Twenty of young people's favorite classic themes in straightforward arrangements...(+)
Twenty of young people's
favorite classic themes
in straightforward
arrangements for
intermediate piano. This
book offers the average
pianist and even the
piano hobbyist a
collection of familiar
and enjoyable tunes for
entertainment or
performance use. The
well-known melodies
include: Flight of the
Bumblebee; Fur Elise;
Moonlight Sonata, First
Movement; Symphony No. 6
First Movement; Toccata
and Fugue in D Minor; and
more
(BR) SKU: HL.49041699 Das Buhnenrepertoire der Gegenwart. Composed...(+)
(BR)
SKU:
HL.49041699
Das
Buhnenrepertoire der
Gegenwart. Composed
by Hans Renner. This
edition: Paperback/Soft
Cover. Paperback. Serie
Musik. Der 'Renner' ist
eines der beliebtesten
Standardwerke unter den
Opernfuhrern. Er enthalt
in chronologischer
Reihenfolge Einfuhrungen
in nahezu 300 Werke sowie
die wichtigsten Begriffe
aus Musik und
Musiktheater. Jetzt in
aktualisierter
Neuauflage. 728 pages.
Schott Music #SEM 8203.
Published by Schott Music
(HL.49041699).
ISBN
9783254082039.
German.
Dieser
Fuhrer durch Oper,
Operette und Musical
enthalt in
chronologischer
Reihenfolge Einfuhrungen
in nahezu 300 Werke, die
im heutigen Spielbetrieb
als Standarwerke gelten,
aber auch in weniger
bekannte und dennoch
kunstlerisch wertvolle
Kompositionen. Neben
Inhalt, Entstehungszeit,
Textquellen, Librettisten
und stilistischer
Eigenart der Werke
enthalt Hans Renners
Fuhrer ein
Stichwortverzeichnis mit
Erklarungen der
wichtigsten Begriffe aus
dem Gebiet der Musik und
des Musiktheaters sowie
eine Bibliographie mit
Hinweisen auf
weiterfuhrende Literatur
und machen dieses Buch zu
einem umfassend
informierenden Begleiter
fur den Freund des
Musiktheaters.Renners
Fuhrer erscheint in einer
vollstandig
uberarbeiteten
Neuauflage. Hierfur wurde
eine Reihe von
zeitgenossischen sowie
'wieder entdeckten' Opern
in diesen Fuhrer neu
aufgenommen, der sonst
die Werke des heutigen
Standardrepertoires
weitgehend enthalt. Es
finden sich
Inhaltsangaben der
einzelnen Opern,
Anmerkungen uber deren
Entstehungszeit,
Textquellen und
Librettisten sowie die
stilistische Eigenart der
Musik. Es folgen die
wichtigsten Operetten
sowie ein erheblich
erweiterter Musical-Teil
und ein
Stichwortverzeichnis mit
Erklarungen der
wichtigsten Begriffe aus
dem Gebiet der Musik und
des Musiktheaters.
Chorus (with soloists) and piano (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0...(+)
Chorus (with soloists)
and piano (solos: TTB -
choir: SST(A)TBB -
2.0.0.0. - 0.0.0.0. -
vl.2va.vc/db)
SKU:
BR.ED-12658
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; Softbound. Mass;
Requiem; Baroque.
Piano/Vocal Score. 70
pages. Duration 55'.
Breitkopf and Haertel #ED
12658. Published by
Breitkopf and Haertel
(BR.ED-12658).
ISBN
9790220121760. 7.5 x 11
inches.
Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Requiem; Baroque. Part.
12 pages. Duration 55'.
Breitkopf and Haertel
#EOS 8047-20. Published
by Breitkopf and Haertel
(BR.EOS-8047-20).
ISBN
9790004789759. 8.5 x 11.5
inches.
Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; Softcover.
Eulenburg Orchestral
Series. Mass; Requiem;
Baroque. Part. 24 pages.
Duration 55'. Breitkopf
and Haertel #EOS 8047-15.
Published by Breitkopf
and Haertel
(BR.EOS-8047-15).
ISBN
9790004789735. 8.5 x 11.5
inches.
Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Requiem; Baroque. Part.
12 pages. Duration 55'.
Breitkopf and Haertel
#EOS 8047-19. Published
by Breitkopf and Haertel
(BR.EOS-8047-19).
ISBN
9790004789742. 8.5 x 11.5
inches.
Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Requiem. Composed
by Andre Campra. Edited
by Jean-Paul Montagnier.
Choir; stapled. Eulenburg
Orchestral Series. Mass;
Requiem; Baroque. Part.
16 pages. Duration 55'.
Breitkopf and Haertel
#EOS 8047-26. Published
by Breitkopf and Haertel
(BR.EOS-8047-26).
ISBN
9790004789766. 8.5 x 11.5
inches.
Among
Campra's Latin works, the
,Messe de mort' is
perhaps one of the more
successful and today it
is one of the more
frequently performed. It
is also the most
enigmatic score of his
entire output. Despite
extensive researches, no
evidence of any sort has
yet been brought to light
to document its origin,
purpose, date of
composition, first
performance or reception.
A stylistic analysis
indubitably supports the
contention that the
,Messe de mort' is a late
work, composed perhaps
between 1722 and 1729.
The present edition
is based on the
manuscript from the
Bibliotheque Nationale de
France (Paris). It it the
oldest known source of
the work. The very few
errors have been
corrected. (Jean-Paul
Montagnier) Vokalensemble
Stuttgart und den
Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Hail! Bright
Cecilia. Composed by
Henry Purcell. Stapled.
Eulenburg Orchestral
Series. Renaissance/early
Baroque; Baroque. Set of
parts. 40 pages. Duration
60'. Breitkopf and
Haertel #EOS 8063-30.
Published by Breitkopf
and Haertel
(BR.EOS-8063-30).
ISBN
9790004789827. 8.5 x 11.5
inches.
The Ode was
admirably set by Mr.
Henry Purcell, and
performed twice with
universal applause.
(The Gentlemen's
Journal, 1692)
The
popularity of Purcell's
setting is apparent from
the many sources that
survive and from the
printed extracts which
appeared almost
immediately after its
first performance. The
primary source for this
edition is the largely
autograph manuscript in
the Bodleian Library.
Rather to reduce the
orthography to a norm,
the capitalization of the
vocal text favours
Purcell's
preferences. (Christop
her Hogwood)
Vokalensemble Stuttgart
und den Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Hail! Bright
Cecilia. Composed by
Henry Purcell. Stapled.
Eulenburg Orchestral
Series. Renaissance/early
Baroque; Baroque. Part.
20 pages. Duration 60'.
Breitkopf and Haertel
#EOS 8063-26. Published
by Breitkopf and Haertel
(BR.EOS-8063-26).
ISBN
9790004789810. 8.5 x 11.5
inches.
The Ode was
admirably set by Mr.
Henry Purcell, and
performed twice with
universal applause.
(The Gentlemen's
Journal, 1692)
The
popularity of Purcell's
setting is apparent from
the many sources that
survive and from the
printed extracts which
appeared almost
immediately after its
first performance. The
primary source for this
edition is the largely
autograph manuscript in
the Bodleian Library.
Rather to reduce the
orthography to a norm,
the capitalization of the
vocal text favours
Purcell's
preferences. (Christop
her Hogwood)
Vokalensemble Stuttgart
und den Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0....(+)
Chorus (with soloists)
and piano (solos: SAATBB
- choir: SSAATB -
2rec.B-fl.2.0.0. -
0.2.0.0. - timp - str -
bc)
SKU:
BR.ED-10296
Hail!
Bright Cecilia.
Composed by Henry
Purcell. Edited by
Christopher Hogwood.
Choir; stapled.
Renaissance/early
Baroque; Baroque.
Piano/Vocal Score. 80
pages. Duration 60'.
Breitkopf and Haertel #ED
10296. Published by
Breitkopf and Haertel
(BR.ED-10296).
ISBN
9790220101977. 7.5 x 11
inches.
The Ode was
admirably set by Mr.
Henry Purcell, and
performed twice with
universal applause.
(The Gentlemen's
Journal, 1692)
The
popularity of Purcell's
setting is apparent from
the many sources that
survive and from the
printed extracts which
appeared almost
immediately after its
first performance. The
primary source for this
edition is the largely
autograph manuscript in
the Bodleian Library.
Rather to reduce the
orthography to a norm,
the capitalization of the
vocal text favours
Purcell's
preferences. (Christop
her Hogwood)
Vokalensemble Stuttgart
und den Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
6 Easy Concert Pieces. Composed by Arnold Trowell. Edited by Beverley Ellis. ...(+)
6 Easy Concert Pieces.
Composed by Arnold
Trowell.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition. 6
leichte Stucke fur
Violoncello und Klavier.
Classical. Softcover. Op.
4/7-12. 40 pages. Schott
Music #SE 1050. Published
by
Schott Music
Klarinettenschule fur
den fruhen Anfang.
Composed by Rudolf Mauz.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Die
Mauz-Klarinettenschule
richtet sich an Anfanger
und ist fur den Einzel-
und Gruppenunterricht
geeignet. Sie erscheint
in drei Banden, zu denen
jeweils auch ein
Spielbuch vorgelegt wird.
Durch leichte
Verstandlichkeit sowie
die Auswahl von
zahlreichen. Classical.
85 pages. Schott Music
#ED 8081. Published by
Schott Music
(HL.49015416).
ISBN
9783795751531. German.
Andreas
Schuermann.
Mauz'
clarinet method (German
and Bohm systems) is
aimed at beginners and
suitable for private and
group lessons. It is
published in three
volumes plus a separate
tune book each. The
method's easy
comprehensibility,
suitable selection of
numerous songs as well as
four-colour illustrations
will appeal especially to
clarinet pupils aged 8+.
Since such a method does
not exist in the
German-language area yet,
it fills that gap in the
market and is a real
addition to the Schneider
clarinet method (ED 4466
and ED 8638/39) which is
aimed at older pupils and
adults.Vol. 1: Detailed
treatment of the low
register. Introduction to
the dynamics and first
overblowing.
(BR) SKU: HL.49000737 Ferienkurse 1982. Edited by Friedrich Hommel...(+)
(BR)
SKU:
HL.49000737
Ferienkurse 1982.
Edited by Friedrich
Hommel. This edition:
Paperback/Soft Cover.
Book. Edition Schott.
Classical. 104 pages.
Schott Music #BN 1576-80.
Published by Schott Music
(HL.49000737).
ISBN
9783795715762.
7.25x9.75x0.357 inches.
German - English -
French.
Mixed choir (SSSSAAAATTTTBBBB) - difficult SKU: HL.49006767 Songs on p...(+)
Mixed choir
(SSSSAAAATTTTBBBB) -
difficult
SKU:
HL.49006767
Songs
on poems of
Scardanelli. Composed
by Heinz Holliger. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Study Score.
Composed 1975-1978/1979.
92 pages. Duration 60'.
Schott Music #ED 6887.
Published by Schott Music
(HL.49006767).
ISBN
9790001072830.
8.25x11.75x0.23
inches.
Fur eine
Auffuhrung ist immer ein
vollstandiger
Jahreszyklus aus den zur
Verfugung stehenden
Liedern auszuwahlen (fur
jede Jahreszeit ein
Lied). Die romischen
Ordnungszahlen konnen
beliebig gemischt werden.
Es kann mit jeder
beliebigen Jahreszeit
begonnen werden. Die
Reihenfolge der
Jahreszeiten bleibt aber
immer (Winter) - Fruhling
- Sommer - Herbst -
Winter - (Fruhling) etc.
Im Rahmen eines ganzen
Programms konnen auch
zwei oder sogar drei
verschiedene Zyklen von
je vier Liedern
aufgefuhrt werden, jedoch
nur, wenn die einzelnen
Zyklen durch andere Werke
voneinander getrennt
werden. Die Titel der
Lieder (ohne romische
Zahlen) sollen vor Beginn
des jeweiligen Liedes von
dem Sprecher angesagt
werden, der am Schluss
auch die Signatur und die
Datierung
liest.
Fur eine
Auffuhrung ist immer ein
vollstandiger
Jahreszyklus aus den zur
Verfugung stehenden
Liedern auszuwahlen (fur
jede Jahreszeit ein
Lied). Die romischen
Ordnungszahlen konnen
beliebig gemischt werden.
Es kann mit jeder
beliebigen Jahreszeit
begonnen werden. Die
Reihenfolge der
Jahreszeiten bleibt aber
immer (Winter) - Fruhling
- Sommer - Herbst -
Winter - (Fruhling) etc.
Im Rahmen eines ganzen
Programms konnen auch
zwei oder sogar drei
verschiedene Zyklen von
je vier Liedern
aufgefuhrt werden, jedoch
nur, wenn die einzelnen
Zyklen durch andere Werke
voneinander getrennt
werden. Die Titel der
Lieder (ohne romische
Zahlen) sollen vor Beginn
des jeweiligen Liedes von
dem Sprecher angesagt
werden, der am Schluss
auch die Signatur und die
Datierung liest.
Schott Student Edition
- Level 3. Composed
by Friedrich Kuhlau.
Edited by Monika
Twelsiek. This edition:
Saddle stitching. Sheet
music. Piano Solo.
Classical. Softcover. Op.
88/3. 20 pages. Schott
Music #SE1045. Published
by Schott Music
(HL.49046242).
ISBN
9783795716691. UPC:
888680950040. 9x12
inches. German - English
-
French.
“Thes
e real masterpieces, even
if only a few minutes
long, are of tremendous
melodiousness and
expressiveness!”,
Franz Schubert said about
Friedrich Kuhlau's
sonatinas.
The
four Sonatinas Op. 88
were written in 1827,
i.e. during Friedrich
Kuhlau's middle creative
period, even before the
great success of the
opera
“Elfenhügel.&r
dquo; and the year of
Beethoven's death. All
four works contain
beautiful melodic ideas,
but Sonatina Op. 88 No. 3
with its minor tonality,
its free treatment of
form and tempo in the
first movement and the
lively last movement is
something special. Of
medium difficulty, this
sonatina is great fun to
play.
This edition
is accompanied by a
preface and
“Teaching
Notes” by Monika
Twelsiek. It is part of
the new Schott Student
Edition series which
offers varied literature
at five different levels
of difficulty, from 1
(easy) to 5 (difficult),
for instrumental lessons.
For further information
on this series, see
www.schott-student-editio
n.com.
About Schott
Student
Edition
Th
e Schott Student Edition
gathers instrumental
works for music lessons
providing a unique and
varied repertoire
resource including
standard teaching works,
lesser known pieces which
are perfectly suited to
lessons as well as to
student concerts and
competitions.
Th
e repertoire is divided
into levels 1-5, from
very easy to difficult,
and includes works from
the Renaissance up to
modern performance
pieces. Each title is
graded, from very easy
works for beginners up to
demanding pieces for more
advanced students who are
preparing for further
study or
examinations.
Ev
ery work in the series
has been carefully
selected and edited by
experienced music
teachers. The editions
also contain a wealth of
information on the pieces
as well as useful advice
on studying, rehearsing
and interpreting the
works. The first titles
to be published in the
Schott Student Edition
series contain works for
violin, violoncello,
flute, clarinet and
recorder. Further
editions are in
preparation.
Organ SKU: BR.EB-8809 New Edition in 10 Volumes - Urtext. Composed...(+)
Organ
SKU:
BR.EB-8809
New
Edition in 10 Volumes -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Werner Breig.
Solo instruments;
Softbound. Edition
Breitkopf.
You will
find supplementary
material online
Baroque period. Score.
184 pages. Breitkopf and
Haertel #EB 8809.
Published by Breitkopf
and Haertel (BR.EB-8809).
ISBN 9790004183786.
12.5 x 10
inches.
The
now-published volumes 9
and 10 have presented a
special challenge, for
particularly in the field
of the chorale
arrangements the
transmissions are more
complex than in any other
group of works. This ties
in with the crucial
question of Bach's
authorship, which has
been the subject of much
controversy in the past.
There were heated
discussions about it even
just prior to our
edition, and editors and
publisher are aware that
the present selection is
a thoroughly debatable
snapshot. More on this in
the volumes' text
sections. The situation
of the chorale partitas
is not quite so dramatic,
whereby these holdings
also had to be subdivided
for reasons of
transmission into main
section, appendix, and
online presentation. The
so called
,,Neumeister-Chorale are
incorporated in the group
of the separately
transmitted chorale
settings in alphabetical
order, because the
compilation of the pieces
does not follow any
collection idea of Bach
(such as, for example,
his larger late
collections). The
indication
,,Neumeister-Sammlung
should facilitate the
attribution. Those works
requiring further
research, besides of some
versions, are presented
online, since their
profile reveals less
evidence of the true
author. Breitkopf has
given the world a
splendid edition of the
organ works of Bach.
These final two volumes
offer a wealth of
chorale-based music
benefiting from the very
latest research. Aside
from the edition's
obvious scholarly merit,
a practicing church
organist will love the
convenience and variety
of these volumes.
Recommended without
hesitation.(Jonathan B.
Hall, The American
Organist).
Klarinettenschule fur
den fruhen Anfang.
Composed by Rudolf Mauz.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 92
pages. Schott Music #ED
8082. Published by Schott
Music (HL.49015418).
ISBN 9783795751548.
German. Andreas
Schuermann.
Mauz'
clarinet method (German
and Bohm systems) is
aimed at beginners and
suitable for private and
group lessons. It is
published in three
volumes plus a separate
tune book each. The
method's easy
comprehensibility,
suitable selection of
numerous songs as well as
four-colour illustrations
will appeal especially to
clarinet pupils aged 8+.
Since such a method does
not exist in the
German-language area yet,
it fills that gap in the
market and is a real
addition to the Schneider
clarinet method (ED 4466
and ED 8638/39) which is
aimed at older pupils and
adults.Vol. 2: Careful
expansion of the tonal
range (up to C''') and of
the dynamics. Scales and
triads up to 3# and
3b.
(HC) SKU: HL.49020899 Fragte Otto Klemperer. Composed by Grubb. Th...(+)
(HC)
SKU:
HL.49020899
Fragte
Otto Klemperer.
Composed by Grubb. This
edition: Hardback/Hard
Cover. Book. Edition
Schott. Suvi Raj Grubb,
Produzent des klassischen
Schallplattengrogramms in
den beruhmten Studios der
EMI/His Master's Voice,
gibt Grubb in diesen
Erinnerungen einen
kenntnisreichen Einblick
in die
Schallplatteneinspielung
an der Abbey Road, als
sich die Grossen. 297
pages. Schott Music #ATL
6601. Published by Schott
Music (HL.49020899).
ISBN 9783254002150.
German.
In den
sechziger Jahren gab es
in ganz Europ fur viele
Kunstler der klassischen
Musik nur eine Adresse
fur
Schallplatteneinspielunge
n: EMI/His Master's Voice
an der Abbey Road in
London. Und der Grund fur
eine Reise in die
Hauptstadt des
Inselreichs waren zwei
Manner in den Studios.
Der legendare Walter
Legge und sein Assistent,
der aus Indien emigrierte
Suvi Raj Grubb, der von
1963 an die Produktion
der
Schallplattenaufnahmen
uberwachte und damit
massgeblich zum Erfolg
der Kunstler und des
Labels beitrug.In seinen
Erinnerungen lasst Grubb
die Blutezeit der
Schallplatte noch einmal
Revue passieren und den
Leser gleichsam als
Insider teilnehmen an
diesen Aufnahmen, lasst
ihn all den beruhmten
Kunstlern uber die
Schulter blicken und sie
bei ihrer Arbeit
beobachten. Grubb erzahlt
spannend und halt auch
dort nicht zuruck, wo es
problematische Aspekte zu
thematisieren gilt:
beispielsweise den oft
sehr schwierigen Umgang
mit eigenwilligen
Kunstlerindividualitaten.
Entstanden ist eine Reihe
liebenswerter,
informativer und im
Detail durchaus auch
kritischer
Kunstlerportraits: ein
Muss fur alle Liebhaber
und Kenner klassischer
Schallplatten.
Clarinet - easy SKU: HL.49015417 German Text. Composed by Rudolf M...(+)
Clarinet - easy
SKU:
HL.49015417
German
Text. Composed by
Rudolf Mauz. This
edition: Paperback/Soft
Cover. Sheet music with
CD. Edition Schott.
Classical. Edition with
CD. 84 pages. Schott
Music #ED8081-50.
Published by Schott Music
(HL.49015417).
ISBN
9783795756413. UPC:
073999351781.
9.0x12.0x0.228 inches.
German. Andreas
Schuermann.
The
Mauz clarinet method
(German and Bohm system)
is aimed at beginners and
is suitable for
individual or group
lessons. It is published
in three volumes, each of
which has a tune book
available to go with it.
Easy to understand, with
a large selection of
songs and illustrations
in four colours
throughout, this method
is designed to appeal to
younger clarinettists
from the age of about 8.
Now volume 1 of this
method, which has by now
established itself as a
standard work, is also
available with a CD. This
makes it even more fun to
play, for the CD contains
many of the pieces both
with clarinet and as a
play-along accompaniment.
Some of the faster pieces
are also recorded at a
slower tempo for
practice.
Hand percussion and bodhran - Beginning; Intermediate; Advanced SKU: MB.22062...(+)
Hand percussion and
bodhran - Beginning;
Intermediate; Advanced
SKU: MB.22062M
Composed by Michel Merhej
Baklouk. Squareback
saddle stitch,
Percussion: Hand
Percussion and Bodhran,
Method. World Music. Book
and online audio. 128
pages. Mel Bay
Publications, Inc
#22062M. Published by Mel
Bay Publications, Inc
(MB.22062M).
ISBN
9781513460536. 8.75 x
11.75 inches.
Built
around the life and
teachings of master
percussionist, Michel
Merhej Baklouk, this book
has been designed as a
biographical tribute, a
teaching manual, and a
resource guide for anyone
wishing to develop a
deeper understanding of
the role that percussion
plays in Near Eastern
Arabic music. This book
differs from most
technique manuals in that
it includes historical
information about Arabic
music as it pertains to
the life and work of a
single artist, Michel
Merhej Baklouk.The book
is composed of three
parts: Introduction,
Lessons, and Reference
Information. Each part is
written to stand on its
own as well as fit with
the whole so that readers
can approach the book
either as individual
articles and lessons, or
in its entirety, to be
read from cover to cover.
By presenting Michel's
work in this way, we hope
to appeal to a wider
audience, percussion
students at varying skill
levels and from varying
music disciplines and
backgrounds, students of
music and Middle Eastern
studies, or anyone else
interested in twentieth
century Arab music and
culture.The first part,
Introduction, contains
several essays about
Michel's life, his
teaching philosophy,
pedagogical practices,
musical aesthetics and
performance practices.
Although these sections
may be read
independently, they are
also designed to help
percussion students apply
the book's lessons to
their own playing and
musical
interpretations.The
technical focus of this
book is on the riqq;
however, students of
Arabic music (beginning
through advanced) can
adapt the practical
exercises to gain mastery
of the percussion
instrument(s) of their
choice.The second part,
Lessons, begins with
information about how to
hold the percussion
instrument (case in
point: the riqq) and how
to practice effectively.
It then presents the body
of exercises that Michel
developed for his
students. These exercises
have been taken directly
from Michel's notated
lessons, which he
developed into units
corresponding to levels
of proficiency, or
academic years as he
taught them at the
Conservatory in Beirut;
however, for the purposes
of this book, the
exercises are reorganized
to correspond to subject
matter and only roughly
mirror Michel's
conservatory sequence.
Unit 1, Technique
Building Exercises, is
aimed at novice players
or anyone who is new to
reading music. Units 2
through 5 focus on
specific rhythmic
structures with
increasing complexity.
Students should master
each unit of exercises
before proceeding to the
next unit. The third
part, Reference
Information, includes a
notation reference, a
list of rhythms, a list
of further reading
recommendations, and a
glossary of Arabic music
terms, many of which are
used in the text. All
Arabic words in this book
appear in italics, except
proper names, and with
the exception of some
proper Arab names, the
text is essentially
written in the standard
system of transliteration
used by the Library of
Congress and most
academic literature
Throughout the book you
will see quotations from
Michel offset in the
text. These prosaic
tidbits may be words of
wisdom, interesting
anecdotes about Michel's
life, or insights into
his work and world of
music.Each provides a
glimpse into the
personality of this
exceptional musician. As
a technical manual for
students of Arabic
percussion, Classical
Riqq Technique provides
specific exercises and
explores important
concepts, some of which
are rarely taught, even
in private lessons. At
the same time, this book
strives for a broader
goal, to present and
preserve classical
percussion from the
perspective of a master
who not only lived in but
also influenced the
golden age of Arabic
music. Includes access to
online audio.
(BR) SKU: HL.49033244 Musiklehre fur Kinder. Composed by Rudolf Ny...(+)
(BR)
SKU:
HL.49033244
Musiklehre fur
Kinder. Composed by
Rudolf Nykrin. This
edition: Paperback/Soft
Cover. Book. Edition
Schott. 72 pages. Schott
Music #ED 9690. Published
by Schott Music
(HL.49033244).
ISBN
9783795704995.
9.0x12.0x0.192 inches.
German. Michael
Boland.
'Mit Musik
kenne ich mich aus' is a
handbook of music theory
for children which is a
lot of fun. Important
basics of music are
presented in a clear and
easy format: note values
and rests, times,
rhythms, scales,
intervals, dynamics,
articulation, etc are
addressed. The contents
are consolidated through
practical exercises: by
singing and playing,
reading and writing.
Numerous exercises and
music riddles (incl.
solutions) help to deepen
what has just been
learnt. Songs with piano
accompaniment that
correspond to the
respective topic liven up
the matter. The exercise
book is the ideal
companion for
instrumental lessons as
well as for basic music
education and children's
choir - Suitable for all
instruments.
Volume 2, Nos. 34-52 - Book with 2 CDs - Revised Edition. Composed by Car...(+)
Volume 2, Nos. 34-52 -
Book with 2 CDs - Revised
Edition. Composed by
Carl Baermann
(1810-1885). Edited by
Robert Erdt. This
edition: Saddle
stitching. Sheet music
with CD. Woodwind Method.
Die Klarinettenschule op.
63 von Carl Baermann aus
dem Jahr 1867 gilt noch
heute als das
Standardwerk in der
klassischen
Klarinettenausbildung.
Die grundlegend
uberarbeitete Neuausgabe
hat sich zum Ziel
gesetzt, das padagogische
Konzept, das heute immer
n. Educational,
Classical. Edition with 2
CDs, Softcover with CD.
Op. 63. 84 pages. Schott
Music #ED21762-50.
Published by Schott Music
(HL.49044754).
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
58
Easy Pieces for
Guitar. Arranged by
Martin Hegel. This
edition: Saddle
stitching. Sheet music
with CD. Guitar. Dieses
Heft enthalt alles, was
man fur den
Gitarrenunterricht
braucht: 58 leichte
originale Gitarrenstucke
von Aguado, Mertz,
Diabelli, Carulli, Sor
oder Carcassi, aber auch
leicht spielbare
Bearbeitungen der
klassischen Musik aus den
Bereichen Orchesterm.
Softcover with CD. 46
pages. Schott Music
#ED21305. Published by
Schott Music
(HL.49019327).
ISBN
9783795747558. UPC:
841886018204.
9.0x12.0x0.2
inches.
This volume
contains everything
needed for guitar
lessons: 58 easy original
guitar pieces by Aguado,
Mertz, Diabelli, Carulli,
Sor or Carcassi, but also
easy-to-play arrangements
of classical music from
the fields of orchestral
music, chamber music or
opera. Among them are
themes from Vivaldi's
Four Seasons, from
Handel's Music for the
Royal Fireworks, Mozart's
Magic Flute, Beethoven's
Symphony No. 9 or Verdi's
Chorus of the Hebrew
Slaves. It is this
volume's concern to make
classical masterpieces of
concert literature
accessible to children by
means of such rather easy
arrangements and make
them enjoy classical
music. All pieces are
recorded on the
accompanying CD to make
it easier for the pupils
to study and master the
works.
Clarinet in B-Flat - intermediate SKU: HL.49015561 Klarinettenschule f...(+)
Clarinet in B-Flat -
intermediate
SKU:
HL.49015561
Klarinettenschule fur
den fruhen Anfang.
Composed by Rudolf Mauz.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 84 pages.
Schott Music #ED 8778.
Published by Schott Music
(HL.49015561).
ISBN
9783795753542. German.
Andreas
Schuermann.
This
clarinet method (German
and Bohm systems) is
aimed at beginners and
suitable for private and
group lessons. The method
is complemented by tune
books for clarinet(s) and
piano. - Well-measured,
child-oriented increase
of the level of
difficulty -
Well-balanced ratio of
exercises, melodies and
duos - Tips for
improvising and composing
- Accompanying texts,
information, photos and
illustrations.Vol. 3:
Expansion of times, keys,
rhythms and of the tonal
range. Major ornaments
and the chromatic
scale.
Concert Band/Harmonie - Grade 4 SKU: BT.1165-04-140-MS Arranged by Toshio...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.1165-04-140-MS
Arranged by Toshio
Mashima. New Sounds for
Concert Band. Pop & Rock.
Score Only. Composed
2004. Music Sales
#1165-04-140 MS.
Published by Music Sales
(BT.1165-04-140-MS).
Can't Take
My Eyes Off You war
ein Riesenerfolg für
das Duo Bob Crewe und Bob
Gaudio. Bekannte
Künstler, wie unter
anderem Diana Ross,
Gloria Gaynor und
später die Pet Shop
Boys, brachten den Titel
über drei Jahrzehnte
hinweg immer wieder in
die Hitparaden und die
Menschen in den Discos
zum Tanzen. Toshio
Mashima bearbeitete den
unwiderstehlich flotten
Popsongs für
Blasorchester. Bei diesem
Titel kann niemand still
sitzen!
There have been
many arrangements of
Beatles’ songs for
various kinds of
ensembles, so rather than
just producing a further
medley of Beatles’
hits, Peter Kleine
Schaars has added a new
twist to them with this
excellent new work. All
You Need Is Love and With
a Little Help from my
Friends pass by in a
swing march, Michelle
sounds like a newly
composed ballad and When
I’m Sixty Four is
played in Dixie swing
style. A Hard
Day’s Night is
transformed into a funk
theme with a samba
interlude, Let It Be into
a slow march, and
Ob-La-Di, Ob-La-Da in a
rock beat. Experience The
Beatles as you have never
heard them before.
2 to 12 equal and mixed voices a cappella (Score) - easy SKU: HL.49013309 ...(+)
2 to 12 equal and mixed
voices a cappella (Score)
- easy
SKU:
HL.49013309
Composed
by Rudolf Hartl. This
edition: Paperback/Soft
Cover. Sheet music.
Bausteine fur
Musikerziehung und
Musikpflege. Classical.
Choral Score. 24 pages.
Schott Music #B 169.
Published by Schott Music
(HL.49013309).