Includes the following sonatas: Sonata in F (K.82), Sonata in E (K.380), Sonata ...(+)
Includes the following
sonatas: Sonata in F
(K.82), Sonata in E
(K.380), Sonata in D
minor (K.9), Sonata in C
minor (K.811), Sonata in
D (K.415), Sonata in F
sharp minor (K.25),
Sonata in D minor (K.64),
Sonata in F minor (K.69),
Sonata in A minor
(K.149), Sonata in C
(K.159)
Book/Online Audio Piano SKU: HL.296962 Composed by Wolfgang Amadeus Mozar...(+)
Book/Online Audio Piano
SKU: HL.296962
Composed by Wolfgang
Amadeus Mozart. Edited by
Alexandre Dossin.
Schirmer Performance
Editions. Classical.
Softcover Audio Online.
176 pages. Published by
G. Schirmer (HL.296962).
ISBN 9781480328204.
UPC: 884088882518.
9.0x12.0x0.448
inches.
Pedagogical
in nature, Schirmer
Performance Editions
offer new research,
insightful interpretive
suggestions, pertinent
fingering, and historical
and stylistic commentary.
Each volume includes an
excellent performance
based on the recorded
edition. Prepared by
experienced artists and
master teachers, these
publications provide an
accurate, well-informed
score resource for
pianists. This volume
presents nine Mozart
sonatas, including: Piano
Sonata in A minor, K. 310
• Piano Sonata in
B-flat Major, K. 281
• Piano Sonata in C
Major, K. 279 •
Piano Sonata in C Major,
K. 309 • Piano
Sonata in D Major, K. 284
• Piano Sonata in D
Major, K. 311 •
Piano Sonata in E-flat
Major, K. 282 •
Piano Sonata in F Major,
K. 280 • Piano
Sonata in G Major, K.
283.
Composed by Wolfgang Amadeus Mozart (1756-1791). Masterworks; Piano Collection. ...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Masterworks;
Piano Collection. Kalmus
Edition. Form: Sonata.
Classical Period.
Collection. With standard
notation, fingerings and
introductory text (does
not include words to the
songs). 238 pages. Kalmus
Classic Edition
#00-K03690. Published by
Kalmus Classic Edition
Piano seul [Conducteur] - Intermédiaire/avancé Vienna Urtext
Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Ulrich Leisinger. Arr...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791). Edited by
Ulrich Leisinger.
Arranged by Ulrich
Leisinger. Classic. Full
score. With Standard
notation. 200 pages.
Wiener Urtext/Vienna
Urtext #UT50226.
Published by Wiener
Urtext/Vienna Urtex
Piano SKU: BT.EMBZ7817 Parte prima (No. 1-50). By György Balla....(+)
Piano
SKU:
BT.EMBZ7817
Parte
prima (No. 1-50). By
György Balla. By
Domenico Scarlatti. EMB
Urtext. Exam Material.
Book Only. Composed 1977.
184 pages. Editio Musica
Budapest #EMBZ7817.
Published by Editio
Musica Budapest
(BT.EMBZ7817).
English-German-Hungari
an.
The sonatas are
not grouped according to
their degree of
difficulty, they are
given in the order which
corresponds with the
Kirkpatrick numbering.
This is approximately
identical with the order
in which they were
composed. In this way it
became possible for the
pairs of sonatas included
in the selection to be
placed closely after one
another. Apart from
inevitable minor
alterations this edition
follows the original text
and its markings exactly.
This does not apply to
the fingering which is
entirely an editorial
addition. (In the
original there is no
fingering.) An ABRSM
syllabus title, 2013-14,
Grade 6.
Die
Sonaten bringen wir nicht
nach Schwierigkeitsgraden
geordnet, sondern in der
Reihenfolge von
Kirkpatricks Verzeichnis.
Diese Anordnung
entspricht annähernd
der Entstehungszeit der
Stücke. Dadurch ist es
möglich die paarweise
zusammengehörenden
Sonaten der Auswahl
nebeneinander zu stellen.
Unsere Ausgabe folgt, von
kleineren, notwendigen
Umstellungen abgesehen,
genau dem Originaltext
und dem ursprünglichen
Zeichensystem. Dies
bezieht sich jedoch nicht
auf den Fingersatz, der
durchweg ein Vorschlag
des Herausgebers ist.
Volume 1. K. 279--284; K. 309--311. Composed by Edited by Stewart Gordon. Mas...(+)
Volume 1. K. 279--284; K.
309--311. Composed by
Edited
by Stewart Gordon.
Masterworks; Piano
Collection. Alfred
Masterwork
Edition. Form: Sonata.
Classical; Masterwork;
Recital. Book. 188 pages.
Alfred Music #00-46908.
Published by Alfred Music
Violin, viola, cello, double bass, piano - Moderately Difficult to Difficult ...(+)
Violin, viola, cello,
double bass, piano -
Moderately Difficult to
Difficult
SKU:
OU.9780193412378
Composed by Domenico
Scarlatti. Arranged by
Martin Butler. Mixed
Ensemble. Set of parts.
16 pages. Duration 7'.
Oxford University Press
#9780193412378. Published
by Oxford University
Press (OU.9780193412378).
ISBN 9780193412378. 12
x 8 inches.
For
violin, viola, cello,
double bass, and piano
This stylish and
approachable arrangement
of Scarlatti's Sonata in
D (K.119) (originally
composed for keyboard) is
vivacious and dance-like
in character.
Piano seul [Partition] - Intermédiaire Alfred Publishing
By Domenico Scarlatti (1685-1757). Edited by Maurice Hinson. For Piano. Piano Co...(+)
By Domenico Scarlatti
(1685-1757). Edited by
Maurice Hinson. For
Piano. Piano Collection.
Alfred Masterwork
Edition. Masterwork.
Intermediate / Early
Advanced (grade 4/5/6/6
). Book. 64 pages.
Published by Alfred Music
Publishing
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Folder.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Set of
parts. Composed 1780. 56
pages. Duration 20'.
Breitkopf and Haertel #OB
5329-30. Published by
Breitkopf and Haertel
(BR.OB-5329-30).
ISBN
9790004333563. 10 x 12.5
inches.
According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998.
Chamber Music Cello,
Flute, Viola 1, Viola 2,
Violin
SKU:
CF.MXE219
Composed by
Wolfgang Amadeus Mozart.
Arranged by Robert
Stallman. Sws.
56+16+16+16+16+12 pages.
Carl Fischer Music
#MXE219. Published by
Carl Fischer Music
(CF.MXE219).
ISBN
9781491157794. UPC:
680160916399. 9 x 12
inches.
Composed by Domenico Scarlatti (1685-1757), edited by Bengt Johnsson. Collection...(+)
Composed by Domenico
Scarlatti (1685-1757),
edited by Bengt Johnsson.
Collection for Piano
(Harpsichord), 2-hands.
With introductory text
and fingerings. Urtext
edition-paper bound. 114
pages. Published by G.
Henle.
Composed by Various. Edited by Cesare Fertonani. Piano Collection. Classical, I...(+)
Composed by Various.
Edited by Cesare
Fertonani. Piano
Collection. Classical,
Italian. Softcover. 68
pages. Ricordi #NR141564.
Published by Ricordi
(HL.50600875).
Piano seul [Partition] - Intermédiaire Alfred Publishing
By Domenico Scarlatti. Edited by Maurice Hinson. For Piano. Piano Collection. Ma...(+)
By Domenico Scarlatti.
Edited by Maurice Hinson.
For Piano. Piano
Collection. Masterwork.
Level: Late Intermediate
/ Early Advanced (grade
6/6 ). Book. 64 pages.
Published by Alfred
Publishing.
Flute and Piano. By Wolfgang Amadeus Mozart. Arranged by Louis Moyse. (Flute). ...(+)
Flute and Piano. By
Wolfgang Amadeus Mozart.
Arranged by Louis Moyse.
(Flute). Woodwind Solo.
Size 9x12 inches. 68
pages. Published by G.
Schirmer, Inc.
Violin and Piano. By Wolfgang Amadeus Mozart. Arranged by Henry Schradieck. (Vi...(+)
Violin and Piano. By
Wolfgang Amadeus Mozart.
Arranged by Henry
Schradieck. (Violin).
String Solo. Book only.
Size 9x12 inches. 336
pages. Published by G.
Schirmer, Inc.
Composed by Wolfgang Amadeus Mozart (1756-1791), edited by Wolfgang Plath, Wolfg...(+)
Composed by Wolfgang
Amadeus Mozart
(1756-1791), edited by
Wolfgang Plath, Wolfgang
Rehm. Collection for solo
piano. Urtext of the New
Mozart Edition. 142
pages. Published by
Baerenreiter-Ausgaben
(German import). ISBN
M006457663.
Volume 11, K. 507-555. Composed by Domenico Scarlatti (1685-1757). Leduc. Cla...(+)
Volume 11, K. 507-555.
Composed by Domenico
Scarlatti (1685-1757).
Leduc.
Classical. Softcover. 195
pages. Heugel and Cie
#HE32298.
Published by Heugel and
Cie
Edited by Stephen Duro. Music Sales America. Classical Period. Collection. With ...(+)
Edited by Stephen Duro.
Music Sales America.
Classical Period.
Collection. With standard
notation, fingerings and
introductory text (does
not include words to the
songs). 55 pages. Chester
Music #CH61572. Published
by Chester Music
Organ (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(withou...(+)
Organ (solos: SATB -
choir: SATB - 0.2.0.2. -
0.2.3.0. - timp - org -
str(without va))
SKU:
BR.OB-5329-11
Urtext. Composed
by Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Mass; Classical. Part.
Composed 1780. 16 pages.
Duration 20'. Breitkopf
and Haertel #OB 5329-11.
Published by Breitkopf
and Haertel
(BR.OB-5329-11).
ISBN
9790004333525. 10 x 12.5
inches.
According
to the date inscribed in
Wolfgang Amadeus Mozart's
autograph score, the
present mass was composed
in March 1780. The
instrumental setting
(oboes, trumpets and
timpani add color and
festive splendor to the
work) rightly suggests
that the work was in all
likelihood performed with
the Church Sonata K. 336
at the Easter high mass
in the Salzburg
cathedral. Since
Archbishop Hieronymus
Count Colloredo wanted
the mass text to be
treated as succinctly as
possible, Mozart offered
him a richly orchestrated
Missa solemnis in the
terse form of a Missa
brevis.The brilliant,
festive character of the
Mass K. 337 is abruptly
interrupted by a powerful
Benedictus in a harsh A
minor, the most striking
and revolutionary
movement in all of
Mozart's Masses, in the
strictest contrapuntal
style ... (Alfred
Einstein). What could
have inspired Mozart to
such unexpected rigor?
But there is another
surprise yet: while the
dark drama of the Holy
Week seems to radiate
from this Benedictus, the
following Agnus Dei in
the distant key of E flat
major sounds, with its
soprano solo and
concertante oboe, bassoon
and organ, like a song of
thanksgiving filled with
the warmth and light of
Easter.Other features
worth noting are the
three unisons between the
alto and bass heard at
the Deus pater omnipotens
in the Gloria (bars
22-32), the a cappella
illumination of the words
Jesu Christe found a
little later (bar 62) and
the descending
chromaticism evocative of
death at the Crucifixus
in the Credo.
(Incidentally, Mozart had
initially planned a
different movement for
the Credo of this mass,
superscribed Tempo di
Chiaconna; he wrote out
136 bars but, for some
unknown reason, never
completed it.)While the
Coronation Mass K. 317 of
1779 is one of Mozart's
most well-known mass
settings, its later
composed frllow piece K.
337 - Mozart's last
completed mass before the
great C minor fragment K.
427 (417a) - has been
paid less attention, even
though it is an
outstanding example of
the Mozartian mass type
and contains parallels to
the Coronation Mass in
its disposition and in
the structure of its
various movements. The
score and piano reduction
of this new edition were
prepared on the basis of
the autograph
(Osterreichische
Nationalbibliothek/Vienna
, dass. no. Mus. Hs. 18
97512) and the Salzburg
performance material
(Staats- und
Stadtbibliothek/Augsburg,
dass. no. Hl. Kreuz 9).
We wish to thank both
libraries for putting the
source material at our
disposal.Franz Beyer,
Munich, Spring 1998.