(Conductor's Score). By Peter Boonshaft and Chris Bernotas. Concert Band. For Co...(+)
(Conductor's Score). By
Peter Boonshaft and Chris
Bernotas. Concert Band.
For Conductor's Score.
Band Method;
Method/Instruction;
Score. Sound Innovations
Series for Band. 568
pages. Published by
Alfred Music Publishing
(Flute). By Peter Boonshaft and Chris Bernotas. Concert Band. For Flute. Band Me...(+)
(Flute). By Peter
Boonshaft and Chris
Bernotas. Concert Band.
For Flute. Band Method;
Book; Method/Instruction.
Sound Innovations Series
for Band. 56 pages.
Published by Alfred Music
Publishing
Volume 102 - Jerry Bergonzi "Sound Advice" by Jerry Bergonzi. Edited by Jamey Ae...(+)
Volume 102 - Jerry
Bergonzi "Sound Advice"
by Jerry Bergonzi. Edited
by Jamey Aebersold. For
any C, Eb, Bb, bass
instrument or voice.
Play-Along series with
accompaniment CD. Jamey
Aebersold Play-A-Long
series. Tasty
compositions from this
modern jazz tenor man,
Jerry Bergonzi..
Intermediate, advanced.
Book and CD. 76 pages.
Published by Jamey
Aebersold Jazz
(Includes: The Sound of Music). By Oscar Hammerstein and Richard Rodgers. Arrang...(+)
(Includes: The Sound of
Music). By Oscar
Hammerstein and Richard
Rodgers. Arranged by Jay
Dawson. Score and Parts.
Arrangers' Publ Marching
Band. Grade 3. Published
by Arrangers' Publishing
Company
(A Revolutionary Method for Individual or Class Instruction). By Aaron Stang and...(+)
(A Revolutionary Method
for Individual or Class
Instruction). By Aaron
Stang and Bill Purse. For
Guitar. Book; DVD; Guitar
Method or Supplement;
Method/Instruction. Sound
Innovations Series. 56
pages. Published by
Alfred Music
(E-Flat Alto Saxophone 2). By Peter Boonshaft and Chris Bernotas. Concert Band. ...(+)
(E-Flat Alto Saxophone
2). By Peter Boonshaft
and Chris Bernotas.
Concert Band. For E-Flat
Alto Saxophone 2. Band
Method; Book;
Method/Instruction. Sound
Innovations Series for
Band. 56 pages. Published
by Alfred Music
Publishing
SKU: HL.1458386 Team - 18 Month License for Single Projects. Sound...(+)
SKU: HL.1458386
Team - 18 Month
License for Single
Projects. Sound
Particles. Vault
Download. Hal Leonard
#1342-1003. Published by
Hal Leonard (HL.1458386).
Sound particles
is an immersive audio
software capable of
generating thousands
(even millions) of sounds
in a virtual 3D audio
world. Creating highly
complex sounds has never
been this quick. The
Ultimate 3D Audio
Software With Sound
Particles, you will take
the art of creating
sounds to a whole new
level. It doesn't matter
if you work on film,
videogames, TV or VR,
this audio software will
let you create everything
you can imagine. Create
Sounds Like Never Before
Sound Particles uses
computer graphics
techniques applied to
audio. Our software
combines particle systems
with a 3D Computer
Graphics-like engine.
That is why Sound
Particles is capable of
generating thousands of
sounds to create complex
sound effects, enriching
the audio results.
Immersive Audio With
Sound Particles, you can
create sounds in
virtually any output
format you can image:
mono, stereo, Ambisonics,
5.1, 7.1, Dolby Atmos
beds, Auro 3D, and many
more. New Audio Engine
The 2.1 update
incorporates a new audio
engine, responding to
real-time changes with
optimized iterations,
delivering the best audio
quality possible. Scale
Sound Particles opens the
door to the creation of
high-scale sounds. From
the sounds of thousands
of violins playing to the
sound of one million
people talking. Batch
Processing Create your
session and set Sound
Particles to output
hundreds of different
renders in one pass. This
feature makes mass
productions of sound
effects a reality.
Greatest Features Sound
Particles is something
completely different from
any other professional 3D
audio software that
exists today with batch
processing, CGI
integration, binaural
monitoring, and doppler
effect. Randomness We can
think of the sounds we
hear in the real-world as
random events. That is
why Sound Particles has a
randomized set of
parameters that you can
control in order to
create the most realistic
sounds. Postproduction
Use Sound Particles to
add depth and richness to
your sounds. Import
videos and match particle
system to exact events.
Unlimited Resources Sound
Particles doesn't have
any type of limitations
regarding the amount of
sounds you can use.
Import hundreds and
hundreds of audio files
to a particle system and
let them do the rest.
Track Presets Create and
save an infinite number
of track and microphone
settings, recall track
setups with just two
mouse clicks. Binaural
Monitoring Sound
Particles will let you
monitor binaural audio by
decoding any type of
audio format.
Indie (Perpetual
License). Sound
Particles. Vault
Download. Hal Leonard
#1342-1001. Published by
Hal Leonard (HL.1458384).
Sound particles
is an immersive audio
software capable of
generating thousands
(even millions) of sounds
in a virtual 3D audio
world. Creating highly
complex sounds has never
been this quick. The
Ultimate 3D Audio
Software With Sound
Particles, you will take
the art of creating
sounds to a whole new
level. It doesn't matter
if you work on film,
videogames, TV or VR,
this audio software will
let you create everything
you can imagine. Create
Sounds Like Never Before
Sound Particles uses
computer graphics
techniques applied to
audio. Our software
combines particle systems
with a 3D Computer
Graphics-like engine.
That is why Sound
Particles is capable of
generating thousands of
sounds to create complex
sound effects, enriching
the audio results.
Immersive Audio With
Sound Particles, you can
create sounds in
virtually any output
format you can image:
mono, stereo, Ambisonics,
5.1, 7.1, Dolby Atmos
beds, Auro 3D, and many
more. New Audio Engine
The 2.1 update
incorporates a new audio
engine, responding to
real-time changes with
optimized iterations,
delivering the best audio
quality possible. Scale
Sound Particles opens the
door to the creation of
high-scale sounds. From
the sounds of thousands
of violins playing to the
sound of one million
people talking. Batch
Processing Create your
session and set Sound
Particles to output
hundreds of different
renders in one pass. This
feature makes mass
productions of sound
effects a reality.
Greatest Features Sound
Particles is something
completely different from
any other professional 3D
audio software that
exists today with batch
processing, CGI
integration, binaural
monitoring, and doppler
effect. Randomness We can
think of the sounds we
hear in the real-world as
random events. That is
why Sound Particles has a
randomized set of
parameters that you can
control in order to
create the most realistic
sounds. Postproduction
Use Sound Particles to
add depth and richness to
your sounds. Import
videos and match particle
system to exact events.
Unlimited Resources Sound
Particles doesn't have
any type of limitations
regarding the amount of
sounds you can use.
Import hundreds and
hundreds of audio files
to a particle system and
let them do the rest.
Track Presets Create and
save an infinite number
of track and microphone
settings, recall track
setups with just two
mouse clicks. Binaural
Monitoring Sound
Particles will let you
monitor binaural audio by
decoding any type of
audio format.
Perpetual License.
Sound Particles. Vault
Download. Hal Leonard
#1342-1002. Published by
Hal Leonard (HL.1458385).
Sound particles
is an immersive audio
software capable of
generating thousands
(even millions) of sounds
in a virtual 3D audio
world. Creating highly
complex sounds has never
been this quick. The
Ultimate 3D Audio
Software With Sound
Particles, you will take
the art of creating
sounds to a whole new
level. It doesn't matter
if you work on film,
videogames, TV or VR,
this audio software will
let you create everything
you can imagine. Create
Sounds Like Never Before
Sound Particles uses
computer graphics
techniques applied to
audio. Our software
combines particle systems
with a 3D Computer
Graphics-like engine.
That is why Sound
Particles is capable of
generating thousands of
sounds to create complex
sound effects, enriching
the audio results.
Immersive Audio With
Sound Particles, you can
create sounds in
virtually any output
format you can image:
mono, stereo, Ambisonics,
5.1, 7.1, Dolby Atmos
beds, Auro 3D, and many
more. New Audio Engine
The 2.1 update
incorporates a new audio
engine, responding to
real-time changes with
optimized iterations,
delivering the best audio
quality possible. Scale
Sound Particles opens the
door to the creation of
high-scale sounds. From
the sounds of thousands
of violins playing to the
sound of one million
people talking. Batch
Processing Create your
session and set Sound
Particles to output
hundreds of different
renders in one pass. This
feature makes mass
productions of sound
effects a reality.
Greatest Features Sound
Particles is something
completely different from
any other professional 3D
audio software that
exists today with batch
processing, CGI
integration, binaural
monitoring, and doppler
effect. Randomness We can
think of the sounds we
hear in the real-world as
random events. That is
why Sound Particles has a
randomized set of
parameters that you can
control in order to
create the most realistic
sounds. Postproduction
Use Sound Particles to
add depth and richness to
your sounds. Import
videos and match particle
system to exact events.
Unlimited Resources Sound
Particles doesn't have
any type of limitations
regarding the amount of
sounds you can use.
Import hundreds and
hundreds of audio files
to a particle system and
let them do the rest.
Track Presets Create and
save an infinite number
of track and microphone
settings, recall track
setups with just two
mouse clicks. Binaural
Monitoring Sound
Particles will let you
monitor binaural audio by
decoding any type of
audio format.
Multi Percussion Ensemble; Mallet Percussion SKU: AP.47317 An Intermed...(+)
Multi Percussion
Ensemble; Mallet
Percussion
SKU:
AP.47317
An
Intermediate Method for
Individual or Group
Instruction. Composed
by Chris M. Bernotas and
Dave Black. Band Method;
Concert Band Resources;
MakeMusic Cloud;
Method/Instruction. Sound
Innovations: Sound
Percussion. Exercises for
Rhythm, Meter, Rudiments,
Rolls, Effects, and
Performance. Book and
Digital Download. 84
pages. Alfred Music
#00-47317. Published by
Alfred Music (AP.47317).
ISBN 9781470640811.
UPC: 038081541563.
English.
Part of
the Sound Innovations
family, Sound Percussion
fills the need for a
comprehensive percussion
method that provides a
clear progressions of
notes, rhythms, and
skills that can be used
for group or individual
lessons. Sound Percussion
has a clear and flexible
approach with plenty of
reinforcement. Books are
available: Teacher's
Score * Snare Drum and
Bass Drum * Mallet
Percussion * Timpani *
Accessory Instruments.
Sound Percussion
contains seven sections
covering everything from
setting up the
instruments to percussion
ensemble performance.
Sections include: Sound
Preparation * Sound
Rhythm * Sound Meter *
Sound Rudiments * Sound
Rolls * Sound Effects *
Sound Performance.
Directors can work
through the book(s)
progressively, or jump
from section-to-section
in order to address the
specific educational
needs of their students.
The mallet book, however
is more sequential by
nature of note
introduction.
Skills are
introduced with a
backward-by-design
approach. Learning goals
are first identified, and
then exercises are
logically designed with
obtainable steps that
lead you toward achieving
that goal. This is
particularly helpful for
mallet note recognition
and snare drum rolls.
Sound Percussion
is a comprehensive
resource that's perfect
for teaching your
students the fundamentals
necessary to becoming
well-rounded
percussionists. This
title is available in
MakeMusic Cloud.
Multi Percussion Ensemble; Orchestral Percussion SKU: AP.47319 An Inte...(+)
Multi Percussion
Ensemble; Orchestral
Percussion
SKU:
AP.47319
An
Intermediate Method for
Individual or Group
Instruction. Composed
by Chris M. Bernotas and
Dave Black. Band Method;
Concert Band Resources;
MakeMusic Cloud;
Method/Instruction. Sound
Innovations: Sound
Percussion. Exercises for
Rhythm, Meter, Rudiments,
Rolls, Effects, and
Performance. Book and
Digital Download. 84
pages. Alfred Music
#00-47319. Published by
Alfred Music (AP.47319).
ISBN 9781470640835.
UPC: 038081541587.
English.
Part of
the Sound Innovations
family, Sound Percussion
fills the need for a
comprehensive percussion
method that provides a
clear progressions of
notes, rhythms, and
skills that can be used
for group or individual
lessons. Sound Percussion
has a clear and flexible
approach with plenty of
reinforcement. Books are
available: Teacher's
Score * Snare Drum and
Bass Drum * Mallet
Percussion * Timpani *
Accessory Instruments.
Sound Percussion
contains seven sections
covering everything from
setting up the
instruments to percussion
ensemble performance.
Sections include: Sound
Preparation * Sound
Rhythm * Sound Meter *
Sound Rudiments * Sound
Rolls * Sound Effects *
Sound Performance.
Directors can work
through the book(s)
progressively, or jump
from section-to-section
in order to address the
specific educational
needs of their students.
The mallet book, however
is more sequential by
nature of note
introduction.
Skills are
introduced with a
backward-by-design
approach. Learning goals
are first identified, and
then exercises are
logically designed with
obtainable steps that
lead you toward achieving
that goal. This is
particularly helpful for
mallet note recognition
and snare drum rolls.
Sound Percussion
is a comprehensive
resource that's perfect
for teaching your
students the fundamentals
necessary to becoming
well-rounded
percussionists. This
title is available in
MakeMusic Cloud.
Multi Percussion Ensemble; Snare Drum SKU: AP.47318 An Intermediate Me...(+)
Multi Percussion
Ensemble; Snare Drum
SKU: AP.47318
An Intermediate Method
for Individual or Group
Instruction. Composed
by Chris M. Bernotas and
Dave Black. Band Method;
Concert Band Resources;
MakeMusic Cloud;
Method/Instruction. Sound
Innovations: Sound
Percussion. Exercises for
Rhythm, Meter, Rudiments,
Rolls, Effects, and
Performance. Book and
Digital Download. 84
pages. Alfred Music
#00-47318. Published by
Alfred Music (AP.47318).
ISBN 9781470640828.
UPC: 038081541570.
English.
Part of
the Sound Innovations
family, Sound Percussion
fills the need for a
comprehensive percussion
method that provides a
clear progressions of
notes, rhythms, and
skills that can be used
for group or individual
lessons. Sound Percussion
has a clear and flexible
approach with plenty of
reinforcement. Books are
available: Teacher's
Score * Snare Drum and
Bass Drum * Mallet
Percussion * Timpani *
Accessory Instruments.
Sound Percussion
contains seven sections
covering everything from
setting up the
instruments to percussion
ensemble performance.
Sections include: Sound
Preparation * Sound
Rhythm * Sound Meter *
Sound Rudiments * Sound
Rolls * Sound Effects *
Sound Performance.
Directors can work
through the book(s)
progressively, or jump
from section-to-section
in order to address the
specific educational
needs of their students.
The mallet book, however
is more sequential by
nature of note
introduction.
Skills are
introduced with a
backward-by-design
approach. Learning goals
are first identified, and
then exercises are
logically designed with
obtainable steps that
lead you toward achieving
that goal. This is
particularly helpful for
mallet note recognition
and snare drum rolls.
Sound Percussion
is a comprehensive
resource that's perfect
for teaching your
students the fundamentals
necessary to becoming
well-rounded
percussionists. This
title is available in
MakeMusic Cloud.
Multi Percussion Ensemble; Snare Drum; Mallet Percussion; Orchestral Percussion ...(+)
Multi Percussion
Ensemble; Snare Drum;
Mallet Percussion;
Orchestral Percussion
SKU: AP.47315
An Intermediate Method
for Individual or Group
Instruction. Composed
by Chris M. Bernotas and
Dave Black. Band Method;
Concert Band Resources;
MakeMusic Cloud;
Method/Instruction. Sound
Innovations: Sound
Percussion. Exercises for
Rhythm, Meter, Rudiments,
Rolls, Effects, and
Performance. Book and
Digital Download. 280
pages. Alfred Music
#00-47315. Published by
Alfred Music (AP.47315).
ISBN 9781470640798.
UPC: 038081541549.
English.
Part of
the Sound Innovations
family, Sound Percussion
fills the need for a
comprehensive percussion
method that provides a
clear progressions of
notes, rhythms, and
skills that can be used
for group or individual
lessons. Sound Percussion
has a clear and flexible
approach with plenty of
reinforcement. Books are
available: Teacher's
Score * Snare Drum and
Bass Drum * Mallet
Percussion * Timpani *
Accessory Instruments.
Sound Percussion
contains seven sections
covering everything from
setting up the
instruments to percussion
ensemble performance.
Sections include: Sound
Preparation * Sound
Rhythm * Sound Meter *
Sound Rudiments * Sound
Rolls * Sound Effects *
Sound Performance.
Directors can work
through the book(s)
progressively, or jump
from section-to-section
in order to address the
specific educational
needs of their students.
The mallet book, however
is more sequential by
nature of note
introduction.
Skills are
introduced with a
backward-by-design
approach. Learning goals
are first identified, and
then exercises are
logically designed with
obtainable steps that
lead you toward achieving
that goal. This is
particularly helpful for
mallet note recognition
and snare drum rolls.
Sound Percussion
is a comprehensive
resource that's perfect
for teaching your
students the fundamentals
necessary to becoming
well-rounded
percussionists. This
title is available in
MakeMusic Cloud.
Multi Percussion Ensemble; Other Percussion SKU: AP.47316 An Intermedi...(+)
Multi Percussion
Ensemble; Other
Percussion
SKU:
AP.47316
An
Intermediate Method for
Individual or Group
Instruction. Composed
by Chris M. Bernotas and
Dave Black. Band Method;
Concert Band Resources;
MakeMusic Cloud;
Method/Instruction. Sound
Innovations: Sound
Percussion. Exercises for
Rhythm, Meter, Rudiments,
Rolls, Effects, and
Performance. Book and
Digital Download. 88
pages. Alfred Music
#00-47316. Published by
Alfred Music (AP.47316).
ISBN 9781470640804.
UPC: 038081541556.
English.
Part of
the Sound Innovations
family, Sound Percussion
fills the need for a
comprehensive percussion
method that provides a
clear progressions of
notes, rhythms, and
skills that can be used
for group or individual
lessons. Sound Percussion
has a clear and flexible
approach with plenty of
reinforcement. Books are
available: Teacher's
Score * Snare Drum and
Bass Drum * Mallet
Percussion * Timpani *
Accessory Instruments.
Sound Percussion
contains seven sections
covering everything from
setting up the
instruments to percussion
ensemble performance.
Sections include: Sound
Preparation * Sound
Rhythm * Sound Meter *
Sound Rudiments * Sound
Rolls * Sound Effects *
Sound Performance.
Directors can work
through the book(s)
progressively, or jump
from section-to-section
in order to address the
specific educational
needs of their students.
The mallet book, however
is more sequential by
nature of note
introduction.
Skills are
introduced with a
backward-by-design
approach. Learning goals
are first identified, and
then exercises are
logically designed with
obtainable steps that
lead you toward achieving
that goal. This is
particularly helpful for
mallet note recognition
and snare drum rolls.
Sound Percussion
is a comprehensive
resource that's perfect
for teaching your
students the fundamentals
necessary to becoming
well-rounded
percussionists. This
title is available in
MakeMusic Cloud.
SKU: HL.147347 LOGITECH. Hal Leonard #989-000152. Published by Hal Leonar...(+)
SKU: HL.147347
LOGITECH. Hal Leonard
#989-000152. Published by
Hal Leonard (HL.147347).
UPC: 097855113825.
3.75x4.75x2.75
inches.
In-ear
monitors are becoming
more and more ubiquitous
every day and wireless
hardware systems are
coming down in price,
opening the market to a
wide range of users, some
fairly sophisticated
about audio and other not
so knowledgeable. In the
hands of a trained pro
monitor mixer who
understands the needs and
limitations of IEM
systems (and users) the
need for an in-line brick
wall protection limiter
may not be so important.
However, at any gig - at
any level - stuff does
happen, although
hopefully less frequently
as you get up the
production food chain,
but when a show is live,
sometimes all bets are
off. Examples of
transient high-level
audio glitches can
include unexpected sound
spikes that occur from
microphone drops, audio
feedback, incorrect
volume settings, pulling
the plug on a condenser
mic when it's powered up
and any other sound
hazards that may occur
during a performance.
Unfortunately, when
you're wearing a set of
in-ears, you may be
guaranteed an up-close
and personal front row
seat to that spike or
sudden sound blast, which
is anything but pleasant.
And that's exactly what
the Sound Guard from
Ultimate Ears Pro is
designed to protect from.
With the UE Pro Sound
Guard, artists receive
protection from
unexpected sound spikes
that occur from
microphone drops, audio
feedback, incorrect
volume settings and other
sound hazards that may
occur while performing or
recording. So far, so
good; but there's more
going on here. Matching
impedance of balanced
armatures with multi-way
crossovers can be complex
and certain personal
monitoring/mixing systems
don't handle such IEM
designs - from any
manufacturer - very well.
Beyond its protection
duties, Sound Guard also
functions as an audio
buffer that provides
variable impedance
matching from the source
device to your balanced
armature IEM earpieces
(such as the UE Pro line)
for enhanced dynamic
range and improved sound
quality. And although
Sound Guard is intended
specifically for those UE
Pro IEM's, it can
function with any
balanced armature design.
Housed in a compact
2-by-2-inch plastic box
that's about a half-inch
thick, the Sound Guard
definitely gets points
for being compact. There
are two 1/8-inch stereo
TRS jacks (input and
output) on either side of
the unit, which connect
in-line via an included
6-inch TRS patch cable to
your IEM receiver (or
hardwire personal mixer),
with the output jack
going to your earpieces.
The Sound Guard box has a
recessed on/off switch
and two LED's to indicate
power-on and
batterycondition.
SKU: HL.3710490 18-inches. Paiste Cymbals. General Merchandise. Ha...(+)
SKU: HL.3710490
18-inches. Paiste
Cymbals. General
Merchandise. Hal Leonard
#1932618. Published by
Hal Leonard (HL.3710490).
UPC: 697643115033.
18.0x18.0x0.103
inches.
Series
Description: Paiste first
pioneered color coated
cymbals with COLORSOUND 5
in 1984 as a means for
artistic expression
during the time period
when popular music became
visual in music videos on
television. In the 1990s
VISIONS made an
appearance, and in recent
years certain Artist
Inspiration models
feature color coating
– Stewart
Copeland's Blue Bell
Ride, Aquiles Priester's
Giga Bell Ride and Danny
Carey's Dry Heavy Ride.
Throughout, the Color
Sound finish was
available for custom
orders, including cymbals
featured by international
top artists Joey
Jordison, Tico Torres and
Paul Bostaph. With Color
Sound 900 Paiste launches
the latest incarnation in
the color cymbal saga.
Color Sound 900 cymbals
are based on the range of
models in the
concurrently launched 900
Series. While they
feature essentially
corresponding sound and
function, the color
coating causes a slightly
drier sound, shortens the
sustain a bit, and
results in a more focused
attack. Significantly,
the same flexibility and
giving feel as in the 900
Series is present.
Extensive research and
design efforts have
resulted in the most
stunningly beautiful
finishes: luminous
translucent colors
preserve the natural
appearance of grooves and
hammer marks and present
a vibrantly radiant
appearance. Notably,
decades of experience
have proven the Color
Sound finish to be
exceedingly tough and
durable – the
finish will not ever
crack, chip or peel.
Size: 18-inches Weight:
Medium thin Volume:
Medium to loud Stick
Sound: Washy, trashy
Intensity: Lively
Sustain: Medium Bell
character: Integrated
Sound character: Fairly
dark, energetic. Medium
wide range, complex mix.
Explosive, shattering
crash. Exotic stick sound
over a complex, trashy
wash. Assertive china for
exotic effects. While
Color Sound 900 feature
essentially the same
sound and function as the
900 Series, the color
coating causes a slightly
drier sound, shortens the
sustain a bit, and
results in a more focused
attack.
SKU: HL.3710104 14-inches, pair. Paiste Cymbals. General Merchandi...(+)
SKU: HL.3710104
14-inches, pair.
Paiste Cymbals. General
Merchandise. Hal Leonard
#683114. Published by Hal
Leonard (HL.3710104).
UPC: 697643304819.
14.0x14.0x0.355
inches.
Series
Description: Paiste Sound
Technology stands for
first-class manufactured
cymbals and high quality
sound design at an
affordable price. PST5 is
the entry to Paiste's
world of bronze cymbals
and since its
introduction in 2005, it
continues to be a best
seller. Considering
recent musical trends,
the PST5 was newly
designed by our Swiss
Sound Development Team.
Visually the PST5 were
consciously altered only
in detail but their
fundamental sonic value
changed considerably. The
cymbals are lighter
resulting in a deeper,
warmer sound while
preserving its bright
basic character. They
have increased
flexibility resulting in
a more appealing feel.
Overall the new PST5 is
significantly more
musical. PST 5 Sound Edge
Hats: Size: 14″
Weight: medium top/heavy
bottom Volume: low to
loud Stick Sound: bright,
dry Intensity: lively
Sustain: medium Chick
Sound: pronounced, sharp
Sound Character: Bright,
cutting, strong. Medium
wide range, clean mix.
Even, giving feel.
Bright, strong open
sound. Defined, cutting
chick sound. Versatile
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Cantata for the 14th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
German title: Es ist
nichts Gesundes an meinem
Leibe. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1723. BWV 25.
Duration 16 minutes.
Carus Verlag #CV
31.025/19. Published by
Carus Verlag
(CA.3102519).
ISBN
9790007136031. Language:
German/English.
Thi
s cantata for the 14th
Sunday after Trinity was
composed in August 1723
and is from Bach's first
cycle of cantatas for
Leipzig. It is
distinguished by its
unique opening chorus,
which is a four-part
choral fugue with
independent instrumental
parts in which Bach has
interwoven a four-part
chorale (Herzlich tut
mich verlangen) played by
the winds. This is an
artistic combination
which expands to as many
as ten real parts. The
second aria Offne meinen
schlechten Liedern, is
distinguished by an
unusual instrumental
coloring in which the
soprano and the strings,
supported by the oboes,
are joined by 3
recorders. The edition is
the product of a new
evaluation of the source
situation (see
Bach-Jahrbuch 2006).
Score and parts available
separately - see item
CA.3102500.
Cantata for the 14th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Study
score. Composed 1723. BWV
25. 40 pages. Duration 16
minutes. Carus Verlag #CV
31.025/07. Published by
Carus Verlag
(CA.3102507).
ISBN
9790007092931. Language:
German/English.
Thi
s cantata for the 14th
Sunday after Trinity was
composed in August 1723
and is from Bach's first
cycle of cantatas for
Leipzig. It is
distinguished by its
unique opening chorus,
which is a four-part
choral fugue with
independent instrumental
parts in which Bach has
interwoven a four-part
chorale (Herzlich tut
mich verlangen) played by
the winds. This is an
artistic combination
which expands to as many
as ten real parts. The
second aria Offne meinen
schlechten Liedern, is
distinguished by an
unusual instrumental
coloring in which the
soprano and the strings,
supported by the oboes,
are joined by 3
recorders. The edition is
the product of a new
evaluation of the source
situation (see
Bach-Jahrbuch 2006).
Score available
separately - see item
CA.3102500.
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
14 Signature Precision Sound Edge Hi-Hat Top SKU: HL.3710608 14-inches...(+)
14 Signature Precision
Sound Edge Hi-Hat Top
SKU: HL.3710608
14-inches. Paiste
Cymbals. General
Merchandise. Hal Leonard
#4103214. Published by
Hal Leonard (HL.3710608).
UPC: 697643111325.
0.081
inches.
Series
Description: The
“Precisionâ€
series is created using
Paiste's proprietary
Signature Alloy, and
features the typical
hallmarks of Paiste's
original Signature sound
- brightness, fullness,
strong presence and
projection, with
brilliant musicality. A
particular quality of the
Signature
“Precisionâ€
is its clean and focused
character in combination
with a very articulate,
straight-ahead sound. The
finish of Signature
“Precisionâ€
purposely follows the
tradition established by
the original Signature
series. Fans of the
original Signature sound,
look and feel will thus
find these cymbals a
compelling choice for
their cymbal sets.
“The goal for the
Signature 'Precision' was
to create a more
affordable Signature
sound. We specifically
researched and designed
the manufacturing process
to achieve that goal.
Part of the success of
this project is the
incredible sound potency
that already exists
within the Signature
Alloy.†-Erik
Paiste Size: 14″
Volume: Medium Weight:
Medium Sound character:
Bright, cutting,
brilliant with a warm
touch. Wide range, clean
mix. Quick, responsive
feel. Sharp open sound,
strong, cutting chick
sound. Piercing hi-hat
for articulate, precise
playing.
14-inches. Paiste
Cymbals. General
Merchandise. Hal Leonard
#4103314. Published by
Hal Leonard (HL.3710609).
UPC: 697643111332.
14.0x14.0x0.077
inches.
Series
Description: The
“Precisionâ€
series is created using
Paiste's proprietary
Signature Alloy, and
features the typical
hallmarks of Paiste's
original Signature sound
- brightness, fullness,
strong presence and
projection, with
brilliant musicality. A
particular quality of the
Signature
“Precisionâ€
is its clean and focused
character in combination
with a very articulate,
straight-ahead sound. The
finish of Signature
“Precisionâ€
purposely follows the
tradition established by
the original Signature
series. Fans of the
original Signature sound,
look and feel will thus
find these cymbals a
compelling choice for
their cymbal sets.
“The goal for the
Signature 'Precision' was
to create a more
affordable Signature
sound. We specifically
researched and designed
the manufacturing process
to achieve that goal.
Part of the success of
this project is the
incredible sound potency
that already exists
within the Signature
Alloy.†-Erik
Paiste Size: 14″
Volume: Medium Weight:
Medium Sound character:
Bright, cutting,
brilliant with a warm
touch. Wide range, clean
mix. Quick, responsive
feel. Sharp open sound,
strong, cutting chick
sound. Piercing hi-hat
for articulate, precise
playing.
Composed by Richard Rodgers and Oscar Hammerstein. Arranged by Hans-Gunther K...(+)
Composed by Richard
Rodgers
and Oscar Hammerstein.
Arranged by Hans-Gunther
Kolz. Accordion. Set
(Score and
Parts). Composed 2009.
Hal
Leonard #1653-09-060 DHE.
Published by Hal Leonard
SKU: HL.347642 15-inches. Paiste Cymbals. General Merchandise. Hal...(+)
SKU: HL.347642
15-inches. Paiste
Cymbals. General
Merchandise. Hal Leonard
#1043115. Published by
Hal Leonard (HL.347642).
UPC: 697643110472.
15.0x15.0x0.126
inches.
Formula 602
Classic Sounds is one of
the world's most
preferred and legendary
cymbal lines in history.
Renown and loved for its
fine, pure, soft,
delicate musical tone,
that requires precise
playing. Reintroduction
of the most popular
models, faithfully
re-created in terms of
sound and look, started
in 2011. Forged from the
legendary “602
Bronze†(CuSn20),
handcrafted from start to
finish by highly skilled
Swiss craftsmen, Formula
602 Classic Sounds
cymbals produce a true,
pure sound of unique
clarity and consistency.
Weight: medium top/medium
bottom Volume: medium low
to medium loud Stick
Sound: soft, fairly dry
Intensity: lively
Sustain: medium Chick
Sound: airy, light,
papery Sound Character:
Rich, silvery, somewhat
mellow. Wide range,
fairly complex mix. Quick
and responsive feel with
a soft and warm touch.
Very controllable. Full,
round and energetic open
sound, paired with a
light and airy chick
sound. Ideal for playing
at moderate volume level
and a wide range of
studio applications.
SKU: HL.321276 Instructional DVD on Live Sound. DVD. Recording/Mus...(+)
SKU: HL.321276
Instructional DVD on
Live Sound. DVD.
Recording/Music Business.
DVD. Published by Hal
Leonard (HL.321276).
UPC: 884088620707.
5.25x7.5
inches.
Your
Sound is a
comprehensive 90-minute
instructional DVD
showcasing live sound
– made easy. Join
Dave “Mighty
Mouse” West as he
takes you on a tour of
his world. Here he will
show you some of the best
techniques in both
concert and theatrical
sound. Whether you are in
your garage or in a house
of worship, these tricks
of the trade are sure to
help you improve your
skills.
Do you
have trouble hearing the
vocals? How about the
instruments? Does the
band complain that they
can't hear as well? With
easy to understand
analogies and hands on
demonstrations you will
see how to solve these
problems
yourself.
Is that
pesky feedback...back?
You don't have to be a
seasoned sound person to
restore peace to the
stage. Your Sound
is an ultimate teaching
tool and is a must-have
for schools, houses of
worship, theaters, clubs,
studios or even the
garage. The DJ and
karaoke scene are sure to
benefit as
well.
Musicians,
are you having trouble
speaking the same
language as your
engineer? Then this video
is also perfect for you.
A good gig is a 50/50
split between tech crew
and talent. Knowledge is
a key to success and
Your Sound is a
master key.
West
has over 25 years of
experience in the
business of live
entertainment spanning
from his garage to the
fair and festival
circuit. He has also
worked with international
touring dance and
theatrical companies as
well as, some of the
biggest names in
music.
Audio Fundamentals Livre - Pas de partitions [Livre + DVD] Alfred Publishing
(Signal Flow -- Fundamental Tools of Sound Production). By Matt Donner, Steve He...(+)
(Signal Flow --
Fundamental Tools of
Sound Production). By
Matt Donner, Steve
Heithecker, and George
Peterson. Book; Books and
DVDs; DVD;
Method/Instruction; Pro
Audio; Pro Audio
Textbook; Reference
Textbooks. Pyramind
Training Series. 248
pages. Published by
Alfred Music Publishing