicht nur die
detaillierteste, sondern
auch die wohl anregendste
Primarquelle zum Leben
und Werk dieses
vielleicht
eigenwilligsten
Komponisten des fruhen
20. Jahrhunderts
bilden.
Guitar Solo SKU: IS.G6765EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo
SKU:
IS.G6765EM
Composed
by Silvio Leopold Weiss.
Arranged by Ben Beuming.
Plucked - Guitar.
Metropolis Music
Publishers #G6765EM.
Published by Metropolis
Music Publishers
(IS.G6765EM).
Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edit...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Edited
by Clive Brown. This
edition:
urtext edition. Stapled.
Barenreiter Urtext.
Performance score,
Part(s)
(2). Opus 47.
Baerenreiter
Verlag #BA10938.
Published by
Baerenreiter Verlag
Flute; Recorder; Violin; Orchestra; Early Music SKU: UT.GCE-20 Composed b...(+)
Flute; Recorder; Violin;
Orchestra; Early Music
SKU: UT.GCE-20
Composed by Francesco
Geminiani. Edited by
Rudolf Rasch. Francesco
Geminiani Opera Omnia.
Classical. Score. Ut
Orpheus #GCE 20.
Published by Ut Orpheus
(UT.GCE-20).
ISBN
9790215328259. 9 x 12
inches.
Given that
appendices have since
been included in other
volumes, it now seems
appropriate to compile an
appendix for Volume 1A in
the form of a separate
publication, Volume 1C of
the series. Even with a
whole volume available,
however, it is impossible
to include all known
arrangements. Such a
publication would be of
disproportionate size: it
would require about 600
pages, due largely to the
two complete or
near-complete sets of
concerto arrangements.
The present volume thus
includes only selections
from these sets of
concerto arrangements and
also only a selection
from Edward
Finch’s complete
set of arrangements in
the form of
transverse-flute sonatas.
The smaller sets of
arrangements—eithe
r as solo sonatas or as
trio sonatas—are
included in their
entirety. The
available arrangements
fall into three distinct
categories: solo sonatas,
trio sonatas, and
concertos. There are
fourteen arrangements by
Edward Finch for
transverse flute with
figured bass; they are
found in the so-called
Armstrong-Finch
manuscript and comprise a
full set of twelve plus
two duplicate versions.
Four of these
arrangements are included
in the present volume.
Three more arrangements
for transverse flute or
recorder with figured
bass are found in
anthologies of sonatas
for these instruments
published in the 1720s;
they are all of them
edited here.
Geminiani’s
Sonatas VII-XII were
transformed into trio
sonatas by Francesco
Barsanti and published in
this format in 1727.
These arrangements are
included here in complete
form as well. A
near-complete set of
concerto
arrangements—Sonat
a XI is
missing—was
composed by Charles
Avison and a complete set
by Gerhard Christoph
Raupach, both sets
composed probably in the
1730s. From each of these
two sets, two examples
were selected for
inclusion in the present
volume. They are
supplemented by single
concerto arrangements by
William Hayes (after
Sonata IV) and Johan
Helmich Roman (after
Sonata VI), composed at
all probability in the
1730s as well. None of
these concerto
arrangements was
published in the
eighteenth century.
4 Trombones - intermediate-advanced SKU: HL.14009567 Composed by Edward G...(+)
4 Trombones -
intermediate-advanced
SKU: HL.14009567
Composed by Edward
Gregson. Music Sales
America. Post-1900. Book
[Softcover]. Music Sales
#NOV360064. Published by
Music Sales
(HL.14009567).
8.25x11.75x0.234
inches.
A bold and
majestic work, Gregson's
Sonata For Four Trombones
is a challenging work
which is guaranteed to
impress. Available here
are the four separate
Trombone parts.
Composed by Domenico Scarlatti (1685-1757), edited by John Kirkpatrick. For pian...(+)
Composed by Domenico
Scarlatti (1685-1757),
edited by John
Kirkpatrick. For piano.
Format: piano solo book.
With introductory text
and instructional text.
Baroque. 132 pages. 9x12
inches. Published by
Schirmer.
Composed by Jean-Baptiste
Quentin. Edited by Les
Etudiants du
C.E.F.E.D.E.M - Ile de
France. This edition:
Facsimile. La Musique
Francaise Classique de
1650 a 1800. Score.
Published by Anne Fuzeau
Productions - France
(FZ.5830).
ISBN
9790230658300. 24.00 x
33.00 cm
inches.
This
facsimile of an original
by Jean-Baptiste Quentin
is part of our French
classical music
collection. Edition
: Paris, l'Auteur,
Boivin, Leclerc, c. 1742.
Preface by the
students of the
CeFEdeM-Ile-de-France:
biographical elements -
hints about the score
(terminology, time
signatures,
ornamentation, phrasing,
continuo bass,
distribution). Three
separate instrumental
parts sonata IV is a
quartet (two instruments
for the continuo bass).
These remarkably
well written chamber
music pieces deserve to
be brought to light. The
quartet sonata for 2
violins, viola da gamba
and continuo bass is a
particularly fine work.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of a
copy in the National
Library of Berlin -
Preuffischer Kulturbesitz
Musikabteilung mit
Mendelssohn-Archiv
(Germany). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Cello SKU: HU.HN780 Composed by Eugene Ysaye. Edited by Christian Bellisario. C...(+)
Cello
SKU: HU.HN780
Composed by Eugene Ysaye.
Edited by Christian
Bellisario. Cello Solo,
Strings, Repertoire,
Solos. Sonata for
Violoncello solo Op. 28.
20th Century, Classical.
Softcover Book. 14 pages.
G. Henle #HN780.
Published by G. Henle
(HU.HN780).
12.2 x 9.3 inches.
For Alto Saxophone. Classical (Laureate Master Classes with piano). Includes a h...(+)
For Alto Saxophone.
Classical (Laureate
Master Classes with
piano). Includes a
high-quality printed
music score annotated
with performance
suggestions and a compact
disc with complete
versions (with soloist)
followed by piano
accompaniments to each
piece, minus the soloist.
Published by Music Minus
One
By Robert Valentine (1680-1735). Edited by Gerhard Braun. Arranged by Siegfried ...(+)
By Robert Valentine
(1680-1735). Edited by
Gerhard Braun. Arranged
by Siegfried Petrenz.
This edition: paperbound.
Score with 2 parts. 36
pages. Published by Carus
Verlag
Beethoven's Greatest Sonatas * Highlight Edition with CD composed by Ludwig van ...(+)
Beethoven's Greatest
Sonatas * Highlight
Edition with CD composed
by Ludwig van Beethoven
(1770-1827). For piano.
This edition: Paperback.
Collection. Classical.
Book and CD. Text
Language: English. 48
pages. Published by
Santorella Publications
Oboe and Piano SKU: HL.14043723 Composed by Francis Poulenc. Music Sales ...(+)
Oboe and Piano
SKU:
HL.14043723
Composed
by Francis Poulenc. Music
Sales America. Softcover
Audio Online. Composed
2016. Chester Music
#CH83567. Published by
Chester Music
(HL.14043723).
ISBN
9781783059522.
This
is an updated edition of
Francis Poulenc 's 1962
work Sonata For Oboe And
Piano , edited by Millan
Sachania . Featuring the
full score and a separate
Oboe part, this exclusive
edition also includes a
download card, giving you
instant online access to
demonstration and
accompaniment tracks.
Originally completed in
1962, Poulenc 's Sonata
For Oboe And Piano
had been brewing in
his mind for at least
five years. The last of
Poulenc 's trio of
sonatas for woodwind
instruments,
he tragically passed
away before it could be
definitively engraved,
leaving behind a work
with a number of
ambiguous notational
marks that resulted in an
incomplete first edition,
publishedposthumously. A
number of revisions have
taken place, but this,
expertly edited by Millan
Sachania , aims to
provide a playable,
legible, precise and
authoritative score that
reflect closest Poulenc
's intentions. This new
edition revises many
minor details, including
Piano chords, tied notes,
the correction of various
bars throughout as well
as his crescendos during
the third movement. At
all points, Sachania has
aimed to reproduce an
authoritative and
accurate score that is at
once playable and a
reflection of what
Poulenc himself may have
intended. This is a most
exciting prospect
considering the
reputation that this work
has garnered as a piece
of profound poignancy.
Dedicated to Sergey
Prokofiev, it has been
said that the mournful
final movement,
Deploration , is
something of an
obituary. What
makes this edition of
Sonata For Clarinet And
Piano really special is
the unique download card
that provides exclusive
online access to
demonstration and
accompaniment audio
tracks.
Professionally-recorded
by renowned
oboist Christopher
Cowie and pianist
Huw Watkins, the
demonstration track
allows you to hear
exactly how the piece as
a whole should sound,
before the independent
Piano-only track lets you
take the place of the
Oboe in your very own
performance. This is a
unique opportunity for
oboists to learn from an
authoritative.
Piano SKU: PA.H07988 Fur Klavier. Composed by Luboš Fišer. S...(+)
Piano
SKU:
PA.H07988
Fur
Klavier. Composed by
Luboš Fišer.
Stapled. Performance
score. With Text
Language:
Czech/German/English.
Editio Baerenreiter Praha
#H07988_00. Published by
Editio Baerenreiter Praha
(PA.H07988).
ISBN
9790260104471. 31 x 23.5
cm inches.
Piano
Sonata No. 4 from the
years 1962-1964 is
dedicated to the memory
of Fiser's friend, the
pianist Antonin Jemelik,
who died tragically. As a
tribute to their
friendship the composer
incorporated into the
introduction a quotation
from their favourite
work, Piano Sonata No.
10, Op. 70, by Alexander
Scriabin. The tragedy of
the death of the
composer's friend
pervades the emotionally
intense passage of unison
octaves which follows the
three-bar quotation. From
a compositional point of
view this work is a
masterpiece of the
mid-Sixties. Written as
one movement, the piece
is divided into numerous
mutually contrasting
segments which themselves
are clearly grouped into
two sections, exposition
and development. The
individual themes are
introduced in the first
section and thematically
expanded in the second
section. The motif
treatment lies almost
exclusively in the
fragmenting or curtailing
of the theme, or in the
use of a combination of
several themes, for the
most part brief and
eloquent. This
compositional method,
together with a clear-cut
manner of execution,
mainly semitonal melody
and sharply contrastive
dynamics, lends force and
transparency to the
piece. Piano Sonata No. 4
was completed in 1964
together with Symphonic
Fresco, Concerto da
camera for piano and
orchestra and Fifteen
Prints after Durer's
Apocalypse and has earned
its rightful place
alongside them as
masterpieces of Fiser's
oeuvre.
The work
was first performed by
Pavel Stepan in Prague's
Rudolfinum in 1965. The
new setting for this
piece is based on the
single edition to date
(Panton, 1969); only with
regard to a few
inconsistencies in the
score was it necessary to
consult the composer's
manuscript (kept at the
National Museum - Czech
Museum of Music).
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown; Neal Peres Da Co...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown;
Neal Peres Da Costa. For
clarinet and piano. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa. For
viola and piano. This
edition: urtext edition.
Paperback. Level 3. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag