Cet ouvrage est le son saxophone parfait. D'une manière décontractée, mais néanmoins exacte, Dirko Juchem explique tous les effets qu'un saxophoniste devrait être capable de maître sur son instrument : professionnel de respiration, embouchure, intonation, vibrato, growl, subtone, fausses doigtés, notes hautes, Lauba, jazz et le phrasé de roche sont tous attaquer en détail et démontrée sur le CD qui l'accompagne. Session supplémentaire pistes offrent la possibilité de mettre les connaissances acquises en pratique immédiatement 'avec une bande'.En raison de la façon décontractée de transmettre les connaissances fondamentales, ' Saxophon-Sound ' est un ajout précieux enseignements instrumental et même le saxophoniste expérimenté trouveront les techniques avancées, telles que les doigtés fausses ou des notes élevées, à être professionnel pratiquant matériel. ' Saxophon-Sound ' est idéal pour des leçons de saxophone et peut être utilisé comme matériau accompagnement motivant à toute méthode coutumier.Nouvelle édition 2005 / Saxophone

This edition contains the latest pop songs and movie soundtracks along with timeless classics all in easy arrangements for flute that sound great. Happy (Pharrell Williams), Shake It Off (Taylor Swift) and Walking On Sunshine (Katrina and the Waves) are among the chart-topping titles included in the series. All tunes are arranged for one player with an optional duet part. / 1 Ou 2 Flûte(s) Traversière(s)

Neuf chansons du film de renommée mondiale et de comédie musicale ont été soigneusement pris pour le soliste de Flute, complet avec un ensemble de bande pleine sauvegarde des pistes. Avec ces mélodies familiers et mémorables que Edelweiss et My Favorite Things, The Sound Of Music offre un monde de la musique que vous et vous auditoire seront ravis. De plus, les accompagnements spécialement enregistrés seront vraiment de transformer vos performances ! / Flûte Traversière / 12 pages / Partition + Cd

- Decca Sound - The Analogue Years (Decca box set) by Various Artists (2013-10-03)

Put all those 'extra-curricular' sounds your students like to make on their instruments to good use in this fun and entertaining novelty selection. Your audience will laugh out loud as each section takes a turn adding an unusual sound to a simple dance in 3/4 time. As the piece progresses the counting gets more and more challenging, keeping all of your students on their toes. There's even a part for a solo 'vocalist' to show off their screaming and gargling skills! (3:45) / Orchestre A Cordes

A Proven Method to Increase Technique and Become a Complete Saxophonist. Par MAINELLA NICK. Your warm-up time is a precious thing. It can get you off to a great day of practicing or it can set you back every time you pick up your instrument. Learning the correct way to warm up will benefit every part of your playing and send you on your way to mastering the saxophone! This book is the product of the last 10 years of building my warm-up routine and will teach you my proven method guaranteed to improve your playing by leaps and bounds. The exercises in this book are designed specifically for the range of the saxophone and address some of the most common problems that people who play this instrument run into. The main areas of study in this method are: 1. Sound Concepts 2. Scales and Arpeggios 3. Working with a Metronome 4. How to Structure Your Time A good day starts off on the right foot and a good practice session starts off with a quality warm-up. Treat your warm-up time with the care and precision that a brass player or drummer does, and turn a repetitive routine into a new one which challenges you every day. / Niveau : 3 / Formation musicale / Date parution : 2018-05-04/ Etude / Saxophone

Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions

As one of Hollywood's most memorable films, and perhaps the greatest screen adaptation of a novel ever, the 1939 Wizard Of Oz brought the words to music, entrenching the songs in popular culture and ensuring their timelessness. With this Piano, Vocal and Guitar book, you can learn every song from the hit movie.There were other film adaptations of L. Frank Baum's book before and after it, but the 1939 version, starring Judy Garland, remains the one where visual imagination and unforgettable songs gave us a definitive version. What 'Yip' Harburg and Harold Arlen created was a film bursting with unforgettable musical sequences, putting their talented songwriting brains together to produce this most famous of musicals. Obviously, a song like Over The Rainbow needs no introduction, winning an Academy Award for resonating with our desire for something better, and becoming especially prescient given the world war about to erupt.The rest of Harburg and Arlen's songs for the film are just as evocative, instantly conjuring Dorothy's legendary journey from Kansas to Oz and back. An absolute pleasure to perform, these songs belie their 75-year vintage and sound as fresh today as they did when audiences were first thrilled to hear them in the cinema. In this Wizard Of Oz sheet music song book, every song from the film is included, Ding Dong The Witch Is Dead, We're Off To See The Wizard, Follow The Yellow Brick Road, If I Only Had A Brain and If I Only Had A Heart, plus more.Arranged for Piano, Vocal and Guitar, each fantastic song includes vocal melody, Piano parts, Guitar chord boxes and symbols and full lyrics. It really is everything you need to learn the songs exactly as they were played and sung in the film version. You are guaranteed to enjoy performing the famous songs, and you'll love discovering the more unfamiliar ones if you don't already know them by heart! Because of the nature of these songs, they'll never go out of fashion, so you'll always have something great to perform.If you've ever wanted to learn Over The Rainbow note for note, or how exactly the ensemble sang We're Off To See The Wizard, look no further than this Wizard Of Oz sheet music song book, arranged for Piano, Vocal and Guitar. / Piano/Vocal/Guitare (PVG)

Par WASTALL PETER. Le tuteur de niveau intermédiaire progresse sur d'apprendre que vous jouez. Des séances de pratique sont un cours soigneusement structuré offrant une gamme d'études afin de promouvoir la technique et jouant expressif et de répertoire. Comprend un accent spécial sur jouer par l'oreille et de l'improvisation - fournissant parallèles utiles aux études GCSE et National Curriculum (norme de niveaux 3-5 UK)./ Répertoire / Clarinette et Piano

Par FROSTICK RICHARD. 'Sound Beginnings' offers advice to all primary-level teachers who may not be specialists in the field of music. This book provides practical strategies for teaching children to perform, compose and appraise music of all kinds - offering ideas for five-minute activities as well as more extended classroom projects. In this book Richard Frostick gives the benefit of twenty years experience as a music teacher, advisor and inspector. / Niveau : Débutant / Répertoire / Matériel D'Orchestre

The Easiest Keyboard Collection is the best way to learn twenty Hot Hits from the current charts. Ideal for beginners, each song is arranged for all electronic Keyboards with an easy melody line, chord symbols, lyrics and lots more invaluable information.Featuring songs that are popular right now, the Easiest Keyboard Collection: Hot Hits will allow you to play songs like All About That Bass, Hold Back The River, Shake It Off, Take Me To Church and LunchMoney Lewis' fantastic Bills. Not only these, but some great tunes from popular films can be found inside, like Tegan and Sara's Everything Is AWESOME!!! from 'The Lego Movie' and Wiz Khalifa's emotional See You Again from the seventh 'Fast and Furious' instalment. As well as the large selection of popular songs, what makes this collection unique is the way it helps you to sound as close to the real thing as possible. Each song includes chord symbols, lyrics and suggested voice registration, rhythm and tempo. Not only this, but easy-to-read Keyboard diagrams are given at the beginning of each song so that you can instantly see the left-hand chord voicings used. The Hot Hits songbook also includes a wealth of useful information at the beginning that you can use to brush up on your general theory knowledge. With at-a-glance information about the grand staff, different note values, time signatures and key signatures with a handy note guide, the Easiest Keyboard Collection is the quickest way to learn a great selection of Hot Hits while getting better at the Keyboard at the same time.With 20 of the most popular Hot Hits and all the help you could want in sounding good, the Easiest Keyboard Collection makes learning popular tunes both fast and fun. / Clavier

A dozen hot contemporary hits are included in this collection perfect for budding instrumentalists. Instrumental Play-Along Chart Hits comes complete with online access to audio demonstration tracks for download or streaming, helping you to hear how the songs should sound and allowing you to play along.Songs include: All About That Bass, All of Me, Happy, Radioactive, Roar, Say Something, Shake It Off, A Sky Full of Stars, Someone like You, Stay with Me, Thinking Out Loud and Uptown Funk. / Clarinette