Alto recorder in f' (flute, oboe, violin) and harpsichord (piano), gamba (cello) ad lib.

SKU: NR.75355

Sonata I und II für Alt- Blockflöte in f' (Querflöte, Oboe, Violine) und. Composed by John Christopher Pepusch. Edited by Erna Danckner-Langner. Woodwind music. Score. Noten Roehr #75355. Published by Noten Roehr (NR.75355).

Partitur+2Stimm en, Danckner-Langner, Erna, ed.

By Kenneth Gilbert. By Domenico Scarlatti (1685- 1757). Heugel. Classical. Softcover. 228 pages. Heugel and Cie #HE32300. Published by Heugel and Cie

SKU: HL.50495027

Composed by Niccolã and Niccolo Castiglioni. MGB. Ricordi #NR133596. Published by Ricordi (HL.50495027).

VIER LIEDER FUR SOPRAN UND KLAVIER (1983).

Piano

SKU: BT.EMBZ7435

Op. 78, Fis-Dur. Composed by Ludwig van Beethoven. Book Only. Composed 1975. 12 pages. Editio Musica Budapest #EMBZ7435. Published by Editio Musica Budapest (BT.EMBZ7435).

(score and parts). By Giovanni Bonaventura Viviani. For Trumpet, Basso Continuo (trumpet and organ). This edition: paperback. Musica Rara. 40 pages. Published by Breitkopf and Haertel

SKU: HL.48184559

Composed by Franç and ois Devienne. Leduc. Classical. Softcover. Alphonse Leduc #AL27654. Published by Alphonse Leduc (HL.48184559).

UPC: 888680835651. 9.0x12.0x0.237 inches.

for 2 flutes, 2 oboes, 2 clarinets, 2 saxophones or 2 violins.

Performance/Accompaniment CD. By Jim Papoulis. Arranged by Francisco J. Nunez. (Accompaniment CD). BH Sounds of a Better World. Size 4.8x5 inches. Published by Boosey & Hawkes.

By Charles Herve / Jacqueline Pouillard. For piano. De Bach a nos jours. Classical. CD. Published by Editions Henry Lemoine

Cello and piano - intermediate to advanced

SKU: HL.49017952

Composed by Johanna Senfter. Edited by Guenter Matthes. This edition: Saddle stitching. Sheet music. String. Op. 79. 76 pages. Duration 18'. Schott Music #CB197. Published by Schott Music (HL.49017952).

ISBN 9790001149426. UPC: 841886009684. 9.0x12.0x0.243 inches.

The composer Johanna Senfter (1879-1961) from Oppenheim studied composition with Max Reger in Leipzig. Her expressive style is characterised by polyphonic settings and late-Romantic harmony. Sonate fur Violoncello und Klavier Opus 79 was written by Johanna Senfter around 1935. But it was not before 1993 that the long forgotten cello sonata was released on CD for the first time. The current edition of the previously unpublished sonata, now presented by us, is based on the autograph kept at the library of the Cologne Hochschule fur Musik. A rewarding concert piece for advanced cellists.

(Revised) Written by Shinichi Suzuki. Instructional book for piano. 49 pages. Published by Alfred Publishing.

SKU: HL.49015222

Material und didaktische Information. Edited by Dieter Zimmerschied. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical. 336 pages. Schott Music #ED 6421. Published by Schott Music (HL.49015222).

ISBN 9783795729516. 6.75x9.5x0.73 inches. German.

Die Beitrage liefern fur die Sekundarstufe I und II Material und didaktische Hinweise fur die Unterrichtsvorbereitung im Themenkreis Neue Musik. Durch die Bereitstellung von Notenbeispielen, Diagrammen und wichtigen Abschnitten aus der Sekundarliteratur kann das Buch auch als Arbeitsmittel unmittelbar im Unterricht eingesetzt werden.

(32 Transcriptions for Guitar). Composed by Wolfgang Amadeus Mozart (1756-1791). Arranged by Martin Hegel. For Guitar (Guitar). Guitar. Softcover. Schott Music #ED21856. Published by Schott Music

Brass Quintet - intermediate

SKU: BT.DHP-1043507-070

Composed by Antonio Vivaldi. Arranged by Peter Knudsvig. Symphonic Brass Ensemble Series (Rekkenze Brass). Educational Tool. Set (Score and Parts) with CD. Composed 2004. 20 pages. De Haske Publications #DHP 1043507-070. Published by De Haske Publications (BT.DHP-1043507-070).

International.

V ivaldi was hugely successful as a composer in his day and amassed a fortune as many of his works were published during his lifetime. His works remain popular today and the three movements in this suite, Prelude, Allemande and Corrente are taken from a sonata for strings.

Die drei Sätze dieser Suite stammen aus einer Sonate für Streicher des italienischen Meisters Antonio Vivaldi. Peter Knudsvig machte diese schöne Musik für Blechbläserquintett zugänglich.

Le Quintette de Cuivres Rekkenze Brass a été fondé par des membres de lâ??Orchestre Symphonique dâ??Hof en Allemagne, et reconnu internationalement comme un des meilleurs ensembles du genre. La devise de lâ??ensemble se résume par â??BRASSzination® : la fascination par les cuivresâ?. Câ??est avec grand plaisir que nous vous présentons la Collection Rekkenze Brass qui couvre un large éventail de styles. Chaque Å?uvre publiée dans cette collection est accompagnée dâ??un compact disc sur lequel sont enregistrées les versions intégrales de la plupart des Å?uvres disponibles dans une interprétation unique du Rekkenze Brass. Instrumentation : 2 TrompettesSib, Cor en Fa/Mib,Trombone en Ut BC, Tuba.

Piano

SKU: BR.EB-9419

Composed by Helmut Lachenmann. Solo instruments; stapled. Edition Breitkopf. World premiere: Darmstadt (Darmstadter Ferienkurse), July 18, 1962. Music post-1945; New music (post-2000). Score. Composed 1961/62. 20 pages. Duration 12'. Breitkopf and Haertel #EB 9419. Published by Breitkopf and Haertel (BR.EB-9419).

ISBN 9790004188965. 10 x 12.5 inches.

Echo Andante , nach meiner Ruckkehr vom Studienaufenthalt bei Luigi Nono in Venedig komponiert, von mir selbst 1962 in Darmstadt uraufgefuhrt, bedeutet - trotz anderer fruherer Arbeiten, die ich nicht verleugnen mag (etwa die Schubert-Variationen ) - zusammen mit Souvenir und Funf Strophen wohl mein Opus 1, mit einer ahnlichen zugleich abschliessend ruckblickenden und aufbrechend vorwartsblickenden Rolle, die etwa Bergs Klaviersonate oder Weberns Passacaglia in deren Schaffen spielte. Ich war gepragt und fasziniert von der Reinheit und Konsequenz des damaligen nonfigurativen Vokalsatzes meines Lehrers Nono, bei welchem die Tone als gehaltene wahrend ihrer Dauer in fliessende Intervallbeziehungen zueinander treten, wobei diese uber flexible Dynamik und Klang- beziehungsweise Vokalfarben noch weiter innerlich artikuliert und hierarchisch abgestuft werden. Mein Vorhaben, von solcher Praxis bei der Entwicklung eines Klaviersatzes auszugehen (Nono hat damals wohlweislich nichts fur Klavier, uberhaupt kaum etwas fur Soloinstrumente geschrieben), war bewusst ein Versuch am widerspenstigen Objekt, wo doch der Klavierklang permanent unter den Handen zerrinnt. Den standig fliehenden Ton als Komponente von sich auf-, ab- und umbauenden Intervallstrukturen rechtzeitig zu nutzen und gerade dadurch den stereotypen Diminuendo-Charakter zugleich bewusst zu machen und wenn schon nicht zu uberwinden, so doch immer wieder zu uberlisten unter Einbeziehung von Pedal- und Flageolett-Techniken (mittels stumm gedruckter Tasten), aber auch durch Einbeziehung von tonalen Konsonanzen als horbar gemachten Obertonspektren, fuhrte zu Ergebnissen, in denen der Ausgangswiderspruch sich selbst thematisierte und die Form des Stuckes regelte. Andererseits fuhrte solche Auseinandersetzung mit dem Vorbild Nono zugleich von dessen Idiom weg zu einem Klangdenken, in dem Struktur nicht Mittel zu expressiven Zwecken, sondern Expressivitat als vorweg Gegebenes, den Mitteln bereits Anhaftendes, zum Ausgangspunkt fur strukturelle Abenteuer wurde. (Helmut Lachenmann, 1962) CDs: Marino Formenti (piano) CD Col legno WWE 20222 Steffen Schleiermacher (piano) CD MDG 613 1005-2 Roland Keller (piano) CD col legno 429 356-2 Helmut Lachenmann (piano) CD NEOS 11630

World premiere: Darmstadt (Darmstadter Ferienkurse), July 18, 1962.

Piano (Piano Solo)

SKU: HL.49046935

Solo Piano. Composed by Gregory Spears. Piano Solo. Classical. Softcover. 98 pages. Duration 6180 seconds. Schott Music #ED30418. Published by Schott Music (HL.49046935).

ISBN 9781705169353. UPC: 842819116837. 9.25x12.0x0.5 inches.

SEVEN DAYS is a cycle for solo piano in 21 movements, most lasting between three and seven minutes, distributed in the form of a custom app produced by the 92Y and released during their Fall 2021 season. Using the app on their phones, listeners are asked to listen to three movements a day according to an approximate schedule - one movement in the morning, one in the afternoon, and another sometime in the evening - for seven days. The music is performed by Pedja Muzijevic and presented alongside paintings by Gloria Maximo. (Please visit 92Y.org for information on how to download the Seven Days app.) The work is designed as a listening experience that tunes us into the passing of time, connecting us both to the present moment as well as the cycle of the week. The experience invites music to inhabit and structure our everyday - to find us where we are in the world. The morning-afternoonevening schedule is meant to focus participants on the dawn-to-dusk cycle as well as to create a communal listening ritual. It is also an experiment in large-scale form, designed to draw attention to musical material developing across a week-long expanse, interspersed with vast silences. SEVEN DAYS was shaped by a year spent in relative isolation due to the pandemic. While it is a work composed during a time of quarantine, it will be experienced first by an audience in the process of returning to a more normal world. In that sense, it is an artwork born out of a year of relatively cloistered existence that seeks to preserve aspects of that experience as we move forward. The piece was also inspired by the work of Morton Feldman and Chantal Akerman, whose large-scale works consider time, process, and stillness. Their art struck me with a fresh relevance during the silent stretches of the pandemic year 2020. It was also a year in which writings about time, penned by contemplatives like Henry David Thoreau and Thomas Merton, held new weight. All of this in turnresonated with Gloria Maximo's profound paintings, which I've long admired. SEVEN DAYS is an artwork we are invited to do - using music to point our attention to the present moment, the everyday, and the seemingly mundane. It is a piece listeners are also asked to live within as it unfolds over a week rather than to witness it live. The key players here are time and the listener's own surroundings, starring together alongside music and art in a wordless drama. -Gregory Spears.