Trumpet and Piano - intermediate SKU: BT.AMP-385-400 Trumpet and Piano...(+)
Trumpet and Piano -
intermediate
SKU:
BT.AMP-385-400
Trumpet and Piano.
Arranged by Philip
Sparke. Anglo Music
Play-Along Series.
Classical. Book with CD.
Composed 2014. 16 pages.
Anglo Music Press #AMP
385-400. Published by
Anglo Music Press
(BT.AMP-385-400).
ISBN
9789043135832. 9x12
inches.
English-German-French-Dut
ch.
Part of the
ANGLO MUSIC PLAY-ALONG
Series, Philip Sparkes 15
INTERMEDIATE CLASSICAL
SOLOS is aimed at the
young instrumentalist who
can play about an octave
and a half and follows on
from Sparkes 15 EASY
CLASSICAL SOLOS.
Specifically tailored to
suitthe individual
instrument, this book
introduces the developing
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range.
The
carefully selected pieces
include music from the
17th to the 19th century
and cover a wide variety
of styles, from Handel to
Tchaikovsky and from
Clementi to
Brahms.
The book
will provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15
Intermediate Classical
Solos, onderdeel van
de Anglo Music
Play-Along Series, is
bedoeld voor de jonge
instrumentalist die
ongeveer anderhalf octaaf
kan spelen. Het boek is
een vervolg op
Sparkeâ??s 15
EasyClassical Solos
en het sluit qua
instrumentaal bereik en
gebruikte toonsoorten aan
bij het Expert Level van
Hal Leonards Essential
Elements ®, maar
het kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën,
diespecifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen: van Handel tot
Tsjaikovski en van
Clementi tot Brahms.Het
boek bevat waardevol
materiaal ter aanvulling
op elke lesmethode en
wordt geleverd
metpianobegeleiding en
een cd met demo- en
meespeeltracks.
15
INTERMEDIATE CLASSICAL
SOLOS ist als
Ergänzung zur
bewährten ANGLO MUSIC
PLAY-ALONG Reihe gedacht
und richtet sich an
Schüler, die
ungefähr einen
Tonumfang von eineinhalb
Oktaven beherrschen. Es
schlieÃ?t an Sparkes 15
EASY CLASSICAL SOLOS an
undentspricht dem Niveau
des Expert Levels der
ESSENTIAL ELEMENTS
Methode von Hal Leonard,
kann aber auch
unabhängig davon
verwendet werden.
Genau auf jedes
Instrument zugeschnitten,
ermöglichen die
sorgfältig
ausgewählten Melodien
noch mehr Spielerfahrung
mit klassischer Musik.
Die Stücke umfassen
verschiedene
Stilrichtungen und
Komponisten wie z.B.
Händel, Tschaikowsky,
Clementi undBrahms.
Jeder Band bietet
wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15
Intermediate Classical
Solos is aimed at the
young instrumentalist who
can play about an octave
and a half and follows on
from Sparkeâ??s 15
Easy Classical
Solos.Specifically
tailored to suit the
individual instrument,
this book introduces the
developing player to the
world of the classics by
using simple yet
attractive melodies that
fit their limited range.
The carefully selected
pieces include music
fromthe 17th to the 19th
century and cover a wide
variety of styles, from
Handel to Tchaikovsky and
from Clementi to
Brahms.The book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and
ademo/play-along CD.
Chamber Music Cello, Flute, Piano, Piccolo SKU: PR.114419430 For picco...(+)
Chamber Music Cello,
Flute, Piano, Piccolo
SKU: PR.114419430
For piccolo/flute,
cello, and piano.
Composed by Stacy Garrop.
Sws. Set of Score and
Parts. 12+2+2 pages.
Duration 5 minutes.
Theodore Presser Company
#114-41943. Published by
Theodore Presser Company
(PR.114419430).
ISBN
9781491130803. UPC:
680160676750. 9 x 12
inches.
When Stacy
Garrop first heard the
Appalachian folk song
“Silver
Dagger†at a folk
festival, the simplicity
of the melody and its
cautionary love tale
enthralled her, leading
to several years
researching the song. She
discovered dozens of
variants of the
song’s text,
melody, and title.
Garrop’s trio is
inspired by two versions
of the folk song, as well
as motives from a third
version — her
exquisite setting of the
folk tunes creates a
fascinating 5-minute
work. SILVER DAGGER is
also available for
Clarinet, Cello, and
Piano, and for Violin,
Cello, and Piano.
O Holy Night Ensemble Jazz [Conducteur] - Débutant Alfred Publishing
Arranged by Victor Lopez. Jazz Ensemble; Score. Jazz Beginnings Series. Christma...(+)
Arranged by Victor Lopez.
Jazz Ensemble; Score.
Jazz Beginnings Series.
Christmas; Jazz; Sacred;
Winter. 16 pages.
Published by Alfred Music
(AP.40336S).
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-16. Published by
Breitkopf and Haertel
(BR.OB-32117-16).
ISBN
9790004350843. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-26. Published by
Breitkopf and Haertel
(BR.OB-32117-26).
ISBN
9790004350867. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-15. Published by
Breitkopf and Haertel
(BR.OB-32117-15).
ISBN
9790004350836. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-30. Published by
Breitkopf and Haertel
(BR.OB-32117-30).
ISBN
9790004350874. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-11. Published by
Breitkopf and Haertel
(BR.OB-32117-11).
ISBN
9790004350829. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Partitur-Bibliothek
(Score Library). Cantata;
Baroque. Sheet Music.
Duration 25'. Breitkopf
and Haertel #PB 32117.
Published by Breitkopf
and Haertel
(BR.PB-32117).
ISBN
9790004215845. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Cantata; Baroque. Sheet
Music. Duration 25'.
Breitkopf and Haertel #OB
32117-19. Published by
Breitkopf and Haertel
(BR.OB-32117-19).
ISBN
9790004350850. 10 x 12.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Cantata for Pentecost
- Urtext. Composed by
Johann Kuhnau. Edited by
David Erler. Choir;
stapled. Edition
Breitkopf. Cantata;
Baroque. Piano/Vocal
Score. Duration 25'.
Breitkopf and Haertel #EB
32117. Published by
Breitkopf and Haertel
(BR.EB-32117).
ISBN
9790004187258. 7.5 x 10.5
inches.
The cantata
Schmucket das Fest mit
Maien has survived
without any information
about the time of its
composition, its purpose,
or its scoring. The
librettist is also
unknown, although there
is a comparatively
similar text in the work
of the Silesian poet Hans
Assmann Freiherr von
Abschatz (1646-1699),
printed in Leipzig in
1704. Since the copy of
the score that serves as
the source for this
edition was probably
written after 1708, and
the work is closely
related to the cantata
Daran erkennen wir (PB
32090), it could have
been written during
Kuhnau's first years as
Thomaskantor from 1701
on.The text set to music
provides information
about the purpose of the
cantata. In the course of
the work, the image of
the bridegroom and his
bride from the Song of
Songs is reinterpreted as
the sending of the Holy
Spirit upon the
congregation of
Christians. In the first
part, passages from the
Song of Songs predominate
while the second part
quotes their symbolic
interpretations or treats
them in free poetry. In
the concluding chorale, a
stanza from Philipp
Nicolai's Wie schon
leuchtet der Morgenstern
(How beautifully the
morning star shines), the
outpouring and the flames
are also mentioned, so
the purpose to the feast
of Pentecost is
clear.Another special
feature of the cantata is
the varied and colorful
instrumentation with the
scoring of two flutes,
two oboes and bassoon in
individual movements, in
addition to the usual,
sometimes divided
strings.
Composed
by Victor Herbert.
Condensed score. With
Standard notation. 16
pages. Carl Fischer Music
#CY2118S. Published by
Carl Fischer Music
(CF.CY2118S).
ISBN
9780825888809. UPC:
798408088804.
Most
Americans became familiar
with the Scottish folk
song Auld Lang Syne
because of Guy Mr. New
Year's Eve Lombardo and
his long-running New
Year's Eve Party on CBS.
But it was Victor Herbert
who used the tune to
magnificent effect in his
Festival March a
generation earlier. The
March proved to be very
popular and Herbert kept
it for his own use for
many years, only finally
allowing its publication.
A performance by
Cleveland POPS is
available on YouTube.
Composed by James
Meredith. SWS FS. Carl
Fischer Concert
Performance Series. Set
of Score and Parts. With
Standard notation.
4+4+2+4+4+4+2+2+2+2+2+2+4
+4+4+2+2+3+3+3+2+4+1+1+1+
2+16 pages. Duration 5
minutes, 9 seconds. Carl
Fischer Music #CPS198.
Published by Carl Fischer
Music (CF.CPS198).
ISBN 9781491147542.
UPC: 680160905041. 9 x 12
inches.
The
beautiful English/Irish
folk song Kathleen
Mavourneen is the basis
for this ballad. The Grey
Dawn Is Breaking offers
an opportunity for young
musicians to stretch
their musical muscles by
developing expression
through dynamics,
phrasing, and even
rubato.
Composed by
Victor Herbert. Set of
Score and Parts. With
Standard notation.
16+2+4+4+4+2+4+4+2+2+4+2+
8+8+4+4+8+4+2+2+2+16+8+12
+12+20+12+12+6 pages.
Carl Fischer Music
#CY2118. Published by
Carl Fischer Music
(CF.CY2118).
ISBN
9781491144619. UPC:
680160902118. 9 x 12
inches.
Most
Americans became familiar
with the Scottish folk
song Auld Lang Syne
because of Guy Mr. New
Year's Eve Lombardo and
his long-running New
Year's Eve Party on CBS.
But it was Victor Herbert
who used the tune to
magnificent effect in his
Festival March a
generation earlier. The
March proved to be very
popular and Herbert kept
it for his own use for
many years, only finally
allowing its publication.
A performance by
Cleveland POPS is
available on YouTube.
Composed by James
Meredith. SWS. Carl
Fischer Concert
Performance Series. Full
score. With Standard
notation. 16 pages.
Duration 5 minutes, 9
seconds. Carl Fischer
Music #CPS198F. Published
by Carl Fischer Music
(CF.CPS198F).
ISBN
9781491148242. UPC:
680160905744. 9 x 12
inches.
The
beautiful English/Irish
folk song Kathleen
Mavourneen is the basis
for this ballad. The Grey
Dawn Is Breaking offers
an opportunity for young
musicians to stretch
their musical muscles by
developing expression
through dynamics,
phrasing, and even
rubato.
Composed by
Ed Kiefer. SWS. Full
score. With Standard
notation. 32 pages.
Duration 7 minutes, 26
seconds. Carl Fischer
Music #SPS65F. Published
by Carl Fischer Music
(CF.SPS65F).
ISBN
9781491141113. UPC:
680160629176. 9 x 12
inches.
This
wonderful new contest and
festival piece is based
on two folk songs, Rain
and Snow and Old Joe
Clark. It starts out with
the lush Rain and Snow
and builds to a beautiful
climax before leading
into the up-tempo
variants on Old Joe
Clark.
SKU: GI.G-CD-435 Composed by Denise La Giglia. Sacred. CD. GIA Publicatio...(+)
SKU: GI.G-CD-435
Composed by Denise La
Giglia. Sacred. CD. GIA
Publications #435.
Published by GIA
Publications
(GI.G-CD-435).
The harp and
the flute are among the
oldest instruments in the
world. These two
instruments have been
depicted in paintings and
sculptures from as early
as the beginnings of the
Cycladic civilization
(2800-2300 BC) in what is
now Turkey and Greece.
Paired together, the harp
and flute can produce an
ethereal sound that
calms, uplifts, soothes,
and delights the
listener. Their
musicality has been
captured by the great
composers of the baroque
and classical periods all
the way to moderns like
Shostakovitch and
Corigliano. Mystic Vista
is a collection of songs
Robert Hutmacher has
written over the past
eight years for musicals,
plays, and recitals,
together with five short
pieces from the French
repertoire. He and Denise
LaGiglia have performed
together for years, and
this recording brings
their musicianship to a
larger audience. The
title, cover photo, and
much of the music flows
from Bob's life,
research, and prayer in
his second home-Assisi,
Italy. In addition to
that unique Umbrian
flavor heard in his
previous recordings,
there are the usual
Hutmacher surprises.
Mystic Vista conveys a
wide variety of holy,
emotional, and artistic
moments, sure to
captivate the listener.
Duets, solos, and even
improvisations display
talent and
professionalism, the
diversity of style will
assure one is connected
with the aural beauty of
these timeless
instruments.
Full Score.
Composed by Scottish Folk
Song. Arranged by Carl
Strommen. SWS. Carl
Fischer Concert
Performance Series. Full
score. With Standard
notation. 16 pages. Carl
Fischer Music #CPS62F.
Published by Carl Fischer
Music (CF.CPS62F).
ISBN 9780825861666.
UPC: 798408061661. 9 X 12
inches. Text: Scottish
Folk Song.
The song
Annie Laurie was written
to her by William
Douglas, and amended by
Lady John Scott. This
song was a favorite with
Scottish soldiers during
the Crimean War. Composer
Carl Strommen gives us a
wonderful new setting of
this popular folk song
that explores all of the
glorious colors of the
modern concert band. A
great change of pace
piece for any concert and
a great way to improve
the musicianship of your
students.
Traditional Scottish
Folk Song - Full Score
and Parts. Composed
by Anonymous. Arranged by
Carl Strommen. FS-SWS.
Carl Fischer Concert
Performance Series. Score
and Set of Parts. With
Standard notation. 3+16
pages. Carl Fischer Music
#CPS62. Published by Carl
Fischer Music (CF.CPS62).
ISBN 9780825861659.
UPC: 798408061654. 9 X 12
inches. Key: Eb major.
Text: Scottish Folk
Song.
The song
Annie Laurie was written
to her by William
Douglas, and amended by
Lady John Scott. This
song was a favorite with
Scottish soldiers during
the Crimean War. Composer
Carl Strommen gives us a
wonderful new setting of
this popular folk song
that explores all of the
glorious colors of the
modern concert band. A
great change of pace
piece for any concert and
a great way to improve
the musicianship of your
students.
Composed by Jan Michael
Joncas. This edition:
Spiral edition. Mass.
Sacred. Collection. 96
pages. GIA Publications
#3137S. Published by GIA
Publications
(GI.G-3137S).
Recorded in
1988 and still considered
one of the most beautiful
mass settings ever
written, Michael Joncas's
No Greater Love offers
cathedral-style music
that invites
congregational
participation. Multiple
arrangements allow for
flexibility in format and
variety of
instrumentation.
Perfectly suited for
Lenten liturgies, No
Greater Love uses the
Eucharistic Prayer for
Reconciliation II, which
has as its theme the
mystery of
reconciliation. The
setting includes the
beloved song No Greater
Love, which has become a
popular classic and is
used regularly at
Catholic Masses year
after year. .
Chamber Ensemble SKU: SU.27080030 For Chamber Ensemble. Composed b...(+)
Chamber Ensemble
SKU:
SU.27080030
For
Chamber Ensemble.
Composed by Ben
Serna-Grey. Chamber
Music, Mixed Ensemble.
Score & Parts. Subito
Music Corporation
#27080030. Published by
Subito Music Corporation
(SU.27080030).
2 Flutes, Oboe,
English Horn, Viola, 2
Guitars, Acoustic Bass
Guitar, Piano, Tambourine
Duration: 4'45 Composed:
2015 Published by:
Distributed Composer This
mixed ensemble is a love
song to nature, as well
as a farewell song to a
late family friend and
mentor. Different timbres
and solo lines float on
top of a steady ostinato
in the piano, clusters
and dissonances adding
texture to the piece as
it builds to a climax
before falling quickly
back to the motive from
the beginning.
Choral (SAB Choir) SKU: HL.298192 Arranged by Don Sowers. Shawnee Press. ...(+)
Choral (SAB Choir)
SKU: HL.298192
Arranged by Don Sowers.
Shawnee Press. Concert.
Octavo. 12 pages.
Published by Shawnee
Press (HL.298192).
ISBN 9781540057914.
UPC: 888680951290.
6.75x10.5
inches.
What fun to
sing this new arrangement
of the popular Irish folk
song accompanied with a
sprightly piano, optional
flute and hand drum. Your
singers will feel as if
they are on the Emerald
Isle as they perform the
happy melody crafted with
harmonies and rhythmic
vocal lines. Flute and
Hand Drum parts are
available for download on
the Closer Look page.
Pueblo de Taos Big band [Conducteur et Parties séparées] Handelsware
Big band - difficult SKU: M7.SMP-1235 Concert Jazz, Odd-Meter. Arr...(+)
Big band - difficult
SKU: M7.SMP-1235
Concert Jazz,
Odd-Meter. Arranged
by Fred Sturm. Sheet
music. Score and parts.
Handelsware #SMP 1235.
Published by Handelsware
(M7.SMP-1235).
Based on a
traditional Native
American song, Fred Sturm
has created a truly
amazing masterpiece
capturing the beauty of
the melody with the
intricacies and
creativity of a big band.
Set in 15/8, this
odd-metered tune features
flute up front, with solo
space for piano and bass,
and plenty of powerful
ensemble passages. If
your band is up to it,
you will not regret
performing Pueblo de
Taos, and your audiences
will be delighted with
such a bold, fresh
selection.
5-4-4-4
Choral (SATB Choir) SKU: HL.298191 Arranged by Don Sowers. Shawnee Press....(+)
Choral (SATB Choir)
SKU: HL.298191
Arranged by Don Sowers.
Shawnee Press. Concert.
Octavo. 12 pages.
Published by Shawnee
Press (HL.298191).
ISBN 9781540057907.
UPC: 888680951283.
6.75x10.5
inches.
What fun to
sing this new arrangement
of the popular Irish folk
song accompanied with a
sprightly piano, optional
flute and hand drum. Your
singers will feel as if
they are on the Emerald
Isle as they perform the
happy melody crafted with
harmonies and rhythmic
vocal lines. Flute and
Hand Drum parts are
available for download on
the Closer Look page.
Choral TB Voices with Piano and optional flute SKU: CF.CM9532 Arranged by...(+)
Choral TB Voices with
Piano and optional flute
SKU: CF.CM9532
Arranged by Russell L.
Robinson. SWS.
Performance. With
Standard notation. 16
pages. Carl Fischer Music
#CM9532. Published by
Carl Fischer Music
(CF.CM9532).
ISBN
9781491150641. UPC:
680160908141. 6.875 x
10.5 inches.
This
thoughtful setting of a
traditional Scottish
melody features text by
Robert Burns, a harp-like
piano accompaniment, and
a lilting flute obbligato
giving it a Celtic feel.
Like so many folk songs
of this region, the
melody is beautifully
singable and richly
rewarding. Also available
for Three-Part Mixed
Voices (CM8734) and SA
Voices (CM8735).
Speaker, flute, viola,
guitar and percussion -
advanced
SKU:
HL.49015514
Schlaflied zum
Wachwerden?. Composed
by Barbara Heller.
Arranged by Siegfried
Schwab. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Score and
Parts. Composed 1995. 39
pages. Duration 13'.
Schott Music #ED 8619.
Published by Schott Music
(HL.49015514).
ISBN
9790001115483.
This
composition is based on
the song 'Lai, Lai, Lai'
written by a group of
intellectuals who were
executed in Teheran in
1973 during the reign of
the Shah. A song of the
Resistance, it depicts a
mother singing a lullaby
to her child and telling
it that its father has
been arrested and
imprisoned.Barbara Heller
composed this piece in
1989 and dedicated it to
all Iranian women.
Originally for violin and
piano, it has been
arranged for small
ensemble (Flute, Viola,
Guitar, Percussion ad
lib.) by Sigi Schwab and
the Diabelli-Trio; the
female speaker reads out
an introduction and then
recites the three verses
of the song in between
the five movements of the
suite.
