By Carlos Santana. Arranged by Michael Philip Mossman. Score and Parts. Jazz Ensemble Library. Grade 4. Published by Hal Leonard

Composed by Carlos Santana. Arranged by Rick Mattingly. For Percussion, Percussion Ensemble (Score and Parts). Leopard Percussion Ensemble. Grade 3. Published by Hal Leonard

By Santana. By Carlos Santana. Arranged by Michael Brown and Will Rapp. Score and Parts. Esprit Marching Band. Softcover. Published by Hal Leonard

Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxophone, soprano Saxophone

SKU: PR.114419980

Composed by Stacy Garrop. Sws. Set of Score and Parts. 32+16+16+16+16+16 pages. Duration 16 minutes. Theodore Presser Company #114-41998. Published by Theodore Presser Company (PR.114419980).

UPC: 680160681723. 9 x 12 inches.

The ancient Egyptian empire began around 3100 B.C. and continued for over 3000 years until Alexander the Great conquered the country in 332 B.C. Over the centuries, the Egyptian empire grew and flourished into a highly developed society. They invented hieroglyphics, built towering pyramids (including the Great Pyramid of Giza, the oldest of the Seven Wonders of the World), and the created many household items we still use today, including toothbrushes, toothpaste, eyeliner, black ink, and the forerunner of modern-day paper. Included among their achievements were a series of highly developed funerary practices and beliefs in the Afterlife. As the average lifespan of an Egyptian hovered around 30 years, living past the death of oneAs physical body was a legitimate concern. Egyptians believed that upon death, their souls would undertake a harrowing journey through the Netherworld. If they survived the horrific creatures and arduous trials that awaited them, then their souls would be reunified with their bodies (hence the need to preserve the body through mummification) and live forever in a perfect version of the life they had lived in Egypt. To achieve this, Egyptians devised around 200 magical spells and incantations to aid souls on the path to the Afterlife. These spells are collectively called The Book of the Dead. Particular spells would be chosen by the family of the deceased and inscribed on the tombAs walls and scrolls of papyrus, as well as on a stone scarab placed over the deceasedAs heart. Subsequent collections of spells and mortuary texts, such as The Book of Gates, assisted a soul in navigating the twelve stages of the Netherworld. Not only did these spells protect and guide the soul on this dangerous path, but they also served as a safeguard against any unbecoming behavior an Egyptian did while alive. For instance, if a person had robbed another while alive, there was a spell that would prevent the soulAs heart from revealing the truth when in the Hall of Judgment. Rites for the Afterlife follows the path of a soul to the Afterlife. In Inscriptions from the Book of the Dead (movement 1), the soul leaves the body and begins the journey, protected by spells and incantations written on the tombAs walls. In Passage though the Netherworld (movement 2), the soul is now on a funerary barque, being towed through the Netherworld by four of the regionAs inhabitants. We hear the soul slowly chanting incantations as the barque encounters demons, serpents, crocodiles, lakes of fire, and other terrors. The soul arrives at The Hall of Judgment in movement 3. Standing before forty-two divine judges, the soul addresses each by name and gives a A!negative confessionA(r) connected to each judge (i.e. A!I did not rob,A(r) A!I did not do violence,A(r) and so on). Afterwards, the soulAs heart is put on a scale to be weighed against a feather of MaAat, the goddess of truth. If the heart weighs more than the feather, it will be eaten by Ammut, a hideous creature that lies in wait below the scale, and the soul will die a second and permanent death (this was the worst fear of the Egyptians). But if the heart is in balance with the feather, the soul proceeds onward. The final stage of the journey is the arrival at The Field of Reeds (movement 4), which is a perfect mirror image of the soulAs life in ancient Egypt. The soul reunites with deceased family members, makes sacrifices to the Egyptian gods and goddess, harvests crops from plentiful fields of wheat under a brilliant blue sky, and lives forever next to the abundant and nourishing waters of the Nile. Rites for the Afterlife was commissioned by the Barlow Endowment on behalf of the Akropolis Reed Quintet, Calefax Reed Quintet, and the Brigham Young University Reed Quintet. -S.G.

Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxophone, soprano Saxophone

SKU: PR.11441998S

Composed by Stacy Garrop. Sws. Full score. 32 pages. Duration 16 minutes. Theodore Presser Company #114-41998S. Published by Theodore Presser Company (PR.11441998S).

UPC: 680160681730. 9 x 12 inches.

The ancient Egyptian empire began around 3100 B.C. and continued for over 3000 years until Alexander the Great conquered the country in 332 B.C. Over the centuries, the Egyptian empire grew and flourished into a highly developed society. They invented hieroglyphics, built towering pyramids (including the Great Pyramid of Giza, the oldest of the Seven Wonders of the World), and the created many household items we still use today, including toothbrushes, toothpaste, eyeliner, black ink, and the forerunner of modern-day paper. Included among their achievements were a series of highly developed funerary practices and beliefs in the Afterlife. As the average lifespan of an Egyptian hovered around 30 years, living past the death of oneAs physical body was a legitimate concern. Egyptians believed that upon death, their souls would undertake a harrowing journey through the Netherworld. If they survived the horrific creatures and arduous trials that awaited them, then their souls would be reunified with their bodies (hence the need to preserve the body through mummification) and live forever in a perfect version of the life they had lived in Egypt. To achieve this, Egyptians devised around 200 magical spells and incantations to aid souls on the path to the Afterlife. These spells are collectively called The Book of the Dead. Particular spells would be chosen by the family of the deceased and inscribed on the tombAs walls and scrolls of papyrus, as well as on a stone scarab placed over the deceasedAs heart. Subsequent collections of spells and mortuary texts, such as The Book of Gates, assisted a soul in navigating the twelve stages of the Netherworld. Not only did these spells protect and guide the soul on this dangerous path, but they also served as a safeguard against any unbecoming behavior an Egyptian did while alive. For instance, if a person had robbed another while alive, there was a spell that would prevent the soulAs heart from revealing the truth when in the Hall of Judgment. Rites for the Afterlife follows the path of a soul to the Afterlife. In Inscriptions from the Book of the Dead (movement 1), the soul leaves the body and begins the journey, protected by spells and incantations written on the tombAs walls. In Passage though the Netherworld (movement 2), the soul is now on a funerary barque, being towed through the Netherworld by four of the regionAs inhabitants. We hear the soul slowly chanting incantations as the barque encounters demons, serpents, crocodiles, lakes of fire, and other terrors. The soul arrives at The Hall of Judgment in movement 3. Standing before forty-two divine judges, the soul addresses each by name and gives a A!negative confessionA(r) connected to each judge (i.e. A!I did not rob,A(r) A!I did not do violence,A(r) and so on). Afterwards, the soulAs heart is put on a scale to be weighed against a feather of MaAat, the goddess of truth. If the heart weighs more than the feather, it will be eaten by Ammut, a hideous creature that lies in wait below the scale, and the soul will die a second and permanent death (this was the worst fear of the Egyptians). But if the heart is in balance with the feather, the soul proceeds onward. The final stage of the journey is the arrival at The Field of Reeds (movement 4), which is a perfect mirror image of the soulAs life in ancient Egypt. The soul reunites with deceased family members, makes sacrifices to the Egyptian gods and goddess, harvests crops from plentiful fields of wheat under a brilliant blue sky, and lives forever next to the abundant and nourishing waters of the Nile. Rites for the Afterlife was commissioned by the Barlow Endowment on behalf of the Akropolis Reed Quintet, Calefax Reed Quintet, and the Brigham Young University Reed Quintet. -S.G.

(Guitar). By Various. Fake Book. Softcover. Guitar tablature. 518 pages. Published by Hal Leonard

Guitar Play-Along Volume 93. By Various. Guitar Play-Along. Rock. Softcover Audio Online. With guitar tablature. 72 pages. Published by Hal Leonard

By Various. For Guitar. Guitar Collection. Softcover. Guitar tablature. 256 pages. Published by Hal Leonard

(Includes USB Flash Drive with 100 Select MP3 Backing Tracks). By Various. For Guitar. Guitar Collection. Softcover with USB. Guitar tablature. 752 pages. Published by Hal Leonard

(Transcriptions - Lessons - Bios - Photos). Guitar Book. Softcover with CD. Guitar tablature. 106 pages. Published by Hal Leonard

(40 Songs of Peace & Love That Were Played at Woodstock). Piano/Vocal/Guitar Songbook. Softcover. 208 pages. Published by Hal Leonard

Piano (KL) - easy

SKU: HL.49032862

Ten easy arrangements. Composed by Luedemann. Arranged by Hans Luedemann. This edition: Saddle stitching. Sheet music. Edition Schott. 28 pages. Schott Music #ED 8948. Published by Schott Music (HL.49032862).

ISBN 9783795753917.

Leic hte und gut klingende Klavier-Arrangements von Top-Pianisten und -Arrangeuren. Nimm's Piano light!

(Guitar Play-Along DVD Volume 36). By Santana. Guitar Play-Along DVD. DVD. Guitar tablature. Published by Hal Leonard

This edition: Authentic Guitar TAB. Guitar Personality. Book. 312 pages. Published by Alfred Publishing.

By Santana. Guitar Recorded Version. Softcover. With guitar tablature. 224 pages. Published by Hal Leonard

Performed by Santana. Edited by Aaron Stang. Guitar songbook (easy guitar). 64 pages. Published by Alfred Publishing

Performed by Carlos Santana. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams and guitar notation legend. Rock and pop rock. 80 pages. 9x12 inches. Published by Warner Brothers.

(Guitar Play-Along DVD Volume 22). By Various. Guitar Play-Along DVD. DVD. Guitar tablature. Published by Hal Leonard

A Step-by-Step Breakdown of His Playing Techniques. By Carlos Santana. Signature Licks Guitar. Softcover Audio Online. With guitar tablature. 80 pages. Published by Hal Leonard

(Note-for-Note Keyboard Transcriptions). By Various. For Piano/Keyboard. Note-for-Note Keyboard Transcriptions. Softcover. 314 pages. Published by Hal Leonard

Performed by Santana. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams, guitar notation legend and black and white photos. Rock, pop rock and latin pop. Series: Hal Leonard Guitar Recorded Versions. 96 pages. 9x12 inches. Published by Hal Leonard.

By Various. Guitar Collection. Softcover with CD. Guitar tablature. 752 pages. Published by Hal Leonard