(Volume 1 - Easy to Medium). For 2 flutes duet (Flute). This edition: RUBL177. Method. Studies and Baroque. Flute duet book (two copies needed for performance). Full score notation. 72 pages. Published by Rubank Publications

(0.2.0.0/0.0.0.0,cem,str= 4.4.0.2.2,solo tpt)

SKU: TM.05858SC

Composed by Pavel Josef Vejvanovsky. Score. Published by Lucks Music Library (TM.05858SC).

Cembalo in score.

Piano

SKU: AP.1-ADV9035

Volume 4. Composed by Bill Dobbins. Improvisation; Piano CD; Piano Supplemental; Solo; Solo Small Ensembles. Advance Music. Form: Prelude. Jazz. CD. Advance Music #01-ADV9035. Published by Advance Music (AP.1-ADV9035).

UPC: 805095090352. English.

Hear the composer perform his Preludes (Vol. 4) plus unique arrangements/reharmonizat ions of Beethoven's Adagio Cantabile from the Pathetique Sonata, Op. 13 and the traditional Amazing Grace.

Titles: Prelude XIX * Prelude XX * Prelude XXI * Prelude XXII * Prelude XXIII * Prelude XXIV * L.v. Beethoven: Adagio Cantabile * C. Fischer: Ornithardy * C. Fischer: Igor * B. Evans: Comrade Conrad * Amazing Grace (Traditional).

By Various. Edited by William Bruce / Tom Wells. For Cello, Piano. Violoncello and Piano. Set of parts

Piano

SKU: AP.1-ADV9039

Volume 4. Composed by Bill Dobbins. Improvisation; Piano Collection; Piano Supplemental; Solo; Solo Small Ensembles. Advance Music. Form: Prelude. Jazz. Book and CD. Advance Music #01-ADV9039. Published by Advance Music (AP.1-ADV9039).

ISBN 9783892218197. UPC: 805095090390. English.

The final volume of this series concludes the set of 24 preludes, and further emphasizes some of the common ground between jazz, classical music, and the many fertile traditions of folk and art music. The range of influences is, perhaps, even broader than in the previous volumes. In addition to six preludes, the final volume of this series includes unique arrangements/reharmonizat ions of Beethoven's Adagio Cantabile from the Pathetique Sonata, Op. 13 and the traditional Amazing Grace.

Titles: Prelude XIX * Prelude XX * Prelude XXI * Prelude XXII * Prelude XXIII * Prelude XXIV * Adagio Cantabile * Amazing Grace.

By Bill Piburn. For Guitar (Fingerpicking). Solos. Bluegrass and Country. Level: Intermediate. Book. Size 9.5x11.75. 384 pages. Published by Mel Bay Publications, Inc.

SKU: CA.2390100

Composed by Ludwig van Beethoven. Set with study scores. Sacred vocal music, Masses, Latin, Mass sections, Secular choral music. Package. Carus Verlag #CV 23.901/00. Published by Carus Verlag (CA.2390100).

ISBN M-007-24680-8.

Beet hoven's choral works in a practical study package! Urtext reflecting the latest state of musicological research As well as study scores of the two masses, the box set contains Urtext scores of Beethoven's only oratorio Christus am Olberge (The Mount of Olives), together with three secular works with orchestral accompaniment (the Choral Fantasy, Meeres Stille und Gluckliche Fahrt (Calm Sea and Prosperous Voyage), and Elegischer Gesang (Elegiac Song). As a bonus volume and a real rarity, the Kyrie based on the Adagio from the Moonlight Sonata for choir and orchestra (arr. Bierey) is also included.

Bb Clarinet, Piano - Grade 4

SKU: FL.FX071436-3

Composed by Charles Villiers Stanford. Edited by Renaud Escriva. The Must-Haves for Clarinet. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071436-3. Published by FLEX Editions (FL.FX071436-3).

A must-have for Clarinet. The anglo-Irish composer, Sir Charles Villiers Stanford, composed seven works for clarinet. Of these compositions, the Three Intermezzi Op.13 and the Sonata Op.129 are well-known.

This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.

For solo piano. Format: piano solo book. Classical period and romantic period. 352 pages. 9x12 inches. Published by Hal Leonard.

Composed by Johann Sebastian Bach (1685-1750). Arranged by Javier Calderon. For classical guitar. Solos/Studies, Baroque. Intermediate. Book and Online Audio. 72 pages. Published by Mel Bay Publications, Inc

Violin, cello and piano

SKU: BO.B.3243

Composed by Domene Gonzalez De La Rubia. Bowed Instruments. Duration 15:00. Published by Editorial de Musica Boileau (BO.B.3243).

Comentarios del Espanol:
El Trio Hesperia surgio gracias a la iniciativa del pianista Dani Ligorio. Fue el quien me sugirio la idea de escribir una obra para la formacion en la que intervenia, el TRIO LOM, del que tambien forman parte Joan Orpella al violin y Jose Mor al violonchelo. En poco tiempo la obra se interpreto asiduamente. Es frecuente que, cuando escribo por primera vez para un tipo de formacion determinada, en este caso el trio para piano, violin y violonchelo, realice un homenaje a la tradicion. Es lo que desee en esta primera incursion en el genero. La obra es de estructura clasica, con un lenguaje que en ciertos momentos alude a la tradicion folclorica iberica. Formalmente hay una alusion a la sonata en el segundo movimiento mientras que el primero es mas libre y anuncia los temas que apareceran mas tarde en el Allegro. --Domenec Gonzalez de la Rubia.

SKU: HL.49007038

Leben - Werke - Dokumente. Composed by Igor Stravinsky. This edition: Hardback/Hard Cover. Book. Edition Schott. Classical. 447 pages. Schott Music #ED 7192. Published by Schott Music (HL.49007038).

ISBN 9783795723026. 4.75x7.25x0.889 inches. German.

St. Petersburg - Paris - Swiss exile - France - USA, these places refer to stages during the long life of a composer who greatly enriched music history by a plethora of works of different styles. Igor Stravinsky's sophisticated oeuvre has enriched almost all genres: from sonata to solo concerto, from song to opera, from ballet music to symphony The list of different composition styles mastered by Stravinsky during his creative life is just as multi-faceted: from the style of the first years influenced by his teacher Rimsky-Korsakov to the 'cubist' composition of the scandal-ridden 'Sacre du printemps' for example, from the neoclassicism of 'Pulcinella' to the twelve-note 'Movements' - right up to excursions into jazz music. As a consequence, disorientation and lack of stylistic uniformity respectively were just two of the prejudices Stravinsky was faced with. Such prejudices are countered in this book by Wolfgang Burde who illustrates that the composer never wrote 'a la mode' or 'a la maniere de', but always incorporated newly discovered compositional techniques or even specific form models in his personal way of thinking. Here, it becomes apparent why Stravinsky, according to Wolfgang Burde, ranked 'among the most important composers of the European avant-garde next to Claude Debussy and Schoenberg'.

Classical. Textbook. Trinity College London #TCL019318. Published by Trinity College London

By Eldon Matlick, horn; Kayla Paulk, piano. By Various. For horn solo. Mark Masters. Audio CD. Duration 73:54. Published by Mark Custom Music

(for Cello and Piano, Violin, Cello and Piano, Flute and Piano). Composed by Fr�©d�©ric Chopin. Edited by Ignacy Jan Paderewski. For Chamber Ensemble (Score and Parts). PWM. 202 pages. Polskie Wydawnictwo Muzyczne #3095091. Published by Polskie Wydawnictwo Muzyczne

By Heinrich Ignaz Franz von Biber (1644-1704) and Heinrich Ignaz Franz Von biber (1644-1704). Edited by Kenneth Cooper and Patrick Wood. For Violin, Cello and Harpsichord. Score and parts. Published by International Music Company

By Bourgeois. For Alto Saxophone and Piano. Solo Woodwind. Difficult. Published by Brass Wind Publications

Easy Guitar with Notes and Tab. Composed by Various. Easy Guitar. Softcover. With guitar tablature. 80 pages. Published by Hal Leonard

Piano - Grade 5

SKU: FA.MFCD014PN

Composed by Claude Debussy and Robert Orledge. Rediscoverd Debussy. Classical, Impressionistic. Score. Musik Fabrik #MFCD014PN. Published by Musik Fabrik (FA.MFCD014PN).

8.27 x 11.69 inches.

Fetes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy's friend Louis Laloy. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, 'Les Masques', involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine's comedy Les Uns et les autres. The action is set in a park a la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin.

This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L'Isle Joyeuse (1904). Following Laloy's scenario, the mas-queraders then sing extracts from Verlaine's 'A la promenade' (from Fetes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.

Violin & basso continuo

SKU: HH.HH556-FSP

Composed by Michele Mascitti. Edited by Michael Talbot. Full score and parts. Edition HH Music Publishers #HH556-FSP. Published by Edition HH Music Publishers (HH.HH556-FSP).

ISBN 9790708185710.

The ‘divertissementâ₠¬â„¢ Psiché, a ten-movement suite for violin and basso continuo by Michele Mascitti (1663/4–1760), the Neapolitan violinist who did more than anyone else to acclimatize the Italian sonata to a French setting, is unique among his works in having a programmatic basis. It depicts episodes from the famous romantic story of Psyche and Cupid as related in the Latin novel generally known by the name The Golden Ass by the second-century author Apuleius. At the same time, this is Mascitti’s most overt homage to his adoptive country, since several movements in it go further in the direction of the French style than anything else from his pen. It expresses among other things Cupid’s rage at Psyche’s discovery of his identity, her airborne travel powered by the winds and the tenderness between the two lovers after their reconciliation. This is a very original and immediately attractive work.

Orchestra

SKU: AP.12-0571572162

Composed by Carl Vine. Full Orchestra (Full Score); Masterworks; Performance Music Ensemble; Single Titles. Faber Edition. Form: Concerto. 20th Century; Masterwork. Score. Faber Music #12-0571572162. Published by Faber Music (AP.12-0571572162).

ISBN 9780571572168. English.

Carl Vine's Piano Concerto No. 1 (1997) is one of three large-scale works composed with pianist Michael Kieran Harvey in mind---the others being his first two piano sonatas. Vine describes it as a conscious and continuous tribute to the piano concerto as a medium and historical entity, a fact most apparent in the slow movement, with its long melodic lines evoking both Ravel and Bach. This 25-minute concerto is cast in the familiar three-movement form, with fast outer movements framing a central slow movement. The outer movements share some material (particularly in some lively conversational interchanges between piano and trumpet), and also some typically pianistic glitter across the orchestra, with harp and glockenspiel ensuring that the piano is less of an outsider than might have otherwise been the case.

Keyboard

SKU: HH.HH451-SOL

Composed by George Berg. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH451-SOL. Published by Edition HH Music Publishers (HH.HH451-SOL).

ISBN 9790708146582.

At the heart of George Berg's oeuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Technically fairly simple, these are lively, inventive and finely polished works. Berg's sonatinas are as well suited to the piano as the harpsichord sonatas of Domenico Scarlatti from which they draw so much inspiration, provided that the player makes sparing (or no) use of the sustaining pedal and avoids over-fussy dynamic variation.

Keyboard

SKU: HH.HH450-SOL

Composed by George Berg. Edited by Michael Talbot. Keyboard. Playing score. Edition HH Music Publishers #HH450-SOL. Published by Edition HH Music Publishers (HH.HH450-SOL).

ISBN 9790708146575.

At the heart of George Berg’s oeuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Technically fairly simple, these are lively, inventive and finely polished works. Berg’s sonatinas are as well suited to the piano as the harpsichord sonatas of Domenico Scarlatti from which they draw so much inspiration, provided that the player makes sparing (or no) use of the sustaining pedal and avoids over-fussy dynamic variation.